• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.36 no.2
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• pp.1-10
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• 2018

This study aims to find out the characteristics of the vegetation landscape characteristics and system which led the formation of the urban image in Jeonju in the late Joseon period connected with urban spatial structure, using designated as treasure No. 1586 which was made in the middle of 18C. The vegetation landscape characteristics of Jeonju in the late Joseon Dynasty derived from the analysis of are summarized as follows. Firstly, the vegetation landscape system in Jeonju is composed of the natural vegetation around mountain area of Jeonju-Buseong, the independent vegetation or cluster planting forests linked with the main facilities, the Bibo-Forests connected with topographical characteristics of Jeonju, and the vegetation combined with a private garden. Secondly, planting landscape was specialized using flag species and local species. Thirdly, the garden-type plantation centered on the back yard or front of main facilities, with the background of natural vegetation landscape combined with the mountain area and the vegetation combined with a private garden, dominates vegetation landscape of Jeonju Buseong as objects. Fourthly, in order to overcome the defects of topographical characteristics, the Bibo-Forests were emphasized as an important planting landscape element in addition to the vegetation landscape elements connected with main facilities. Fifth, ecological vegetation landscape technique was taken considering the topographical characteristics. The characteristics of vegetation landscape of Jeonju Buseong, which is derived from , have an important meaning to restore and reproduce Jeonju's historical features. Especially, the vegetation communities of the non-booming concept combined with the geographical features, the ecological landscape harmonizing with the topography, the round house type landscape mixed with the private house, and the specialization of vegetation landscape using local species are important factors in securing the city image based on the historical characteristics and creating a city brand that utilizes vegetation landscape.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.37 no.2
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• pp.54-65
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• 2019

China government recently tries to preserve not only the famous national historic-culture cities, but also the small and medium-sized cities due to the damages and destruction of the cities by the rapid economic development, urban expansion and the development of tourism industry. Hence, this study chose 'Zhoucun ancient mall' which is one of the hotness of cultural heritage located in a mid-sized city named 'Zhoucun district Zibo city Shandong province' that has continuously cared historical landscapes by the protective policy regarding the city as a historic-culture resource from '80s, and considered the character of the city's development process on how the historical landscapes were well protected. In fact, the protection policy in Zhoucun ancient mall had been started in early '80s, however, the viable plan was established in 2001 entitled 'Historical block protection planning of Zhoucun Da street'. And then, 'Regulatory plan for the ancient mall site of Zhoucun Da street' established in 2008 has expanded the area of the blocks for protection. However, this plan organized area only block-by-block so that the small blocks couldn't have the unity when expanded. Later in 2015, 'Regulation Organization Plan' hastried to expanded the protect-area to solve the unity problem. As a result of the study, the historical landscape management plan of Zhoucun in Zibo city has been systematically changed in 2001 after. In other words, this 2001's plans established buffer zones for the maintenance of protected areas and the surrounding environment. And then the detailed regulatory plan for 2008 led to a concrete urban management plan. After that, in 2015, it was found that the expansion plan to protect and manage the whole area of Zhoucun disrict is to manage the landscape of the surrounding area including the historical landscape of 'Zhoucun ancient mall'.

• Journal of the Korean Institute of Landscape Architecture
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• v.37 no.4
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• pp.86-93
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• 2009

This study analyzes the systematic visual images and factors in and outside of the main courtyard in Byungsan-seowon. The results are as follows; In terms of space distribution, Ip-kyo-dang is located at an elevation of 85m and the distance to Byung-san is 365m. Byung-san with the mean gradient over $50^{\circ}$ looked so stiff, and the east side of that cliff is higher than west. In terms of the angle of elevation relationship between Man-dae-ru and Byung-san draw 10.5 degree and it suits with human scale. The D/H ratio of 1:3 makes the given place very spacious but the linear stiff shape of Byung-san may cause the feeling of closeness. The results of the visual image analysis of the main yard facing Byung-san is very positive with a score of 1.70 in openness, 1.78 in wideness, 1.96 in beauty, 1.96 in harmony for the spacious arrangement which overall, makes the seowon beautiful with many open spaces. There are 4 main implicated factors analyzed which are uniqueness, aesthetic, openness and nature. Out of the total variables, these factors' descriptive ability is 55.90% and the remaining 44.10% is error and peculiarities variables. The factor which contributed most to Byungsan-seowon's main yard's visual preference was the 'aesthetic' with B-values of 0.661 and 0.455 in the nature category.

• Journal of the Korean Institute of Illuminating and Electrical Installation Engineers
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• v.23 no.2
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• pp.27-35
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• 2009

This study aimed to find problems of nightscape of Anyang-si through examination of behavioral pattern at night and measurement of illumination and luminance in accordance with regional classification following 6 regional classifications on the basis of ur1xm characteristic of Anyang-si. Basic concept of nightscape creation was application of improvement plan with analysis of regional problems and creation of artistic value to enhance image of Anyang-si as a city of art. To obtain balance and unity of night illumination, concept of light zoning was applied to smooth-transform method by regions. Especially, right to view harmonized with surrounding scenery was secured through creating gradual skyline compatible with neighbor buildings using division of each buildings according to their heights. In addition, way to improvement of night lighting environment was proposed as to illumination, height, type of lamp and arrangement of street lights and furniture in accordance with regional characteristics.

• Magazine of the Korea Concrete Institute
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• v.14 no.3
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• pp.58-63
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• 2002

한국가스공사(주)에서는 수도권의 천연가스 수요에 대응하기 위하여, 사진에서 보는바와 같이, 인천송도 앞 바다 8km 지점에 위치한 30만평의 인공 섬에 1993년부터 2000년까지 10기의 지상식 LNG 저장탱크를 건설하였으며 1998년부터 8기의 지하식 탱크가 건설 중에 있다. LNG 저장탱크는 다른 토목구조물과는 달리 초저온성과 고도의 안정성을 필요로 한다. 즉, -162$^{\circ}C$의 초저온 상태를 유지해야하는 보냉 구조와 가연성 가스에 대한 충분한 수밀성 및 안정성을 기본적으로 가져야 한다. 특히 지하식 탱크는 지상식 탱크 공사비와 비슷하며 주변의 경관 및 환경에 조화시키며 안정성이 높은 것이 특징이다.(중략)

• Archives of design research
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• v.16 no.3
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• pp.329-340
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• 2003

The purpose of this study is to provide the methods of harmony in color combination of environmental color for apartment in order to improve the image of the urban landscape. For this study, apartment in Iksan City was selected is a sample and twenty two apartments were analyzed. This framework of this study is A. Hard and L. Sivik's color combination model based on Natural Color System. This study examines various theories on environmental color perception and new approaches to color aesthetics, and tries to present perceptual properties that can be applied to environmental color design First, the principle of color harmony feeling in based on nuance and tone. Therefore, to control brightness and chromaticness with are related with nuance is important in color combination. Second, the aesthetic experience in color preception can be defined as a combined effect of similarities and differences of color attributes. Third, color harmony theory is one of the areas that can be benefit a great deal from and interdisciplinary approach, add empirical study such as this can be used as a basis for environmental color design and evaluation.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.30 no.4
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• pp.44-55
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• 2012

This study is to interpret how landscape aesthetic characteristics of moderation, which is the point of human-oriented neo-confucianism vision, are projected to the landscape organization of a Dodong-SeoWon, known for its overflow to neo-confucianism grounds and standards among domestic SeoWon. The aspects of neo-confucianism discussion in the shape of Dodong-SeoWon with the beauty of from and contents dominating the landscape of Dodong-SeoWon different from constructive completeness as 7 external and internal landscape organization including placement, circulation, setting, vista, fencing, naming, and decoration are as follows. The left direction of Dodong-SeoWon, part of external organization, is the result of landscape organization that emphasized the stage of moderation through the unification of man and nature by naturalizing natural direction to human-oriented directions. Important aspects to rule external orders and standards of Dodong-SeoWon are principles of one classes based on ranks and bilateral symmetry that is the unity of setting and circulation landscape organization from penetrating the spirit of moderation with no bias. By securing territoriality by fencing the unity of verticality and horizontality, the landscape organization to reach moderation is expressed. Meanwhile, Suwoloo(水月樓) perceived on the floor of central assembly hall, the formation of time frame from roof piles of Hwanjumun(喚主門) as well as pilars of Jungjeongdang(中正堂), and rime link method inducing visual balance and openness through segment, combination, and others are vista organization that show the ideality of unique neo-confucianism building. Also as part of landscape organization contents. semantically, building name including arrangement from Taegukdoseol, ideological naming following the name of Ssanggye-SeoWon, which is the former body, the name of the hall symbolizing the transfer of neo-confucianism enlightenment, impartiality with no bias, as well as Geoinjae(居仁齋) and Geoijae(居義齋) based on olympic, are also results of applying neo-confucianism standards. Additionally. the SeoHoe(瑞花) expressing the change of IleumIlyang(一陰一陽) on the stylobate of Jungjeongdang, Saeho(細虎) which goes up and down, as well as Simul made of four dragons, are artistic expression of the moderation that symbolizes the harmony of ying and yang with no exceeding or insufficiency. Humorous and unique rocks and stones evenly arranged in all spots of Dodong-SeoWon are to promote anti-strict organization by offsetting the image and external order of the lecture hall as strict as it is, and this is very ironic as it is the other landscape organization in different dimension as well as the expression of moderation.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.29 no.1
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• pp.90-104
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• 2011

This study identified the scenic characteristics in Gugok and symbolism reflected in titles of the scenery of the season in Gugok from a perspective of Sundoism concentrated on Galeun Gugok in Goisan which is influenced most greatly by Sundoism hermit ideas in Korea, along with Seonyudong-Gugok. In addition, it suggested a measure for arrangement and narrative Storyboard of Galeun Gugok structure corresponding with promotion and propagation of Gugok cultural scenes and educational goals. According to analysis and interpretation of the various Gugoks forming Galeun Gugok in terms of their titles, names engraved in surrounding elements and the coherent symbolic meanings of its scenery and place through comparison with secenery of near Seonyudong-Gugok, the result shows that Galeun Gugok comprises wishes for eternal life in the forms of Taoist hermit-related scenery of the season within the range of stream and old stories based on environmental affordance. In figurative way, it ultimately presents the Wonyung(圓融) idea which seeks a harmonious combination of God and humankind. In particular, consciousness of longevity without problems is deeply inherent in the background of eternalness of plants, divinity of animals and natural homeostasis. Also, 9 Gok Seongukam set up at visual terminal reflect noticeably that a game Go is the amusement of the immortals, which describe 9 ranks of GO figuratively. Galeun Gugok is formed in a unity structure, which is hermit-oriented Sundoism and motif, such as longevity and immortality, divinity and enjoyment of Sundoism hermit rather than used as a method to achieve taste for the arts or ethics. Given the fact, it presents eternal longevity and atmosphere of seclusion in very strong way. Development of spatial Storyboard structure based on this is interpreted as 'Entering the world of hermits(Introduction)'-'Looking the world(Development)'-'Living with hermits(Turn)'-'Becoming hermit(Conclusion).' Finally, the scenery image of Galeun Gugok presented in surface structure is based on beauty of the immortal land scenery as well as beauty of pre-achieved space in Gugokdongcheon and arranged the vertical narrative structure as divine space of 9 ranks of GO. Taking those into account, scenery story board of Galeun Gugok was suggested in accordance with a theme of 6 cuts; Gnagsun(降仙)-Sungyeong(仙境)- Sunyak(仙藥)-Sunhak(仙鶴)-Sunyu(仙遊)-Eunsun(隱仙). It is obvious that hermit which live an eternal life as a representative of Sundoism, should be the main motif of scenery planning in a filed of modem landscaping. Therefore, the most valuable component in designing Korean landscape must be the homeostasis of surrounding landscape which supports the characteristics of invariability and divinity of nature.

• Proceedings of the KGS Conference
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• 2002.05a
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• pp.95-98
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• 2002

본 연구는 안동지역에 있어서 이른바 명당이라고 하는 음택 풍수 경관을 조사하여 그 형태와 특징을 살펴보고자 하였다. 안동문화원에서 펴낸 $\boxDr$안동의 분묘$\lrcorner$ 에 나오는 분묘를 대부분 조사하고 이를 형기론적 입장에서 형국으로 분류하였다. 태백산에서 소백산을 잇는 낙동정맥 살의 문수산(1206m)에서 하나의 지맥이 남쪽으로 흘러 태자산, 박달산, 오적산, 학가산(870m), 보문산(643m), 검무산(331m)을 이루어내어 안동의 서쪽 산줄기를 형성하며, 태백산에서 백병산, 일월산, 주방산(주왕산), 보현산, 황학산, 오산으로 이어지는 산줄기가 우측을 이루어내어, 이들 우백호와 좌청룡이 안동군 풍천면의 구담리에서 마주하게 된다. 그 사이로 안동군, 예안현 등이 입지하였다. 이러한 안동의 산세에 따라 낮은 구릉, 완만한 사면 및 높은 배후 산지가 전개되며 낙동강 본류와 지류가 흘러 다양한 형국이 나타나게 된다. 안동의 경우는 날짐승(봉, 학, 꿩), 꽃(모란, 연꽃, 칡넝쿨), 길짐승(닭), 들짐승(거북, 뱀), 물건(등잔, 가마솥, 밥상), 용, 달 등이 33개가 나타난다. 이들의 분포를 살펴보면 크게 낙동강 본류 이북 쪽에 집중한다. 이들 명당은 고도 상으로 해발고도 200미터 부근에 대부분 입지한다. 무릇 명당이란 안산과 조산을 넘어 득수가 잘 이루어져야 하므로 낙동강 본류를 중심으로 하고 그 지류를 향하여 분포하는 것은 당연하다 이들 명당의 형태와 공통된 특징을 살펴본 결과 명당은 반개방성, 중첩성, 안정성, 조화성, 균형성의 5가지 특징이 나타나는 곳이다. 이러한 명당의 특징은 태조산, 중조산, 소조산를 거쳐 주산 아래 산이 겹겹이 에워싸게 되고, 계곡물의 여러 줄기가 합수하고 물이 역류하지 않으며 잘 감아도는 곳으로 표현할 수 있다 이러한 명당의 기본적인 원리는 장풍(藏風)과 득수득파(得水得破)이다. 장풍과 득수란 '국'(局), 즉 산줄기와 수계로 이루어진 일정한 범위 속에 만물이 생태계 속에서 살아가는 모습인 '체형(體形)'의 의미가 나타나야 한다는 것이다. 그러나 이러한 의미는 시대에 따라 달라질 수 있는 것이다.

• Journal of the Korean Society of Environmental Restoration Technology
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• v.7 no.3
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• pp.1-13
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• 2004

본 연구에서는 건설 사업의 수행과정에서 나타날 수 있는 환경훼손을 최소화하거나 저감하고, 자연과의 조화를 이루기 위한 다양한 기술과 공법, 정책 및 제도를 도출하고자 하였으며, 구체적인 사례로 댐건설 사업에 대한 친환경 기술과 공법을 분석하였다. 이를 위해서 기존 연구사례 및 문헌을 고찰하여 친환경 요소를 도출하였고, 이미 조성되었거나 조성 중인 댐을 대상으로 실제 적용되고 있는 친환경 요소를 분석하였으며, 이를 종합하여 건설사업에 도입될 수 있는 친환경 항목을 설정하고 기술 및 공법을 제안하였다. 그 결과 생태계 보전, 생태계 복원, 새로운 생태계 조성, 친수환경 및 위락, 경관 및 역사문화 등이 친환경요소로 도출되었다. 또한 환경친화형 건설사업의 지속적인 추진과 성과를 위한 정부차원의 정책과 제도적 방안을 제안하였다. 이러한 적극적인 생태환경 보전 및 복원을 위한 노력이 지속적으로 이루어짐으로써 건설사업에 의한 환경파괴를 최소화하고 새로운 생태환경을 창출하는 친환경 건설의 대표적인 사례로 자리매김될 수 있으며, 나아가 건설 분야의 친찬경 사고 확산을 위한 근거가 될 수 있을 것으로 판단된다.