• Journal of the Korea Institute of Information and Communication Engineering
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• v.20 no.11
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• pp.2125-2130
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• 2016

In this paper, we researched the excellency of 3D graphic nursery contents which is developed by mobile AR technology. AR technology has currently people's attention because of the potential to be core contents of future ICT industry. We applied AR nursery contents for kid's subtitle language selection in Korean, Chinese and English education. The original fairy tale consisted of 6~8 scenes for the 3D contents production, and was adapted and translated. Dubbing was dubbed by the native speaker using the standard pronunciation, and the effect sound was edited separately to fit the scene. After composing a scenario, constructing a 3D model, constructing a interaction, constructing a sound effect, and creating content metadata, the Unity 3D game engine is executed to create a project and describe it as a script. It provides a fun and informative tradition of fairy tales with abundant content that incorporates ICT technology, accepting advanced technology-based education, and having opportunities to perceive software in daily life.

• Proceedings of the Korean Vacuum Society Conference
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• 2010.02a
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• pp.260-260
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• 2010

OTFT소자는 각 박막계면간의 접촉성에 따라 그 성능이 좌우 된다는 것은 널리 알려진 사실이다. 즉 박막계면간의 접촉성 저하는 계면간의 결함을 형성하여 OTFT소자 성능을 저하시킨다. 이러한 결함을 고품질의 자기조립단분자막을 제작함으로써 박막계면간 결함을 최소화 할 수 있다. 이러한 고품질의 자기조립단분자막 형성은 박막계면간의 결함을 최소화 하기때문에 고성능OTFT소자 제작시 박막계면간 접촉성 향상에 효율적으로 적용할 수 있을것이다. 이 논문에서는 계면간의 접촉성 향상을 위해 실리콘 웨이퍼 위에 3-Aminoproplytriethoxtsilane과 용매인 무수톨루엔을 이용하여 고품질의 자기조립단분자막을 제작 하였으며 고품질을 자기조립단분자막 성장 조건을 찾기 위해 엄격한 수분조절 및 APS농도, 담근시간, 온도를 조절하여 각기 다른 조건의 샘플을 제작하였다. 또한 APS성장 분포를 알기위하여 접촉각 측정기를 이용하여 접촉각을 측정 하였고 AFM 이용하여 실리콘 웨이퍼에 생성된 박막의 균질도를 측정하였다. 그 결과 APS농도(33%) 24시간 $25^{\circ}C$, APS농도(33%) 24시간 $70^{\circ}C$, APS농도(33%) 72시간 $25^{\circ}C$, APS농도 (33%) 72시간 $70^{\circ}C$ 샘플이 기존에 알려진 APS 접촉각인 $19^{\circ}C{\sim}21^{\circ}C$ 접촉각이 나왔으며 AFM 이미지 또한 높은 균질도를 보였다. 이 결과 고품질의 APS단분자막은 농도와 시간 그리고 온도에 영향은 받으며 이렇게 완성된 단분자막은 높은 균질도를 가지게 된다. 현재 실험을 통해 얻어진 고품질의 자기조립단분자막 성장 조건을 이용하여 OTFT소자 제작하고 있으며 고품질의 자기조립단분자막 형성에 의해 결함을 최소화 하므로써 박막계면간 옴성결합을 형성하여 OTFT소자의 성능 향상이 기대되어 진다.

• Korean Journal of Materials Research
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• v.11 no.2
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• pp.126-131
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• 2001

The mutually reactive copolymers poly[(vinylbenzyl chloride)-co-(n-butyl acrylate)-co-(2-hydroxyethyl methacrylate)] and poly[(4-vinylpyridine)-co-(n-butyl acrylate)-co-(2-hydroxyethyl methacrylate)] were synthesized for the humidity sensitive material by forming simultaneous quaternization. The humidity sensor showed an average resistance of 8.6 M$\Omega$, 310 k$\Omega$ and 12 k$\Omega$ at 30%RH, 60%RH and 90%RH, respectively. The hysteresis and temperature coefficient were $\pm$3%RH and -0.37~-0.40%RH/$^{\circ}C$. The introduction of n-BA and HEMA increased the resistance of the humidity sensor however it enhanced the adherence to the alumina substrate. The response time was 54 seconds changing from 33%RH to 85%RH and the difference of resistance was +0.2%RH after soaking in water for 2 hr.

• Journal of the Korean Society for Nondestructive Testing
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• v.32 no.5
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• pp.585-596
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• 2012

PVDF(poly vinylidene fluoride) and P(VDF-TrFE)(poly vinylidene fluoride-tetrafluoroethylene) are the typical piezoelectric polymers with unique properties. Even they are inferior to conventional piezoelectric ceramics PZT in electromechanical conversion efficiency and interior loss, though they are superior in receiving sensitivity and frequency bandwidth. Their acoustic impedances are relatively close to water or biological tissue and it is easier to make thin film than other piezoelectric materials. Futhermore, the film is so flexible that it is easy to attach on a complex surface. Those properties are suitable for the ultrasound transducers which are useful for medical and biological application, so that various types of polymer transducers have been developed. In this paper, several important considerations for design and fabrication of piezoelectric polymer transducers were described and their effect on the transducer performance were demonstrated through the KLM model analysis. Then, it was briefly reviewed about the structures of the polymer transducers developed for obtaining images as well as the characteristics of the images in several important medical and biological application fields.

• The Journal of Korea Institute of Information, Electronics, and Communication Technology
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• v.14 no.5
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• pp.362-368
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• 2021

A homeotropic liquid crystal (LC) alignment state on rubbed fluorinated self-assembled monolayers (FSAMs) is described according to alkyl chain length. A simple procedure, gas-phase method, for the preparation of FSAM was used. The average optical transmittance in the visible light range of FSAMs were 76.63% to 78.21%, which were superior to the conventional polyimide layer having a transmittance of 75.89%. In addition, the excellent homeotropic LC alignment characteristics of FSAMs were observed through pretilt angle measurement and polarized optical microscope images. By measuring the contact angles and the surface energies of FSAMs, it was confirmed that pretilt angles of LC molecules increased according to the alkyl chain length. High optical transparency and uniform homeotropic LC alignment characteristics of FSAMs showed the possibility of FSAMs as an LC alignment layers.

• Korean Chemical Engineering Research
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• v.57 no.4
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• pp.507-511
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• 2019

Hydrogen permeability is widely used to evaluate the polymer membrane durability of polymer electrolyte fuel cells (PEMFC). Linear sweep voltammetry (LSV) is mainly used to measure hydrogen permeability easily. There are many differences in LSV measurement method among researchers, and it is often difficult to compare the results. Therefore, in this study, we tried to confirm the accuracy by comparing the hydrogen permeability of LSV method and gas chromatograph which is difficult to measure but accurate value. The LSV method used the DOE and NEDO methods. When the hydrogen permeability was measured by varying the temperature and the relative humidity, the DOE LSV method showed an accuracy of less than 5% in the error range compared with the GC method. In the NEDO LSV method, the error was reduced when the hydrogen permeation current density was determined at the current value of 0.3 V as the DOE method.

• The Journal of the Korea Contents Association
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• v.21 no.2
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• pp.445-452
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• 2021

This paper is an experimental study using eye-tracking on the visual attention of TV entertainment programs with PPL products being shoveled by the acceptor. As a result of analysis, first, there was no difference in the exposure time of the PPL product, which is deemed to have little effect on the subject's attention. Second, there was no difference in the PPL product's prominence, and we could see that the focus was on subtitles or the faces of the cast. Third, the concentration of attention on PPL products was higher when there were more famous cast members than there were when there were low-profile cast members, and the appearance of famous cast members was judged to be very effective in order to focus more attention on PPL products. In conclusion, when exposing PPL products in entertainment programs, it is believed that the more popular the cast members appear on entertainment shows, such as famous broadcasters, celebrities, and stars, the more effective the PPL products are, rather than the exposure time and prominence of PPL products, the more effective the companies will be in advertising the popular and likable celebrities.

• (The) Research of the performance art and culture
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• no.25
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• pp.183-210
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• 2012

이 조사는 해방 이후부터 1980년대까지 한국에서 공연된 일본번역극을 대상으로 하고 있다. 지금까지 서구연극의 번역에 대한 연구는 많았지만, 일본연극은 2000년대 이후에서야 거론되기 시작했다. 그 가장 큰 이유는 일제강점기 이후 정책적으로 일본문화를 차단시켜 일본연극을 접할 기회가 적었기 때문이다. 해방 후 최초로 원작명과 원작자의 이름이 밝혀진 상태로 번역 공연된 일본작품은 <고독한 영웅>(1969)이다. 이후 1982년에 이노우에 히사시 작의 <어미-화장->이 오태석의 연출로 무대에 올랐고, 85년에는 아베 고보의 <친구들>, 쓰카 고헤이의 <뜨거운 바다> 등이 소개되었다. 이 세 작품은 모두 재연이 되었는데, 특히 쓰카 고헤이의 작품은 본인의 연출에 의한 재연뿐 아니라, 한국연출가들에 의해 재해석되어 최근까지 재연이 이루어진 사례로, 가장 큰 영향력을 보였다고 할 수 있다. 일본문화개방 이전에 번안 각색된 일본연극이 많이 소개되었다고 하더라도, 일본연극의 '번역'으로, 그들의 다른 문화와 다른 연극 만들기 방식을 볼 수 있었던 것은 의의있는 체험이었다고 생각한다. 그것은 곧, 해방 전 절대적인 영향관계에 놓여있었던 한일 연극이 동등한 타자로서의 관계를 성립했음을 의미하기 때문이다. 그렇다면 서양 작품이 대부분인 번역극 중에서, 이들 작품은 한국의 제작 측과 관객으로부터 어떠한 기대를 받았을까? 번역된 작품들에서 공통점을 찾아내는 것은 어렵지만, 같은 시기 일본극단의 내한공연을 함께 살펴보면 재일교포의 이야기를 하거나 재일교포 작가의 작품이 다수 발견된다. 그러나 그 공연들이 곧 재일교포 문제에 대한 담론으로 이어지지는 않는다. 일본극단의 공연이 자막조차 제공하지 않은 채 진행된 경우가 많아 텍스트에 대한 비중이 상대적으로 낮았다는 점도 그 이유가 될 수 있겠지만, 번역극의 경우에서조차 텍스트 분석과 고찰이 제대로 이루어지지 못 했다. 그렇다면 결국 우리가 일본연극을 통해 보고자 했던 것은 무엇일까? 해방 후부터 1980년대까지, 어떤 일본작품이 우리에게 소개되었는지, 그리고 어떠한 방식으로 소개되었는지 검토하는 일은, 서구번역극과 차별되는 일본번역극을 통해 궁극적으로 당시 한국연극이 추구하던 방향을 되돌아볼 수 있는 또 하나의 방법이 될 것이라고 생각한다.

• The Journal of the Korea Contents Association
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• v.21 no.5
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• pp.949-960
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• 2021

Documentaries based on facts not only contain the spirit of that era but have been transformed in various ways according to changes in technologies and media. This study analyzed under the premise that the original documentary of YouTube plays a role in representing the characteristics of the medium. YouTube's original documentary is released on YouTube and then re-edited and released as a documentary film, and has the same shooting source, and is edited and described differently depending on whether it is a YouTube or a movie. This is the content that can confirm the media differences between YouTube documentary and documentary film. The cinema version shows the difference in that the narrative is developed using third-person narration and subtitles, mainly for handheld shooting and smooth editing, and the YouTube version is developing the narrative centering on audio-centric rough editing, interviews and background music. Through this, it can be seen that the YouTube version reinforces intimacy through a personal and direct expression method, while the cinema version reinforces objectivity through an official and indirect expression method.

• Journal of Broadcast Engineering
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• v.27 no.4
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• pp.499-510
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• 2022

This paper introduces a video editing system for senior creator who is not familiar to video editing. Based on video analysis techniques, it provide various information and delete unwanted shot. The system detects shot boundaries based on RNN(Recurrent Neural Network), and it determines the deletion of video shots. The shots can be deleted using shot-level significance, which is computed by detecting focused area. It is possible to delete unfocused shots or motion-blurred shots using the significance. The system detects object and face, and extract the information of emotion, age, and gender from face image. Users can create video contents using the information. Decorating tools are also prepared, and in the tools, the preferred design, which is determined from user history, places in the front of the design element list. With the video editing system, senior creators can make their own video contents easily and quickly.