• Title/Summary/Keyword: 성악인

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Pulmonary Functionn and the Maximal Inspiratory and Expiratory Pressure, and Maximum Phonation Time Before and After the Specially Programmed Training (호흡훈련보조기구를 이용한 호흡훈련 전 후의 폐기능 호흡근력과 최대발성지속시간의 변화)

  • 남도현;최홍식;안철민
    • Journal of the Korean Society of Laryngology, Phoniatrics and Logopedics
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    • v.14 no.2
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    • pp.88-93
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    • 2003
  • Whether respiratory muscle training is of benefit to the singing students is controversial. The purpose of the study is to investigate pulmonary function and the maximal inspiratory(MIP) and expiratory pressure(MET), and maximum phonation time in five female singing students before and after the specially programmed respiratory muscle training during 2 months. All singing students had average 4.8 years of formal classical voice training. Respiratory muscle training machine (Ultrabreath) was used to train respiratory muscle. Pulmonary function test data on simple pulmonary function, flow volume curve, static lung volumes are obtained from Vmax 6200. The MIP and MEP were measured using Spirovis, and the MPT were measured using hand-held stopwatch. Any pulmonary function test variables are not changed after respiratory muscle training. However, MIP and MEP were significantly increased between before and after respiratory muscle training. MPT increased significantly after training, compared to the pre-trained. MIP, MEP, and MPT after training in female singing students were 26%, 25% and 33% higher than those before training. The result indicated that the specially programmed respiratory muscle training is beneficial to improve respiratory muscle strength and vocal function without an increment in pulmonary function.

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A Singing Visitors Activity at Royal Banquet in Chosun Dynasty (조선조 외연(外宴)의 성악정계, "가자(歌者)")

  • Shin, Kyung-Sook
    • Sijohaknonchong
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    • v.23
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    • pp.189-212
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    • 2005
  • There are the at Royal Banquet(Woiyoa 외연) in the 19th Chosun Dynasty. The is a performance at Royal Banquet by Singing Visitors in Chosun Dynasty. The was performed by the singing male visitors for long times. They sang some Korean Alphbet Songs while congratulators were enjoying the md and drink. The purpose of this wrritten essay is to search the existense of before the 19th century. 1 show the results as follows. 1. There are the records the performed in the Kukjo-Olyeei (國朝五禮儀), Kukjo-Olyeei(國朝五禮儀) is a book of the royal various ceremonial rules in Ealy Chosun Dynasty. 2. There are the records of the performed in the Kukjo-SokOlyeei(國朝續五禮儀). Kukjo-SokOlyeei(國朝五禮儀) is a book of the royal various ceremonial rules in Late Chosun Dynasty. 3. All of the is the same in the order and form. 4. All conculusion the was performed always in Chosun Dynasty.

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Connection between Acoustical Parameters and Solo Performance on a Concert Hall Stage (콘서트홀 무대에서 음향지표와 독주 연주와의 상관관계)

  • Kim, Yong-Hee;Lee, Chang-Woo;Seo, Chun-Ki;Jeon, Jin-Yong
    • The Journal of the Acoustical Society of Korea
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    • v.27 no.6
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    • pp.296-302
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    • 2008
  • This study investigated that the preference model of soloist performers for both vocal and instrumental types in terms of a stage support parameter, ST1. The test was carried out on a stage of a fan-shaped multi-purpose hall with orchestra shell. Objective measurements were carried out at 15 positions on the stage to evaluate various stage condition. The results showed that ST1 varies between -19.9 and -11.3 dB. Vocal and instrumental players participated in performance evaluation test as they played at 5 selected positions according to ST1 values. Players' preference was evaluated by 5-point rating and rank ordering method. As a result, it was found that the preference model of vocalist is different from that of instrumentalist. It was also found that the ST1 does not correlate well with the performer's preference.

오데사 국립 음대 신문희 교수의 삶과 공간

  • Gwon, Hui-Ran
    • 주택과사람들
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    • s.193
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    • pp.10-15
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    • 2006
  • 러시아에서 동양인 최초의 젊은 여교수로 유명세를 치른 작은 체구의 신문희 교수. 영국의 왕립음악학교, 이탈리아에서 정식 성악 코스를 거친 그녀는, 이제 보수적이면서도 정적인 한국의 클래식 음악계를 활기찬 손길로 노크하고 있다. 그것도 정통 클래식이 아닌 크로스오버 음악으로. 음악인이기 전에 한없이 꿈 많고 여린 감성의 소유자인 그녀가 말하는 '나의 인생과 나의 집'.

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The Effect of Music Intervention on Emergency Room Nurse Anxiety through Music Appreciation (음악 감상을 통한 음악중재가 응급실 간호사의 불안에 미치는 효과)

  • Chong, Min-Yeong;Chong, Yeo-Jeong
    • Proceedings of the Korea Contents Association Conference
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    • 2009.05a
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    • pp.1111-1117
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    • 2009
  • Emergency room nurses whom exposed to more confused environment, violence, and medical disputes feel anxiety, due to increasing of demands and needs of emergency room services. Emergency room nurse anxiety needs to intervention in order to relieve emergency room nurses from anxiety, because it is an important factor that decreases job skill and satisfaction. In this paper, we examine whether to improve the effect of music intervention on emergency room nurse anxiety through appreciation of music. We used vocal music and a SAI(State Anxiety Inventory) tool for measuring the effect of music on emergency room nurse anxiety and physiological responses. Experimental results showed that vocal music intervention reduces emergency room nurse anxiety and physiological responses.

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The Study on the Effects of Vocal Function Exercise for Trained Singers (성악인의 발성능력 향상에 Vocal Function Exercise가 미치는 영향)

  • Kwon, Young-Kyung;Sim, Hyun-Sub;Jin, Sung-Min;Chung, Sung-Min
    • Speech Sciences
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    • v.10 no.2
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    • pp.169-189
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    • 2003
  • Trained singers, one group of professional voice users, have much more interest on the voice than common people, and on its management, too. They train for singing beautiful songs, and, at the same time, try for efficient voice production. The present study was performed with three tenors and three baritones, undergraduate students majored in classical singing, to investigate the degree of improvement of their voice production efficiency through vocal function exercise, by measuring the three dependent variables, maximum phonation time, speed quotient of glottal contact, and the number of semi tones. For the baseline establishment, dependent variables were measured 3$\sim$6 times for two weeks. Then, the subjects exercised vocal function exercise for seven weeks, and after the termination of training, evaluation was performed four times for two weeks, to find the maintenance of the training effect. Vocal function exercise is composed of four successive steps: warm-up, stretching exercise, contracting exercise, power exercise. As results, all of six subjects showed improvement in the aspect of maximum phonation time, speed quotient if glottal contact, and the number of semitones.

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