• 한국정보처리학회:학술대회논문집
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• 한국정보처리학회 2013년도 춘계학술발표대회
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• pp.307-310
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• 2013

본 논문은 한국어-스페인어와 한국어-불어 간의 양방향 이국어 사전(Bi-directional bilingual lexicon)을 자동으로 구축하기 위한 새로운 방법을 제안한다. 일반적으로 한국어와 스페인어/불어 간의 병렬 말뭉치를 직접적으로 구축하기에는 어려움에 따르기 때문에, 영어를 중심언어로 하는 영어(EN)-한국어(KR)/스페인어(ES)/불어(FR) 병렬 말뭉치를 이용하여 문맥 벡터를 만들고 그들 간의 유사도를 계산하는 변형된 문맥 벡터 방법을 제안한다. 영어는 다른 언어와의 이국어 병렬 말뭉치가 비교적 많이 공개되어 있기 때문에 이 방법을 이용하면 비교적 쉽게 KR-ES와 KR-FR 양방향 이국어 사전을 구축할 수 있다. 본 논문에서 제안한 방법으로 실험해본 결과 최고 85%(ES${\rightarrow}$KR)의 정확도를 얻을 수 있었다.

• 건축사
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• 통권547호
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• pp.26-27
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• 2014

• 한국산학기술학회논문지
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• 제16권6호
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• pp.3778-3786
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• 2015

해방 후 1950-60년대 이국성을 담고 있는 대중가요를 분석함으로써 관광언어의 차별적 특징으로서 이국성이 포함되고 있는지 그리고 동시에 이국성의 불안과 떠나온 출발지와의 고리로서 친숙성은 보다 구체적으로 어떠한 형태로 노래가사를 통해 재현되고 있는지를 알아보았다. 대중가요의 작사가들은 개인적 체험 혹은 작가적 상상력 발휘를 통해 노래의 배경이 되는 외국의 특정장소의 이국성을 과장, 재창조 더 나가 정형화하고 있음을 발견하였다. 또한 동시에 친숙한 언어를 사용하면서 장소를 의인화하거나 해당 장소의 젊은 처자를 등장시키거나 혹은 작중 화자가 떠나 온 고향을 의도적으로 언급함으로써 이국성의 불안을 완충시키고 있다. 연구를 통해서 20세기 초 중반에 잠재적 관광객이 가진 관광지에 대한 당시의 대중의 집단적 상상력을 알아보는 시도이기도 하다.

• 복식문화연구
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• 제15권4호
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• pp.634-646
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• 2007

The aim of his study is to understand the developed aspect and proportions of the exotic images. Thus, this analyzed the exotic images in domestic fashion brand items as an relevance with fashion trend information. The exotic images are in the order of 'ethnic', 'retro', artistic', 'elegance', 'primitive', 'seductive', 'folklore', 'extreme hybrid', 'romantic', 'natural', 'splendid', 'bohemian', 'classical', 'kidult', 'modern', 'traditional', 'vintage' expressed in domestic fashion goods by the categories of its key-words expressed fashion trend information, and suitable for the fashion trend in 21C and fashionable for goods in the domestic fashion market by expressing the racial costume images and retro look, the maximized women's elegance, the difference images with an humor and unfamiliarity.

• 베이커리
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• 7호통권456호
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• pp.130-131
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• 2006

이국적 정취를 물신 풍기는 가게들이 즐비한 신사동 가로수 길에 지난 5월 베이커리 카페 린쯔가 문을 열었다. 싱그러운 분위기의 연둣빛 인테리어에 바람이 시원한 테라스까지 모던하면서도 자연의 향기가 물씬 풍기는 린쯔를 찾아가보자.

• 복식문화연구
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• 제25권4호
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• pp.509-518
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• 2017

As the international competitive landscape deepens, the need to understand foreign cultures and establish effective strategies is increasing. At the beginning of the 20th century, Cartier actively developed exotic designs to secure international competitiveness; theses designs have also been used as design prototypes for Cartier in modern times. The purpose of this study is to analyze the color characteristics and types of exotic designs in the early 20th century, which was a turning point in Cartier's design. After studying the literature, a total of 248 exotic designs were presented in Cartier catalogs. This study also selected overseas monographs from the early 20th century, and their design types were classified and color analysis was performed based on the Natural Color System(NCS). Cartier's exotic designs cover wide range of styles, such as Chinese, Japanese, Persian, Indian and Egyptian styles. Multicolor, primary colors, and contrast are all strongly expressed. 97% of designs contained multiple colors, with at least two colors and maximum of six colors. The most frequently used colors are red, green, and blue, which means that only 9% of the designs do not contain the three colors, showing a high preference for theses three colors. In addition, color combinations of red and green, red and blue, or all three colors are used to show high contrast and utilize complementary colors, or near complementary colors, for coloration. This study is meaningful in that it analyzes the color characteristics of Cartier's exotic designs and translates them into practical data for establishing the color strategies of companies in the global market.

• 한국복식학회:학술대회논문집
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• 한국복식학회 2004년도 International Costume Conference in Association with ICOM 2004 SEOUL
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• pp.82-83
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• 2004

• 복식
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• 제55권4호
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• pp.124-137
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• 2005

Foreign culture, introduced by cultural exchange, was modified and accepted into a new form and value system. Culture speaks for the characters of the period, so it is presented by the mutual actions of many factors affecting culture. Religion is the essence of human life and the source of ideas about life, the universe and existence, so they become hidden inside of the structure of culture. Dancing costumes present the process of cultural modification and acceptance more vividly than general costumes. This research shows that, among foreign cultures, it is Buddhism that most influenced Chinese dancing costume. Taoism was the Chinese native religion that played an oppositional role against Buddhism. Taoism was hidden in Chinese dancing costume in every age. Chinese dancing costume changed many times due to the import of exotic styles such as Buddhism that partially replaced the Taoistic tradition. Therefore, it is confirmed that the process of cultural importation of exotic style was different according to the social, historical, and cultural backgrounds of China during the period from the Han to the Sui and Tang dynasties.

• 복식
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• 제55권8호
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• pp.48-56
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• 2005

Foreign culture, introduced by cultural exchange, was modified and accepted into a new form and value system. Culture speaks for the characters of the period, so it is presented by the mutual actions of many factors affecting culture. Religion is the essence of human life and the source of ideas about life, the universe and existence, so they become hidden inside of the structure of culture. Dancing costumes present the process of cultural modification and acceptance more vividly than general costumes. This research shows that, among foreign cultures, it is Buddhism that most influenced Chinese dancing costume. Taoism was the Chinese native religion that played an oppositional role against Buddhism. Taoism was hidden in Chinese dancing costume in every age. Chinese dancing costume changed many times due to the import of exotic styles such as Buddhism that partially replaced the Taoistic tradition. Therefore, it is confirmed that the process of cultural importation of exotic style was different according to the social, historical, and cultural backgrounds of China during the period from the Han to the Sui and Tang dynasties.

• 복식
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• 제57권6호
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• pp.46-61
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• 2007

The analysis of exotic style in domestic fashion brand items aims to offer the ideas necessary for the style and item developments and to analyze exotic images and styles accepted in domestic fashion market. Therefore this study analyzed the domestic fashion brand items and categorized the main exotic factors and styles so that would catch on to its characters and appearance frequency. As for the research method of this study, the frequency and content multi-dimensional analysis were used in the investigation of the exotic images appearing in the domestic fashion brands. The styles of exotic image in domestic fashion brand items are 'natural' style, 'primitive' style, 'ethnic' style, and 'maximalism' style. Also, the main exotic factors in each exotic style were composed of a few exotic images such as 'natural', 'primitive', 'ethnic', 'romantic', 'elegance', 'splendid', 'seductive', 'retro', 'traditional', 'classical', 'bohemian', 'vintage', 'kidult', 'artistic', 'extreme compromise', and 'modern'.