• 복식
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• 제58권8호
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• pp.170-183
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• 2008

The purpose of this study is to analyze the characteristics of different images of movie costume centering on the actresses. The perfect examples are the characters from the movie "The Devil Wears Prada", in which the film is about the fashion leaders of the world. This study consists of visual data as well as images including some scenes from the movie. The sources were collected from relative media, articles in journals, internet sites relating to the movies and photos and we have analyzed differentiated each of the character's wardrobes and its characteristics appearing in each image. The result of this study is as follows. First, the characteristic image of Andy, the main character (Anne Hathaway) in the movie changed dramatically. Andy'swardrobe is focused on the character's makeover in the movie as the character changes from a slob dresser to an assistant of the editor-in-chief of the number one fashion magazine in the world. Each scene definitely shows different styles of the latest premier designers' clothes and accessories. On the other hand, Miranda Priestly appears as the fashion leader and icon throughout the whole movie. Her career look in each scene was very chic and sophisticated in the office while her party dresses were sexy and glamorous in the movie where she was at many of the promotion parties and events. The second analysis of characteristic images of movie costumes is comparing the styles of Andy, Miranda and Emily(the other assistant of Miranda). Andy's wardrobe was divided Into two situations-before working for the magazine and while working for Miranda. As Andy's wardrobe began to upscale, the clothing images of Emily and Miranda became less fashionable. As a result of this study, the movie costumes played a vital role in expressing the changes and differentiating each character's images.

• 한국화재소방학회논문지
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• 제10권4호
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• pp.19-27
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• 1996

상층부의 온도, 경계면 높이 및 흐름형태를 연구하기 위하여 쓰레기통, 의자, 카페트, 소파, 매트리스 및 장농화재 실험을 실제 건물에서 수행하였다. 상부층의 온도와 경계면의 높이는 사각 쓰레기통의 경우 개구부의 흐름계수가 0.65∼0.8, 원형 쓰레기통 및 의자의 경우는 0.65∼0.9, 카페트, 소파, 매트리스 및 장농의 경우는 0.7∼O.9일 때 실험치와 비교적 잘 일치하였다. 경계면의 높이는 가구화재시 1[m] 근처에서 정상상태를 유지하였다. 다만, 최대온도를 나타내는 시간에는 경계면 높이가 바닥에서 0.25[m]∼0.75[m]까지도 내려왔다. 개구부의 흐름형태는 분산화재의 경우는 filling과 buoyant흐름이 나타났고, 집중화재의 경우는 filling에서 바로 flow로 가고 또 flow기간도 길게 나타났다. 경계면 높이가 내려오는 속도는 가구의 가연성 및 공기와의 접촉면적에 비례하여 경계면 높이가 1[m] 근처까지 내려오는데 소요되는 시간은 1분∼3분 이내로 나타났다.

• 복식
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• 제56권8호
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• pp.83-94
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• 2006

In this era of ubiquitous service, a computing device has functions similar with human beings. It influences all major fields of human life, such as clothing, dieting and housing. In order to use the coordination functions of the magic mirror, which might be a basic part of clothing in the era of ubiquitous service, this study concentrates on product information that should be inputted in RFID chip in detail in order to exercise virtual fashion coordination. Information should be inputted in RFID chip to use magic mirror for fashion coordination, a direction for doing this was also suggested. After coding the suggested clothing items, virtual fashion coordination was implemented as a fashion illustration. This study is as following, First, sorts standard code for suitable coordination in 4 images and presented to a proof. Code denoted by 10 characters. Each code literal special quality marks by two characters and divided by season, image, fabric, item, rotor, five items. Item middle of characters of 10 code, when agree on article more than 8, coordination is enabled. Secondely, It is presented by coordination to dressing action picture by suitable coordination classified apart in whole occasions, and coordination method by wearer inclination is remembered wearer's dressing action picture to Magic mirror including layered look. Thirdly, wardrobe of Magic mirror clothes that always buy newly in magic mirror, is washing and clothes that do not take to wardrobe did to be controlled. Fourth, Wealth and schedule is suggested firster than wearer's dressing action.

• 한국가구학회지
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• 제22권2호
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• pp.101-111
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• 2011

The intention is to explore the differentiation or evolution of the chest of drawers in traditional Korean, Western, and Japanese furniture in order to know how the drawers currently becoming popular in Korea were developed historically. The Korean furniture centered in $Jang$, $Nong$, and $Bandazi$ used in the tradition generally, the Western furniture involved in drawers, and the Japanese furniture called $Tansu$ in Japanese called the chest of drawers were focused on the study because the Western and Japanese drawers affected the development of the chest of drawers in Korean furniture during the late 19th century and the Japanese Ruling Era, respectively. As a result, the Korean furniture was not shown the chest of drawers but only small drawers that store small items located in the upper part of $Jang$, $Nong$, and $Bandazi$ mostly used as wardrobe, while the traditional Japanese furniture developed from Edo period (1607-1868) had showed a wide variety of chest of drawers like $Isho-dansu$, $Mizuya-dansu$, $Kusuri-dansu$, $Cho-dansu$, $Funa-dansu$, $Kaidan-dansu$, $Nagamochi-dansu$, $Kuruma-dansu$, and so on, for specialized storage. And in the traditional Western furniture were presented the chest like a large-box form, mule chest, chest of drawers, cabinet, commode, highboy, tallboy, wardrobe, secretary drawer and bureau with document drawer invented and evolved throughout the 15th-18th century. Therefore, the chest of drawers in contemporary Korean furniture is supposed to adopt the Japanese and Western drawer form and to ensure the continual production from the obvious utility of the design with decoration for our current everyday lives.

• 대한가정학회지
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• 제23권4호
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• pp.9-17
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• 1985

The pur[pose of this study is to investigate the research method and to provide a guide to the ways in which researcher, interested in costume history, can obtain in formation. There are comparison, induction, observation, awnalysis, experience and synthesis in method of science. Firstly, comparative research is to ascertain the accumulated evidence. Secondly, we can compare with historical phenomenon. A research intend to verify the hypothesis based upon the sources of information. It is an available method to investigate the costumes and adornments in the past. Whatever the approach, the researcher much discribe the facts objectively. Historical research has been approached in many warys in the field of costume. There are visual and documentary sources. Visual sources are paintings, sculptutre, frescoes, coins, potteries, medals, mosaics, wall paintings, stained glasses, seals, tapestries, illustrations, photographs, movies, and fashion dolls. Documentary sources are archives, letters, diaries, literature, wardrobe accounts, sumpturary laws, newspapers, and recollections.

• 복식
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• 제65권8호
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• pp.35-49
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• 2015

When parents and their children wear matching clothes, ranging from one item to the entire wardrobe, we call this the "family look." The purpose of this study was to identify the factors that influence family look clothes consumption. It was proposed that mothers' familism tendencies, playfulness, and demographic characteristics were the main factors that decided the extent of the purchase and usage of family look clothes. A survey was conducted between September 23 and 29, 2013 with mothers who have purchased and wore family look clothes. The age of the women ranged from 20s to 40s. The results showed that the number of family look items is influenced by mothers' familism tendencies and playfulness. Also the favorite family look style depended on the familism tendency, playfulness, and the age of the child(ren). The results of this study are expected to provide implications to apparel companies that produce family looks.

• The International Journal of Costume Culture
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• 제2권2호
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• pp.1-13
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• 1999

This study aimed to give an updated description of general clothing behavior patterns of the Korean elderly women. 430 women over 60 years old residing in Seoul wre surveyed with a questionnaire asking about their daily practices of clothing selection, disposal, recycling, quantity and place of purchase, and their background variables. Data were treated to SPSS for descriptive statistics, Chi-square analysis, ANOVA and Duncan's multiple range test. The result revealed that the wardrobe of the Korean aged women is by now fully oriented toward the western style. The subjects disposed of their clothing mainly because of their body size changes and had elementary fitting problems unsolved. They had clothing recycling experinces and turned out to be inactive clothing consumers with differing shopping places according to the types of clothing items to be purchased. The subjects'age and income level had significant effects on various facets of their clothing behavior.

• 한국정보처리학회:학술대회논문집
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• 한국정보처리학회 2018년도 추계학술발표대회
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• pp.949-952
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• 2018

기존의 옷장은 기본적인 옷을 보관하는 역학에는 충실하였으나, 최근 빠르게 변화는 외투 관련 시장과 스마트 홈 시장을 따가기에는 부족함이 있었다. 이에 우리는 옷장에 자동으로 제어되는 제습기와 보유 중인 옷을 관리할 수 있는 스마트 거울을 장착하여 의류 관리를 더욱 편하게 할 수 있도록 하고자 하였다.

• 한국정보처리학회:학술대회논문집
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• 한국정보처리학회 2019년도 추계학술발표대회
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• pp.962-964
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• 2019

본 논문에서는 시각적 정보를 인지 할 수 없는 시각장애인들의 기본적인 의생활을 도와 줄 수 있게 의류의 시각적 정보를 영상처리 및 딥러닝을 활용하여 청각적 정보로 변환하고 음성으로 사용자에게 알려 줄 수 있는 스마트 옷장 시스템을 개발하였다.

• 한국정보통신학회:학술대회논문집
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• 한국정보통신학회 2014년도 춘계학술대회
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• pp.425-428
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• 2014

기존의 옷장은 습도를 조절하려면 사용자가 스스로 습기와 냄새를 조절하기 위해 숯, 신문지, 선풍기 등의 보조적인 물품을 이용하여 습도 및 냄새를 제어하는 방식을 주로 사용한다. 집안의 습도를 조절하는 제습기, 냉장고나 화장실같이 습도가 높을 수밖에 없는 장소에 습도를 조절하기 위한 특수 제습제들이 출시되어 있다. 그중 옷장을 위한 보조 물품으로 여러 가지 제습제들이 개발되어 사용되고 있지만 여러 가지 불편한 점이 존재한다. 본 논문에서는 현재 시중에 제공되고 있는 옷, 냉장고보다 저렴하고 효율이 높은 옷장의 습도 자동화를 위해 습도 센서를 이용해 옷장안의 습도를 점검하고 직접 또는 원격으로 조절하는 효율적인 관리 방법을 알아보고 이를 통해 옷장의 습도 자동화에 따른 장점들을 종합하여 효율적인 옷장의 습도 조절 방법을 제시하였다.