• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2016.10a
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• pp.210-212
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• 2016

Today, video games created via 3D softwares become a core part of the essential the video game contents field because their properties that can produce more easier than 2D games and can save budget of contents makings. It is very important that reducing polygon counts of 3D characters and environments for Gaming optimization. We can formulate elaborate 3D game models with low polygon counting in virtue of technological advancements, and these technologies continue to evolve. In 2012, Pixar made public Open subdivision which is the new technology to make high quality 3D models with low polygons and distributed that via Open source verification. This paper will compare and analyze the characteristics, and merits and demerits of these various kinds of these skills(Mesh smooth, Turbo Smooth, Open subdivision) and will inquire which method is the most efficient one to make 3D video games.

• Proceedings of the Korea Contents Association Conference
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• 2006.05a
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• pp.294-297
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• 2006

All through the World, the Game Market has grown up speedily and the Game technology progress rapidly for the advancement of the computer technology and the increase of the number of PC in use. For in this thesis, we will research on a real-time 3D game engine technique that is the core of FPS(First Person Shooter) which apply a 3D virtual reality and deduce a production of contents. Finally we will comment on a direction in development of the game engine.

• Proceedings of the Korean Society of Computer Information Conference
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• 2023.01a
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• pp.83-84
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• 2023

2D 게임의 이미지들은 2D 스프라이트(Sprite) 조각들을 같은 평면에 겹쳐 그리는 방식으로 표현한다. 탑다운 뷰(Top-Down View) 2D 게임 시점은 평면의 그림에 입체적인 묘사를 함으로써 캐릭터나 오브젝트가 수직으로 일어서 있는듯한 3D 느낌을 전달한다. 그러나 실제로는 2D 평면이므로 3D 그림자 맵(Shadow Map) 방식을 사용할 수 없는 단점이 있다. 본 논문에서는 2D 스프라이트 오브젝트의 그림자를 3D 그림자맵으로 생성하는 방법과 동반되는 이슈들을 제시한다.

• Proceedings of the Korea Contents Association Conference
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• 2006.05a
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• pp.273-278
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• 2006

In the virtual space in which human imagination exists, a great deal of games and animation contents have been developed and shown. Games and animations are performing a role as an unrealistic representative, and creating abundant virtual culture with variety of human life. A representative, that is, a main character is being completed with external design, unique personality and ability, and action in the story. This study is expecting that a game character might develop into motion acting for emotional situation from the simple action. As giving a game character a role as a medium to express various circumstances and emotions, choosing motions from a pantomimist and applying them to 3D character, and expressed according to the motion acting. Motion acting is extended from the basic motion into the emotional phases such as joy, anger, sorrow and pleasure. The motion acting expressed from various viewpoints is suggested, as communicating clear message through emotional acting contrary to the symbolic language.

• Proceedings of the Korean Society of Computer Information Conference
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• 2014.01a
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• pp.327-332
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• 2014

본 논문에서는 Unity 3D 엔진을 이용하여 게임개발을 위한 학습용 앱의 구현 내용을 소개하였다. Unity 엔진을 이용하면 필드의 제작, 캐릭터 애니메이션 세팅, 스크립트 작성, Asset 관리, 레벨 디자인 등 많은 작업을 하나의 통합 환경에서 수행할 수 있다. 또한 컴파일 과정을 거치지 않아도 게임을 제작하는 도중 언제라도 실행해 볼 수 있기 때문에 개발에 걸리는 시간을 단축할 수 있다. 본 연구의 과정은 게임 앱 설계 관련 프로젝트의 수행이나 학습용 게임 개발의 학습 모형을 제시한 사례로 활용할 수 있다.

• Science of Emotion and Sensibility
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• v.12 no.3
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• pp.259-266
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• 2009

Today, the 3D character animation is easily accessible from most of the film such as an actuality film, animation, games, or advertising. However, such a smooth movement of characters is a result obtained by Key Frame operation which skilled animators worked with data obtained through expensive equipment such Motion Capture for a long time. Therefore, to modify or to give other effects is not easy. In some cases, character's action made according to the personal feeling could be different with universal expectations of audiences, because it might be not appropriate to make regulations generalized between character's action by animater's design and emotional reaction of audience. In this research, it is aimed to show the way which is easily to blend and modify 2-3 Biped animation data by offering the operation tools of 3-D rotation using 3D Studio MAX Script. By this tool E.A.M., we can have various researches for quantities relation of between walking and emotional reaction.

• Journal of Digital Convergence
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• v.14 no.12
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• pp.489-494
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• 2016

Developing 3D games of quality is getting easier as commercial game engines have significantly evolved. It is still difficult, however, for entry-level developers to create various avatars which could affect the entire game because it requires expertise in 3D design and programming. We propose a design of an avatar assembly system based on a commercial game engine, Unity. It includes the assembly, customization, and management of avatars. It also provides an avatar update mechanism via the World Wide Web(WWW) provided by Unity's asset system so that various avatars can be supplied after the initial game distribution.

• 한국HCI학회:학술대회논문집
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• 2006.02a
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• pp.824-829
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• 2006

한정된 자원을 사용할 수 있는 게임 AI 분야에서는 시스템 자원을 적절하게 활용하여 현실감을 극대화 시키려는 노력이 중요한 이슈이며, 3D 게임에서 캐릭터들의 자연스러운 경로 탐색은 현실성을 높이는 중요한 척도 중 하나이다. 기존 연구에서는 주로 정적인 지형, 객체들을 적절하게 회피하는 경로에 대한 연구가 많이 진행되었다. 그러나 최근 널리 이용되고 있는 다중사용자가 접속하는 온라인 RPG 게임에서는 기존 방법을 그대로 적용하기에 많은 연산량이 필요한 문제점이 있다. 본 논문에서는 네비게이션 메시(Navigation Mesh) 기반으로 최적화된 A*, 그리고 밀개(Repulsors)의 방법을 통하여 동적인 환경에서 자연스러운 경로탐색을 수행하며 3D 게임에 적용 가능한 연산량을 충족하는 경로탐색 시스템을 제안하였다.

• Journal of Korea Multimedia Society
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• v.8 no.10
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• pp.1293-1305
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• 2005

In this paper, we propose the method of manipulating the gaze direction of 3D FPS game's character by using eye gaze detection from the successive images captured by USB camera, which is attached beneath HMD. The proposed method is composed of 3 parts. In the first fart, we detect user's pupil center by real-time image processing algorithm from the successive input images. In the second part of calibration, the geometric relationship is determined between the monitor gazing position and the detected eye position gazing at the monitor position. In the last fart, the final gaze position on the HMB monitor is tracked and the 3D view in game is control]ed by the gaze position based on the calibration information. Experimental results show that our method can be used for the handicapped game player who cannot use his (or her) hand. Also, it can increase the interest and immersion by synchronizing the gaze direction of game player and that of game character.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2002.11a
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• pp.812-816
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• 2002

인터넷 기술의 발전으로 온라인 가상 환경에서 3D 캐릭터를 통해 가상의 공간에서 현실로 넘나들고자 하는 욕구가 증대되고 있다. 3D 캐릭터를 통해 인간은 상상할 수 있는 모든 세계를 넘나들고, 실제 세계에서 실현이 불가능한 것도 가능하게 해주는 대리 역할을 한다. 더욱이 인터넷 상에서의 3D 게임이나 가상현실등의 증가로 인해 현실세계에 존재하는 물체들에 근접하게 모델링하기 위한 3D 캐릭터 애니메이션으로 관심이 쏠리고 있다. 본 논문에서는 3차원 객체를 높은 품질로 표현하기 위해서 새로운 framework을 적용한다. 다양하고 자연스러운 형태의 표현을 위해 Web3D 자료 형태인 VRML과 XML을 이용하여 3차원 Humanoid의 모델링과 애니메이션 기법을 제안하고 Simulation을 통해 타당성을 검증한다.