• Journal of the Korean Statistical Society
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• v.20
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• pp.10-18
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• 1991

한국통계학회 창립 20주년을 맞아 80년대의 한국통계의 현황과 장래의 나아갈 방향에 대해 의견을 교환하는 것은 뜻깊은 일이라 할 것이다. 그러나 통계이론에 관해 깊이 있는 의견을 제시하는 것은 쉬운 일은 아닌 것 같다. 10주년 기념호 통계학연구에서 백운붕 박사께서 통계이론의 범위를 광의의 수리통계학으로 해석하였듯이 필자도 통계이론을 이론통계학과 같은 차원의 넓은 의미로 사용하기로 한다. 한국통계에서의 통계이론의 현황을 살펴보기 위해서는 국제적인 현황을 먼저 살펴보아야 한다고 생각된다. 여기에는 여러가지 이유가 있겠지만 자연과학이라는 학문이 그러하듯이 통계학이란 학문 자체가 외국에서 발생되어 우리나라에 도입된 학문으로 우리나라에서 독자적으로 연구 교육되어온 학문이 아니기 때문에 당연히 국제적인 현황가 깊은 관계가 있으리라고 짐작되기 때문이다. 그러한 이유에서 먼저 1980년대에 Annals of Statistics와 JASA에 게재된 논문의 내용을 분류하여, 1970년대 후반기의 경향과 비교하여 1980년대의 흐름을 간략히 살펴보고자 한다. 물론 한국 통계의 현황을 알아보기 위해서는 한국통계학회지인 통계학연구를 분석해 보는 것이 무엇보다 필요하리라 생각된다. 그리고 한국통계학자들의 연구 동향을 고찰하기 위해서는 학술발표회의 논문을 분류하는 것이 타당하다고 생각된다. 따라서 본고에서는 1981년부터 1990년까지의 통계학연구지 논문과 1985년부터 1990년까지의 춘계 및 추계 학술논문발표회의 발표 논문을 분류하여 비교해 보고자 한다.

• Journal of the Korean Society of Costume
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• v.59 no.5
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• pp.71-82
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• 2009

The purpose of this study is to help understanding of patterns and to play a guideline's role in the development of designs and the prediction of trends for present and future fashion designers and textile designers. The methods of this study are the study of academic literatures as well as practical study through the analysis about actual works. The results of study are like followings. An inquiry of Pattern history in 20c is divided into six periods by the classification of styles and the styles of fashion culture according to other artistic formative will. Main trends of Pattern's image in each period and characteristics in each dimensions of Pattern image positioning are like followings. Art Nouveau style period from 1900 to 1910 is , Art Deco style period from 1910 to 1920 is , Elegance style period of 1930s is , and New Romantic style period from 1945 to mid 1950s and Pop style period from late 1950s to mid 1970s does not show main Pattern image but they are shown in four Pattern image of , , , . Compromising style period from late 1980s to 1990s shows all of four Pattern image, at the same time shows intensive main Pattern's image, .

• Proceedings of the KIEE Conference
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• 2007.07a
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• pp.707-708
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• 2007

GIS의 역사는 1970년대 컴퓨터의 본격적인 등장 및 급격한 사회환경 변화에 대한 자료 처리도구의 필요성이 대두됨에 따라 전문 GIS산업이 등장하게 되었고 자원, 환경관리 및 공공시설 관리에 주로 활용되었다. 1980년대에는 GIS의 저변확대기로 관계형 데이터베이스 및 워크스테이션이 개발되었고, 1990년대에는 H/W, S/W의 발전과 더불어 저장매체 및 통신기술이 발달하게 되었고 이때 GPS 및 3D GIS가 나타나게 되었고 Internet GIS 및 Mobile GIS 응용프로그램 등장과 더불어 GIS 생활화가 시작되었다. 미국, 영국, 캐나다 등 주요 선진국에서는 GIS 구축을 사회간접자본이라는 개념하에 국가발전 전략사업의 일환으로 추진중에 있으며 1998년 기준으로 40억달러 규모의 GIS 시장이 매년 20%이상 시장확대가 이루어질것으로 예상하고 있다. 이에 우리나라도 1980년대 후반부터 GIS에 대한 정부차원의 관심이 증대하여 국가지리정보시스템 구축에 약5,000억의 예산을 배정하여 진행하고 있다. 이에 발맞추어 21C 전력사업 환경변화에 적극적으로 대처하고 배전설비 관리업무의 혁신을 위하여 신배전정보시스템 사업의 일환인 설비DB 구축을 시행하였으며 현재 운영중에 있다.

• Journal of the Korean Society of Clothing and Textiles
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• v.46 no.5
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• pp.789-804
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• 2022

Retro fashion is emerging among young people as an approach to discovering a new meaning in Korea's historical culture. Research on Korea's unique retro fashion culture is required because there is no research on retro fashion culture based on Korea's historical background. Therefore, this study examined how retro fashion culture has progressed based on Korea's historical background from a nostalgic perspective. All retro-related newspaper articles from 1950 to 2020 were collected, and content analysis was conducted for each semantic unit. The results revealed that personal nostalgia is based on personal experience and is extending to younger generations. In terms of nostalgia in interpersonal relationships, the younger generation reinterpreted the fashion culture of the older generation after the 2010s. In terms of vicarious nostalgia, a retro culture reminiscent of the 1990s with a background in economic development and consumption culture appeared after 2012. The youth culture and university culture of the 1970s and 1980s were reinterpreted as street fashion. Since the late 2010s, the younger generation has been exhibiting cultural nostalgia, believing that the historical Korean culture is not outdated but has a unique heritage formed during the modernization process. Symbolic nostalgia appeared in Korean fashion culture during modernization.

• 한국지구물리탐사학회:학술대회논문집
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• 2008.10a
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• pp.13-20
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• 2008

Magnetic method is rapid, cheap and simple geophysical exploration technique, and has wide range of applications such as resources prospecting, geological structure investigation and even geotechnical and environmental problems. Documents during Japanese occupation says that magnetic method was used for exploring metallic ore deposits and hot spring, and that a geomagnetic observatory was operated. From mid 1950's, magnetic explorations for natural resources such as metallic ore, uranium, coal, and groundwater were intensively executed for industrialization. Magnetic survey techniques were rapidly advanced during 1970's and 1980's with improvements of instruments, growth of geophysical manpower, and availability of computers. Decline of mining industry since mid 1980's moved the exploration objects from traditional resources to new ones such as groundwater and geothermal resources. Recently appeared applications such as natural hazard assessment, and engineering and environmental studies increased the magnetic method's utility in the realm of exploration.

• The Research Journal of the Costume Culture
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• v.6 no.1
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• pp.84-93
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• 1998

The main focus of this paper is to provide clear understanding about the concept of make-up as total fashion by defining the essential meaning of it. First, we would like to go over the concept of make-up and total fashion, then analyze the make-up image, the changes of colors and images of make-up overtime and fashion that have influenced over those changes. In this paper, we analyze the trend of fashion and make-up in 1990s and their relevancy. Through this paper we hope that make-up can be accepted as a part of total fashion in its relationship with other elements such as shoes, clothes and accessory and that it can be considered as a independent art that has direct influence on people. The trend of Spring/Summer between 1990 and 92is the image of natural beauty and comfortable and modernistic image that can be experienced through nature. In 1992, there was a revival look of 1960s and 1970s. Make-up also followed this trend. The overall color tone was to give natural and stable images with pastel tone to soften the images. This tone brought back the ecology of 1960s. The theme of restoration in humanity and nostalgia was reflected in clothing, and these trend changed the ecology of make-up to peace, love and romantic ecology which was expressed in coral, blue, and green tone to create intelligent image of woman. Year 1996 could be called as color revolution period that emphasized the unique and individual expression of each person. In 1997, black, pastel and brown colors were the result of reinterpreting the classic and sexy images of 1960s to natural and modernistic image of 1997. Purple color started to be introduced to us. The beginning of 1990s Fall/Winter season was based on ecology concept that emphasized the natural image. Until 1995 it appeared that spring/summer and fall/winter trend had no big differences. But from 1995 seasonal differences in trend are appeared and there were various make-up designs. In 1995, 1996, brown color lines make-up comes to mix with romantic image and developed into wine, orange, neon colors. These color were the symbol of property and sentiment and gold make-up emphasizing the eye area was the tendency of that period. In 1997, the fear of coming end of century was expressed as decadent image and at that time ethnic image, romantic image appeared with vivid color lines, gold, red and violet.

• Journal of architectural history
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• v.25 no.6
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• pp.73-80
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• 2016

A discourse on the Independence Hall of Korea, a representative cultural project of the 1980s, has been understood as a repetition of the traditional debate of the 1960s. It was considered as a petrified propaganda aimed at ensuring the fragile legitimacy of the military regime, and the architect as a sympathizer. Even if all these facts are true, it does not give any explanation for the architecture. Scrutinizing the building process and the change of discourse in the Independence Hall of Korea, this paper tries to explore a section of contemporary Korean architecture in the 1980s. The architect who designed the Independence Hall of Korea is Kim Kiwoong, however, it was Kim Won who took charge of overall scheme for it. Kim Won replaced the role of a technocrat in the 1960s, who deprived architects of his autonomy. Against this backdrop, Kim Kiwoong attempted to explain his own building via various concept like postmodernism, which gave him very proper context. But, later, he appropriated words like void and madang. These derived from some architectural historian's researches in 1970s, and were to predict the architecture of the 1990s.

• Proceeding of Spring/Autumn Annual Conference of KHA
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• 2005.11a
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• pp.147-150
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• 2005

The oh purpose of this study is to provide a basic study for a desirable bathroom planning of the 30s pyung apartments. This study explores the change of the bathroom planning and analyzes the bathroom plans of the existing apartments. The data are 2053 case of the bathroom plan of the 30s pyung apartments constructed in Seoul and the new town between 1971-2004. In this stud, a settlement process and trend of the two bathroom plan in the 30s pyung apartments are examined. The findings were as follows: 1) The introduction of the two bathroom from 1970 to 1980. 2) The introduction of the two bathroom from 1990 to 2000. For the better planning of the bathroom, factors like family size, life cycle, and manner of bathroom use should be analyzed in the future studies. The analysis of the dweller's consciousness, satisfaction, and the demands on the bathroom in 30s pyung apartments, and to give useful information on the bathroom of 30s pyung apartments.

• Journal of the Korean Society for Library and Information Science
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• v.39 no.1
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• pp.105-126
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• 2005

This paper investigates the Bunko, the center of Japanese children's reading movement, and its impact on the development of Japanese school library. Paper is consisted by two parts , one subject is the programs and the law made by government which is related to either the school library or children's reading, the other is Bunko movements initiated by citizen mostly mothers who wish to improve their children's reading environment. The Bunko movements started in 1960's and motivate the establishment of public libraries in 1970's, and it has triggered activating the school library after early 1990's. By analyzing the relationships of the two subjects it can be concluded that they are tightly connected each other by emphasizing the function of school library not as a teaching-learning center but as a reading facility. It makes difficult for the Japanese school library to establish the most important function of supporting curriculum.

• Korean Journal of Heritage: History & Science
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• v.43 no.3
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• pp.334-365
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• 2010

Mother-of-Pearl craftwork sketch involves the whole process of making a piece of work. Therefore, it includes types, forms, sizes, and patterns of the work. Some information about when and by whom those works were manufactured and who ordered them are still found in some sketches. This paper seeks to find out popular types and patterns of the works in each period and its demand and the way of supply by examining the collection of approximately 1700 Mother-of-Pearl craftwork sketches from the period of Japanese colonization up to the present time, which are owned by Mr. Song Bang-wung, Important Intangible Cultural Heritage no.10. Typical patterns of sketches are the hua-jo(花鳥 : Flowers and Birds), the Sakunja(四君子 : Four Gracious Plants), cultural treasures, figures in folk tales, 'Su-bok(壽福)' characters, and landscape. The pattern sketches have changed according to the circumstances of Korean society. During the period of Japanese colonization from the 1920s to the 1940s the manufacture and the supply and demand of Mother-of-Pearl craftworks were controled by the Japanese government. As a result, many of the patterns were adjusted to the Japanese taste. Most of its customers were also Japanese. During the 1950s after Independence the American Military Forces appeared as new customers due to the Korean War. Thus, the traditional Korean patterns to decorate accessories adored by American soldiers gained popularity. Foreign Mother-of-Perls were imported from the late 1960s to the 1970s. They were bigger and more colorful than those of Korean and it enabled the sketches bigger and the patterns more various. The most popular pattern in this period was the pattern of cultural treasures, such as an image of Buddha, metalcraft works, porcelains and pagodas. In terms of a technique, new techniques, such as engraving and rusting were introduced. There was a great demand for Mother-of-Pearl craftworks in the 1970s as people were highly interested in them. They were entirely made to order and there was a large demand from diverse organizations, furniture dealers and individuals. And the Mother-of-Pearl craftwork was in full flourish in the 1970s due to the country's economic development and the growth of national income. Mass production of the works was possible and the professional designers who drew patterns actively worked in this period. The favor of Mother-of-Pearl craftworks declined in the 1980s since the built-in furniture and the Western style of furniture became prevalent due to the change of housing into apartments. But it seemed that the manufacture of Mother-of-Pearl craftworks revived for once the technique of Kunum-jil(끊음질 : cutting and attaching) became popular in Tong-young(統營). After the 1990s, however, the making of Mother-of-Pearl craftworks gradually declined as the need of them decreased. Now it barely maintains its existence by a few artisans.