• Journal of the Korean Crystal Growth and Crystal Technology
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• v.31 no.5
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• pp.228-232
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• 2021

Ca_1-xZrO₃:xPr phosphor with perovskite structure was successfully synthesized by using skull melting method. The crystal structure, morphology and optical properties of synthesized phosphor were characterized using X-ray diffraction (XRD), scanning electron microscopy (SEM), ultraviolet fluorescence reaction and photoluminescence. The XRD results indicated that single crystals of CaZrO₃:Pr³⁺ belongs to orthorhombic perovskite system. The synthesized phosphor could be excited by UV light (254 nm) and the emission spectra results indicated that green luminescence of CaZrO₃:Pr³⁺ due to charge transfer transition ³P₀ → ³H₄, ³P₁ → ³H₅ and ³P₀ → ³H₅ at 506, 536 and 548 nm was dominant.

• Journal of the Korean Crystal Growth and Crystal Technology
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• v.29 no.1
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• pp.24-31
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• 2019

The current study demonstrates an efficient procedure to create ingots from $Al_2O_3$ powder using the skull melting method to use these ingots as a starting material in conventional methods for growing synthetic single-crystal sapphire. Dimension of the cold crucible was 24 cm in inner diameter and 30 cm in inner height, 15 kg of $Al_2O_3$ powder was completely melted within 1 h at an oscillation frequency of 2.75 MHz, maintained in the molten state for 3 h, and finally air-cooled. The areal density and components of the cooled ingot by parts were analyzed through scanning electron microscopy with energy dispersive X-ray spectroscopy (SEM-EDS). The areal density and $Al_2O_3$ content of the ingot were related to the temperature distribution inside the cold crucible during high-frequency induction heating, and the area with high temperature was high tends to be high in areal density and purity.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.41 no.3
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• pp.59-66
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• 2023

This study attempts to examine the process of establishing a Japanese-style garden in the modern period through the perspectives of garden designers, spatial composition, spatial components, and materials used in their works, and to use it as data for embodying the identity of Korean garden. The results are as follows: First, by incorporating elements associated with Koreanness into the modern garden culture, there are differences in location, presence, and subjectivity when compared to Japan. This reflects Japan's relatively seamless cultural continuity compared to Korea's cultural disconnection during the modern period. Second, prior to the modern period, Japan's garden culture spread and continued to develop throughout the country without significant interruptions. However, during the modern period, the Meiji government promoted the policy of 'civilization and enlightenment (Bunmei-kaika, 文明開化)' and introduced advanced European and American civilizations, leading to the popularity of Western-style architectural techniques. Unfortunately, the rapid introduction of Western culture caused the traditional Japanese culture to be overshadowed. In 1879, British architect Josiah Condor guided Japanese architects and introduced atelier and traditional designs of Japanese gardens into the design. The garden style of Ogawa Jihei VII, a garden designer in Kyoto during the Meiji and Taisho periods, was accepted by influential political and business leaders who sought to preserve Japan's traditional culture. And a protection system of garden was established through the preparation of various laws and regulations. Third, as a comprehensive analysis of Japanese modern gardens, the examination of garden designers, Japanese components, materials, elements, and the Japanese-style showed that Yamagata Aritomo, Ogawa Jihei VII, and Mirei Shigemori were representative garden designers who preserved the Japanese-style in their gardens. They introduced features such as the creation of a Daejicheon(大池泉) garden, which involves a large pond on a spacious land, as well as the naturalistic borrowed scenery method and water flow. Key components of Japanese-style gardens include the use of turf, winding garden paths, and the variation of plant species. Fourth, an analysis of the Japanese-style elements in the target sites revealed that the use of flowing water had the highest occurrence at 47.06% among the individual elements of spatial composition. Daejicheon and naturalistic borrowed scenery were also shown. The use of turf and winding paths were at 65.88% and 78.82%, respectively. The alteration of tree species was relatively less common at 28.24% compared to the application of turf or winding paths. Fifth, it is essential to discover more gardens from the modern period and meticulously document the creators or owners of the gardens, the spatial composition, spatial components, and materials used. This information will be invaluable in uncovering the identity of our own gardens. This study was conducted based on the analysis of the process of establishing the Japanese-style during Japan's modern period, utilizing examples of garden designers and gardens. While this study has limitations, such as the absence of in-depth research and more case studies or specific techniques, it sets the stage for future exploration.

• Landscaping Tree
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• s.84
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• pp.16-18
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• 2005

전국 어디서나 쉽게 볼 수 있는 사철나무는 노박덩굴과 식물로 해풍과 염기에 강하며 해수와 접하여도 잘 죽지 않고, 또한 내음력이 강하며, 습지와 건조지에서도 강하며 맹아력이 좋고 공해에도 강하여 정원수나 조경수로는 적격인 수종이라 할 수 있겠다. 이러한 까닭에 도심지의 조경수, 관상수, 정원수로 많이 식재되고 있고 잘 정돈된 사철나무 울타리는 도시인의 마음을 한결 깔끔하게 하고 화려하지는 않지만 은은하여 도시에서 느낄 수 없는 소박한 시골 아낙네 같은 청초한 느낌을 준다. 봄과 여름에는 다른 수종들과 어울러져 남들을 더욱 돋보이게 하고 가을과 겨울에는 혼자만이 꿋꿋이 녹색을 띠면서 적막한 도시의 거리를 조금이나마 부드럽게 하는 현대인이 배우고 갖추어야 할 덕목을 일러주는 나무인 것이다. 이러한 사철나무를 가해하는 해충으로 깍지벌레류와 진딧물류의 피해가 심하고, 기타 잎을 가해하는 왕물결나방, 차주머니나방이 피해를 주고 있어 이들에 대한 생태 및 방제법을 간략하게 소개하고자 한다.

• Journal of ILASS-Korea
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• v.5 no.3
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• pp.45-54
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• 2000

A novel electrostatic splaying method for solidifying a galvanized coating layer was studied. Our experimental results and computer simulations showed that electric field could assist the fine droplets to attach on the steel surface and change the sprayed droplets trajectory especially in the space near the steel surface. It was necessary to apply the electric voltage higher than - 20 kV to obtain the enough electrostatic attraction force between droplets and the steel sheet.

• Proceedings of the Korean Institute of Electrical and Electronic Material Engineers Conference
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• 2005.07a
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• pp.386-387
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• 2005

anodic deposition법으로 제조된 $MnO_2$와 (Mn, Zn) 산화물의 전도도를 측정하였다. 제조된 Mn 산화물의 조성은 XRD와 EDS를 이용하여 $MnO_2$ 와 Mn 복합산화물로 확인되었다. DV-Xa법으로 계산된 이론 전자상태 계산 결과 천이금속을 첨가하게 되면, Mn 복합 산화물의 에너지 갭이 감소하는 것으로 나타났다. anodic deposition법으로 제조된 $MnO_2$와 Mn 복합 산화물의 전기전도도를 비교하면 천이금속이 첨가된 복합 산화물의 특성이 우수한 것으로 나타났다.

• Proceedings of the Korean Vacuum Society Conference
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• 2015.08a
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• pp.126.2-126.2
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• 2015

대표적인 금속 칼코지나이드 2차원 물질인 이황화 몰리브덴($MoS_2$)의 대면적 합성을 위해 화학적 기상 증착 (Chemical Vapor Deposition) 방법을 이용하였다. 몰리브덴을 포함한 $Mo(CO)_6$ 전구체와 황이 포함된 $H_2S$ 가스를 적절한 비율로 반응시켰고, 증착 속도를 조절하여 한 층부터 다섯 층까지의 얇은 $MoS_2$ 박막을 제작할 수 있었다. $MoS_2$ 박막들이 층별로 균일 하게 증착 되었는지 확인하기 위해 라만 분광법을 이용 하였고, x-선 분광법을 통해 몰리브덴과 황의 정확한 정량비를 알 수 있었다. 뿐만 아니라, 우리는 두께 의존성을 갖는 이차원 물질인 $MoS_2$ 각 층마다 나타나는 전자 구조적 특성 분석을 위해 자외선 분광법, 역광전자 분광법, 전자 에너지 손실 분광법을 사용하였다. 그 결과, $MoS_2$ 박막의 두께 별 일함수, 가전자대 최대값, 전도대 최소값, 밴드갭의 변화를 관찰할 수 있었다. 이는 기존 계산 결과와 비교하여 잘 일치함을 알 수 있다.

• Journal of the Korean Institute of Landscape Architecture
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• v.41 no.6
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• pp.1-19
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• 2013

This study tries to review 'Sakuteiki(作庭記)', the Book of Garden Making, compiled at the end of the 11th Century during the Heian Period of Japan, from the East-Asian perspective. 'Sakuteiki' is a Garden Theory Book, the oldest in the world as well as in Asia, and it contains the traditional knowledge of Japanese ancient garden culture, which originated from the continent(Korea and China). Traditional knowledge related to East-Asian garden culture reviewed in this paper is "Fungsu Theory"(風水, Asian traditional ecology: Fengshui in Chinese; Fusui in Japanese), stemmed from the culture to seek sound and blessed places to live in. Viewed from modern landscape architecture, the Fungsu Theory corresponds to ecology(science). The Fungsu Theory was established around the Han Dynasty of China together with the Yinyangwuxing(陰陽五行) Theory and widely used for making human residences including gardens. It was transmitted to Japan via Korea as well as through direct transaction between Japan and China. This study reinterprets garden design principles represented in Sakuteiki, which were selected in 5 key words according to the Fungsu Theory. The 5 key words for the Fungsu Theory are "the place in harmony of four guardian gods(四神相應地)", "planting trees in the four cardinal directions", "flow of Chi(氣)", "curved line and asymmetry", and "mountain is the king, water is the people". Garden design principles of "the place in harmony of four guardian gods(四神相應地)" and "planting trees in the four cardinal directions" are corresponding to "Myeongdang-ron(明堂論, Theory of propitious site)". The place in harmony of four guardian gods mentioned in Sakuteiki is a landform surrounded by the flow of water to the east, the great path to the west, the pond to the south, and the hill to the north. And the Theory originated from Zhaijing(宅經, Classic of dwelling Sites) of China. According to this principle, the city was planned and as a miniature model, the residence of the aristocrat during the Heian period was made. At the residence the location of the garden surrounded by the four gods(the flow of water, the great path, the pond, and the hill) is the Myeongdang(明堂, the propitious site: Mingtang in Chinese; Meido in Japanese). Sakuteiki explains how to substitute for the four gods by planting trees in the four cardinal directions when they were not given by nature. This way of planting originated from Zhaijing(宅經) and also goes back to Qiminyaoshu (齊民要術), compiled in the 6th Century of China. In this way of planting, the number of trees suggested in Sakuteiki is related to Hetu(河圖) and Luoshu(洛書), which are iconography of Yi(易), the philosophy of change, in ancient China. Such way of planting corresponds to that of Yongdoseo(龍圖墅, the villa based on the principle of Hetu) presented in Sanrimgyeongje (山林經濟), an encyclopedia on agriculture and living in the 17th Century of Korea. And garden design principles of "the flow of Chi(氣)", "curved line and asymmetry" is connected to "Saenggi Theory(生氣論, Theory of vitality)". Sakuteiki explains the right flow of Chi(氣) through the proper flow and the reverse flow of the garden stream and also suggests the curved line of the garden stream, asymmetric arrangement of bridges and stones in the garden, and indented shape of pond edges, which are ways of accumulating Chi(氣) and therefore lead to "Saenggi Theory" of the Fungsu Theory. The last design principle, "mountain is the king, water is the people", is related to "Hyeongguk Theory(形局論, Theory of form)" of the Fungsu Theory. Sakuteiki explains the meaning of garden through a metaphor, which views mountain as king, water as the people, and stones as king's retainers. It compares the situation in which the king governs the people with the help of his retainers to the ecological phenomena in which mountain(earth) controls water with the help of stones. This principle befits "Hyeongguk Theory(形局論, Theory of form)" of the Fungsu Theory which explains landform on the analogy of social systems, people, animals and things. As above, major garden design principles represented in Sakuteiki can be interpreted in the context of the Fungsu Theory, the traditional knowledge system in East Asia. Therefore, we can find the significance of Sakuteiki in that the wisdom of ancient garden culture in East-Asia was integrated in it, although it described the knowhow of a specific garden style in a specific period of Japan.

• Proceedings of the Acoustical Society of Korea Conference
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• autumn
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• pp.239-242
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• 2004

터보팬엔진등에서 발생하는 음장의 특징은 지배적인 음향모드 구조를 가진다는 점이다. 이러한 구조를 파악 해내는 것은 소음원을 찾아내고 그 소음원의 전파를 규명하여 소음을 저감하는데 중요한 기여를 할 수 있다. 음향모드의 검출을 위해서 많은 연구가 이루어져 왔으며 센서의 이용방식에 따라 원음장에서의 측정법, 회전형 갈퀴 (rotating rake)를 이용한 측정법, 덕트내 벽면에 센서를 분포시키는 측정법으로 나눌 수 있다. 이중 벽면에 센서를 위치시키는 방법은 다른 방법에 비해 빠르게 측정결과를 얻을 수 있으며 측정장치가 간단하다는 장점이 있다. 본 연구에서는 기존에 이 방법의 단점으로 여겨져 왔던 많은 수의 센서를 줄이는 새로운 센서 배치에 대해 기술하였으며 측정하고자 하는 주파수에 존재하는 전체 모드의 개수와 비교하여 최소한의 센서 개수를 설명하였다.

• Proceedings of the Korean Society of Precision Engineering Conference
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• 1997.10a
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• pp.393-396
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• 1997

High-speed machining is one of the most effective technologies to improve productivity. Because of the high speed and high feed rate, high-speed machining can give great advantages for the machining of dies and molds. This paper describes on the improvement of machining accuracy in high-speed machining. Depth of cut and feed rate are control factors. The effect of the control factors on machining accuracy is investigated using two-way factorial design.