• Journal of Digital Contents Society
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• v.18 no.8
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• pp.1615-1620
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• 2017

The development of Virtual Reality (VR)-related technologies has resulted in the improved performance of VR devices as well as affordable price arrangements, granting many users easy access to VR technology. VR drawing applications are not complicated for users and are also highly mature, being used for education, performances, and more. For controller-based spatial drawing interfaces, the user's drawing interface becomes constrained by the controller. This study proposes hand interaction based spatial drawing system where the user, who has never used the controller before, can intuitively use the drawing application by mounting LEAP Motion at the front of the Head Mounted Display (HMD). This traces the motion of the user's hand in front of the HMD to draw curved surfaces in virtual environments.

• Journal of the Korea Computer Graphics Society
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• v.24 no.3
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• pp.101-109
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• 2018

Recently, the improvement of virtual reality and augmented reality technologies leverages many new technologies like the virtual study room, virtual architecture room. Such virtual worlds require free handed drawing technology such as writing descriptions of formula or drawing blue print of buildings. In nature, lots of view point modifications occur when we walk around inside the virtual world. Especially, we often look some objects from near to far distance in the virtual world. Traditional drawing methods like using fixed size image for drawing unit is not produce acceptable result because they generate blurred and jaggy result as view distance varying. We propose a novel method which robust to the environment that produce lots of magnifications and minimizations like the virtual reality world. We implemented our algorithm both two dimensional and three dimensional devices. Our algorithm does not produce any artifacts, jaggy or blurred result regardless of scaling factor.

• Journal of KIISE:Software and Applications
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• v.36 no.3
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• pp.217-225
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• 2009

In case of sketching a conceptual model in 3D space, it's not easy for designer to recognize the depth cue accurately and to draw a model correctly in short time. In this paper, multi-strokes based sketch is adopted not only to reduce the error of input point but to substantiate the shape o) the conceptual design effectively. The designer can see the drawing result immediately after stroking some curves. The shape can also be modified by stroking curves repeatedly and be confirmed the modified shape in real time. However, the multi-strokes based sketch needs to manage the great amount of input data. Therefore, the drawing space is divided into the limited spatial cubical grids and the movable infernal vertex in each spatial grid is implemented and used to define the surface by the multi-strokes. We implemented the spatial sketching system which allows the concept designer's intention to 3D model data efficiently.

• 한국HCI학회:학술대회논문집
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• 2009.02a
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• pp.56-61
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• 2009

According to the target object for designer to sketch, an effective style or shape of input device can be defined differently. The general spatial sketching system that support various types of wand assist sketching effectively as changing suitable wand shape to the part of a target object. We suggest the idea of changing wand style by altering the posture of a 3D wand. This allows a designer to work in an intuitive way without being interrupted by complicated menus. We implement the various wand styles to the spatial sketching system with cubic-based drawing technique.

• 한국HCI학회:학술대회논문집
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• 2008.02a
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• pp.103-108
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• 2008

In case of the 3D Sketch System for spatial modeling, The use of 3D input devices in 3D environment is the best method to express designer's intention. However, the designer's 3D drawing skill is not accurate. 80, we use the multiple strokes used generally by 2D sketch. Multiple strokes make the designer recognize model's current drawing features and what he change We use the cubic-based drawing method to calculate many surfaces in real time. We arrange the relations of cubes for composing surfaces and multi strokes. We implement the sketch system taking cubic modeling and multiple strokes technique.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2008.10a
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• pp.81-84
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• 2008

3D 인터렉티브 텍스쳐 페인팅은 3차원 공간상에서 3D 모델 데이터의 표면에 직접 브러쉬를 이용하여 페인팅하는 것을 말한다. 3D 인터렉티브 텍스쳐 페인팅을 구현하기 위해서는 매개변수화와 브러쉬 드로잉이 중요하다. 본 논문에서는 3D 공간상에서 평균값좌표를 이용하여 3D 모델의 표면 메쉬상에 텍스쳐 페인팅을 수행하는 효과적인 방법을 제안한다. 기존 연구가 가지고 있는 문제점은 반복적인 매개변수화의 과정과 그로 인한 해상도의 큰 변화이다. 이러한 반복적인 매개변수화 과정을 피하기 위하여 주어진 메쉬에 한 번의 전역적 매개변수화를 적용시키고, 3차원상의 메쉬에 직접적으로 페인팅 할 수 있는 인터페이스를 제공하였다. 결과적으로 2차원으로의 텍스쳐 수정 과정 및 랜더링 과정을 반복적으로 적용할 필요가 얼게 되어 3차원 모델러에게는 매우 효율적인 방법을 제공할 수 있다.

• 한국IT서비스학회:학술대회논문집
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• 2009.05a
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• pp.569-572
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• 2009

온라인 게임 서비스를 위해 캐릭터 외형 페인팅를 하기 위해서는 3D 인터렉티브 텍스쳐 페인팅를 사용한다. 3D 인터렉티브 텍스쳐 페인팅은 3차원 공간상에서 3D 모델 데이터의 표면에 직접 브러쉬를 이용하여 페인팅 하는 것을 말한다. 3D 인터렉티브 텍스쳐 페인팅을 구현하기 위해서는 매개변수화와 브러쉬 드로잉이 중요하다. 본 논문에서는 3D 공간상에서 평균값좌표를 이용하여 3D 모델의 표면 메쉬상에 텍스쳐 페인팅을 수행하는 효과적인 방법을 제안한다. 기존 연구가 가지고 있는 문제점은 반복적인 매개변수화의 과정과 그로 인한 해상도의 큰 변화이다. 이러한 반복적인 매개변수화 과정을 피하기 위하여 주어진 메쉬에 한 번의 전역적 매개변수화를 적용시키고, 3차원상의 메쉬에 직접적으로 페인팅 할 수 있는 인터페이스를 제공하였다. 결과적으로 2차원으로의 텍스쳐 수정 과정 및 렌더링 과정을 반복적으로 적용할 필요가 없게 되어 3차원 모델러에게는 매우 효율적인 방법을 제공할 수 있다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2021.07a
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• pp.637-638
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• 2021

가상현실 기술은 사용자가 스토리에 참여할 수 있으므로 상호작용을 갖는 인터랙티브 미디어 및 교육 콘텐츠로 활용하는 것에 장점이 있다. 가상현실 공간은 3D 공간으로 구성되며 가상환경에서 사용되는 3D 캐릭터들을 제작하기 위하여 일반적으로 3D 모델링과 키 프레임 기반의 애니메이션 기법이 사용된다. 이러한 과정들은 상대적으로 큰 비용과 많은 시간이 소요됨에 따라 저예산의 프로젝트에서는 가상현실 기술을 적용한 콘텐츠 제작을 어렵게 만든다. 본 논문은 2D 만화 이미지와 만화 스타일의 애니메이션을 활용하여 가상현실 콘텐츠 제작기법을 제안하고, 만화 형식의 가상현실 콘텐츠를 제작하여 연구를 진행하였다.

• Archives of design research
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• v.20 no.1 s.69
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• pp.65-78
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• 2007

The mobile phone and wireless network, location based technology and other newly introduced technologies and communication media gave birth to the new terminology "ubiquitous" and are changing our daily life. Influence of such technologies and communication media is not an exception in the arts. New media art pieces using these technologies are increasing, and taking on the characteristics of public art within a wider scope of a city as a backdrop, beyond the traditional boundaries of art galleries. Of such art, locative media art using locative media has a closer relationship with city space than any other form of an, and makes various attempts to allow the spectator to reinterpret and experience city space and induce communication. These characteristics of locative media art can be considered as a method that can solve quality problems of the city space, especially the loss of the sense of place and the absence of communication. is one such locative media project with a purpose of solving quality problems of city space, especially the recovery of commercial sites and inducing communication. This project uses the paths of the city as its canvas, movement of people as its brush, the color of the roads as its pallet, and by allowing the partakers to draw paths of their own and to share their paths with others. People are encouraged to share stories about their paths. The project proceeds using barcodes that are frequently used commercially. When users wish to create their own place, they can enter their place and colors of their choice using input devices installed in the city space. Paths that are created through such a process will be displayed in public areas throughout the city, shared with others, and can create and share a stories about the city using on/off-line media.

• The Journal of the Korea Contents Association
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• v.16 no.3
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• pp.116-124
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• 2016

In this paper, we propose digital exhibition contents for the aquarium, especially 'Gyeongpo Lagoon Ecological Museum'. We try to plan appropriate media contents that can be mixed with the aquarium storytelling. The aquarium must have special spaces that are not related with an exhibition directly but are necessary for survival of fishes such as a water circulation room. We design the special spaces using media contents and let visitors feel that the whole aquarium is in the ocean. First of all, we investigate the aquarium currently under construction. And then, we propose the appreciate media platforms and plan individual content. We suggest 3 types of media platforms, 3D water projection, interactive games utilizing Kinect, and a fog screen. Moreover, we produce 2D drawing concepts, 3D modeling images, and virtual exhibitions in virtual reality for the representation of the location in which those platforms are installed and the media contents we plan. The pre-visualization is helpful for the media platform construction and is used as a rough sketch to producing an animation shown in the exhibition.