• Proceedings of the Acoustical Society of Korea Conference
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• autumn
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• pp.555-556
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• 2004

본 연구는 국악음원의 지향특성조사연구의 후속연구로서 국악기의 음향특성을 적용한 컴퓨터 시뮬레이션을 통하여 무지향성 음원과 국악기의 지향특성의 차이를 규명하고 또한 다양한 형태의 공간에 음향시뮬레이션을 적용 할 경우 음원의 방사특성의 차이에 따른 실내음향성능의 변이를 조사하였다.

• Journal of the Institute of Electronics and Information Engineers
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• v.50 no.12
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• pp.191-196
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• 2013

In this paper, the interaural intensity difference (IID)-based sounr source separation method in closely spaced stereo omnidirectional microphones is proposed. First, in order to improve the channel separability, a minimum variance distortionless response (MVDR) beamformer is employed to increase the intensity difference between stereo channels. After that, IID-based sound source separation method is applied. In order to evaluate the performance of the proposed method, source-to-distortion ratio (SDR), source-to-interference ratio (SIR), and sources-to-artifacts ratio (SAR), which are defined as objective evaluation criteria in stereo audio source separation evaluation campaign (SASSEC), are measured. As a result, it was shown from the objective evaluation that the proposed method outperforms a sound source separation method without applying a beamformer.

• The Journal of the Acoustical Society of Korea
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• v.23 no.2
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• pp.146-161
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• 2004

There have been always some difficulties in target setting and conditioning of acoustic performances of the Korean traditional music hall due mainly to the lack of the information on the sound radiation characteristics of Korean musical sources. In this study, the radiation characteristics of four typical Korean traditional musical sources were investigated in precision and their usage was demonstrated: The selected musical sources were Gayageum (string), Daegeum (woodwind), Jango (drum), and Pansori Chang (vocal performance). Each sound source was located at the center of a semi-anechoic chamber and the directivity was determined by the measured sound pressure levels in every 10° angular position, for both vertical and horizontal directions. The directivity pattern of Gayageum varies from a uniform to a complex pattern having many side lobes with the increase of frequency. The main radiation of Daegeum is toward the upward direction. The directivity pattern of Jango is clearly a side-oriented one and the left direction intensity is sharper than its right side at low frequencies. For the Chang, the directivity pattern change from a uniform pattern to a frontally directed one as the frequency goes high. Measured directional and spectral characteristics of traditional Korean music sources were implemented into the computation of architectural acoustic measures for the Busan National Korean Traditional Music Hall which is under construction. Parameters such as RT, SPL, C80, IE, STI were calculated at two receiver positions by using a ray tracing technique. Significant differences in the acoustic measures at receiver positions were observed between the results in using the omni-directional source and the directional one. It is thought that the suggested source data and design method can be used as a basic reference in the future acoustic design of performance halls for the Korean traditional music.

• The Journal of the Acoustical Society of Korea
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• v.24 no.8
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• pp.469-480
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• 2005

There have been always some difficulties in target setting and conditioning of acoustic performances or the Korean traditional music hall due mainly to the lack of the information on the sound radiation characteristics of Korean musical sources. As the 2nd experiment succeeding the previous study[1], the radiation characteristics of eight typical Korean traditional musical sources were investigated if precision. The selected musical sources were Geomungo, Haegeum (string), Piri, Taepyeongso (woodwind), Buk, Kwaengguari, Jing (drum), and male Pansori Chang (vocal Performance). The results show that the directivity pattern of each instrument is different and has their own directivity characteristics. Measured directional and spectral characteristics of traditional Korean music sources were implemented into the computation of architectural acoustic measures. Significant differences in the acoustic measures at receiver positions were observed between the results in using the omni-directional source and the directional one. In order to investigate the acoustical characteristics of the instruments depending on the spatial variation four different shapes of halls were introduced including rectangular, fan. horse-shoe and geometrical shapes. Room acoustical parameters such as RT, SPL, C80, LF, STI were calculated at each type or hall. As the results, It was found that the rectangular hall has the most high clarity. lateral energy and STI values among low shapes of halls. It is thought that the suggested source data and design method can be used as a basic reference in the future acoustic design of performance halls for the Korean traditional music.

• Journal of the KSME
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• v.35 no.10
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• pp.896-902
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• 1995

소음의 저감 대책은 소음원의 소음 감쇠, 소음 전달 경로의 소음 저감 및 수음자에 대한 대책 으로 나눌 수 있다. 여기에서 소음원의 소음 저감 대책을 세우기 위해서는 소음원의 주파수 특 성을 정확하게 분속해야 하고 이를 위해서는 자유음장이라는 공간이 필요하게 된다. 음향학적 으로 자유음장이란 점음원으로부터 무지향적으로 방사되는 음의 음압레벨(sound pressure level )을 따르는 음장으로 정의된다. 이는 음원으로부터 거리가 두 배 증가함에 따라 음압레벨이 6dB 감소함을 의미한다. 즉, 주변 소음으로부터 발생한 음이 다른 물체나 벽으로부터 반사된 반사음 이나 회절음의 영향을 받지 않는 음장을 말한다. 자유음장은 자연계에서 극히 제한적으로 존재 하지만 인간이 측정장비 및 측정 대상물을 이동시켜 이용할 수 없으므로 인공적인 시설로서 무 항실을 만들어 자유음장 환경을 조성한다. 이 글에서는 무항실의 특성 및 국내에서 시공되는 무향실의 설계 및 제작 과정을 간단히 소개하고 현재의 국내 무항실의 수준과 앞으로 나아갈 방항을 제시하고자 한다.

• Proceedings of the Acoustical Society of Korea Conference
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• spring
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• pp.309-310
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• 2004

본 연구에서는 초음파 CT의 구현을 위한 실험적 검토의 한단계로써, 압전진동자의 횡효과진동모드를 이용한 무지향성 음원을 원통 내부벽면의 일부분에 선형 배열하는 형태의 원호형 초음파 트랜스듀서 어레이를 제작하였다. 제작된 어레이의 성능 평가로써 공업용 한천 가루를 이용하여 만든 모의생체시료를 이용하여 화상재연에 대한 검토를 수행하였다. 그 결과, 제작된 원호형 초음파 트랜스듀서 어레이는 초음파 토모그래픽을 위한 송수신부로써의 적용가능성을 확인하였다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2023.07a
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• pp.593-594
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• 2023

본 논문에서는 지향성 스피커를 활용한 APP 기반의 보급형 조류 제어 시스템을 제안한다. 농가에서는 유해조류 퇴치를 위해 그물 설치, 소음 방출, 천적 모형 설치, 화학 약품 사용 등 다양한 방법으로 피해를 줄이고자 하는 노력을 하고 있지만 과다비용과 생활에 피해를 주는 소음 발생 등으로 인해 효과를 볼 수 없는 문제를 가진다. 또한, 무지향성 스피커의 파형특성상 음원 발생기 주변에 불필요한 소음을 농가에 방출하게 되어 소음공해의 피해를 주는 경향을 보인다. 본 연구에서는 지향성 스피커를 활용하여 필요한 구역에만 선택적으로 방출 가능하도록 구현하였으며, 음향을 다양한 패턴 방출를 통하여 패턴인지 저하로 인한 문제를 극복하였다.

• 대한공업교육학회지
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• v.31 no.1
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• pp.185-199
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• 2006

In this paper, to detect lateral direction sound pressure fiber optic sensor using Fabry-Perot interferometeric sensor array was fabricated and experimented. This parallel sensor array composed of one light source and the light split into each sensor using directional coupler and to see the output signal the array system do not need any digital signal processor. As a lateral direction sound source arbitrary sound frequency of 100Hz, 200Hz, and 655Hz using by nondirectional speaker were applied to the array sensor which installed on $60cm{\times}60cm{\times}60cm$ latticed structure. The detected signals from the two sensors were analyzed in the time and frequency domains. It was confirmed that the suggested sensor array detected applied sound source well but there were a little amplitude differences in between the sensors. Because the sensor supported simply at both ends theoretical analysis was performed and its solution was suggested. To compare the theoretical and experimental results arbitrary sound frequency of 2kHz was applied to the sensor array. It shows that experimental results was good agreement with theoretical results.

• The Journal of the Acoustical Society of Korea
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• v.31 no.3
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• pp.197-204
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• 2012

In this thesis, studied the method to minimize the changes in frequency response and level due to the variation of the distance from the source to the microphone. selecting three microphones (omni directional, cardioid, super cardioid) which are being used generally, frequency responses were measured in accordance with the distance changes. Gotten the difference from the reference as the result of measurement, changed responses for each frequency range were compensated in comparison of the original human vocal source. In low frequency range, the low frequency boost caused by the proximity effect and decrease in accordance with the distance were compensated. The variation in mid-frequency range is comparatively small, however since the mid-range is the most important part of the human vocal signal, were compensated the mid-frequency range in comparison of the reference. The human vocal signal variation in high frequency range is extremely small and the high frequency is compensated close to the original source without difficulty. Understanding the microphone characteristics and compensations, this study showed that the response can be maintain among the change of the distance from the source to the microphone.