• 한국의류산업학회지
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• 제6권6호
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• pp.765-771
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• 2004

This study surveys the warp and weft tension differences among 3 types of rapier looms and analyses the mechanical properties of worsted fabrics for garment with relation of these looms characteristics using KES-FB system. Raper is divided by two parts. In the 1st paper, the worsted fabric is woven as 5 harness satin weave using 1/40 Nm sirofil worsted warp yam and 1/30 Nm worsted weft yam by rapier looms such as FAST-R, THEMA-11-E and PICANOL-GTX respectively. The weavability is also analysed by measuring warp tension variation according to the warp position and weft tension of 3 kinds of looms. The relationship between shed amount and the warp tension is surveyed, and the relationship between end breaks and warp and weft tensions is also discussed.

• 한국염색가공학회지
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• 제16권4호
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• pp.26-35
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• 2004

This study surveys the tension differences between Korean domestic and foreign looms and analyses fabric mechanical properties due to warp and weft tension differences using KES-FB system. Paper is divided by two parts. In this 1st paper, fabric is designed as 5 harness satin weave using 75d/36f warp and 100d/192f weft polyester filaments, and is woven by $Omega^\circledR$ rapier loom by Textec Co.Ltd and Picanol$-GTX^\circledR$ rapier loom by Picanol Co.Ltd respectively. These grey fabrics are processed on the same dyeing and finishing processes. Weavability is also analysed by measuring warp tension variation according to the warp position, the relationship between shed amount and the warp tension on one fixed heald frame is surveyed, and the relationship between end breaks and warp and weft tensions is also discussed.

• 한국염색가공학회지
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• 제16권5호
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• pp.48-53
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• 2004

This study surveys the tension differences between Textec and Vamatex looms and analyses fabric mechanical properties using KES-FB system according to warp and weft tension differences. Fabric is designed as 5 harness satin weave using 150d/48f warp and 200d/384f weft polyester filaments, and is woven by $Omega^{\circledR$-Panter rapier loom by Textec Co.Ltd and P1001es rapier loom by Vamatex Co.Ltd., respectively. These grey fabrics are processed on the same dyeing and finishing processes. Weavability is also analysed by measuring warp tension variation according to the warp position. The relationship between shed amount and the warp tension on one fixed heald frame is surveyed, and the relationship between end breaks and warp and weft tensions is also discussed.

• 한국고분자학회:학술대회논문집
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• 한국고분자학회 2006년도 IUPAC International Symposium on Advanced Polymers for Emerging Technologies
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• pp.376-376
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• 2006

The process of weaving fabrics with high levels of tension and abrasion can cause damage to the yarn threads. To protect threadlines during the process, a protective polymer is coated on the surface of the yarns prior to weaving. This application process is known as slashing. The current slashing system is incompatible with today's demand activated manufacturing strategies. Methods of improving the uniformity of polymer coating application were studied, and several applicators were designed and evaluated. Prewetting of the threadlines before coating application was shown to greatly improve coating uniformity. The objective of the research is to design a single-end slashing process that is environmentally friendly and will improve productivity and flexibility.

• Fibers and Polymers
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• 제6권4호
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• pp.306-312
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• 2005

This work looks into the behaviour of the twill weave woven fabrics during relaxation (when the weaving tension is released). Ten, 50-metre rolls of twill weave woven fabrics were produced. The fabrics were marked in a rectangular form at the weaving loom. After 48 hours of relaxation, the new shapes and sizes were recorded. The shapes of almost all of the samples were changed to parallelogram, even though they differed in size. The work showed that the manner of fabric deformation during relaxation depends upon the fabric structure. It indicates that contraction due to relaxation of the twill weave causes the woven fabric to skew. in the direction of the twill. The quantity of the skewness is related to the float length and the twill type. Fabrics with longer float length have higher skewness.

• 한국염색가공학회지
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• 제16권5호
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• pp.54-61
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• 2004

This research surveys the differences of fabric mechanical properties with the different looms and the fabric positions according to the warp and weft yarn tensions on the Vamatex and Omega-Panter looms respectively. For this purpose, the grey fabrics woven by PET filament using two test looms are dyed and finished. The processing shrinkages are measured on each processes such as dryer, scouring, pre-set, dyeing and final-set using the fabric density and width. The mechanical properties of the finished fabrics are measured and discussed with relation to the warp and weft yarn tensions of the two looms and the fabric positions. In addition, the fabric thickness according to the fabric positions such as right, left selvedges and center of the fabrics is also measured and discussed with the characteristics of the Vamatex and Omega-Panter looms.

• 대한건축학회연합논문집
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• 제9권3호
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• pp.1-8
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• 2007

Heidegger's speculation on "Disclosure" makes it possible to know on image expression fundamentally. "Disclosure" means that the 'earth' and the 'world' are not fixed into one, but harmonize dynamically with each other under continuous mutual tension and mutual support. When they are well-weaved with each other, the two ways are collectively defined as "disclosure Image". In regard to the technique, the study analyzed 'allegory' and 'reactivation'. The former refers to showing image potentially, while the latter means embodying and revealing image apparently. Le Corbusier's late Architecture provides a simultaneous reactivation of various images through continuous cross-weaving rather than being inclined to either the earth or the world.

• 한국정밀공학회:학술대회논문집
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• 한국정밀공학회 2006년도 춘계학술대회 논문집
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• pp.321-322
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• 2006

In many manufacturing processes such as web formation, manufacturing of paper and nonwoven, fabric weaving, etc., planar sheets are transported and at the same time appropriate tension is imposed. The input material rolled up on beams is fed by unwinding the beam and the processed is then taken up on beams by winding it. While processed, the planar sheets are thrown under the processing load of impulse form, which causes irregular thickness of the processed sheet. To improve the quality of the product, a dynamic model is needed and the dynamic characteristics is to be analyzed by simulation. This study shows that density variation dynamics of the in-process-sheet in the machine direction can be described at each moment of disturbing impacts in forms of difference equations, while the impacts and tension, the time-dependency of the material properties were taken into account. Simulation showed the most serious variation of the density occurred in the process starting phase. The starting velocity curve with step form showed the least variation of the density. As the time order of the function of the starting velocity cure becomes higher, the density variation gets greater.

• 건축역사연구
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• 제13권3호
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• pp.37-50
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• 2004

Presentation is the way of revealing regionality that is hidden into the inner world. The expression of regionality has to be based on the origin and at the same time created newness as always suitable for the present through combination of 'familiarity' and 'unfamiliarity'. Regionality that has been maintained even under the application modern trends, spirits, technologies and materials should be now disclosed. Creating new forms that reflect regionality is possible only when a keen sense(emotion) always focusing on the essence of the earth works together with foresight(imaginative power) clarifying global pattern changes, under high tensions between both of them. Kim Su-Keun succeeded in reinterpreting traditional spaces, but failed in communicating patterns of life, ultimately revealing stiffness with no tension and no creativity. Kim Jung-Up could not draw out a whole meaning of relations among traditional fragments or relations between them and the present. He only borrowed such fragments from the view of formative art. For 'disclosed abstract', 'familiarity' and 'unfamiliarity' are repeated circularly and cope with pattern changes, continuously creating new forms and showing unity as a complete calmness(rest). In "YangDuk Catholic Church" by Kim Su-Keun provides a simultaneous reactivation of various images through continuous cross-weaving rather than being inclined to either the earth or the world. Based on the technique of 'disclosed abstract', "YangDuk Catholic Church" created a new form and space never seen before.