• Proceedings of the Korea Contents Association Conference
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• 2008.05a
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• pp.689-693
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• 2008

Ancient Chinese in the roof of the building referred to as "the big roof". This paper make a research on style of roof,to find out the identify contemporary social construction of a representative, the distinctive features of varying roof styles with examples. Using pictures and text, contrast to the situation, to explain why the roof of the ancient form of modern architecture can be widely used. Ultimately concluded that the ancient traditional roof styles in contemporary architecture in the use of a wide range is traditional culture and promoting the inheritance.

• Venture DIGEST
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• no.12 s.125
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• pp.44-45
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• 2008

중국경제으 선두 심천. 불과 30여 년 전에는 인구 3만의 조그만 시골이었던 심천은, 1980년 심천이 고향이었던 등소평이 정권을 장악하자마자 가장 처음 '개방구'로 지정하면서 중국 개혁개방의 시발점이 된 곳이다. 경제특구다운 산업 인프라와 긴 역사를 담은 문화유적 및 '세계지창'으로 대변되는 여러 현대적인 관광명소까지 갖춘 매력적인 도시 심천. 중국 경제 발전의 신호탄을 쏜 심천에서 우리 벤처의 새로운 시장도 모색해보면 어떨까?

• 중국학논총
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• no.62
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• pp.143-162
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• 2019

中国现代科学的发展与"科学救国"思想密切相关. 自从传统科学(格致)从哲学领域独立出来后, 中国科学一直被一种必须为国家的经济和国防建设作出贡献的理念所规定. 鸦片战争时期提出的"师夷长技"理论成为科学救国思想的萌芽, 进入新中国后提出的一系列科学相关的思想, 政策, 理念也不例外. 论文以中国科学救国思想的形成和发展过程为中心, 探讨了毛泽东的科学理念和"向科学进军", "科学技术是第一生产力", "科教兴国"等新中国以后提出的科学理念及政策.

• Korean Journal of Labor Studies
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• v.24 no.2
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• pp.367-408
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• 2018

This study examines the features of globalization process in GM and Hyundai Motors, especially in the expansion into China auto market, through a joint venture(hereafter JV) research center. Due to the large scale market in China and the 50:50 JV, the two companies had to respond in some way to the Chinese government's request for localization of research and development functions, and their response affected the role of the JV research center. Even though the improvement in technological capability expected from the JV by the Chinese side did not appear well in the early stage in both JV, but relatively the Shanghai GM JV research center had a technological progress compared to the Beijing Hyundai JV research center. This paper explains the differences in the technical capabilities of the two JV research center, despite the same type of JV, as the difference between the status of the Chinese partner and the global strategy of the parent company. SAIC, a Chinese partner in Shanghai GM as a top-tier company, not only has been strongly demanding technology transfer from GM since the beginning of the JV, but has also made efforts to improve its own technical capabilities. Meanwhile, BAIC, a Chines partner in Beijing Hyundai as a mid-tier company, has not been strongly demanding technology transfer and lacked its own research base. Regarding the parent company's global strategy, although both companies controlled the core areas of research and development by their parent companies, GM actively considered using the Chinese RV to develop Chinese and emerging country vehicles. On the other hand, Hyundai Motors responded to the localization demand of the Chinese government while paying more attention to preventing technology leakage through its independent research center in China. The above discussion shows that the process of globalization of a company is a political process in which the global strategy of the parent company and the demands of the stakeholders surrounding the subsidiary are collided and compromised, rather than a process in which the harmony and cooperation between the parent company and its subsidiaries are smoothly achieved as the parent company's policies are unilaterally implemented.

• (The)Study of the Eastern Classic
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• no.69
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• pp.373-400
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• 2017

The objective of this study is to compare the modern transformation of a folk tale in each country. A folk tale is a story about a man who obtained an ability to see the original look of humans with tiger's eyebrows successfully found a new wife suitable for him by using them. In Korea, China, Japan, and India, folk tales similar to have been transmitted. 'Tiger's Eyebrows' is differently shown in each country like 'Wolf's Eyebrows' in Japan, 'Tiger's Whisker' in China, and 'Vulture's Feather' in India. This paper looked for works that modernly transformed this folk tale in each country. In the results, there were diverse works in each country such as fairy tale book, musical, short story, and game in Korea, full-length novel in China, and fairy tale, animation, and cartoon in Japan. Meanwhile, in India, there was only a mention of the folk tale in a collection of papers. Among them, there were works showing the significance of modern transformation in the aspect of genre or contents like a short story of Korea, a full-length novel of China, and a cartoon of Japan. The Korean novel shows that human is a being with the animal's instinct while human tries to ignore it. On the other hand, the Chinese novel shows that humans are not much different from animals especially in case when facing pains or death. The Japanese cartoon shows that it is meaningless to feel shame as human in the world which is filled with monsters or animals. In India, there were no works modernly transformed because Indian folk tales might be stories based on the mythic belief rather than fun.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.37 no.3
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• pp.93-107
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• 2019

The purpose of this paper is to explore the application of Chinese traditional garden space construction principle studied by predecessors in modern park landscape, and to find more methods of traditional garden space construction inheritance and innovation through research. Tian Chaoyang's book "Fifteen Lectures on Chinese Classical Gardens and Modern Translation" mentions that Chinese traditional gardens are combining time and space, so he draws a brief pattern diagram containing the principle of the space construction. According to this principle of space construction, the researchers chose Qujiang Pool Heritage Park, which combines modern and traditional, then analyzed its spatial structure and and space elements. The results are as follows. The complex spatial structure of the park is composed of spatial boundary lines and spatial routes. The complex boundary space is composed of bridges, squares, plants, rows of buildings and other elements. The water space in the center of the park is designed in accordance with the traces of the historical water system, and its natural zigzag shoreline expands the water space. The central water space is divided into the big pool and the small pool, the Yanbo island and Bird island are created respectively. The building at the park boundary connects the park's interior and exterior. Most of the buildings in the park are located in the convex corner of the route or space. Through this research, it can be concluded that Qujiang park also applies the space construction principle combining time and space. And then, the garden elements of Qujiang park are recreating the history and culture of Qin, Han, Sui and Tang dynasties with modern methods, thus creating a park with Chinese regional characteristics. Since the Tang dynasty was the most prosperous period in Qujiang, the park was dominated by Tang culture. Through the research of this paper, we can see that the space construction principle of Qujiang Pool Heritage Park is the inheritance of the space construction principle of Chinese traditional garden. And the landscape element of Qujiang park is the landscape created by combining traditional history and culture, which is the innovative part of modern garden. Through this study, the creation of modern landscape with Chinese characteristics can provide some hints on the direction of inheritance and innovation.

• Sijohaknonchong
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• v.25
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• pp.5-27
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• 2006

This paper aims at examining how sijo works, including ancient sijo works, those published before the 1960s, those written by China-residing Koreans, and those published in the 2000s, convey the poetic meaning in terms of sentence structure. Firstly, ancient sijo works, those published before the 1960s, and those written by China-residing Koreans, have sentences. whose meaning the readers can easily grasp, with simple structures and little rhetoric words. But moderns works published In the 2000s (modern sijo works after) are mingled with too many rhetoric expressions, sometimes misused. Secondly, ancient sijo works, those published before the 1960s, and those written by China-residing Koreans, having a clarified subject-verb context. are easily understood by the readers. But, in modern sijo works, there are many cases with an unclarified subject-verb context and redundant rhetoric words, which will cause misunderstanding of the meaning of the work. Thirdly, in ancient sijo works. those published before the 1960s and those written by China-residing Koreans, each of the three statements (called in) in a stanza is separate from the others in context. But, in some modern sijo works, the first and second statements (called chojang and jungjang) fall into just rhetoric parts for the last statement (called jongjang), and each of them is not read as an independent statement. Fourthly, there are some cases whose forms are distant from those of siio works. but are written in three statements like traditional sijo works. Regular poems, though written in regular rhythm, should be also acoustically regular. Sijo works should be easily understood when recited. If not, they are basically far from sijo works. If modern sijo works should overcome their easy expressions and simplicity of themes, they should be composed through using not complicated sentence structures but brand-new metaphors, clear images, and fresh themes.

• Proceedings of the Korea Contents Association Conference
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• 2008.05a
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• pp.681-684
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• 2008

To the 'JUGI(酒具)' culture in ancient China on the basis of the conclusions reached, the development of modern bottle design with the status quo for Chinese wine with the design of innovative and local Chinese-style design ideas.

• Proceedings of the Korea Contents Association Conference
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• 2016.05a
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• pp.419-420
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• 2016

본문은 중국 교동반도(膠東半島)에서 대표적인 신화전설에 대해 정리를 진행하고, 그 역사와 문화적인 함의를 끄집어내어 전형적인 중국 해양신화 이미지 원소를 조사하였다. 동시에 그것이 현대 디자인에서 활용된 사례를 조사하여 분석하고자 하였다.

• 중국학논총
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• no.64
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• pp.205-221
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• 2019

馬一是浮中國現代哲學中與梁漱溟,熊十力並稱三大聖賢之一,對中國現代思想哲學有著重大影響的人物. 他樹立傳統儒家哲學,面對時代形勢,值得一提. 我知道現代哲學家們共同將儒學精神融入到他的思想體系中去,但打下這個基礎的正是馬一浮,所以,只要討論他的思想哲學,我覺得是一件非常有意義的事情. 他在"複性"的方針下,致力於重新定位國學,提高中國的精神價值. 在這些方向性實施的各種領域中,最值得注意的是教育,其中心就是"複性書院". 建立複星書院,把教育內容作爲留學的核心"育藝",這是其特點,爲了診斷當時學風的危害,恢複對思想學術研究的純真,書院獨立運作的嘗試,是實際實踐. 本論稿探討了福星書院的設立,建立方向,運行方針和規章制度,以考察他作爲民族思想家,教育實踐家的面貌,考察他的思想特點.