• Title/Summary/Keyword: 색채 시스템

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A Fuzzy Logic-based Color Estimation System (퍼지 이론을 이용한 색체혼합 시스템 구성)

  • 김민철;이명원;권순학;이달해
    • Proceedings of the Korean Institute of Intelligent Systems Conference
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    • 1997.11a
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    • pp.115-119
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    • 1997
  • 본 논문은 색료의 삼원색인 빨강, 노랑 및 파랑을 적절히 혼합하는 경우에 나타나는 색채를 추론하는 문제에 대하여, 퍼지이론을 적용하여 결과를 추론하는 문제를 다루고 있다. 즉, 인간이 색료의 혼합에 있어서 행하는 과정을 모사한 퍼지규칙을 바탕으로 삼원색의 색료가 일정 분량씩 혼합된 경우, 결과적으로 나타나는 색을 직접 실험을 통하지 않고 추론할 수 있는 시스템을 구축하고 있다. 또한, 구축된 시스템에 대하여 여러 가지 예를 통한 모의 실험을 수행하여 본 연구에서 구축된 색채혼합 시스템의 타당성을 검증하였다.

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Electroencephalogram-based psychotherapy color system (뇌전도 기반 색채심리치료 시스템)

  • Hong, Gee Yun;Kim, Song Ee;Kim, Tae Wan;Lee, On Seok
    • Proceedings of the Korea Information Processing Society Conference
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    • 2016.10a
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    • pp.751-752
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    • 2016
  • 사람들의 다양한 심리적인 질병으로서 분노나 스트레스, 불안, 초조, 긴장, 우울 등이 있다. 이런 심리적인 문제를 안정시키기 위해서 다양한 치료방법이 존재한다. 사람의 마음은 뇌의 영향을 받는데 마음은 의식과 무의식으로 나뉜다. 성격의 대부분을 형성하는 무의식이 마음의 대부분을 차지하지만 이는 아주 어렸을 때 형성되기 때문에 인지가 어렵다. 색채 치료에서 색채는 주관적인 심리가 강하기 때문에 개개인에 맞춰 좋아하는 색이나 안정이 되는 색을 봄으로서 심리를 안정시킬 수 있다. 본 연구에서는 색채를 통하여 마음이 안정할 수 있도록 하는 시스템을 개발하는 것을 목적으로 한다.

Development of visible light stimulation system for color therapy (색채치료에 이용되는 가시광선 제시 시스템 개발)

  • 오성섭;양길태;유충기;홍철운;송철규;김남균;이강민
    • Proceedings of the Korean Society for Emotion and Sensibility Conference
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    • 2001.05a
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    • pp.215-218
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    • 2001
  • 본 연구는 가시광선영역에서 각각의 색을 구현하여 색채치료에 이용하기 위한 시스템을 개발하는데 있다. 사용된 광원은 에너지 밀도가 전파장에 걸쳐서 일정한 Dichroic reflector hallogen lamp를 사용하였고, 광원에서 발생하는 적외선을 차단하기 위하여 IR filter를 사용하였다. 색채치료에 사용 가능한 순수한 파장의 색을 분리하기 위하여 long pass filter와 short pass filter로 구성되는 color filter set를 사용하여 구성하였다. 개발된 가시광선 제시 시스템은 빨강, 파랑, 노란 광을 낼 수 있도록 되어 있으며 각각의 광도는 2390 lx, 1020 lx, 17400 lx이다. 개발된 시스템의 객관적 효과를 검증하기 위하여 피부 서식균으로 항균 실험을 하나 결과 노란 광이 빨강이나 파란 광에 비해 세포성장 억제가 컸다. 대식세포와 피부암세포로 실시한 항염 실험은 각각의 색광에 대한 영향이 크지 않았다.

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Research on Film Symbolization by Color (영화의 표현기호인 색채에 대한 연구)

  • Wang, zhenxing;Kim, Dong Hyun
    • Proceedings of the Korea Contents Association Conference
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    • 2009.05a
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    • pp.983-987
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    • 2009
  • The color is silent language. As the cinematography modeling of art color of film of one of element even is that a synthetical special language systematic.The color of film is very symbolic. The symbolism of color is to express in metaphor some sort of rationality and concept with some color. Now a lot of directors are obsessed with the use of color to express the symbolic meaning. Gradually, the color goes beyond the form of natural material and ascends in appearance to a kind of significant and meaningful modeling element. Thus the color's symbolic meaning has become an essential element in the color and function of the film. The paper analyzes the applications of color in films by use of the well-known director Zhang Yimou's film such as "Hero" and Michelangelo Antonioni's film "Red desert"; and then makes"Hero" with the "Red desert" in order to explain different applications and expressing practices of colors in the film and reflect the significance of color as a unique expressing language in the film.

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Development of an Integrated Color Design System for Fashion Based on Personal Color Image (개인색채이미지에 기반한 통합적인 패션색채디자인 시스템 개발)

  • Kim, Young-In;Kim, Hee-Yeon;Han, Eun-Joo
    • Journal of the Korean Society of Costume
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    • v.60 no.7
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    • pp.61-73
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    • 2010
  • This study aims to develop an fashion color design system based on personal color and sensorial images. This web-based system has a parallel structure which a user can search her own personal color, sensorial, and fashion images. The fashion image was presented according to the type of personal color image and sensorial image: futuristic fashion image from alluring image on all of personal color images; elegant fashion images from calm with pure/splendid images or faint/calm with alluring images; modern fashion image from pure/calm with alluring images or faint with lively images; plain fashion image from plain images with all personal color images but pure image; romantic fashion image from calm image with all personal color images but calm image. Fashion color and color combination palettes based on personal color images were presented with the each of those fashion images.

A Study on the Application of SPA brand to BI Color and User Preference (SPA 브랜드의 BI 색채 적용 현황과 사용자 선호도 조사)

  • Park, Han Na;Paik, Jin Kyung
    • Design Convergence Study
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    • v.17 no.2
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    • pp.45-57
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    • 2018
  • Sales for SPA brand names of private label apparels are on the rise in the domestic clothing market. The aim of this study is to analyze the characteristics of SPA brands and how each color system is proposed within the BI system. In this study, 8 brands were selected as the most popular SPA brands in Korea and abroad with stores based on brand power and sales and preference by consumers. Therefore, among information factors such as brand identity (BI) and color characteristic. sign system, package, and environmental factors, buildings facade and interior design of eight brands were investigated. Research into color application of BI revealed that four brands used red colors with different tones with different identity differentiation. For the other four brands, the company applied BI designs that gained the brand's character such as a black-and-white or dark blue one. Thus, it is considered important to select BI color in order to differentiate and enhance preferences in brand identity.

The Emotion Inference Model Based on Fuzzy Inference (퍼지추론을 이용한 감성처리 모델)

  • 손창식;황정식;정환묵
    • Proceedings of the Korean Institute of Intelligent Systems Conference
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    • 2004.04a
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    • pp.325-328
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    • 2004
  • 본 논문에서는 퍼지추론을 이용하여 인간의 내부 감성상태를 추론하고 불필요한 감성상태를 제거할 수 있는 방법을 나타내었다. 그리고 시스템 설계자의 주관적인 관점을 배제하여 보다 객관적인 감성추론을 위해 응용 심리학에서 주로 사용되는 색채심리를 바탕으로 규칙 베이스를 구성하였고, 실험에서 보다 정확한 감성분류를 위해 $\alpha$-cut을 적용하여 불필요한 감성상태를 제거하여 나타내었다.

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A Study on the Color Sensation and Symbolism of Tibet Costume (티베트 복식의 색채 감성과 의미 탐색)

  • Wang, Cong;Kim, Jisu;Na, Youngjoo
    • Science of Emotion and Sensibility
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    • v.21 no.3
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    • pp.115-128
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    • 2018
  • Tibetans who live in the Tibetan highlands, the Roof of the World, have their own unique lifestyle wherein they conform to its long history, natural environment, and their own form of clothing culture. In their costumes, the use of colors, patterns and designs express religious meaning and represent the hopes and heart of life, which respects nature. This study aims to analyze the colors used in Tibetan costumes and examine the meaning of these colors. In addition, this study intends to understand the specificity of Tibetan culture through a consideration of the symbolism of the colors of ethnic costumes. By examining the literature and conducting case studies, colors of Tibetan costumes were analyzed through the I.R.I HUE-TONE system. We analyzed 96 photographs of the costumes photographed during the Tibet ceremony costume, photographs seen at the Qinghai Tibet Culture Museum and photographs from the Internet museum. The results revealed the following: First, the most important element of the costumes is connected to the five colors of JangOsaek, which gives meaning to each color. Red, navy blue, yellow, white and green symbolize fire, the sky, earth, clouds or snow, and grasslands, respectively. Second, Tibetan costumes are characterized by bold color contrasts such as red and green, black and white, red and yellow, and yellow and purple to achieve an intense harmony of colors. Third, these fancy costumes express the unique aesthetics of the Tibetan people. The primary colors follow general emotions, but they can also include their own emotion.

A study on the Practical Use of the COS Color System in Interior Design - Focused on the Color Analysis of '97-'98 Interior Materials Produced in Korea - (실내디자인 분야에서 COS color System의 활용성에 관한 연구 -' 97-'98 실내마감재 색채분석을 중심으로 -)

  • 박영순;신인호;김미경;방희조;하승아
    • Archives of design research
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    • v.12 no.4
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    • pp.171-179
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    • 1999
  • Originally the COS system was developed based on fashion colors. But in interiors many other color groups are used frequently, so the COS system is somewhat insufficient for interior design work. The purpose of this study is to verify the pratical use of the COS system in finishing colors of housing interiors and to propose the additional colors based on interior finishings. The COS system and the NCS color system were used for color measurement. The results was as follows. In the hues, Y.YR.GY.PB.B.BG color groups were used for interior material more frequently. And regardless of hues, low saturation and high value colors were used. Most of the colors were inscribed as the COS system and the NCS color system simultaneouly, but muted and grayed color tones like pale.light.grayish.soft cannot be founded in the COS system. Therefore more subdued and soothing tones of Y.YR.GY.PB.B.BG color groups should be added to the COS system.

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A Study of Sensibility Recognition and Color Psychology from The Children's Pictures (아동의 그림으로부터 감성인식 및 색채심리 파악에 관한 연구)

  • An, Eun-Mi;Shin, Seong-Yoon
    • Journal of the Korea Society of Computer and Information
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    • v.17 no.2
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    • pp.41-48
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    • 2012
  • In modern society, the necessity of Color and Psychology Therapy is increasing for psychologically calm children who are less taken care by their parents in busy daily life, and helping them adapt to the environment. Therefore, we need to understand sensitivity status of children with paintings that they draw. Currently, most of empirical studies on their sensitivities are based on psychological and engineering perspectives. This study was designed to provide a system to extract psychological status of children from their pictures by distinguishing harmony of colors using information of solid colors and arrangement of colors in the image space. For achieving this research purpose, first of all, sensitivity database was constructed based on the image space of colors. Then, using the K-Means algorithm, the image was clustered and a wide amount of color values were divided into groups. After that, children's sensitivities were extracted by matching groups of color values with database, and color psychological status of children was observed using the color distribution chart in their paintings.