• 패션비즈니스
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• 제9권6호
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• pp.86-100
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• 2005

This paper has examined how ugliness has aesthetically been portrayed in modern make-up. In the past, ugliness was regarded as an antonym of beauty, but it recently plays a role on part of beauty, as independent portion of art. It was Schegel who initially maintained the view. According to his theory, ugliness represents interesting things including suffering reality, shock, attention, humor, surprises brought by distort and deformation. Hegel had a different view on it. As for him, he had the notion that ugliness was the opposite to beauty and that it had to be dependent in art, he argued that art was subordinate to philosophy, and that it was just nostalgia for the past, not representing reality, therefore, it could not be a foothold in contemporary art. In this context, some images of ugliness can be classified accordingly to Schegel's view deteste, decadence and androgynous can be fallen into a category describing reality; fetish, kitsch and grotesque can be included in interesting things. There is no fine line between the two. There are sometimes things they have in common. They mutually draw attentions by distancing themselves from general images of beauty, or making many changes and distorts in its part, using unique materials, unprecedented attempts of colors which result in creative and shocking images. Attempts made in ugly images in modern art are widening its concept to depicting reality on the body of human beings, also creating its new definition, playing a major role in independent part of modern art, not in the past way like wearing make-up on the face to make it look better.

• 한국의류학회지
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• 제43권3호
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• pp.349-360
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• 2019

This study analyzes the trends of recommendation services for customized fashion styles in relation to artificial intelligence. To achieve this goal, the study examined filtering technologies of collaborative, content based, and deep-learning as well as analyzed the characteristics of recommendation services in the users' purchasing process. The results of this study showed that the most universal recommendation technology is collaborative filtering. Collaborative filtering was shown to allow intuitive searching of similar fashion styles in the cognition of need stage, and appeared to be useful in comparing prices but not suitable for innovative customers who pursue early trends. Second, content based filtering was shown to utilize body shape as a key personal profile item in order to reduce the possibility of failure when selecting sizes online, which has limits to being able to wear the product beforehand. Third, fashion style recommendations applied with deep-learning intervene with all user processes of buying products online that was also confirmed to penetrate into the creative area of image tag services, virtual reality services, clothes wearing fit evaluation services, and individually customized design services.

• 대한임베디드공학회논문지
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• 제17권3호
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• pp.167-175
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• 2022

With the recent expansion of electric kickboards and bicycle sharing services, more and more people use them. In addition, the rapid growth of the delivery business due to the COVID-19 has significantly increased the use of two-wheeled vehicles and personal mobility. As the accident rate increases, the rule related to the two-wheeled vehicles is changed to 'mandatory helmets for kickboards and single-person transportation' and was revised to prevent boarding itself without driver's license. In this paper, we propose a wearable smart safety equipment, called SafetyHelmet, that can keep helmet-wearing duty and lower the accident rate with the communication between helmets and mobile devices. To make this function available, we propose a safe driving assistance function by notifying the driver when an object that interferes with driving such as persons or other vehicles are detected by applying the YOLO v5 object detection algorithm. Therefore it is intended to provide a safer driving assistance by reducing the failure rate to identify dangers while driving single-person transportation.

• 한국안광학회지
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• 제19권4호
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• pp.527-532
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• 2014

목적: 착용안경의 광학중심점과 동공중심의 일치여부를 사진촬영방법으로 확인하였으며, 불일치에 의해 유발되는 프리즘 영향을 연구하였다. 방법: 안경착용자 74명(148안), 평균나이 $29.19{\pm}12.22$세(19~55세)를 대상으로 안경을 착용한 상태에서 카메라 플래시를 터트리면서 안면사진을 촬영하였다. 촬영된 사진으로 각막반사상과 안경렌즈 광학중심점의 일치, 수평 및 수직오차를 측정하였으며, 불일치 편차로부터 안경테에 따라 유발되는 프리즘을 산출하였다. 결과: 양안수평오차는 금속테가 $1.55{\pm}1.70mm$, clings type 플라스틱테가 $1.71{\pm}2.21mm$, 플라스틱테가 $1.15{\pm}1.38mm$이었다. 수평방향의 유발된 프리즘이 허용오차를 벗어난 비율이 23.0%였으며, BI 프리즘 17.6%, BO 프리즘 5.4%이었다. 양안수직오차는 금속테가 $3.93{\pm}1.91mm$, clings type 플라스틱테가 $5.79{\pm}1.93mm$, 플라스틱테가 $6.01{\pm}2.94mm$이었다. 수직방향의 유발된 프리즘이 허용오차를 벗어난 비율은 44.6%였으며, 안경렌즈의 굴절력을 기준으로 -0.25${\leq}-3.00$에서 12.2%, -3.00${\leq}-12.00$에서 32.4%가 허용오차범위를 벗어났다. 결론: 수평방향에서 유도된 프리즘은 BI 프리즘이 많았다. 양안수직오차는 플라스틱테의 안경이 금속테의 안경보다 크게 나타났으며, 교정 굴절력이 높은 안경일수록 유발된 프리즘이 더 컸다. 사진촬영 방법으로 동공의 위치와 광학중심점을 동시에 측정할 수 있으며, 착용안경에서 유발되는 프리즘을 직접 평가할 수 있었다.

• 한국의류학회지
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• 제31권6호
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• pp.974-984
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• 2007

WTO체계 이후 급속히 변화하는 의류시장의 환경 속에서 진 제품 시장 역시 소비자의 다양한 취향에 따라 세분화 되고 있다. 이에 국내 진 브랜드들이 수입 진 브랜드들과의 경쟁에서 살아남기 위하여 소비자들이 추구하는 혜택은 무엇이며 그 혜택에 따른 제품을 평가하는 기준과 선호하는 이미지에 대한 연구의 필요성 이 대두되고 있다. 본 연구에서는 진 제품 구매자의 추구혜택을 알아보고 추구혜택 집단에 따라 제품평가기준과 선호 이미지에 차이가 있는지를 알아보고자 한다. 본 연구의 대상은 청바지 시장에서 주요 표적고객으로 선정되고 있는 20대 남, 녀 대학생으로 선정되었다. 표본추출법으로 할당표본추출법이 실시되었다. 자료수집은 설문지 응답방식으로 이루어 졌으며, 추구혜택, 제품평가기준 및 선호 의복이미지를 측정하기 위하여 선행연구에서 사용된 척도들을 본 연구에 맞도록 수정, 보완하여 사용하였다. 총 492부의 설문지가 자료의 분석을 위하여 사용되었으며, SPSS 11.5를 사용하여 cluster analysis, factor analysis, Cronbach's ${\alpha}$, ANOVA 및 Duncan test를 실시하였다. 진 제품 구매자의 추구혜택에 따라 소비자를 유형화시킨 결과, 4개의 집단으로 분류되었다. 집단 1은 성적매력, 유행, 개성, 실용성과 같은 의복의 표현적, 도구적인 혜택을 모두 추구하는 집단으로써 다혜택 추구 집단이라 명명하였으며, 집단 2는 유행을 가장 추구하는 집단으로써 유행추구 집단이라 명명하였으며, 집단 3은 경제성을 가장 추구하는 집단으로써 경제성 추구 집단이라 명명하였으며, 집단 4는 유명상표를 가장 추구하는 유명상표 추구 집단이라 명명하였다. 추구혜택 집단에 따른 평가기준의 차이를 알아본 결과 심미적 기준, 외재적 기준, 품질성능적 기준에서 유의미한 차이를 나타내었다. 즉 다혜택 추구 집단은 제품을 평가하는 단서로 심미적 기준과 품질 성능적 기준을 다른 집단보다 더 중요시 여기고 있었으며, 유명상표 추구 집단은 제품의 외재적 기준을 더 중요시 여기고 있었다. 반면 경제성 추구 집단은 진 제품에 있어서 심미적 기준이나 외재적 기준은 별로 중요하게 여기고 있지 않았다. 추구혜택 집단에 따라 선호 의복이미지에 차이가 있는지를 알아 본 결과 개성적 이미지, 활동적 이미지, 섹시한 이미지, 세련된 이미지, 심플한 이미지에서 유미한 차이가 나타났다. 즉 성적 매력, 유행, 개성, 실용성을 모두 추구하는 다혜택 추구 집단의 소비자들은 진 제품에서 개성적 이미지, 활동적 이미지, 섹시한 이미지, 세련된 이미지, 심플한 이미지 모두를 다른 집단에 비해 더 선호하고 있었으며, 유행을 추구하는 소비자들은 개성적 이미지를 더 선호하고 있었다. 또 유명상표를 추구하는 소비자들은 청바지를 착용함으로써 개성적 인 이미지와 세련된 이미지를 표현하는 것을 더 선호한다는 것을 알 수 있었다.

• 복식문화연구
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• 제4권2호
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• pp.113-124
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• 1996

This research was designed to find out what is a distictive feature of the design elements of Korean women's costume and its influence by analizing the trend of Korean women's constume during the period of 1890 and 1995. The research was analized by a total of 854 random samples of clothing styles collected from materials in the museums and from articles of three leading newspapers and one of the best women's magazines in Korea. The changing trend of Korean women's costume was found out to be as follows: 1. In around 1910s, the trend of Korean women's costume has been changed into two-tier structure of both Korean and Western styles, and the typical and traditional Korean women's street wears such as 'Chang-ot' and 'Tsdechima' have been gradually diminished. 2. From 1920s, length of the Korean skirt, which was unnecessarily long and inconvenient, has been getting shorter for the convenience of walking. In addition, Korean women's underwear has become simplified, and sports wear could be seen for the first time in Korea. 3. During 1960s, the Western clothing styles have been increased rather than Korean styles as the street wear of the Korean women. 4. In 1970s, blue jeans, mini-skirts and casual wears have become a trend or fashion for women in Korea. 5. In 1980s, a fashion of unisex mode has arrived in this country, and from the year of 1987, wearing of panties among the Korean women has been increased rather than skirts wearing for the street wear. 6. During 1990s, various forma of complex styles came into being in such styles as so-called 'orange class style,' 'protruding navel T-shirts' and 'runner wear speedy.' From mid-1990s, Korean women have turned out to prefer the cute and light costumes by placing emphasis on the image of intellectual, professional and functional wears. The changing special feature of the Korean women's clothing designs could be distinctively observed during 1960s as the modernization policies in Korea have been processed during the period. The clothing trend before 1960 was to change and to solve problems of inconvenient and impractical wears, but the trend after 1960 was seen as a change to confirm a trend of the world fashion. From mid-1990s, however, preference of Korean women's self-conceited conception socially and an unquestionable changing pattern of Korean women's life.

• 패션비즈니스
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• 제2권3호
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• pp.121-136
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• 1998

The purpose of this study was to present a new research method of stage costume by designing and making the stage costume of Yean-GaeSoMoon(淵蓋蘇文) in Peking Opera Du Mu Guan (Korean; Dog Mog Guan, 獨木關). The stage costume of Peking Opera was formed on the basis of the Chinese traditional stage costume in the Qing period, however the style of stage costume was beautified the costume of Ming period and here contained the factors of successive costumes. But the stage costume of Peking Opera didn't have the same rank system with real history costume and didn't have demarcation according to period and history. In the stage costume of Peking Opera, the color is cultural language that can inform spectators of sex, age, personality, position of characters. The pattern of decoration also symboled the personality and characteristic of the character. Yean-GaeSoMoon in the play wore green armour (Chinese; ru ying kao 綠硬靠), red pants (Chinese; hong ku 紅褲), red mustache (Chinese; hong ran kou 紅髥口), crown (Chinese; da e zi 大額子), shoes (Chinese; hou di xue 厚底靴) and Xue RenGui wore white armour (Chinese; baikao 白靠), red pants (Chinese; hong ku 紅褲), shoes (Chinese; hou di xue 厚底靴), hat (Chinese; za jin 扎巾). By historical materials, Yean-GaeSoMoon was a nationalist who uphold national sprit and the greatest hero of the age and a charismatic politician who combines literatural arts with military arts. Considering these reviews, defined the thema of his new costumes' image as "the flying bird which has three legs"(三足鳥), the bird which symbolized the sun and immortality in Koguryo fresco. On the basis of this image, presented three types of Yean-GaeSoMoon's stage costume. Yean-GaeSoMoon as the minister in the court wore black gown (Chinese; mang pao 蟒袍) of dargon pattern which symbolizes harisma who opening the heaven. He as the general who directs war wore red mantle (Chinese; dou peng 斗蓬) which symbolizes the blue dragon that soaring into the sky, as the officer who fights the enemy's general wore green armour (Chinese; gai liang jia 改良甲), red pants (Chinese; hong ku 紅褲) which symbolizes the flying Sward that blowing violently. By wearing these stage costumes, the image of Yean-GaeSoMoon could changed from the fierce general of minority race who likes to fight, to the Koguryo general who fights against enemy at the risk of his life for Koguryo's autonomy. Through this study once again we could realized that stage costume played very mportant part In outstnding the characteristic of actor in the Peking Opera.

• 한국학교ㆍ지역보건교육학회지
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• 제6권
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• pp.49-63
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• 2005

The purpose of this study was to investigate the weight control behaviors, the degree of fatness and dance major on behalf of finding the effects of eating disorders. 779 female high school students, 283 dance major students and 496 general major students, were participated in the study. A self-reporting type of questionnaire survey was conducted during the period from $6^{th}$ May to $18^{th}$ April of 2005. Collected data were processed using SPSSW in 12.0; they were analysed through frequencies, percentages, means and standard deviation, and stepwise multiple regression analysis. The results of this study are as follows : 1. With regard to the level of eating disorders(EAT-26), 33.9% of risk group of eating disorder female dance students, and 13.7% of risk group of eating disorder female general major students. Weight-control behaviors in this research were 1) weight control concerns, 2) weight control trial, 3) weight control methods (prescription of M.D., ways of weight control), 4) eating habits. First, 56.6% of subjects had high concerns about weight control, and 92% of subjects had tried weight control. Second, only 5.1% of subjects were prescribed by M.D. Third, subjects had been using wrong methods(25.7%) of weigh control such as fasting, using drugs, vomiting, wearing laps etc. Fourth, 42.7% of the subjects had bad eating habits. The degree of fatness was as follows: 1) BMI(Body Mass Index), 2) self report about weight 3) distorted body image. Depending upon the BMI, the subjects with obesity were not found in female dance students; Comparatively, 36.9% of dance students were fat and 1.4% of the students were very fat. In terms of distorted body image, only 14.9% of all subjects were the same between the subjective degree of fatness and the objective degree of fatness. 2. As a result of multiple regression, six variables were found significant($R^2=11.6%$, P < 0.01). Concerns about the weight control significantly influenced on eating disorders(EAT-26). At the same time, major(dance), wrong methods of weight control, distorted body image, prescription of M.D, and eating habits had significantly influenced on eating disorders. This results indicates that the risk of eating disorders among female dancer students was very high. Therefore, professional intervention is needed for female dance students to prevent the eating disorders.

• 미술자료
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• 제99권
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• pp.10-29
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• 2021

본 논문은 지금의 베트남 남부 메콩강 삼각주 지역에서 출토된 목조불상에 대한 시론적인 연구이다. 지금까지 알려진 바에 의하면 메콩강 삼각주 지역에서는 약 서른여 점의 목조불상이 출토되었다. 이들은 옥 에오(Oc Eo) 등 동남아 최초의 국가였던 푸난(Funan)의 주요 유적지에서 발견되었고, 대개 6세기 무렵으로 추측되므로 푸난의 불상으로 간주할 수 있다. 이 불상들은 석조불상과 함께 동남아 초기 불상의 양상을 보여준다는 점에서 중요한 자료이다. 푸난 목조불상은 방사성탄소연대측정법과 양식적 특징을 종합하면 대부분 6세기 무렵에 만들어진 것으로 보인다. 현재까지 공개된 푸난 목조불상 가운데 형상을 비교적 확실히 알아볼 수 있는 8점에 대해 도상과 양식을 분석하였는데, 이들은 자세와 착의법, 수인에 따라 네 가지 유형으로 구분할 수 있었다. 세장한 신체와 몸에 달라붙는 대의의 표현은 기본적으로 인도 굽타시대 사르나트 불상 양식을 공통적으로 따르고 있었으나, 유형에 따라서는 직립한 자세와 편단우견형의 착의법, 스리랑카 불상에서 주로 보이는 설법인(vitarka mudra)을 보이는 등, 남인도 불상 양식도 발견할 수 있었다. 이는 푸난의 불교조각가들이 인도의 주요 불상 양식을 적절히 섞어 새로운 불상 양식을 창안했음을 알려준다. 이와 함께 주목되는 것은 푸난 목조불상의 출토 현황이다. 같은 유적에서 발견된 비슷한 시기의 힌두신상은 나무로 만들어진 예를 찾아볼 수 없는 데 반해, 불상만은 유독 나무로 많이 만들어진 현상에 대하여 불상과 나무라는 재질 사이에는 단순한 제작상의 이유가 아닌 보다 밀접한 관계가 있을 수 있음을 상정해 보았다. 불교 문헌상 전해지는 최초의 불상은 바로 전단목이라는 나무로 만들어진 '우전왕상'이다. 우전왕상은 비슷한 시기인 6세기 무렵 중국 남조에도 알려져 있었는데, 흥미롭게도 남조에는 푸난에서 가져왔다는 '전단서상'이 있었다고 전한다. 이는 우전왕상에 대한 이야기가 푸난에도 공유되어 있었을 가능성을 시사하며, 나아가 푸난에서 나무로 불상을 다수 제작하게 된 주요 동인으로 작용했을 가능성이 있다.

• 한국치위생학회지
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• 제10권4호
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• pp.617-625
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• 2010

Objectives : The research which sees collected information about dentistry infection management recognition of the patients and the infection management which the medical treatment consumer does in necessity is what, grasped and satisfaction and became the fundamental data which makes the hospital will be able to trust about dentistry image rise and dentistry environment of the medical treatment consumer who assists a dentistry character executed. Methods : From 2009 April 1st until May 28th 233 people common people who have the experience which visits a Gyeongsangnam-do area dentistry the object with the entry question law which sleeps did and the data analysis SPSS, 12.0 For Window under using produced each question item by frequency and a ratio, the analytical degree of infection management One - Way ANOVA stamps and executed t-test. Results : Information experience experienced about dentistry infection of the investigation object person to be, appeared with 74.7% and the after that dentistry assistance at the time of conduct change which experiences the answer back regarding of Former times attentively observes organization disinfecting' was most with 46.6%. The protective equipments wearing goal of the dentistry medical attendance appeared the dentistry medical attendance and patient protection 77.7%, dentistry medical attendance protection 12.9%, by patient protection 9.4% order. Before medical treatment starting of the dentistry medical attendance the hand Does not confirm' appeared 72.1%, with. The hand washing, is whole and the degree which appears is high with 4.11 points the stamp. Is high there was a possibility of knowing the thing about the recording infection where the educational background will be high and considers statistically the difference which was visible Conclusions : The education which is active and continuous is necessary about infection management and sets the guides which are standardized to the patients and about infection management and about infection prevention and exposes from dentistry practices well to emboss the thing is thought that there is a necessity to plant a trust feeling about the dentistry where the patients assist.