• Title/Summary/Keyword: 전시 축제

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A Study on the Performativity of the Audience and Learners through the Operaestate Exhibition Festival (Operaestate 전시 축제 사례를 통해서 본 관객과 학습자의 수행성에 관한 연구)

  • Park, Nahoon
    • Trans-
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    • v.9
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    • pp.1-15
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    • 2020
  • The most prominent phenomenon in performing arts in recent is the social sharing of art products. As a result of the city's reinterpretation of each local government, production of performances, activation of performances outside the theater, and performances performed in streets and specific spaces and public spaces deviate from traditional theater-based performance forms through social communication and expansion. Also, it is seen as an effort to expand the delinquency of the act. Furthermore, it can be said that this proves the publicity of contemporary performing arts. I will research the audience and learners through the Opera Estate festival, a recent exhibition in the Balsano del Grappa, Italy, which is based on the site-specific performance form that has been actively conducted several years ago.

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인터뷰-씰 수집가 신점식

  • 박연숙
    • 보건세계
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    • v.55 no.6
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    • pp.8-9
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    • 2008
  • 10월 8일 부산우체국에서는 자갈치축제를 기념한 우표전시회가 열렸다. 우체국 로비에 우취인물이 내놓은 우표들을 전시하는 작은 전시회지만, 수집가들에겐 의미 있는 자리다. 주된 전시 품목은 우표와 엽서지만 간혹 씰과 관련된 것들도 눈에 띄었다. 이번 우표전시회에 전시된 우표 설명을 맡은 신점식 씨는 우표는 물론 30여 년간 씰을 수집해 온 열혈 수집가다. 특히 지난 2000년 대한결핵협회가 주최한 씰 콘테스트에서 은상을 받았을 정도로 씰에 대한 애착이 크다.

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제1회 파주북소리2011 성료

  • Im, Nam-Suk
    • 프린팅코리아
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    • v.10 no.11
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    • pp.118-119
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    • 2011
  • 아시아 최대 규모의 책 축제인 '파주북소리 2011(PAJU BOOKSORI 2011)'이 지난 10월 1일부터 9일까지 파주출판도시에서 펼쳐졌다. '책 읽는 사람, 책 쓰는 사람 책 만드는 사람이 함께하는 아시아 지식의 축제'라는 기치 아래 펼쳐진 이번 축제에는 260여개 출판사와 300여개 문화예술 단체 및 기관이 참여해 전시와 강연 공연 등 136개 프로그램이 진행됐다. 이러한 다양성으로 인해 올해 처음 열린 축제였지만 30만명 이상의 관람객이 몰리는 등 그야말로 파주는 축제의 한마당이었다.

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Development of Measurement Standard Scale for Festival contents quality (CONTSQUAL) (지역축제 콘텐츠품질(CONTSQUAL) 척도 개발)

  • Maeng, Hae-Yeong;Jang, Hyeong-Yu
    • The Journal of the Korea Contents Association
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    • v.12 no.12
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    • pp.742-760
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    • 2012
  • Festival contents have played a role as a mediator that connects consumers and producers of the Festivals to express the purpose or theme of those. The successful quality factors to be successively sustainable excellent Festivals include ritual, experience, exhibition, sales, education, competitive, performance. In this study, Festival contents scales, that is named CONTSQUAL, being consisted of seven factors were drawn through the analysis of Cultural Tourism Festival 2012. Festival CONTSQUAL is ritual, experience, exhibition, sales, education, competitive, performance. The research sample is participants in the "Geumsan Insam Festival". Empirical analysis was carried out for visitors to verify the scales and research model. As a result, among festival CONTSQUAL, all components of qualities affected positively on Festival Flow but ritual and education. Festival flow affected positively on festival satisfaction while festival satisfaction affected positively on behavior intention. This study not only measured festival quality through the newly developed CONTSQUAL scales underlying sustainable competitive festival, but also built basic foundation for objectively assessing the festival contents quality, which would result in ensure successful local festival.

행사 - 청주 직지축제 및 직지상 시상식 성료 -1377합창단 감동의 하모니 극찬

  • Im, Nam-Suk
    • 프린팅코리아
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    • v.10 no.10
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    • pp.104-105
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    • 2011
  • 2012 '청주직지축제'가 지난 9월 3일부터 9일까지 7일간 청주예술의전당과 청주고인쇄박물관 일원에서 펼쳐졌다. 이번 축제에는 기존의 형식과 관행을 깨고 보다 시민들이 함께하는 프로그램인 시민합창단이 진행돼 눈길을 끌었다. 전시행사로는 미디어전시관, 미디어아트 전시회, 세계기록유산 패널, 지식정보 선도도시 청주의 미래상 등이, 참여행사로 1377퍼레이드, 멀티미디어쇼, 댄스, 노래, 콘서트, 가을밤 음악연주회 등의 공연과 미디어과학체험, 영상, 애니메이션, 고인쇄문화체험(활자, 한지, 배첩) 등 체험학습도 진행됐다. 학술행사로는 미디어학술회의(멀티미디어). 국제학술회의(고인쇄전문가) 등이 열렸다. 한편 매년 9월 4일은 직지의 날인데. 1377년 청주 흥덕사에서 간행한 백운화상초록불조직지심체요절의 유네스코 세계기록유산 등재일인 2001년 9월 4일을 직지의 날로 청주시 조례로 정했다. 이에 매년 9월 4일 직지의 날을 기념하기 위해 격년제로 직지축제와 직지상 시상식 행사를 개최하고 있다.

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Development of u-Pamphlet based on PDA and Two Dimensional Barcode for Festival Marketing (축제 홍보를 위한 PDA와 2차원 바코드 기반의 u-팜플렛 개발)

  • Park, Chan-Jung;Moon, Young-Ho;Lee, Hyun-Soo;Cho, Kyu-Bum;Lee, Hyun-Soo
    • The Journal of the Korea Contents Association
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    • v.8 no.7
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    • pp.93-102
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    • 2008
  • With the advance of ubiquitous environment, a lot of changes occur in various kinds of applications. The marketing for festivals is not an exception. Due to the needs for changes in the festival marketing, researches about active marketing suitable for ubiquitous environment are increasing. The purpose of this paper is to develop a u-pamphlet based on PDA and QR code. In this paper, we focus on Jeju Jeongweol Daeboreum Fire Festival, shortly Jeju Fire Festival, as a pamphlet content, which is one of the best domestic festivals. When tourists attend Jeju Fire Festival, the proposed u-pamphlet provides various forms of Jeju Fire Festival information either by accessing digital content stored in PDA directly or by interpreting QR code in the Festival area and connecting remote digital content indirectly. In addition, in order to analyze the necessity, the usefulness, the functionality, and the technical barriers of the u-pamphlet, we make a questionnaire after we exhibit our u-pamphlet.

Proposal of a sustainable K-Culture Festival Strategy (한국문화축제 전략 제언)

  • Kim, Hyejn Joy
    • The Journal of the Convergence on Culture Technology
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    • v.8 no.4
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    • pp.213-217
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    • 2022
  • It is a time when a sustainable Korean Culture Festival strategy is needed. The Korean Culture Festival is a Hallyu Culture Festival that comprehensively introduces various Korean cultures such as Korean food, beauty, and fashion with the focus on K content, which has been leading the global craze since 2020. As the core project of the promotion of Neo Hallyu by the Ministry of Culture and Gymnasium, the 2021 Korean Culture Festival, which was based on the World K-Pop concert and the K-Culture Fan Fair, including holding the first face-to-face concert that applied the stage of real-world content after Covid-19, as well as conducting and exhibiting various fan participation challenges, must now make the leap to the global Hallyu Culture Festival. To this end, it can consist of drama, K-pop, K-Culture Fan Fair, K-Meetup, K-Culture Parade, and Awards. This distinction shows a classic festival program centered around the prosumer content that drives the Korean Wave, and in order for this philosophy to be effectively linked to its contemporaries, a Business to Business (B2B) and Business to Consumer (B2C) 'Techtainment Strategy' is needed to acquire potential customers through learned playfulness.