• 패션비즈니스
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• 제24권2호
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• pp.136-153
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• 2020

In the second half of the twentieth century, fashion shows were a long-standing promotional medium and changed form and styles as times changed. In the past, if a model were on the stage simply to showcase a brand's work, the stage would have been transformed into a more active space, displaying various performances or seasonal themes combined with art. Then in the 2000s, there was an increasing number of instances when the global fashion industry of used figurative objet in organizing a fashion show's stage. In particular, because fashion shows require audience response and satisfaction, producing displays using objet is an effective marketing method. In the early 2000s, many brands were already introducing runway displays using objet, and these cases are expected to increase further in the future. This collection of 23 ready-to-wear models, which constituted the runway display, was by utilizing the objet more than five times from the 485 brands listed in Vogue's runway category. Based on our previous research, we classified the objet expressive characteristics as reproducibility, simplicity, non-artificiality, and fantasy. Among the 207 collections that we analyzed, the collection that utilized objet in its runway display had 170 circuits. Using objet in the runway display leverages visual language which allows one to communicate the season's concept, brand identity, and desired message more easily. Futhermore, it was spatially expressed to create feeling of satisfaction.

• 패션비즈니스
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• 제24권2호
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• pp.32-43
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• 2020

The purpose of this study is to analyze the granny look of the new-tro trend via Alessandro Michele's Gucci collection and to provide a reference standard for future design developments by identifying the representation of the granny look. To analyze the new-tro trend and the granny look, basic concepts were analyzed through aesthetic and art books and the photographic data were collected through Internet sites. A total of 186 fashion images were considered as granny look by five clothing experts. The images were subdivided into silhouettes and items, materials, patterns, and colors to analyze the modeling factors and identify the intrinsic inner meaning based on the theory of Nostalgia. The analysis showed that the silhouette was expressed naturally without exaggeration or shrinkage. The thermosetting materials included fur, velvet, knit and quilted materials, while the colors showed raw and faded shades based on the use of natural colors. The patterns were mostly natural, such as flowers, leaves, and stalks, which were aimed at nature. The inner meaning of the granny look is based on the theory of Nostalgia, primarily because it is an emotional fairy tale and second, it reflected the sessions of nature. Also, it is a reinterpretation of the narrative. In conclusion, the academic and fashion industries need to understand the various emerging trends in accordance with the social and cultural backgrounds to derive a positive benefit.

• 패션비즈니스
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• 제24권4호
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• pp.117-129
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• 2020

Just as the name 'aesthetics' implies, the meaning of 'aisthesis' or 'sense' in Greek, is perceived as an important element in modern social design. Gilles Deleuze emphasized sensory expression over the rational side of the body, and argued for sensory theory, which is the theory of how painting produces new senses. The purpose of this study was to theoretically examine the sensory theory of Deleuze, which has given new value to the senses, apply it to analyze the body expression method shown in the Iris van Herpen collection, and derive its aesthetic characteristics. In his sensory theory, Deleuze argued that the senses can be expressed by the embodiment of force and rhythm, and one can only create art through the senses. To develop one's philosophical logic through Bacon's painting, we divided it into Hysteria, Cops sans organs, Diagram, Becoming, and Paired figures. Based on these analyses, the visualization of the senses in Iris van Herpen fashion resulted in hysteria, organ-free body, diagrams, and heterogeneity combinations. Analysis of the method of expression revealed rhythmicity, atypicality, scalability, and reproducibility as expression characteristics. Applying Deleuze's sensory theory to access experimental Iris van Herpen's fashion could confirm that there was an open system's accessibility. Deleuze's sensory theory, which has given a new value to the senses, will further help to understand modern fashion design in a wide and diverse way and discover the intrinsic value within it.

• 한국정보통신학회:학술대회논문집
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• 한국정보통신학회 2017년도 춘계학술대회
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• pp.207-209
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• 2017

새로운 기술인 3D 프린팅 기술은 신속한 개발 및 상대적으로 성숙한 기술 산업이 되었다. 오늘날 3D 프린팅은 작업의 모든 단계에 적용된다. 3D 프린팅 모델의 사용뿐만 아니라 빠른 형성, 그리고 정확도가 매우 높다. 급속히 발전한 3D 프린팅 기술이 스톱모션 애니메이션에 적용되면서 스톱모션 애니메이션 분야는 더울 풍부하게 발전 할 뿐만 아니라 새로운 기술과 기존 예술과 완벽하게 융합되는 것을 알 수 있다. 스톱모션 애니메이션의 개발에서 우리는 혁신으로서 3D 프린팅 및 전통적인 스톱모션 애니메이션 통합, 스톱모션 애니메이션에 적용된 스톱모션 애니메이션 제작 과정 및 제작을 이해해야한다. 멀티레벨, 멀티 앵글로 특성을 탐구하고, 스톱모션 애니메이션의 예술 형식을 바꾸어야 한다. 스톱모션 애니메이션을 제작할 때 이제는 3D 프린팅의 장점이 그 어느 분야 보다 돋보인다.

• 한국융합학회논문지
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• 제12권1호
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• pp.225-230
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• 2021

현대의 주거단지는 공원을 비롯해 호수, 산책로 등 가족과 이웃의 다양한 만남과 소통의 장으로 활용되는데, 더불어 주거 공간에 조형물을 전시하는 것이 하나의 구성요소로 조성되고 있다. 연구자는 이러한 시대요구에 맞춰 주거 공간에 전시하는 조형물의 디자인 전개 방법을 연구하는 목적으로 연구를 진행하였다. 작가의 생각과 메시지를 조형물에 넣음과 함께 관람하는 사람들도 공감할 수 있는 조형물디자인 하기 위해 디자인과정에 비유법을 활용한 은유, 유추방법과 작가의 생각이 공유될 수 있도록 동물형상과 단순화된 디자인을 전개하고, 금속과 돌을 사용하여 조형물의 형태로 완성하였다. 이러한 디자인 조형연구를 통해 거주공간이라는 특수한 장소에 작가의 생각과 관람자 모두가 함께 공감할 수 있는 조형물을 완성할 수 있었으며, 조형물이 하나의 예술분야로서 특수한 장소에 다양한 시각적 요인인 비유적 시각화 방법을 통해 형태화할 수 있는 가능성을 알 수 있었으며, 향후 지속적인 연구로서, 다양한 비유의 시각적 조형화에 대한 연구가 요구된다.

• 한국융합학회논문지
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• 제13권4호
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• pp.227-232
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• 2022

본 논문은 다원화하고 있는 현대 도예에 분야에서 퍼포펀스와 융합한 작품들에 주목하며 도예 퍼포먼스 작품이 담고 있는 수행적 표현과 의미를 연구 및 분석하였다. 이에 미켈 바르셀로, 요제프 나즈, 이강효, 테리 프레임, 제이제이 맥크라켄의 도예 퍼포먼스 작품들을 분석한 후 퍼포먼스의 수행성과 효과에 대하여 알아본다. 연구 결과 도예 퍼포먼스는 점토를 이용한 신체적 행위를 통해 일반적인 도예 작품에서 보여주는 표현 형식과 제작과정을 넘어서는 확장성을 보여준다. 또한 행위자의 실시간 공연으로 사건을 만들어가는 과정적 체현으로 작가와 관객이 서로 관계하는 열린 구조를 통해 기존과 다른 방식의 해석과 이해를 할 수 있게 하였다. 타 매체와의 융합적 시도는 현대 도예에서 탈경계성을 함의하며 새로운 영역으로의 확장 가능성을 보여준다. 이것으로 공예적 특성이 강한 도예 분야의 관념적 틀을 깨는 긍정적 영향을 기대한다.

• 문화기술의 융합
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• 제9권1호
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• pp.75-81
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• 2023

본 연구는 창업의 지각된 가치와 지각된 위험이 예술전공 대학생의 창업의도에 미치는 영향을 알아보고 부모·형제의 창업경험과 세부전공에 따른 창업의도 정도의 차이를 분석하였다. 연구결과 창업의 지각된 가치는 창업의도에 유의한 영향을 주는 것으로 나타났으며 창업의 지각된 위험의 구성요인 중에서 재무적 위험은 창업의도에 유의한 영향을 주지만 사회적 위험요인과 경력 위험요인은 유의한 영향을 주지 않는 것으로 나타났다. 또한, 예술계열의 세부전공 중에서 공예전공 대학생은 다른 전공에 비하여 창업의도가 높은 것으로 나타났고 부모·형제의 창업을 간접적으로 경험한 대학생이 그렇지 않은 대학생에 비하여 창업의도가 높으며 부모·형제의 창업경험 유무는 창업의 지각된 가치와 지각된 위험이 창업의도에 미치는 영향관계에서 조절효과를 갖는 것으로 나타났다.

• 패션비즈니스
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• 제26권1호
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• pp.1-15
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• 2022

Digital transformation has induced changes in human life patterns; consumption patterns are also changing to digitalization. Entering the era of industry 4.0 with the 4th industrial revolution, it is important to pay attention to a new paradigm in the fashion industry, the shift from developer-centered to user-centered in the era of the 3rd industrial revolution. The meaning of storing users' changing life and consumption patterns and analyzing stored big data are linked to consumer sentiment. It is more valuable to read emotions, then develop and distribute products based on them, rather than developer-centered processes that previously started in the fashion market. An AI(Artificial Intelligence) deep learning algorithm that analyzes user emotion big data from user experience(UX) to emotion and uses the analyzed data as a source has become possible. By combining AI technology, the fashion industry can develop various new products and technologies that meet the functional and emotional aspects required by consumers and expect a sustainable user experience structure. This study analyzes clear and useful user experience in the fashion industry to derive the characteristics of AI algorithms that combine emotions and technologies reflecting users' needs and proposes methods that can be used in the fashion industry. The purpose of the study is to utilize information analysis using big data and AI algorithms so that structures that can interact with users and developers can lead to a sustainable ecosystem. Ultimately, it is meaningful to identify the direction of the optimized fashion industry through user experienced emotional fashion technology algorithms.

• 한국의류산업학회지
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• 제25권6호
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• pp.732-738
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• 2023

This study delves into the realm of upcycling beauty design by repurposing discarded CDs, magazines, and fabrics. The study outlines a meticulous process for transforming waste into beauty designs. We created three upcycling beauty design works as part of this investigation. The first creation, called Silver Leaf, uses the silver section of CDs to craft leaves and stems. Achromatic colors are used as makeup to achieve cyber-inspired imagery. After carrying out silver-gray eye makeup, the lips were completed by affixing a CD component. The second creation is a firebird crafted by cutting or folding fashion magazines to create essential items. The colorful firebird image was completed using vivid color makeup of shades such as red and yellow. After proceeding with red eye makeup, the lips were completed by cutting and pasting magazine cutouts. The third piece is a spring flower, which involved selectively cutting lace patterns to complete a beauty design extending from head to face. The colors are spring-themed and encompass pink, yellow, and blue. Pink, blue, and green eyeshadows were applied on the lace, attached from head to face, chest, and lips. This study advocates for the prospect of upcycling beauty design using sustainable materials by repurposing waste resources. It also introduces the possibilities of creative activities in this field through upcycling. The study aims to play a role in changing the perception of environmental conservation, a concern of our times, through the use of sustainable resources.

• 디자인학연구
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• 제2권1호
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• pp.13-41
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• 1989

The raw materials for plant-stalk-folkcrafts are cultivated in the whole country. Most Korean farmers, to increase their income, have produced mats and containers with various plants as a side line from very long ago. At first, they began from the instruments of life and then made folkart and at last get to manu\ulcornerfacturing of industrial folk craft. The folkcrafts, made of plant-stalk, which could nor conform to changing society, are partly declined and partly handed down as the traditions. The social change today, however, makes living conditions more speedy and multisided, accordingly the characteristics of demand also become in\ulcornerdividual and various. While the demend is various like this, suppliers cannot answer demendants' requirements, and consequently, the demand and profit cannot be increased. According to this, the purpose of this study is set up to give an answer to the situation that is at the traditional standstill, through an examination of the motives. I. The crafts of plant-stalk are made only in an organized relationship between agriculture, industry and art as it is compounded art of gathering raw material, manufacturing, producing, improv\ulcornering design and production conditions. It may be possible that a farmer gathers material and weaves it manually but in others, it is im\ulcornerpossible to refine, bleach and dye because the process requires a professional industrial treatment. It is impossible to make art works to a farmer as every farner does not always have aesthetic sense. Though a farmer or producer has these all abilities, it is not desirable to him from economical view. 2. The development or improvement is essential in many sides but the most important thing seems to he in design. According to reports, it is, howevt!r, fact that the crafts improved in design of existing works have more expanded the sales than newly developed works. Therefore, ir appears advisable to improve designs of existing things positively as they have merit of occupying a position already, but on the other hand, new crafts have to be also developed and the producer should grasp the proper time. 3. Building up an industrial complex to improve design with collecting the producing districts for this works scattered allover the country is very desirable for speedy communication, intensive educa\ulcorner tion or training, and effective guidance. 4. In producing for export abroad, before everything, must know the life environment, custom! and manners, main thought of the country, and then produce according to these. S. The crafts of plant-stalk are the fIrst industry in present but in the futher it should change intc second or third industry. 6. A synethetic organization for supporting side line should be established for effectiveness, and experts have to be secured and also the educational-industrial complex and activation of study should be preceded.