• The Journal of the Korea Contents Association
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• v.15 no.4
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• pp.556-570
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• 2015

The purpose of this study was to see the characteristics of oral media, which is orality and literacy combined, in order to analyze its effect on the age of Reformation and today, and to draw applicable points on the present Christian mission. The electronic age is an age of secondary orality, the orality of telephones, radio, and television, which depends on writing and print for its existence. Historically, it is a well-known fact that the shift from orality to literacy and on to electronic processing has engaged in social, economic, political, religious and other structures. With this perspective, the study was divided into two parts. In the first part, researchers dealt with the characteristics of primary oral culture, examined how it combined with media literacy and became oral media, and witnessed how reformers in the sixteenth century utilized it timely along with what the ending result was. In the second part, researcher observed the characteristics of electronic media based on literacy and orality, and presented several applicable points to the present state of the Christianity.

• The Journal of the Korea Contents Association
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• v.20 no.10
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• pp.76-88
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• 2020

Since the pre-existing music itself used in has no direct relation to the film, it raises the question of whether it was properly utilized as film music. The purpose of this paper is to clarify that 's 20th century modern music effectively fulfills the role of film music through iconicity with images. This study approached the similarity between the character of fear and the form of music through Hanslick's formal aesthetics to discuss the use of 20th century modern music in the horror film. The formal characteristics of music are observed in the movement of notes, which are similar to the fearful state of mind mentioned by Heidegger. In the analysis, the stagnant movement and the continuity of notes, the special playing method of the musical instrument, the unspecified trembling of the clustered notes, the melody of the weak intensity in the high-pitched range, the smash of percussions, and the progression of the notes that deviate from the center confirms the aptitude of 20th century modern music in the horror film. The fact that this study did not simply rely on the emotions represented in the 20th century modern music, but thoroughly caught the movements of the notes, has great significance in the research of film .

• Proceedings of the Korea Water Resources Association Conference
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• 2008.05a
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• pp.274-278
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• 2008

현대 강우관측 자료를 빈도분석할 때 나타나는 가장 큰 문제는 관측기간이 짧기 때문에 고빈도 확률강우량 추정이나 장기간의 경향성 예측시 신뢰성 부족하다는 점이다. 본 연구에서는 이러한 현대 강우자료의 문제점를 보완하기 위한 방법으로 측우기 관측기록을 활용하기 위한 방안을 검토하였다. 빈도해석을 통한 확률강우량의 결정을 위해서는 연최대치 계열의 작성이 선행되어야 한다. 측우기 강우자료는 강우시작시점과 종료시점 그리고 그 사이의 강우량으로 구성된 펄스 형태로 기록되어 있기 때문에 이를 이용하여 빈도해석을 하려면 전통적인 빈도해석 방법과는 다르게 독립호우사상을 적절하게 정의하는 것이 필요하다. 독립호우사상에 대한 기존 연구결과에 기초하여 무강우지속기간 10시간을 기준으로 측우기 관측기록과 현대 관측기록으로부터 이를 추출한 후 총강우량과 강우강도 두 가지를 대상으로 이변량 지수분포를 적용하였다. 그리고 각 호우사상의 재현기간을 산정하고, 연도별로 최대 재현기간을 가지는 호우사상을 연최대 호우사상으로 결정하였다. 이변량 지수분포의 매개변수 산정시 전기간에 대해 매개변수를 산정하는 경우보다 연도별로 매개변수를 산정하는 경우가 강우발생의 변동양상 및 수문학적인 극한호우의 정의를 반영하기에 적합한 것으로 검토되었고 또한 그로 인해 얻어진 연최대 호우사상이 이변량 극치분포를 보다 잘 따르는 것으로 나타났다. 연도별 매개변수 추정결과를 우기해와 건기해로 나누어 살펴보면 우기해에는 강우강도가 재현기간 산정에서 상대적으로 영향이 크고, 건기해에는 총강우량과 관련된 영향이 큰 것으로 나타났다. 연최대 호우사상의 변동성을 살펴보면 현대자료에서 강우지속기간은 점점 증가하고 강우강도는 감소하며 이에 따른 호우사상의 총강우량은 증가하는 특징을 보였다. 그러나 측우기 자료에서는 이러한 변화양상이 반복순환하는 것으로 나타났으며 이와 관련된 별도의 연구가 필요할 것으로 판단된다. 본 연구의 결과는 측우기 자료를 이용한 빈도해석의 선행작업으로서 연최대 호우사상 계열의 결정 과정을 살펴보았으며 이렇게 얻어진 연최대 호우사상은 현대자료와 어우러져 보다 신뢰성 높은 설계호우사상을 결정하는데 도움이 될 것으로 기대된다.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.13 no.1
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• pp.425-430
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• 2012

By the theories of the physics, the phenomena in the world are understood. And also these theories gave the influence to design the architecture. In this research, the contents which the thought of the physics gives a influence a building design is considered, and try to suggest the interrelation between the physics and architectural design. As the result, the architectural design on the influence of classical physics is based on the homogeneous space and the design focus on the style or form of the building with a geometry plan which is not concerned of the place. On the other hand, contemporary architectural design is based on the thought of the modern physics. By this concepts, the architecture is understood as the area contain the conditions of the circumstance and by interaction between buildings and the environment and by various viewpoints like cubism. And the architecture which is settled recently is shown of the diversity and atypical form.

• Sijohaknonchong
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• v.21
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• pp.5-22
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• 2004

If Sijo poetry is referred to a text which is composed of sentences. its textuality can be explored in terms of 1) the figurative words used in each line. 2) the logical sequence between lines. 3) the syntactic composition of each line. With the ancient Sijo poem. 1) it is composed of logical sentences as a result of extremely restraining from using figurative words that could prevent the reader from grasping the logical sequence within the work; 2) there is a clear cohesion between lines that can make each work perfectly coherent; 3) each line has a balanced syntactic structure, so the entire structure of a Sijo poem is '6 phrases in lines'. With the modem Sijo peom. 1) it abounds in figurative words, which prevent the work from having a logical sequence, and sometimes even from having three lines; 2) there is a loose cohesion between lines which can't make each work coherent; 3) it sometimes destroys the syntactic structure, '6 phrases in 3 lines', unique to traditional Sijo poetry. I think that this trend of modern Sijo poetry can cause haphazard the existence of modern Sijo poetry.

• Journal of the Korea Convergence Society
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• v.11 no.7
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• pp.345-350
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• 2020

In modern society, appearance is an important means of competing with others, and therefore it can not be neglected in social life. Due to the rapid development of information science and technology, modern society demands femininity which combines progressive self - help for designing a dignified and independent life and a new paradigm. Therefore, the correlation between the elements such as bang cut, out line expression, layer step and texture change of modern style that modern and independent expressing independence and independence in the 1920s and 30s' Respectively. The result of this study makes it possible to present a novel and innovative hair trend that can firmly establish the independence and social role of modern women. In addition, it is expected to derive the standardization of thinking and psychology of the leader of modern society, and to lay the groundwork for the establishment of autonomous femininity as a social subject that maximizes individual competence through the manifestation of creativity.

• Journal of the Korean Society of Clothing and Textiles
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• v.26 no.3_4
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• pp.402-411
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• 2002

The objective of this study was to investigate sensibility images of Korean traditional motifs cognized by college students in U.S.A. The subjects consisted of 217 male and 351 female undergraduate students. The experimental materials used in this study were 48 stimuli and questionnaires, composed of 7-point semantic differential scales of 15 bipolar adjectives. Twelve motifs selected from 3 groups of Korean motifs were used as motif stimuli. Twelve repeated patterns were constructed from them to be applied on a CAD-simulated dress. The data were analyzed by factor analysis, ANOVA, Duncan's multiple range test. The major finding were as follows: 1. Four dimensions were emerged accounting for the dimensional structure of the images of Korean traditional motifs. These dimensions were ‘quality’, ‘simplicity’, ‘cheerfulnees’, and ‘modernity’. Among them, ‘quality’and ‘simplicity’were the major dimensions. 2. Category, interpretation type, composition type, and application object had significant effects on the images of above-mentioned dimensions. The interpretation type had a significant effect on ‘quality’image, the composition type on ‘cheerful’image, and the application object on ‘modernity’image.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2016.10a
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• pp.589-592
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• 2016

The period of the previous multi-core could be helped to improve program performance, based on the development of the hardware. However, one of the core performance enhancements for this encounter limitations and become the common way of multi-core with multiple cores. Modern programming concurrency that improves the conventional method for using threads of the kernel level in order to use the multi-core come to the fore. Using modern lightweight thread concurrency programming is to optimize the benefits of multi-core. Also sharing the absence of available data that can change is a major consideration when writing concurrent code. This paper describes the key considerations when creating a discussion concurrent code, and these issues are being supported in any way in the language of one 'go' of technologies that support the modern concurrency, and even how to write better code concurrency.

• The Journal of the Convergence on Culture Technology
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• v.1 no.1
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• pp.27-36
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• 2015

The purpose of this research is to try to enrich human life by applying the convergence energy of humanities and science to modern poetry. "Communication and entertainment", as modern poetry with modernist aesthetics, must indulge people's lives, which is simply to live happy lives. Entertainment is especially crucial because it is a method through which people can lead humane and satisfactory lives. The prerequisites for achieving this are true liberty and happiness. If these two prerequisites derive from humanity's consciousness, "communication and entertainment" can be born from "convergence of information technology and modern poetry", as the author insisted.

• Sijohaknonchong
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• v.25
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• pp.5-27
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• 2006

This paper aims at examining how sijo works, including ancient sijo works, those published before the 1960s, those written by China-residing Koreans, and those published in the 2000s, convey the poetic meaning in terms of sentence structure. Firstly, ancient sijo works, those published before the 1960s, and those written by China-residing Koreans, have sentences. whose meaning the readers can easily grasp, with simple structures and little rhetoric words. But moderns works published In the 2000s (modern sijo works after) are mingled with too many rhetoric expressions, sometimes misused. Secondly, ancient sijo works, those published before the 1960s, and those written by China-residing Koreans, having a clarified subject-verb context. are easily understood by the readers. But, in modern sijo works, there are many cases with an unclarified subject-verb context and redundant rhetoric words, which will cause misunderstanding of the meaning of the work. Thirdly, in ancient sijo works. those published before the 1960s and those written by China-residing Koreans, each of the three statements (called in) in a stanza is separate from the others in context. But, in some modern sijo works, the first and second statements (called chojang and jungjang) fall into just rhetoric parts for the last statement (called jongjang), and each of them is not read as an independent statement. Fourthly, there are some cases whose forms are distant from those of siio works. but are written in three statements like traditional sijo works. Regular poems, though written in regular rhythm, should be also acoustically regular. Sijo works should be easily understood when recited. If not, they are basically far from sijo works. If modern sijo works should overcome their easy expressions and simplicity of themes, they should be composed through using not complicated sentence structures but brand-new metaphors, clear images, and fresh themes.