• Journal of Digital Contents Society
• /
• v.18 no.8
• /
• pp.1567-1576
• /
• 2017

This study presented the direction of cultural welfare based on ICT. For this purpose, it examined the direction of government policies and the status of cultural welfare services and it analyzed art galleries and museums focusing on experiences of cultural welfare services in a home and abroad. As a result, the museum has many changes depending on the media environment, unlike art gallery. In the age of media 1.0, the audience has experienced in real museums. As time goes by, in the age of media 2.0, the customer has opportunity to experience in virtual museums. It seems that there are many differences factor of a media environment, target (exhibits), accessibility, consumption and information. Finally, this study suggested the environmental change factors of Korean ICT cultural welfare service through this. In the future, it will be necessary to continue research on the possibility of expanding cultural welfare services for cultural enjoyment to the underprivileged.

• Broadcasting and Media Magazine
• /
• v.9 no.1
• /
• pp.86-95
• /
• 2004

본 논문은 디지털 TV에서 시정자가 보고 있는 동영상에서 관심 있는 화면을 갭춰하여 저장하고, 그 저장된 이미지들을 미술관이나 박물관 같이 꾸며진 환경에서 감상하듯이 다시 볼 수 있는 자신만의 이미지 갤러리를 만드는 것을 목적으로 한다. 또한, 컴퓨터 안에 있는 이미지를 PDA나 휴대폰 등에 쉽게 업로드할 수 있는 것과 같이 디지털 TV에서도 이 이미지들을 가공하거나 이메일을 통해 다른 사람에게 전달할 수 있다. 본 논문에서는 디지털 TV에 이러한 갤러리 기능을 추가하기 위한 데이터 방송 애플리케이션의 설계와 구현을 기술한다. 이 애플리케이션은 디지털 방송이 시작되면서 가능해진 본격적인 데이터 방송을 응용한 독특한 예이다. 본 논문에서는 이러한 데이터 방송을 구현하는데 필요한 요소를 기술하고, 애플리케이션을 구현하는 과정에서 해결해야 했던 문제점들을 기술한다.

• 한국HCI학회:학술대회논문집
• /
• 2009.02a
• /
• pp.1257-1264
• /
• 2009

In regard to media contents of digital heritage reconstruction, they are actively produced in museums, art galleries and special exhibitions. However, there is no concrete guideline for the productions and the pipelines are not systematic either. This makes the process ineffective regarding time and cost. Media contents production of digital heritage reconstruction might seem similar to film or documentary production, but it is important to construct its specific pipeline based on its specific purpose. The digital Heritage group in research center for culture technology of KAIST produced media contents which digitally reconstructed various heritages such as Persepolis, Iranian remains, with National museum of Korea, Sukgulam, and Hue, an ancient city in Vietnam, with Cultural heritage administration of Korea. From these experiences and case studies, this paper will present a pipeline model for efficient production.

• Journal of Digital Contents Society
• /
• v.18 no.5
• /
• pp.831-837
• /
• 2017

The popularization of smart phones is increasing interest in individual customized service and various systems have been changing in order to meet such changes to satisfy facilities such as museums. Museum has the element of view, contained purpose of history education, also has role as institution that should have fun and education. In order to achieve this purpose, it is necessary to arouse sufficient interest in cultural assets, In parallel, to provide various contents of cultural assets is essential. Therefore, to provide an efficient viewing cultural assets services in this study make a study to effective method for combined education and evaluation using Unity3D engine and SDK for Vuforia called Augmented Reality development.

• The Journal of the Convergence on Culture Technology
• /
• v.9 no.5
• /
• pp.583-590
• /
• 2023

In today's rapidly developing technology, the traditional exhibition format of museums can no longer meet social needs. By analyzing the advantages and key technologies of extended reality technologies such as virtual reality, augmented reality, and hybrid reality, the museum XR exhibition interaction scheme is analyzed. Come to Discovery Museum. In this regard, this study first delves into the concept of XR technology, the concept and influencing factors of tourist experience, and the relationship between the application of XR technology and tourist experience through theoretical investigation. On this basis, representative paleontological museums in China and South Korea were selected, and the actual experience of visitors at the exhibition site and the application of XR technology were investigated through examples. Research has shown that the use of augmented reality technology can achieve seamless integration of virtual and real worlds in paleontological museums, extend viewing space, expand cultural heritage connotations, and revitalize cultural heritage. It provides visitors with a deeper interactive experience, enhances immersion and enriches display methods, making this type of museum more attractive. On this basis, XR technology helps museums achieve Digital transformation, and makes them have the advantages of sustainable development.

• The Science & Technology
• /
• v.34 no.1 s.380
• /
• pp.18-19
• /
• 2001

런던의 과학박물관은 영국 뿐만 아니라 세계 과학기술의 역사를 한 눈에 볼 수 있도록 지하 2개층과 지상 5개층에 꾸며놓고 있었다. 1층엔 동력ㆍ우주분야, 2층엔 재료변화, 3층엔 화학산업ㆍ인쇄, 4층엔 광학ㆍ항공분야 그리고 5~6층엔 의학관련 분야로 분리되어 전시ㆍ소개하고 있었다. 특히 지난 7월에 개관한 WW관엔 2000년대의 과학기술방향과 돌리를 탄생시킨 영국의 생명공학발전상 그리고 미래의 디지털기술에 관련된 전시물들이 진열되어 있었다.

• Conservation Science in Museum
• /
• v.29
• /
• pp.99-110
• /
• 2023

The stone fragments that are missing from the stone cultural heritage have limited use beyond being directly fitted to identify their original position, as they are relatively heavy and bulky, and there is the further risk of secondary physical damage during manual work. Therefore, in this study, morphological relationships between the missing parts and the stone fragments were identified through digital restoration, and a three-dimensional (3D) printed replica was created for use at the exhibition for Stone Buddhas in Four Directions in Hwajeon-ri, Yesan, where 72 stone fragments had been excavated together. First, for the digital restoration, stone fragments of similar shapes were selected after the coordinates of the 3D scanning model were aligned in virtual space. In addition, the stone fragments were printed using a 3D printer to check whether they were physically related to the missing parts. Thus, the original positions of a total of nine stone fragments were identified. To utilize these research results in the exhibition, a 1:1 replica of the Stone Buddhas in Four Directions was produced using 3D printing technology, and the nine stone fragments were also restored to their original positions. The digital technology used in this study is of great importance in that it not only made up for the limitations of the direct manual method but also suggested the possibility of expanding its application to the fields of documentation, restoration, and replication of similar cultural heritage.

• Journal of the Korea Convergence Society
• /
• v.11 no.2
• /
• pp.127-137
• /
• 2020

This study is aimed to point out the direction for more reasonable and effective application of future digital technology in the exhibition. It's also to improve the satisfaction of visitors' overall experience through inspecting the special exhibition using digital technology in the national central museum in 2019. The relationship of visitors' expectations, experience and satisfaction are analyzed through literature investigation. Hence, four dimensions of digital experience were summarized on this basis, the content of the questionnaire was set through this research. The satisfaction of visitors to the digital technology experience was evaluated and the key contents needing to be improved were found through Importance-Performance Analysis (IPA). According to the IPA analysis, the content located in quadrant IV is analyzed emphatically, and improvement suggestions are put forward from macro-level, micro-level and viewer's inner levels. The results can be used as a reference for improving the feasibility of the current problem. In order to ensure the forward-looking and timeliness of this field, continuous research will be conducted according to the changes and developments.

• Journal of Convergence for Information Technology
• /
• v.8 no.5
• /
• pp.121-129
• /
• 2018

The university museum is working to discover, research, and exhibit cultural artifacts as well as use them as resources of education and academic researches as one of the important organizations of the university. Current, however, university museums have the low-level usability caused by the reduction of financial and administrative supports of the university. One approach to solve this problem may be the design of mobile docent app for improving the accessibility of the museum. The app enables users get artifacts and education programs without the restriction and learn artifact-related knowledge easily. In this paper, we design and implement a new mobile docent app according to the analysis of content of the Chosun university museum as a real case study. In addition, we evaluate the functionality and usability of the proposed app by affordance-based questionnaire.

• Conservation Science in Museum
• /
• v.22
• /
• pp.85-96
• /
• 2019

The restoration of ceramics excavated in fragments is limited by the difficulty of inferring the overall shape of the original object. However, recent innovations in digital technology can help to overcome the limits of conventional restoration using handwork. This study explored the potential of digital technology by digitally restoring a shard from a white porcelain water dropper excavated at a kiln site at Sindae-ri. In order to complete the digital restoration, 3D scanning was applied to obtain scan data, and 3D modeling and texture mapping were performed. In this way, three-dimensional data with patterns and color information was acquired and the original form of the water dropper could be ascertained based on the shard. The study found that the data acquired from digital restoration can be used for various purposes, including for obtaining data on cross-sections or missing portions of a relic.