• Korean Institute of Interior Design Journal
• /
• v.16 no.2 s.61
• /
• pp.209-216
• /
• 2007

Some may call Peter Marine as 'an ego-less architect', or 'palace maker' due to his designs or attitudes that appearantly please world's most well known clients. However, his eclectic taste and artistic expressions combined with his minimal and abstract architectural approaches are being recognized in many places globally, especially in many fashion brand stores such as Channel, Louis Vuitton, Christian Dior, and Fendi. Born and educated in U.S., Peter Marino designs are influenced by two most famous designers of our modern art history Andy Warhol and Jean-Micheal Franks, that are obvious in his traditionally modern French style designs and abstract expressions. The current study introduces Peter Marine designs through analyses of Channel and Louis Vuitton. The objectives are to understand the designer and find patterns in his brand store designs that has made him now one of the most famous fashion store designers. Educational, social, and personal interest were found to strongly form his design characteristics and four main characteristics were identified by the researcher that are use of LED lightings, emphasis on vortical circulations, graphical application of brand identities, and repetition of simple geometric forms.

• Journal of the Korean Society of Costume
• /
• v.57 no.2 s.111
• /
• pp.155-171
• /
• 2007

Exaggerated expressions of contemporary fashion have exceeded historical precedents in volume. The purpose of this study is to understand the aesthetic characteristics of expanded form In contemporary fashion. To take dresses beyond their flat shapes into three-dimensional forms, it was investigated into volume of dresses by using the void and the mass. The void Is rarefied space and the mass is densified space. The void of dresses could be constructed from the boning such as panier and stiff textiles as organza lining. The mass could be constructed from padding. Fold, pleats, twist, and the layering of fabrics show features of both the void and the mass. Contemporary fashion designers relied on the void rather that the mass to make the enormous volume because of the weight of the mass. X-silhouette and the expansion of skirt and sleeve were dominant as the result of accentuating the body with a waistline. However, many of expanded dresses were so voluminous that they obscured the body's outlines. Some forms were strange and shocking. Many designers explored the void and there were a multitude of methods to construct the void: compartments of air, architectural techniques, technical textiles, fold such at origami. The aesthetic consciousness of expanded dresses could be classified into 7 categories, the giant, the dynamic, the deconstructive, the historical, the comedic, the rhythmical, and the technical character.

• Korean Journal of Computational Design and Engineering
• /
• v.18 no.5
• /
• pp.338-347
• /
• 2013

Since it is common that design BIM data created by designers and engineers do not afford to consider constructability for the site, it is usually necessary to optimize the design BIM data to construction BIM data. While this optimization process requires various design updates depending on the construction methods and requirements, most designers in the projects do not participate the construction phase, which can arise another obstacle factor in utilizing construction BIM. In order to prevent this issue, we need cooperation system, where all the parties work together from the initial stage of project to create quality assured BIM model. However this kind of system is not realistic in Korea with most of the working processes being conventional yet. Therefore, at this point of time, it is realistic for us to secure basic construction qualities in the design phase and keep those qualities by the construction phase. This study suggested a relevant quality management plan for BIM usage in construction phase.

• KIEAE Journal
• /
• v.15 no.5
• /
• pp.95-105
• /
• 2015

Purpose: This paper presents a framework development for BIM (Building Information Modeling)-based OOPM (Object-Oriented Physical Modeling) for Building Thermal Simulation. The framework facilitates decision-making in the design process by integrating two object-oriented modeling approaches (BIM and OOPM) and efficiently providing object-based thermal simulation results into the BIM environment. Method: The framework consists of a system interface between BIM and OOPM-based building energy modeling (BEM) and the visualization of simulation results for building designers. The interface enables a BIM models to be translated into OOPM-based BEM automatically and the thermal simulation from the created BEM model immediately. The visualization module enables the simulation results to be presented in BIM for building designers to comprehend the relationships between design decisions and the building performances. For the framework implementation, we utilized the Modelica Buildings Library developed by the Lawrence Berkeley National Laboratory as a thermal simulation solver. We also conducted an experiment to validate the framework simulation results and demonstrate our framework. Result: This paper demonstrates a new methodology to integrate BIM and OOPM-based BEM for building thermal simulation, which enables an automatic translation BIM into OOPM-based BEM with high efficiency and accuracy.

• Korean Institute of Interior Design Journal
• /
• v.15 no.4 s.57
• /
• pp.29-36
• /
• 2006

Fashion and interior architecture are two areas of design that may share common issues, trends and philosophies, making fashion design human's second skin and interior architecture the third. The concept of 'skin' has become one of the most interesting phenomena in design during the past decade and not surprisingly similar issues can be seen also in fashion and architectural design. The current trend in fashion design is that the skin (clothing) has become detached from the human body and extended into the environment, resulting fashion as art objects. Skin in architecture and interior design has also become detached from the structure so designers have more freedom to experiment by using advanced technologies. The present study attempts to analyze common features of 'skin phenomenon' in fashion and interior architecture that are; detachment, emphasis on space, extension, territorial blending, and digital applications. The researcher has used constant comparative method to categorize the five features among many examples. The limitation of this study is that it is focused on the formative phenomena of projects excluding the philosophies and personal background of each designer. However, it is hoped that the study may assist designers and other researchers to understand relationships between fashion and interior design, hold broader spectrum in art and design.

• Wind and Structures
• /
• v.4 no.4
• /
• pp.299-314
• /
• 2001

A study of wind effects was carried out at the Boundary Layer Wind Tunnel Laboratory (BLWTL) for the projected 558-m high free-standing telecommunication and observation tower for Jakarta, Indonesia. The objectives were to assist the designers with various aspects of wind action, including the overall structural loads and responses of the Tower shaft and the antenna superstructure, the local wind pressures on components of the exterior envelope, and winds in pedestrian areas. The designers of the Tower are the East China Architectural Design Institute (ECADI) and PT Menara Jakarta, Indonesia. Unfortunately, the project is halted due to the financial uncertainties in Indonesia. At the time of the stoppage, pile driving had been completed and slip forming of the concrete shaft of the Tower had begun. When completed, the Tower will exceed the height of the CN-Tower in Toronto, Canada by some 5 m.

• Korean Journal of Construction Engineering and Management
• /
• v.6 no.6 s.28
• /
• pp.160-170
• /
• 2005

Because designers want to express various elevation, architectural concrete has recently paid attention to finish material and has increasingly used in the construction. architectural concrete needs more careful and professional supervision works such as controling quality of color, texture, construction plan, and design plan. none the less, It is not clear to define process and manage methods for the construction life-cycle, which causes the expense to increase and the quality to be poor. this study will analyze concrete finish method by dividing three parts which are common, exposed and architectural concrete finish method. definition and the limit of application in architectural concrete finish method will be present by comparing three methods. Throughout an interview with a staff in charge and a case study, this paper shows the requirement and the keynote of management which are divided by three steps; the design, construction and maintenance. finally, this research provides management methods of individual steps for effective construction.

• Korean Institute of Interior Design Journal
• /
• v.21 no.6
• /
• pp.158-167
• /
• 2012

This research began by considering that, although architecture and architectural culture of the last two decades seem to have rediscovered ornament and some recent studies have reconsidered the ornamental issues of contemporary buildings, there is currently some difficulty in providing a synthetic investigation of this topic, because of the complex nature of the contemporary architectural situation. Following this premise, this research provides some reference points for further studies that will aim to expand the understanding, and attempt to classify and hypothesize the future of contemporary ornamental phenomena. Based on the assumption of the historical continuity of ornamental problems, and adopting the relation - both technical and aesthetic - between ornament and structure as one of the crucial issues to link past and present problems, the study firstly defines two categories and two sub-categories concerning the relation between ornament and structure, namely: a) ornament integral with the structure and b) ornament applied to the structure; a1) ornament visually expressing the structure and a2) ornament not visually expressing the structure. The study then reviews the historical development of ornament from ancient times to the present in the light of the above mentioned categories, and finally discusses the principles of traditional and modern ornament thus analyzed in relation to contemporary ornamental trends, as identified in selected case studies. Some common points between past and contemporary experiences are revealed in order to facilitate further investigations. In particular, the analysis shows a certain trend in contemporary architecture for a strong link between ornamental treatment and the structure of the building and a current tendency among contemporary designers to keep the exterior appearance of the building project separate from the design of the rest of the construction.

• Journal of the Computational Structural Engineering Institute of Korea
• /
• v.27 no.4
• /
• pp.305-312
• /
• 2014

The current American Concrete Institute(ACI), Canadian Standard Associate(CSA) and CEB-FIP Model Code 2010 provisions on the shear strength of a simply supported deep beam suggest that deep beams should be designed using the strut-and-tie model. Although this is a useful methodology to design members in disturbed regions, the quality of the design is highly dependent on the truss model that designers create. However, Hong et al. derived the shear strength equations of reinforced concrete deep beams. This thesis investigates the validity of the current ACI, CSA and CEB-FIP code provisions on the shear strength of simply supported reinforced concrete deep beams by comparing them with the shear strength equations proposed by Hong et al. The comparison shows that all of these code provisions provide reasonable estimates on the shear strength of concrete deep beam members and the selection of an internal truss model plays an important role on the estimation of shear strength.

• Korean Journal of Construction Engineering and Management
• /
• v.18 no.5
• /
• pp.50-58
• /
• 2017

The efficient communication process is essential to guarantee the completeness of design and secure the quality to meet the contractor's needs. However, using the existing communication methods based on the design and documents, it is difficult to effectively understand the drawings and specifications that are very complicated, and sufficient technical experiences would be required. Ineffective and inefficient communication among users, designers and project participants during the design process would raise the possibility of functional interferences of the object, induce conflicts, cause a design change, and accordingly incur losses of the project in terms of cost and time. The purpose of this study is to suggest improvement direction of communication in accordance with the requirements, by investigating the present state and the project participants' understanding of design communication. And also, it presents the application model of QFD that the project participants could share and define, and feedback the requirements as well as conducting analysis of improvement factors based on the survey.