• Proceedings of the Korea Contents Association Conference
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• 2011.05a
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• pp.311-312
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• 2011

이번 연구 목적은 배우 대사의 비유창성 비율 증감이 영화 내러티브 흐름과 어떤 상관 관계를 가지는지 전사작업을 통해 정량적으로 분석하는 것이다. 대화체는 잡음,간투어 등의 비유창성(DFs; Disfluencies) 이 나타난다. 배우는 자연스럽게 대사를 발화하려고 비유창성 비율을 인위적으로 높인다. 연구 대상은 박쥐(2009)의 배우 송강호(상현 역) 대사이다. 가톨릭 신부 상현이 뱀파이어가 되는 인물의 대사를 비유창성 특질들과 전사하였다. 그리고 주인공의 정체성에 따라 배우의 대사의 비유창성 비율의 변화 양상을 비교 분석하였다.

• The Journal of the Korea Contents Association
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• v.9 no.6
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• pp.62-71
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• 2009

This paper is a study on the elected korean leading actors & directors who have stable mobility power for audience and social networking. We elected 153 most reliable Korea actors and directors of stardom" (50 directors, 103 actors); they have to put on the name in the 20 high ranks, and more than twice from the total amount of Korean audience about showing 700 movies by 1998-2007. And then we analyze out 'who might be centre in social networking and social networking between actor and director," through 'Centrality Analysis' using the "UCINET" social networking analysis program Finally, we know 'Kim sang-jin director' is 'key men' and 'star' who reduced uncertainty definitely: For a long time, he combines most stable audience power with broad network successfully.

• Aerospace Industry
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• s.97
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• pp.52-53
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• 2007

항공기를 좋아하는 사람들에게는 누구나 어릴 적 추억이나 감명 깊게 본 항공영화가 하나쯤 있게 마련이다. 그리고 우리들 뇌리에는 탐 크루즈 주연의 탑건(TOPGUN)이라는 영화가 강한 인상으로 자리하고 있다. 하지만 영화는 배우들이 만들어낸 허구일 뿐, 실제 F-14 전투기의 공중전을 통해 조종사들의 생활과 애환을 다룬 작품은 따로 존재한다.

• Journal of Korea Entertainment Industry Association
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• v.14 no.6
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• pp.77-89
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• 2020

The film "Parasite" portrays Korea's history and its present in a space that clearly represents the real world's hierarchy as a vertical structure. It demonstrates the problems of an insurmountable reality and the elements of various conflicts occurring below the surface of Korean society through a complex mix of human emotions and relationships. The most realistic yet unrealistic characters cross boundaries between being victims and perpetrators, defamiliarizing ordinary scenes from everyday life through their small mistakes, strange obsessions, bizarre behavior, anxious psychology, and desperate struggles. This study analyzes the expression of the film "Parasite" through its characters with the belief that the film expresses director Bong Joon-ho's consistent cinematic philosophy of taking reality beyond the traditional rules of film genres. By doing so, Bong creates a feature of the expression that shifts genres as the characters' personalities amplify related behaviors, conflicts and questions, and that this is the core of the unique nuance and distinct humor of this film. In addition, the personalities of the characters interact with all the film's elements (cinematic techniques, space, props, etc.), evoking effects of various meanings, which are transmitted through the actors'images and acting. In this respect, the study analyzes how the actors were cast in order to realistically reproduce the characters of the actors, how their acting was harmonized with the film's elements, and its features as well as how they were expressed.

• 건강소식
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• v.38 no.11
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• pp.16-17
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• 2014

2014년 정우성은 영화 '신의 한 수'와 '마담 뺑덕'에서 배우로서 흥행과 연기력을 인정받았다. 그야말로 정우성의 해다. '신의 한 수'에서 상남자스러운 액션 연기를 선보였다면 '마담 뺑덕'에서는 파격적인 연기와 노출을 감행했다.

• Communications of the Korean Institute of Information Scientists and Engineers
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• v.22 no.2
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• pp.20-34
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• 2004

최근 외신을 통해서 보도된 원숭이를 이용한 BCI (Brain-Computer Interface) 실험에 관한 보도 (Carmena et al., 2003)나 배우 Keanu Reeves가 세 편에 걸쳐서 열연한 영화 Matrix를 통해서나 뇌-컴퓨터 접속이라는 주제가 대중적으로 많은 인기를 끌고 있다. 배우 KeanuReeves는 1995년에도 Fox 영화사에서 제작된 Jonny Mnemonic Superbit Collection(국내 소개명 코드명J)라는 영화에서 뇌-컴퓨터접속기술을 소개한 바 있는데 그리 큰 인길르 끌지는 못하였다가 최근 몇 년간에 걸친 Matrix 쓰리즈에서 뇌-컴퓨터 접속기술을 범대중적으로 소개하는데 성공하였다.

• Journal of Korea Entertainment Industry Association
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• v.14 no.8
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• pp.131-140
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• 2020

This article attempted to apply the methodology of film acting as a performance oriented towards socio-cultural meaning to Min-sik Choi's acting. Specifically, the relationship between the body, the face, the audio, the direction and the attitude toward film technology mentioned in the interview dictation of actor Choi Min-sik was analyzed. In conclusion, Min-sik Choi's acting cannot be defined only by method acting, but implies or integrates the typical or avant-garde acting theories such as Stanislavsky, Strasberg, Mayerhold, Brecht and Grotovski. Above all, it is the presentation that expresses the flow of life through movement suggested by S. Kracauer. The feeling of compassion that Choi Min-sik himself emphasizes is in contact with the essence of the film that reproduces the flow of life, and it expands to an intended screen performance with a certain purpose. The screen performance that can be compressed with compassion and the flow of life is expressed by Min-sik Choi's various personas. His persona, transcending good and evil, reflects the present of Korean society.

• 건강소식
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• v.37 no.4
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• pp.16-17
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• 2013

주말 안방극장에서 로맨티스트로 시청자들의 공감을 얻고 있는 배우 이정진. 드라마, 영화, 예능에서 무한 매력을 한껏 발산하고 있는 그는 올해로 14년차 연기파 배우다. 오랫동안 가까이 하고 싶은 이정진의 매력 속으로 들아가본다.

• Journal of Korea Entertainment Industry Association
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• v.15 no.5
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• pp.85-98
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• 2021

The present thesis is a study about a character actor's characterization from the concept of 'star persona'. Conducted in 2020, this is a follow-up study about a personality actor's characterization. Lee Sung-min was selected due to his wide acting spectrum among domestic actors and his brilliant expression of differing characters as a character actor. The study discusses characterization methods for character actors on the basis of his role of high-ranking North Korean bureaucrat 'Ri Myung-un' in the film 'The Spy Gone North'. Stanislavski claimed that character building or characterization was the pinnacle of the acting art. However, such an expression of personality requires hard work and devotion from an actor. The actor Lee Sung-min practiced the North Korean dialect in order to act the role, and added the way the elite speak in North Korea to this dialect. He achieves a style of acting that raises tensions within the drama by spitting out lines in one breath and by making the audience fixate their gaze within character solo shots for which the character's emotions and lines serve as the core, with the purpose of maximizing dramatic tension and situational reality. Continuity and angle also serve extremely important roles in terms of expressing a character's personality development, affect, and emotions. The present thesis discussed the character development methods for a character actor's role of 'Ri Myung-un' in the film 'The Spy Gone North'.

• The Journal of the Korea Contents Association
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• v.13 no.12
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• pp.108-116
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• 2013

Park Jung-hoon started his acting career in movie since undergraduate year at Chungang University, Drama and Cinema school, and till now he is a very active and nationally beloved actor in Korea. However, to this day there isn't any study about him, so this study might be the right time to take a look at his acting style again. This report will find and review his distinctive patterns in acting, and roughly assess the character expression from character, Dong-chul, in the movie, My Dear Desperado; which has been evaluated as the best movie to show the inner side of character. His acting pattern is segmented by 3 parts; Park Jung-hoon style comical acting, expression of macho side of masculinity, and subtle inner emotion expression acting. Then his acting technique is analyzed from character Dong-chul in the movie, My Dear Desperado, which he acted out change in character from low-class nonsense gangster to a good-hearted man flawlessly. In addition this report will try to find his acting technique that made impossible distance between the characters possible. This study hopes to start and continue other studies that discuss many movie actors' and actresses' different character expression method and their training technique, also wish many actors and actresses could find helpful in their acting training.