• Title/Summary/Keyword: 리듬감

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Research on Types of Visual Rhythmic Sense in Typography (타이포그래피의 시각적 리듬감 유형 연구)

  • Jung, Yu-Kyung
    • Archives of design research
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    • v.18 no.2 s.60
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    • pp.143-154
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    • 2005
  • Typography in visual communication design is 'potential form' hidden within a space. Showing rhythm in typography is making 'aesthetic sense' in a graphic which has formative characteristics, the way of expression is very important. When the rhythm is recognized through visual stream, Rhythmic Sense is formed. The research will present a new form of the Visual Rhythmic Sense by analyzing typography works out positively. First of all, I researched works done by Fillippo Marinetti, Robert Massin, Wolfgang Weingart, and David Carson for their vigorous experimentalism in typography in forming visual rhythm. I used S.D. Scale method to analyze characteristics of visual image and VARIMAX for factor analysis reaching types of visual rhythm, which could be classified as following. (1) Synesthesia Rhythmic Sense (R-synesthesia) means that the senses are conveyed through 'visualization of auditory sense' and 'visualization of touch' (2) Simultaneous Rhythmic Sense (R-simultaneity) means that the time and space co-exist in one plane. (3) Connective Rhythmic Sense(R-connection) means that different factors (Within one plane) co-exist interacting with one another and creating a unified impression through such a process. (4) Artist Oriented Rhythmic Sense ($-artist) means that the artist interprets the content subjectively and expresses his/her impression, thereby, attracting a gaze of audience systematically and arbitrarily. (5) Reader Oriented Rhythmic Sense(R-reader) avoids the existing legibility formed through aggressive engagement of the reader.

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Relationship of Rhythmic Exercise Participation, Physical Image and Self-Esteem among Women (여성의 리듬운동 참가와 신체이미지 및 자아존중감의 관계)

  • Song, Kang-young;Koo, Kyoung-ja;Kim, Kyong-sik
    • Proceedings of the Korea Contents Association Conference
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    • 2010.05a
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    • pp.158-160
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    • 2010
  • 이 연구의 목적은 여성의 리듬운동 참가와 신체이미지 및 자아존중감의 관계를 규명하는데 있다. 본 연구는 2009년 서울 경기도 지역 2009년 서울 경기도지역에 소재하고 있는 스포츠센터, 일반동호회, 지역동호회, 댄스학원, 일반인을 대상으로 리듬운동에 참여하고 있는 20~50대 성인여성을 모집단으로 설정한 다음, 집락무선표집법을 이용하여 300명을 추출 하였다. 결론은 다음과 같다. 첫째, 리듬운동 참가여성은 비참가여성에 비해 신체이미지 및 자아존중감을 더 긍정적으로 평가한다. 둘째, 리듬운동 참가기간은 체형, 만족, 유연성요인에 영향을 미치고 있으며, 참가강도는 체형과 근력요인에 영향을 미친다. 셋째, 리듬운동참가기간은 자아존중감에 영향을 미치며, 참가빈도는 부적 영향을 미치는 것으로 나타났다. 넷째, 여성의 리듬운동 참가정도는 신체이미지 그리고 자아존중감에 인과적 영향을 미친다.

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The Effect of Listening to Music for the Children's Development of Tone Recognition & Sense of Rhythm (음악감상활동이 유아의 음정감과 리듬감 발달에 미치는 영향)

  • Ohm Jung-ae;Kim Kyungnam
    • Journal of the Korean Home Economics Association
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    • v.41 no.10 s.188
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    • pp.75-84
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    • 2003
  • The purpose of this study was to examine the effect of listening to music during musical activities on children's development of tone recognition and sense of rhythm. The subjects were total sixty 4-years-olds from two classes of thirty. The children were divided into two groups, experimental and control. Before the experimental procedures, a pre-test was taken to evaluate the level of tone recognition and sense of rhythm of the children. Cordon's 'Audie' was employed and used to measure the difference of tone recognition and sense of rhythm. Then, the activity of listening to music was applied to the experimental group for ten weeks. For the experimental group, the musical activity was selected based on the themes of our tfe which was related to the weekly and yearly teaching plan. One the other hand, no musical activity was provided for the control group. After the experiment, a post-test was carried out using the same methodology of pre-test. Data were analysed by ANCOVA test. Results showed that there was a statistically significant difference in the development of tone recognition and sense of rhythm between the experimental group and the control group.

Influence of Beat Interval of Rhythm in Music on Heart Rate Variability and Comfort (음악 리듬의 비트 간격 변화가 심박변동 및 쾌적감에 미치는 영향)

  • 정재선;이창미;고한우;김종원
    • Proceedings of the Korean Society for Emotion and Sensibility Conference
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    • 1999.11a
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    • pp.227-232
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    • 1999
  • 본 논문은 음악 리듬의 비트간의 간격의 변화가 사람의 심박동 및 쾌적감에 미치는 영향을 평가하기 위하여 음악 리듬의 박자를 규칙적인 다섯 단계의 변화를 적용하여 평가했다. 평가 항목으로는 (1) LF성분에 많은 영향을 보이는 심박동의 전력스펙트럼 분석과 (2) S.D.법으로 심리적 평가항목을 수행하였다. 실험 결과는, 박자의 변동이 일정한 정박자 리듬에서는 생체에 특이한 변화가 나타나지 않았지만 박자의 변동이 변화하는 리듬에서는 LF성분이 증가함으로 긴장과 불안이 유발됨을 알 수 있었다. 추가적으로 심박변동의 스펙트럼 분석를 통하여 얻을 수 있는 LF와 HF 성분사이의 비를 조사함으로 심리학적 불안을 평가하는 가능성을 제안한다.

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The Effects of Korean Traditional Music Education on the Development of Music Attitude and Rhythmic Sense (유아전통음악교육이 유아의 음악적 태도 변화와 리듬감 발달에 미치는 영향)

  • Jung, Ae Kyung;Lee, Youn Kyoung
    • Korean Journal of Child Studies
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    • v.25 no.3
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    • pp.115-126
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    • 2004
  • The purpose of this study was to examine the effects of Korean traditional music education for young children on the development of musical attitude and rhythmic sense of young children. The subjects were 42 four or five-year-old children enrolled in two classes of a public kindergarten. Half were in the experimental and half were in the control group. Instruments were "Music Interest Test for Young Children" (Kim, 2000), "Musical Attitude Rating Scale for Young Children" (Ahn & Han, 1999) and "Primary Measures of Music Audiation" (Gordon, 1986). The procedure included pre-test, treatments and post-test paradigm. Experimental group had Korean traditional music activities three times per week, including listening, appreciation, singing, playing traditional instruments and creative movement. The control group was merely provided with materials related to the Korean traditional music. Data was analyzed by t-test. Results indicated significant differences in music attitude and rhythmic sense between the experimental group and the control group.

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A Basic Study on Development of Orchestra Blasting Method - About the Application of Rhythm - (연주식 발파공법 개발에 대한 기초적 연구 - 리듬감 부여에 관하여 -)

  • Yoon, Ji-Sun;Choi, Sung-Hyun;Bae, Sang-Hun
    • Explosives and Blasting
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    • v.26 no.1
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    • pp.39-48
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    • 2008
  • Using Electronic Detonators which is well known for controlling vibration, we have been studying Orchestra Blasting Method, OBM, for many years to transform the unpleasant blasting sound to favorable sound in some job-sites such as tunneling and bench blasting which have to been taken place near some structures needed great care. In this study, we focus on rhythmical sense. First, we acquired individual wave from a shot. With the program named the Program Blasting Wave, PBW, it was analyzed and found that its best delay time was 34ms and 50ms was acceptable. Also, delay time was fitted into the music which was accepted after analyzing the rhythm. As a result, the blasting sound along with the music felt comfortable as if the music was played with base drum.

Psycho-Physiological Effects of the Aroma Cosmetics (아로마 화장품의 생리.심리적 효과)

  • 강인형;민병찬;전효정;전병배;정세진;성은정;김철중
    • Proceedings of the Korean Society for Emotion and Sensibility Conference
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    • 2002.05a
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    • pp.338-341
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    • 2002
  • 본 연구에서는 아로마 화장품의 생리ㆍ심리적 효과를 살펴보았다. 20-30대 건강한 성인 여자를 상으로 스트레스 부하 후 아로마 화장품 사용과 무사용의 두 조건에서 중추 신경계의 뇌파(EEG) 중 Alpha파의 주파수 변동리듬(l/f), 자율신경계(ECG, SKT, GSR) 및 주관적 기분감 평가(POMS) 를 실시하였다. 그 결과, 우전두부의 U파 변동리듬계수의 크기와 변동리듬 경사도를 이용한 쾌적도는 무사용에 비해 아로마 화장품 사용에서 시간이 경과됨에 따라 유의하게 증가하였다(p<0.05). SKT에서는 조건간 유의차는 나타나지 않았으나 GSR에서는 무사용에 비해 아로마 화장풍 사용 후 유의하게 감소하였다(p<0.1). 주관적 기분감 평가(POMS)에서는 무사용에 비해 아로마 화장품 사용 후 성냄, 혼란 항목의 득점이 유의하게 감소하였다(p<0.1). 이상의 결과로부터 스트레스 부하 후 사용한 아로마 화장품의 스트레스 해소 경향 즉 Relax, 진정 효과가 확인되었다.

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A Presentation of Guidelines for Layout Techniques in Designing of the Floral-patterned Scarves based on Consumer Emotion : Part II (소비자 감성을 기반으로 한 꽃문양 스카프 디자인의 레이아웃 기법 제안 : 제 2보)

  • 조현승;이주현
    • Science of Emotion and Sensibility
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    • v.3 no.1
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    • pp.53-62
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    • 2000
  • 본 연구의 목적은 (1)꽃문양 스카프 디자인의 레이아웃 변인이 소비자의 감성에 미치는 영향을 본 연구의 제 1보의 결과 및 전통적인 디자인 이론들과 비교하고, (2) 소비자 감성분석을 기반으로 하여 꽃문양 스카프 디자인을 위한 레이아웃 프로토타입을 제시하는 데에 있다. 이를 위하여 두 종류의 꽃 모티브를 세 가지 레이아웃 변인에 따라 컴퓨터 시뮬레이션하여 총 20개의 자극물을 개발하였다. 또한 44개의 형용사쌍으로 구성된 7점의 의미미분척도를 개발하여 세 가지 레이아웃 변인에 따른 소비자의 감성효과를 측정하였다. 피험자는 편의표집된 110명의 20대 여성 소비자였으며, 이들에게 자극물을 제시하고 응답척도에 감성반응을 응답하게 하였다. 총 100부의 데이터를 사용하여 주성분분석, 다변량분석, 삼원변량분석 및 다중비교검정을 실시하였다. 본 연구의 결과를 요약하면 다음과 같다.: (1) 꽃문양 스카프 디자인에 대한 소비자의 감성은 ‘호오(좋아함-싫어함)·심미감’, ‘액센트감’, ‘온화함’ 그리고 ‘리듬감’의 네 가지 하위차원으로 구성하였으며, 이는 제 1보의 결과와 일치하였다. (2) 제 1보와 2보의 결과에 따르면, 꽃 모티브의 크기가 큰 비반복배열의 디자인이 다른 디자인들보다 더 ‘온화감’있게 느껴졌다. (3) 제 1보와 2보의 결과를 종합하여, 두 세트의 꽃문양 스카프 디자인의 레이아웃 프로토타입을 제시하였다.

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A Study on Tuck Design in Modern Fashion (현대의상에 표현된 Tuck Design 연구)

  • 조진숙
    • The Research Journal of the Costume Culture
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    • v.12 no.1
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    • pp.12-27
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    • 2004
  • The Tuck, an important component of modem clothing design, was analyzed through various sources of literature comprised chiefly of domestic and imported fashion magazines from 2000 to 2003. The results were as follows: 1) The Tuck was organized in horizontal, perpendicular, oblique and radial directions. Application methods included repetition, gradation, radial arrangement, sequence and alternation of individual lines. 2) The Tuck was found in a variety of forms and uses. But due to structural characteristics, its function is more psychological and aesthetic than functional. The aesthetic properties of the Tuck included rhythm, optical illusion, abstraction, and material. The structural property of the Tuck occasionally substituted bust or waist darts. 3) The individuality and originality of the Tuck was used in unpredictable ways to give spatial ornamentality and emphasis on material. This enabled aesthetically unique designs to arise. To summarize, the Tuck, a component of clothing design as a formative art, was used in a variety of methods towards developing creative clothing design.

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The Influence of Chronotype and Self-Efficacy on Problem Drinking in Undergraduate Students (대학생의 일주기리듬 유형과 자기효능감이 문제음주에 미치는 영향)

  • Kim, Jeong Hun;Song, Yeoungsuk
    • Journal of Korean Biological Nursing Science
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    • v.21 no.1
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    • pp.70-76
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    • 2019
  • Purpose: The aim of this study is to identify the influence of chronotype and self-efficacy on drinking problem in undergraduate students. Methods: A cross-sectional survey design was adopted for the 177 undergraduate students in D, G, and K city in 2017. The data was analyzed for descriptive statistics, t-test, ANOVA, Pearson's correlation coefficients and multiple regression analysis using the SPSS 18.0 program. Results: Chronotype (${\beta}=-.31$, p< .001), self-efficacy (${\beta}=27$, p< .001) and religion (${\beta}=-.19$, p= .005) were identified as the factors influencing drinking problem in the subjects. The model explained 19% of variance in drinking problem (F= 11.36, p< .001). Conclusion: It is necessary to develop and apply a program that would consider chronotype and self-efficacy factors to reduce the drinking problem in undergraduate students.