• Title/Summary/Keyword: 아프리카 문화

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(Types of metonymy applied to emoticons and their salience attributes - Focusing on the comparison of high-context and low-context emoticons -) (이모티콘에 적용된 환유 유형과 현저성 속성 - 고 맥락과 저 맥락 이모티콘의 비교를 중심으로 -)

  • Kim, Chan Hee;You, Si Cheon
    • Smart Media Journal
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    • v.10 no.4
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    • pp.91-101
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    • 2021
  • Visual communication based on socio-cultural context, such as emoticons on social media, is increasing. Therefore, it is necessary to study the visual expression of metonymy as a means to correctly understand the communication method in the age of visual culture. The purpose of this study is to explore how metonymy is visualized within a cultural context. Specifically, , a typical underlying phenomenon of metonymy expression, and the expression principles of various reproduced through it are identified by pairing them with the cultural context. Based on context theory, which is a representative discourse in the social science field, emoticons from in high context and emoticons in in low context were selected and compared as case study subjects. The major findings are: First, a visual application model of metonymy was proposed regarding the process through which metonymy is reproduced as a visual result. Second, the types of metonymy and their salience attribute applied to the emoticon expression method was identified in detail. Third, based on the contextual theory, how the characteristics of high-context visual metonymy differ from that of low-context visual metonymy were presented. In the future, the results of this study can be used as a criterion for judging the local acceptability and local suitability of design results in the design development process that requires the use of localization strategies.

Advancement plan into economic soft power for multifaceted trade in Morocco, North Africa (북아프리카 모로코의 다각적 교역을 위한 경제적 소프트 파워 진출 방안)

  • Seo, DaeSung;Seo, ByeongMin
    • The Journal of the Convergence on Culture Technology
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    • v.8 no.5
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    • pp.103-110
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    • 2022
  • This paper attempted to systematize the settlement problem of Moroccan immigrants and the plan for Moroccan cooperation for various purposes by understanding Morocco's religious background and historical and cultural characteristics. Morocco is open to trade and typical in the social and cultural distance. It has been exchanging Western European culture, including Spain and France, but maintains a typical Muslim. In particular, Morocco was once a center of triangular trade, a diaspora and logistics hub, and advanced to North America. It will continue to serve as a bridgehead for the cultural spread of global square-traded. Now, Moroccan trade is formed around France and other European regions. This is encountered in Korea and other countries around the world due to the progress of opening and industrialization in the African region. Since COVID-19, soft power has been increasing women's accessibility. As a global triangular strategic location for business or service financing and regional access to Morocco, we demonstrate the local acceptance of cultural industries and services, the soft power of Korea.

The characteristics of social capital in UCC Community (동영상 UCC 공동체 활동 특성에 대한 연구: 사회적 자본을 중심으로)

  • Whang, Sang-Min;Ryu, Ki-Tae;Kim, Jee-Yeon
    • 한국HCI학회:학술대회논문집
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    • 2009.02a
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    • pp.1337-1341
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    • 2009
  • 한국 사회에서 동영상 컨텐츠와 UCC는 새로운 문화 현상으로 그리고 새로운 광고 도구로써 많은 기대를 받고 있다. 이에 본 연구에서는 한국의 대표 동영상 컨텐츠 사이트인 아프리카 사용자들을 대상으로 하여, 사용 활동을 기준으로 사용자 유형을 구분하고, 각 유형별 주요 이용 특성을 탐색하고자 하였다. 동영상 이용 활동 및 동영상 컨텐츠 커뮤니티 활동에 있어서의 사회적 자본 특성 문항, 총 96문항을 도구로 하여, 총 39명의 동영상 컨텐츠 이용자 활동을 분석하였다. 분석결과 동영상 컨텐츠 이용자 행동은 '깍쟁이', '시청자', '휴머니스트'의 세가지 유형으로 구분되었다. 또한 이 세 유형은 사이버 공동체에서의 사회적 자본 특성으로 언급되는 유대감, 신뢰, 규범, 교환 및 호혜성, 혜택 등 다섯가지 사회적 자본 특성에서 서로 다른 특성을 보이는 것으로 확인되었다. 본 연구는 동영상 컨텐츠 사이트를 단순히 동영상 컨텐츠를 교환하거나 소비하는 공간이 아닌 새로운 사이버 공동체의 장으로 활용할 수 있는 단서를 제공했다는데 그 의의가 있다.

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Recognition of cultural relativity through Yoruba culture in the ancient city of Ilé-Ifé, Nigeria (나이지리아 일레이페(Ilé-Ifé) 지역의 요루바 문화를 통해서 본 문화 상대성 재인식 - 조각상과 창조신화를 중심으로 -)

  • Cho, Ji-Sook
    • Cross-Cultural Studies
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    • v.49
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    • pp.303-330
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    • 2017
  • This paper examines the origin of the current Nigerian Yoruba artistic and cultural tradition through ancient artifacts and creation myths centered on $Il{\acute{e}}-If{\acute{e}}$ (or $If{\acute{e}}$) located in the southwestern part of Nigeria and recognition of cultural relativity. In the oral tradition, kingdoms of Ijebu, Oyo, and Benin all have their origins in the ancient city of $Il{\acute{e}}-If{\acute{e}}$, the cradle of Yoruba culture. Their founders were sons of Oduduwa, the god of Yoruba. In this way, kingdoms built around $Il{\acute{e}}-Ife$ were closely connected with culture, religion, and society. In order to understand the Yoruba culture, research on $Il{\acute{e}}-Ife$, the source of their artistic and cultural traditions, is very important. The Yoruba are deeply rooted in $Il{\acute{e}}-Ife$. They have been steadily preserving their artistry since the beginning. They have been using it in their lives to this day for centuries. Their evidences are mythology and Ifa divination system. They are cultural heritages that represent the art of Yoruba and the spiritual culture. Ifa devination system is one of Yoruba traditions associated with Yoruba gods 'Eshu' and 'Ifa'. It has been conducted among the Yoruba until now. If the culture and civilization of Africa, including these Yoruba traditional customs, are deemed illogical and superstitious, it would mislead their efforts to preserve the origin in its original form. If so, one should understand the relativity of other cultures and civilizations and the need for diversity and flexibility of value standards to judge their cultures and civilizations.

The Adinkra, Ghanaian Philosophy Symbols - The Expansion of the Speculation System in Adinkra Symbols (아프리카 가나의 상징철학 '아딘크라(Adinkra)' - 아딘크라 심벌을 통한 사유체계의 확장성 탐구)

  • Cho, Ji-sook
    • Cross-Cultural Studies
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    • v.44
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    • pp.343-372
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    • 2016
  • This paper introduces symbols from Ghana, the 'Adinkra', and expands upon the concepts associated with it. In other words, the world view, values and scalability that appear to form philosophical thoughts in everyday life. 'Adinkra' are symbols from Ghana in West Africa. Adinkra means 'goodbye' or 'farewell'. There are some 400 Adinkra symbols, but the meanings of the symbols have been lost. The first book on Adinkra is 'The Adinkra Dictionary' (1998) by W. Bruce Willis. Adinkra is related to the Ghanaian culture, and represents concepts such as philosophical ideology, history, historical figures, myths, legends, animals, plants, etc. In the old days, because of its meaning-'goodbye' or 'farewell'-Adinkra was generally used for funerals. But today, Adinkra is utilized in a full range of cultural events and activities. Each of the 'Adinkra' has various meanings. According to Willis, Adinkra is ever-evolving and constantly expanding. As a matter of fact, Adinkra continues to expand, evolve and develop. Nevertheless, no books have been published on Adinkra since Bruce Willis (5 May 2016 to the present). Adinkra provides insights into the rich philosophical, educational, and historical significance of Africa. Therefore, Adinkra requires evolution, expansion, and research. In this study, we will examine the Adinkra, divided into four categories. The first is related to God and the powers, the second is related to moral education. The third symbolizes 'love' and 'friendship'. and lastly, the fourth is 'life' and 'death'.

Afrofuturism : Culture, Technology and Imagination of Solidarity (아프로퓨처리즘 : 문화, 기술 그리고 연대의 상상력)

  • Changhee Han
    • The Journal of the Convergence on Culture Technology
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    • v.9 no.5
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    • pp.99-104
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    • 2023
  • This study aims to 1) summarize the definitions the definitions of afrofuturism through a theoretical review 2) through exploratory empirical research, and 3) recover the concept of reversal in relation to the turning point of future technological development. To this end, first, the theoretical background and conceptual discussion of Afrofuturism were examined, and works in the field of SF literature, music, and art were analyzed. Octavia Butler's science fiction confirms the idea that black people must liberate themselves from othered oppression by bringing the past of slavery to the forefront of the world. Janelle Monae's music presents a liberated utopia where technology allows minorities to connect with the outside world. In addition, Jean-Michel Basquiat's artwork reimagines a black identity that has been excluded and seeks to expand communal discussions. In light of their work, this paper proposes that the values inherent in African humanism can provide clues to the co-evolution that is generated by relating to the Other in the face of exponentially advancing technology.

The Sociocultural Codes for Interpreting Racism in Puerto Rico (푸에르토리코의 인종주의를 읽는 세 가지 사회문화적 코드)

  • Lee, Euna
    • Cross-Cultural Studies
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    • v.44
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    • pp.7-28
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    • 2016
  • This study examines the sociocultural background of negritude by delving into Caseríos, Reggaeton, and $Trigue{\tilde{n}}os$, which are interrelated with the racism deeply embedded in Puerto Rican society. These terms have also been discussed in relation to the ideological discourse of racial democracy, which has caused Puerto Rican people to be blind to silenced inequality and hegemonic racial policies. Caseríos, housing projects for the poor urban class, are targeted by the state - sponsored project 'Mano Dura'. Due to the policing, control and surveillance of this anticrime project, Caseríos became perceived even more as residential communities of violence, poverty, and insecurity generally connected to the stigmatization of blackness. Reggaeton emerged as a mega hit genre of transnational Puerto Rican music in the 2000s, which in turn, drew attention to both the afrodiaspora in New York and the urban musical power in the Island. This musical genre serves to highlight the meaningfulness of black heritage in the national cultural identity of Puerto Rico. $Trigue{\tilde{n}}idad$ has recently become a common racial cultural term that embraces a broader racial paradigm of mestizaje. This term can function as an alternative concept of blackness, but it has not yet been transformed into enough cultural politics to resist ongoing racial democracy. The three terms intrinsically address both the uprooted racism and potential methods of challenging it. This paper argues the necessity of stronger and more responsive cultural politics to defy the pervasiveness and invisibility of racial discrimination in Puerto Rico.

고대 역사를 과학으로 푼다

  • Jeong, Chang-Sik
    • The Science & Technology
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    • no.3 s.418
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    • pp.34-37
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    • 2004
  • 5만년인가, 4천년인가. 문화재청은 지난 2월 6일 제주도 남제주군 대정읍 상모리와 안덕면 사계리 해안에서 사람 발자국 화석 100여 점과 동식물 화석 수천점을 발견했다고 발표했다. 화석 발견 지층의 생성 시기는 구석기 중기인 5만년전으로 추정되며 선사인류 발자국 화석은 한국교원대 김정률 교수팀이 지난해 10월 처음 발견했다. 경북대 양승영 명예교수는“사람 발자국 화석은 재주도를 포함한 한반도와 중국 대륙이 육로로 연결됐다는 가설을 뒷받침해주는 증거물”이라는 견해를 밝혔다. 선사시대 인류발자국의 발견은 세계에서 7번째이며 함께 발견된 코끼리와 말 발자국은 당시 한반도가 온대 지역이 아닌 아열대 지역이었을 가능성을 제기했고, 말의 기원이 몽골에서 유래되었다는 기존 주장을 바꾸는 계기가 될 것으로 보인다. 그러나, 화석 발자국 발표 이후, 관련학자들간에 이견이 생겼다. 일부 학자들이 연대측정에 의문을 제기하고, 제주도 지층은 4천년 전에 생성된 것이며 ‘5만년 전 추정’에는 무리가 있다는 지적이었다. 한 인류의 이동을 추정하는 데는 5만년 전과 4천년 전은 엄청난 역사적 차이가 있다. 아프리카 대륙에서 시작 된 인류의 조상이 중국과 북방육로를 통해 한반도까지 이동해왔다는 지금까지 학계의 통설은 뒤집힐 것인가. 제주도의 사람 발자국 화석은 그 절대 연대가 정확히 측정된다면 한반도 인류의 일부가 중국 남방의 육로나 해로를 통해서 이동해왔을 가능성이 있다는 새로운 사실을 밝혀줄 것이다. 현대 과학이 연대측정기술을 발달시켜서 역사를 풀어나가기 시작한 것은 겨우 50여년 전으로 일천하기만 하다. 그러나, 그 학문의 깊이는 지구 나이 45억년을 밝혀냈고, 35만년 전 유기물의 생성을 추정해내는 등 심오한 경지에 이르고 있다. 현대과학의 연대측정방법론을 소개한다.

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A Comparative Study of Private Tutoring in Eastern European Countries (동유럽 국가의 사교육 동향비교: 시장논리로 본 사교육)

  • Yoo, Jae-Bong;Choi, Hyun-Young
    • Korean Journal of Comparative Education
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    • v.28 no.3
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    • pp.1-22
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    • 2018
  • The purpose of this study is to understand the features of private tutoring and its social and economic implications in Eastern European countries. In recent decades, academic attention to private tutoring increased as the expansion of private tutoring has been noticed globally including Europe, Africa and South America. Firstly, this study will investigate the nature and the scale of private tutoring in Eastern European countries which experienced transition to a democratic and market economy. Secondly, it will analyze the growth of private tutoring in the context of education market. Finally, it will consider some issues relating to intervening private tutoring in order to promote the equal opportunity of education in public education provision.

Memory of Slavery in France and the "Mémorial ACTe" in Guadeloupe (프랑스의 노예제 기억과 과들루프의 노예제 기념관 <메모리알 악트Mémorial ACTe>)

  • Lee, Ka-ya
    • Cross-Cultural Studies
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    • v.52
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    • pp.417-446
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    • 2018
  • The culture of memory in France regarding slavery and slave trade has slowly been expanding its horizons: from limited perspective focusing on abrogation of slavery to inclusion of discussion on real experiences and suffering of African slaves. This change has been particularly noticeable since the 150th anniversary of abrogation of slavery in France in 1998. It was the year that citizens of French overseas territories that had internalized this painful and shameful history of suffering formed a visible social movement. For the last two decades, the French government has also demonstrated consistent, proactive and prompt response to discussions of issues rooted in slavery in overseas territories, wherein slavery is the root of fundamental problems. In particular, when the Taubira Law (2001) was passed in the Senate, the Committee for the Memory of Slavery was established. This committee has since contributed to better assessment and understanding of French history of slavery and slave trade. Such was the profound as well as significant change in public perception as well as in legal and social aspects that culminated in the 2015 establishment of $M{\acute{e}}morial$ ACTe, Caribbean Centre of Expression and Memory of Slavery and the Slave Trade in Guadeloupe. Reflecting on those historic moments in recent French history, this paper examines major debates in French society regarding establishment of the $M{\acute{e}}morial$ ACTe. It assesses how Aleida Assmann's "cultural memory" was created with the establishment of $M{\acute{e}}morial$ ACTe and how it has contributed to the new cultural identity of French overseas territories.