• Cartoon and Animation Studies
• /
• s.23
• /
• pp.19-33
• /
• 2011

There are the various genres such as current affairs, romance, academy, Wuxia, sports, psychology, learning, living and horror in cartoons. Among them, the horror comics are based on the story full of real or realistic subject or exaggerated imagination. The horror comic by Ito Junji have gone through the various printings for the classes of readers since it was introduced in this country. This study has begun from necessity of research on the effect of the horror comics genre on the readers by analysis. among Ito Junji's horror comics makes its own cruel horror image by giving a very unrealistic situation to the usual structure of horror genre. The cruel horror comics rouse significance of the analysis of the genre as one genre of the comics. has the 'catastrophe' effect for the readers who want to enjoy and deny it at the same time by stubbornly describing aspect of 'cruelty' of the horror things. This study aims to research 'cruelty of portrayal' of in terms of human psychology.

• Proceedings of the Korea Society of Costume Conference
• /
• 2003.05a
• /
• pp.29-29
• /
• 2003

20세기 후반 예술의 전반적인 흐름이 미적 다원주의와 해체주의를 지향하게 되자 패션에서도 이러한 시대적 조류의 현상으로 잔인하고 혐오스러우며 끔찍한 추의 미가 표현되었다. 본 연구는 현대 패션에서 나타나고 있는 잔혹한 이미지에 초점을 맞추며 이와 같은 양상이 발생하게 되는 원인을 줄리아 크리스테바의 이론과 적용시켜 고찰하였다.

• The Korean Publising Journal, Monthly
• /
• s.99
• /
• pp.26-27
• /
• 1992

• Journal of the Korean Society of Costume
• /
• v.54 no.1
• /
• pp.83-96
• /
• 2004

Upon the threshold of late 20th century, the social, cultural and artistic trend began to pursue aesthetic pluralism and deconstructivism, and thus, fashion also began to reflect such a trend only to express cruel, detestable, horrible and ugly aesthetics. Under such circumstances, this study focused on the cruel images appearing in the modern fashion and thereby, attempted to determine their causes in reference to Julia Kristeva's theories. Her theories of women explain that women have incessant desires or blind obsessions about penis due to the bisexual instinct inherent in their subconsciousness, and thereby, discuss sado-masochism, a characteristic of women's violence and cruelty. In addition, she determines of abject, detestable and horrible nature of women by explaining their struggle to be separated from mothers at the stage of Oedipus (sexual differences). Based on such theories about women's cruelty, the cruel images shown in the modern fashion are categorized into sado-masochism, the violent and destructive image, and abjection, the women's apparels made of unpleasant, terrible and creepy materials decorated, to be reviewed systematically.

• Journal of English Language & Literature
• /
• v.57 no.1
• /
• pp.129-146
• /
• 2011

Despite the ubiquity of love in the work of Sarah Kane, the theme has been overshadowed by the violence that characterizes her early plays. This essay differentiates Kane from her contemporary "in-yer-face" playwrights, arguing that violence in Kane operates as a means of securing love. Antonin Artaud's concept of cruelty, often (mis)understood in a physical sense alone, provides a clue to the nature of Kane's violence and its relation to love. The essay focuses on Cleansed and Crave, both written in 1998, one about love's redemptive possibility, the other about its pure impossibility. What makes Cleansed hopeful is its violence that works as love's obstacle, creating the illusion that once it is removed love would be possible. The absence of violence in Crave on the contrary lays the illusion of love bare, making it Kane's most despairing play. Kane's oeuvre draws a trajectory of love from hope to despair; as a whole it stages the impossibility of love. To love the other requires the relinquishing of the self, making love logically impossible by depriving the verb of its subject. Love, if possible, would offer the bliss of unity, tearing out the constraint of the Symbolic Order. Kane's only alternative is death, as is expressed in Crave and 4.48 Psychosis.

• (The) Research of the performance art and culture
• /
• no.32
• /
• pp.595-628
• /
• 2016

Pansori of a creative group pansori 2006 demonstration factory floor sound brutal sorigeuk the home of is a legend 'deokttaegol' in pansori, a creative for adaptation to remakes Work is. Evil Twin 'deokttaegol' called "Give me my leg back" in of Ghost Stories, broadcast on a kbs of lines from breakneck work is considered to be a pronoun. Sound and shadow play and playing drums and payments sentiments of the cruelty I've come across in this 'Give me my leg back' audience to be deployed to the cruel is formed by the center. Based on emotional horror of cruelty. When I was little, ever heard of Korean Ghost Stories, a bedrock of the main feeling revulsion of value in a short time and is contained in a story of filial piety, while in education, to the target Provided. Done in our lives using genre called 'pansori' sentiment and efficient learning can move about the value education can know. Sound and stories, many carefree a stimulus such as Pansori is a great gesture can be a means of education. Valued with any information, work is performed in pansori, depending upon efficient and the various, education and made an emotional cultivation resulting from the value. In my life friendly, our own via a variety of materials that can easily access many values and sentiments, and to culture for each age group on languages and customs Each age groups and instructive preferred allowing them access through their rhythm, pansori, access to the target is persistent about it with curiosity and interest. Can have interest. This wealth not belong to the traditional pansori and new together private and to the tune called creative work for the Pansori. Therefore, our language and customs, their poems span a friendly, the pansori and created using the vocabulary for each age group creative content is educational effects if used in education It is expected to be big thing. These effective approach for each age group and based on the vocabulary by the content easily understood lessons by causing only a smoothly acquired Can to provide an opportunity. Therefore, the Pansori of a creative education is important to take advantage of educational value.

• Cartoon and Animation Studies
• /
• s.37
• /
• pp.267-286
• /
• 2014

Yeon Sang-Ho's Animation occupies an exceptional place in Korean Animation, being categorized as the kind of realism representing the pitiable actuality rather than the liberal and creative imagination. His animation appreciated as 'stories much more real than the reality' mainly depicts the world of 'the others' who resides on the periphery of the society in a rough and straightforward way. Yeon Sang-Ho's Animation represents the emotions and desire of characters as well as the heartless real world refusing the fantasy, through which it reflects the portraits of people living in post-capitalistic era seen from the microscopic view. This article investigates the textual characteristics, defining his animation as the Brutal history of 'The Others'. Two conditions which constitute the actual world in his works are the absurd social system and the characters who are afflicted with the trauma, belonging to the lower classes. Therefore, the landscape of real life which contains vicious victim, corrupted monster and being as 'homo sacer' looks like a painting of hell. Yeon Sang-Ho's Animation summons the shadow of ourselves which has been negated or neglected through the figure of 'the others' produced in post-capitalistic era and exposes our bare face and the uncomfortable truth by displaying the affected area of out society plainly. Furthermore, his works demonstrate the possibility of Korean animation as a representational language of facing the reality and searching for the truth.

• Proceedings of the Korean Society of Disaster Information Conference
• /
• 2023.11a
• /
• pp.287-288
• /
• 2023

매년 20여명 정도의 경찰이 자살에 이르고 있다. 업무량이 많은 타 공무원에 비해서도 높은 수준이다. 경찰의 자살에는 여러 가지 원인이 있지만, 특히 조직의 폐쇄성으로 인해 개인문제로 치부하는 경향이 높다. 경찰의 치안환경은 더욱 안 좋아지고, 위험성에 노출될 확률이 과거에 비해 높아졌으며, 잔혹한 범죄를 마주해야 하는 상황이 많아짐에 따라 우울증이나 업무부담 등으로 인해 자살을 하게되는 경우를 볼 수 있다. 따라서 경찰의 자살을 예방하기 위해서는 심리부검을 도입하는 방안을 법적으로 검도하고, 자살유형들을 분석하여 그에 맞는 자살예방모형 개발하여 자살률을 감소시킬 수 있는 방안을 모색해보고자 한다.

• Cross-Cultural Studies
• /
• v.40
• /
• pp.185-212
• /
• 2015

Bruno Dumont's film P'tit Quinquin (2014) trends toward 'the new extremism' in contemporary European cinema. This criminal-mystery-comedy film achieves the cinematic recognition of reality in the new extremist way: like typical new extremist films, P'tit Quinquin contains a lot of 'unwatchable' content, including disembodied parts of human body, carcasses, and the body of a boy who has killed himself. The reality, however, remains confidently invisible, despite everything that is visible within the film. In understanding Dumont's attempt to reach cinematic recognition, the relationship between 'the visible' and 'the invisible' is reconsidered. In the context of the film, the relationship between cinema and reality becomes indirect. The reality can be only felt, not seen. The invisible reality can be perceived only as a void, just like the criminal who is unknown even though he is sought after. To reveal this void, the film strives to give its viewers as much explicitly visible content as possible during its 200-minute run. This essay is an interdisciplinary attempt to examine the working and the effects of this cinematic attempt by Bruno Dumont; aspects of film theory, visual anthropology, (inter-)mediology, posthumanism in cultural theory, etc., are related for this purpose.

• Proceedings of the Korea Contents Association Conference
• /
• 2010.05a
• /
• pp.185-187
• /
• 2010

이 연구는 9.11 테러 이후 발생한 뉴테러리즘 중 가장 잔혹한 생물테러리즘을 예방하기 위한 대비체계중 검증체계를 구축한 실태를 확인한 논문이다. 생물테러리즘을 위기로 인식하고 예방하기 위해서는 대비체제를 잘 구축하여 관리하면서 실질적으로 가동하는 여부를 확인하는 활동이 필요하다. 생물테러리즘을 예방하기 위한 체제는 우선 테러리즘을 예방하기위한 법체계가 구축되어야 하고, 생물테러리즘에 사용되는 전구물질을 통제하는 법체계가 갖추어져야 한다. 그리고 이러한 법체계를 수행하기 위한 각종 조직들이 갖추어지고, 조직들이 활성화되어야 한다. 본 연구결과 한국에는 테러리즘을 통제하는 상위법령이 없는 상태이나 국제적인 요구에 부응하기 위해, BWC의 협약에 언급된 직 간접적인 이전금지, 제조, 획득, 권유, 조장 등을 금지하기 위해 생물테러리즘을 예방하기 위한 여러 법령을 제정하고, 이를 시행하기 위한 조직이 구성되어 활동 중이다. 또한 생물테러리즘에 사용될 수 있는 물질과 장비들은 산업계와 학계에서 연구목적으로 또는 의료약품 생산을 목적으로 필요로 하는 것이므로 생물학 물자 및 장비의 유통질서를 확립하고 확인하는 것이 필요하다. 이를 위한 조직이 활동 중이다. 생물무기 보유여부의 신고, 이의 폐기, 평화적 용도로의 전환사용 등에 대해서도 추진 중이다. 또한 이를 국제적으로 확인하는 체제를 구축하기 위한 국제적 협력이 계속 되어야 할 것이다.