• Journal of Digital Contents Society
• /
• v.16 no.5
• /
• pp.835-847
• /
• 2015

Photo scanning can create point cloud and polygon models like 3D scanners bringing an object into the 3 dimensional world by combining several sheets of photographic information. The created data give us information about planes and sectional forms required for a 2 dimensional survey as well as 3 dimensional figures of buried cultural property. It requires a lot of time to record buried cultural property in the field, however, the photo scanning technique does not need additional equipment and manpower so the work may begin immediately while the property is protected. Moreover, it reduces financial burdens as it creates 3 dimensional data using images acquired by photography but provides the optimal condition to check 3 dimensional information quickly and easily.

• The Korean Journal of Archival Studies
• /
• no.74
• /
• pp.45-78
• /
• 2022

South Africa implemented apartheid from 1948 to 1994. The main content of this policy was to classify races such as whites, Indians, mixed-race people, and blacks, and to limit all social activities, including residence, personal property ownership, and economic activities, depending on the class. All races except white people were discriminated against and suppressed for having different skin colors. South African citizens resisted the government's indiscriminate violence, and public opinion criticizing them expanded beyond the local community to various parts of the world. One of the things that made this possible was photographs detailing the scene of the violence. Foreign journalists who captured popular oppression as well as photographers from South Africa were immersed in recording the lives of those who were marginalized and suffered on an individual level. If they had not been willing to inform the reality and did not actually record it as a photo, many people would not have known the horrors of the situation caused by racial discrimination. Therefore, this paper focuses on Rise and Fall of Apartheid: Photography and the Bureau of Everyday Life, which captures various aspects of apartheid and displays related records, and examines the aspects of racism committed in South Africa described in the photo. The exhibition covers the period from 1948 when apartheid began until 1995, when Nelson Mandela was elected president and the Truth and Reconciliation Commission was launched to correct the wrong view of history. Many of the photos on display were taken by Peter Magubane, Ian Berry, David Goldblatt, and Santu Mofoken, a collection of museums, art galleries and media, including various archives. The photographs on display are primarily the work of photographers. It is both a photographic work and a media that proves South Africa's past since the 1960s, but it has been mainly dealt with in the field of photography and art history rather than from a historical or archival point of view. However, the photos have characteristics as records, and the contextual information contained in them is characterized by being able to look back on history from various perspectives. Therefore, it is very important to expand in the previously studied area to examine the time from various perspectives and interpret it anew. The photographs presented in the exhibition prove and describe events and people that are not included in South Africa's official records. This is significant in that it incorporates socially marginalized people and events into historical gaps through ordinary people's memories and personal records, and is reproduced in various media to strengthen and spread the context of record production.

• The Journal of the Korea Contents Association
• /
• v.12 no.7
• /
• pp.76-85
• /
• 2012

Early photography history of Daegu, Gyeongbuk Province, Gyebok Choi were taken a lots of prizes of famous contest and known to the nationwide in 1930's and then his photos became an example of salon photography. And his documents of Mt. Baekdu & Dokdo in 1940's was the outcome of self-consciousness. Wangsam Koo proposed the realism of the photo. He saw, the base of photos should be reflected the lives of people of the times and the characteristics of the period, and he had great influence to the history of Korea photography with his own unique vision. These photos and theories accomplished a photo aesthetic to Korea photo history in 1940's. Besides it had been the national spirit at Youngnam province in the early 20th century.

• Journal of Korean Society of Archives and Records Management
• /
• v.9 no.1
• /
• pp.33-50
• /
• 2009

ADD(Agency for Defense Development) has developed digital audio-visual archives management system to ensure easy access and long-term preservation for digital audio-visual archives. This paper covers total process of the system development and database management in the aspect of preservation and utilization by users' easy search through digitization of audio-visual archives. In detail, it contains system design for images and video data handling, standard workflow establishment, data quality, and metadata settings for database by converting an analog data into digital format. Also, this study emphasizes the importance of audio-visual archives management system through cost-effectiveness analysis.

• Korean journal of applied entomology
• /
• v.55 no.3
• /
• pp.205-214
• /
• 2016

A taxonomic study of Korean Berosus Leach is presented. Four species [Berosus (Berosus) japonicus Sharp, Berosus (Berosus) punctipennis Harold, Berosus (Enoplurus) lewisius Sharp, and Berosus (Enoplurus) spinosus (Steven)] in two subgenera are recognized, one of which [B. (E.) spinosus] is reported for the first time in Korea. We also found that B. (B.) puchellus MacLeay previously recorded in Korea was an incorrect identification of B. (E.) lewisius Sharp. Habitus and SEM photographs, key and diagnoses of the known species are provided.

• Journal of Conservation Science
• /
• v.37 no.5
• /
• pp.491-504
• /
• 2021

Gwanghwamun Gate of Gyeongbokgung Palace was dismantled and relocated during the Japanese colonial period, destroyed during the Korean War, reconstructed with reinforced concrete in 1968, and finally erected at its present location in 2010. A pair of Haechi statues located in front of Gwanghwamun was dismantled and relocated several times, and the statues have yet to be returned precisely to their original positions. This study assesses the historical accuracy of their current placement under the Gwanghwamun Square Restructuring Project of the Seoul Metropolitan Government and the Cultural Heritage Administration based on archival photos from the early 1900s, and proposes a method to estimate the original positions of the Haechi through image analysis of contemporary photographs and recent digital camera photos. We estimated the original position of the Haechi before the Japanese colonial period by identifying the shooting location of the archival photo and reproducing contemporary photographs by calculating the angle and distance to the Haechi from the shooting location. The leftmost and rightmost Haechi were originally located about 9.6 m to the east and 7.4 m to the north and about 1.9 m to the west and 8.0 m to the north, respectively, of their current location indicators. As the first attempt to determine the original location of a building and its accessories using archival photos, this study launches a new scientific methodology for the restoration of cultural properties.

• Journal of Conservation Science
• /
• v.25 no.4
• /
• pp.363-371
• /
• 2009

This study is purposed to investigate that current rubbing technique could be replaced by the photographic rubbing techniques with the photographic lighting and digital techniques. The lighting technique is based on the "texture description theory" using the electric flash and the intaglio epitaph was emphasized from the observation of the both side because it is purposed to decipher epitaph. The photographs were retouched using the photoshop to emphasize epitaph and the spots from the lichen on the tombstone were softened. Especially, it shows that faint epitaph could be deciphered if the digital techniques could be used practically even though some part of the epitaph was destroyed or peeled. Furthermore, it will help to investigate, protect and restore the cultural properties because it surely makes the recording of the material, weathering, peeling of the tombstone much easier than the current rubbing technique.

• The Optical Journal
• /
• s.90
• /
• pp.60-65
• /
• 2004

현대의 정보통신 사회에 있어서 카메라는 여러 분야에 사용이 되고 있다. 카메라는 아날로그사진에서 피사체를 기록하기위한 필름을 사용하는데 이미지 센서는 빛을 변환하는 역할을 하는 필름대용품으로 사용되는 것이다. 이 이미지 센서는 전하결합소자(CCD : Charge Coupled Device)와 상보금속 산화물반도체(CMOS : Complementary Metal-Oxide-Semiconductor)가 대표적이다. 특히 디지털 카메라를 이용하여 과거의 카메

• Journal of Digital Contents Society
• /
• v.18 no.4
• /
• pp.723-731
• /
• 2017

The restoration of archaeological data was carried out using photographs and drawings left as past records. It can be divided into ruins and artifacts. The restoration of the ruins was performed by modeling the individual parts and parts left by the photographs, aligning them and synthesizing them, and reconstructing them three-dimensionally as one object. Restoration of artifacts was performed on both photographs and drawings. After the modeling work is prioritized through the photographs, there is a method of restoring the original image by modifying the texture image of the damaged part of the modeled artifact, or restoring the original image by modeling and synthesizing the deleted part in the artifact. The restoration of the artifacts through the drawings was carried out by three - dimensional modeling and reconstruction through real mapping of images. The reconstructed archaeological data can be used in various directions. In particular, it is possible to verify and compare the results of the numerical analysis and interpretation of the past 2D data, and to provide a more accurate analysis plan in the future.

• The Korean Journal of Archival Studies
• /
• no.49
• /
• pp.77-119
• /
• 2016

A modern architectural building is a cultural heritage, which is also part of our history until the present. Documentation is thus considered an irreplaceable method to preserve our cultural heritage as it may be the last resort of preservation. The study analyzed the Historic American Buildings Survey (HABS) on the Heritage Documentation Programs of the National Park Service. Based on the analysis of the comparison and documentation of the modern architectural building implemented by the Cultural Heritage Administration, the study suggested improvement plans from three different perspectives. First, specifically detailed regulations of the legal system are supposed to be used for the implementation of the documentation of modern architectural buildings. Second, it is suggested that a general plan for continuous documentation be made. Last, by setting up a collection method, an information service needs to be provided for the public.