• Proceedings of the Korean Institute of Interior Design Conference
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• 2006.11a
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• pp.209-212
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• 2006

To develop in the long view, based on context of city, the spatial program change to new spatial program that can be adopt city architectural environment. The new spatial program must have paring lot, open space, community center, which are infra structure for citizen. The needs about flexible space Increase according to complexity of spatial program. The space of absolutism, is made up hierarchy, can't accommodate complexity of spatial program. Therefore, modern architectural spaces are characterized by non-hierarchy. This research is tendency to search special quality of space program that is going complex composition according to change of modern society and modern architecture space, and analyze characteristic of inner space that have non-hierarchy to correspond hereupon.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2006.11a
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• pp.62-65
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• 2006

Various kinds discussion are brought up to the table about modern social phenomenons that are practically difficult sometimes even impossible to predict in field of architecture. At the very moment, 'landscape' emerged as an important concept defining contemporary architecture a very different way. Architects have and still are processing various experiments with the changed concept of 'landscape' as it became new means to construct reality. In modern cities that have possibility and potential energy, many architects have proposed 'Landscape architecture' as an architecture mode that have indeterminacy and open to all possibilities. The present study analyzes the characteristics of landscaping that appear in contemporary architecture and interior space in recent years, and present landscape as a new possibility in interior space.

• Proceedings of the Korean Institute of Interior Design Conference
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• 1999.04a
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• pp.110-113
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• 1999

Mekuro-Kazoen BLDG. is complex of office, hotel, hotel, and banquet hall, built in 1991, Tokyo, Japan. This building suggest us various issue about the representation of traditionality in current architecture. We can find the possibility of representation of traditionality in large complex, in past, rarely applicated. Even in Japan, such trial in official building as New Office Building of Tokyo in Sinzuku shows a application only in the elevation plan. In Mekuro-Kazoen BLDG. the application of traditionality are fond not only in external appearance, but also in interior design. And the modernity and traditionality in this building are represented simultaneously not deterioating each other. the issues of representation of traditionality in interior design should be succeed not only in now but also in future. The method of application need to be studied and improved. The fields of application also should be extended such as large complex buildings and future-oriented buildings.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2001.05a
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• pp.78-81
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• 2001

The lastest art is being characterised by an ever active exchange between different genre. Installation Art is an artistic attempt to integrate visually and dynamic consciousness and movement of human beings and the actual living space based on the new spatial concept of integrative Environment Approach. Through the visual and structural reflection of personal experience and movement new interpretation of space in which various activities and events take place in relation to time is realized. The methods of Installation that relate on the contemporary interior design are as follow : expression of object through deconstruction, space of every experience, enlargement of concept of space, space of interactive.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2001.05a
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• pp.45-50
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• 2001

The modern architecture has to find more essential configuration order rather than the spatial order in the reasonable feint. In other side, paintings and sculptures as a part of the building in the past become a pure art and develop an abstract art. Also they make many affects on the modern architecture as a paradigm. New material has brought to the new forms and the changes of the overall culture and art. One of the new changes has made the object that is one of unique culture symptoms in the 20C and the general part of the modem art includes it. The wall that limits the inside area through mass and volume before the recent times had treated as the object to express the special mean and character. However, the wall has developed as a component that consists of the internal space through surface and volume rather than mass or structure since the recent times. Now, I survey the objective tendency of the wall in the modem interior architecture mainly focused on the relation between object in the abstract art and wall inside.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2004.11a
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• pp.133-139
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• 2004

The purpose of this study was to analyze the characteristics of 'Nomadic thought' in interior space through the understanding and interpretation of the contemporary nomadic life. The citizens in modern times lead a nomadic life on the move rather than settle down in place, and this pattern of life is going with increasing speed keeping in step with the development of the Internet. From this point of view, this theoretical investigation on the relationship between the interior architectural analysis and their applications through nomadic thought as a new paradigm is to establish the basis of interior design in the capacity of the main value system in our new generation and to explore the new notion of interior space

• Proceedings of the Korean Institute of Interior Design Conference
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• 2004.11a
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• pp.102-107
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• 2004

In order to understand the characteristics of the Japanese conception of space, we examined the characteristics of Japanese human geography, schools of thought, and aesthetics through the examinations on relevant documents. In addition, we reorganized such cultural backgrounds in relation to the Japanese perception of space, extracting the fundamental principles and elements of Japanese space composition and examining their significance. We propose a structural framework for understanding and analyzing Japanese space based on the reciprocal relationship and meaning among the various elements of Japanese space. Using this analytical framework, we studied the representative works of Japanese interior space, concluding in an analysis of the expressive characteristics of the Japanese notion of space.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2008.05a
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• pp.163-168
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• 2008

In a today, our concerns have been changed from a single material to relation, communication and time. The human life made up of science, technology, philosophy and art of the modern society can decide whoerness by connecting or replacing a comprehensive and many kinds. This one is exhibited in interior actively. The space of the pluralistic world is sustained by not simple and fixed relation but complex and flexible relation. And it is shown as an undecided phenomenon by effecting and modifying each other. In here, the boundary has a phase of undecided relation but at the same time it can make possibility to be abundant to infinity. The purpose of our study with considering the uncertainty of the boundary is to solve the discord of between division and unify of modern architecture space and suggest new way to be mediation and to occupy independent area.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2007.11a
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• pp.89-92
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• 2007

Media art has been differentiated and evolved depending on the development of digital technology and the growing of pop culture. Finally experiential ways, which make much of communication with human beings, bring themselves into relief in media art, and these various ways broke lines between virtual reality and reality with the elevation of digital technology, and that has a direct effect on expressing actual space. For this reason, diversified expressions of media art can be an important guideline for studying how to express modern space. This research analyzes expressing features in media art establishing a link with modern industrial interior space and offers new future-oriented space.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2005.10a
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• pp.161-164
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• 2005

The concept of Space-time is performed while the movement of human Is imaged on coming 20th century up. Specifically it is considered that the movement of human is caused by the relativistic otherness rather than an absolute subject in space of deconstructive tendency. The purpose of this study is that I try to analyze an expression of relative space-time concept in desconstructive tendency and I have to get a concept how this kind of expression effect the contemporary commercial space. Through this study, I can get to know that the expression of relative space-time concept expresses the dynamic construction by the indeterminacy and the visual effect by the dematerialization in the contemporary commercial interior-space. According to the result of study, the concept of space get to be more meaningful, relative space-time concept and it can be attributed to the concept of human's new creative space over human's life in general.