• 복식
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• 제67권2호
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• pp.68-87
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• 2017

The New Look, which Christian Dior presented in 1947, has been a source of inspiration for contemporary fashion designers, as well as designers for the House of Dior, and has a great influence on them. The purpose of this study is to compare and analyze the aesthetic characteristics of Christian Dior's New Look and the New Look that Christian Dior House designers reinterpreted. The subject and the scope of this study were limited to Christian Dior and the New Look designed by Gianfranco $Ferr\acute{e}$, John Galliano, and Raf Simons who are regarded as worthy successors. The research method was a literature review on previous studies on Christian Dior and related literatures to examine the history of the House of Dior and the aesthetic characteristics of the New Look presented by Christian Dior. Then, an empirical study was conducted through the analysis of collection photographs from 1989 to 2016 that were gathered from the Mode et Mode and Hi Fashion, and websites (British Vogue, Firstview). The results of the study were as follows. First, the aesthetic characteristics of Christian Dior's New Look in 1947 used femininity to express an elegant and beautiful woman, structural property to render the contours of a woman's body, and innovation that changed the formal and gloomy social atmosphere in the post-war years. Second, the aesthetic characteristics of the New Look by Christian Dior were compared with those of the New Look made by designers for the House of Dior. The elegant femininity of Dior can be seen as gorgeous femininity, and sensual femininity, minimalistic femininity, structurality is represented by the spatial structurality of Dior and $Ferr\acute{e}$, the organic structure of Galliano, and the orthodox structure of Simons. Moreover, Dior's retro innovativeness appeared to be $Ferr\acute{e}^{\prime}s$ androgyny innovation, Galliano's deconstructive innovation, and Simons' romantic futuristic innovation.

• 동아시아식생활학회지
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• 제20권5호
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• pp.639-654
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• 2010

This study attempted to research the local food of various regions at a personal level by discovering how food has developed das part of a region's culture base. Discovery of the characteristic story behind the making of a region's characteristic food as local delicacies can inspire self-esteem in the culture, and enhance the real-life image as appropriate to a region, and thereby be made a part of local tourism and thus contributing to the local economy. For this reason, the native foods of the region of Chungcheongnam-do were researched in terms of the cultural sensibilities that inform the unique history of that region. The study was designed so as to aid in understanding food's characteristic value in Chungcheongnam-do and to give a historical representation of Chungcheongnam-do's image by means of storytelling techniques; thus, the local food's character can be presented alongside a story that appeals to the five senses. For this purpose, Chungcheongnam-do's representative native rice table was cast as the 'Hyunchoong rice meal table' - after the figure of admiral Yi Sun Shin of Asan area region, a representative image of Chungcheongnam-do - and 'Choosa rice meal table', after the figure of 'Choosa' Kim Jeong Hee of Yesan region, of which various literary works form a representative image of Chungcheongnam-do. 'Hyunchoong rice meal table' was composed of a health food centered menu which could supply sufficient nutrition as a food ration in times of war or winter shortage, thus providing an image of nutrition and power as appropriate to these situations. Also, to assess the health effectiveness of each rice table, the functionality of the ingredients were investigated as reported in 'Sik-ryo-chan-yo : a dietary treatment' which was published by Soon-Ui Cheon in the Chosun era and by which the foods of the early Chosun era won recognition as being both healthy profitable.

• 문화기술의 융합
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• 제4권1호
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• pp.263-273
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• 2018

본 연구는 공시적 관점에서 광복이후부터 1960년대 태권도시범이 어떻게 이루어졌는지 규명하는데 목적 둔 문헌조사연구이다. 연구결과는 다음과 같다. 첫째, 광복과 기간도장의 태동, 한국군 베트남전 파병, 국제태권도연맹(ITF) 창설과 같은 사회상황은 태권도시범에 많은 영향을 주었다. 둘째, 태권도시범은 형식면에서 연무(硏武)시범형태로 각 도장에서 승급 심사나 관의 홍보 및 개인 수련기량 연마를 보여줄 때 행하는 것이었으며, 태권도 기본기술을 바탕으로 위력 손 발 격파, 단순 도약격파, 대련, 실전호신술과 같은 내용으로 이루어졌다.

• Korean Journal of Acupuncture
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• 제35권2호
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• pp.98-104
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• 2018

Objectives : It is noted that Jukheon-Silheombang(Actual Formulas of Jukheon), is a rare book published by a private physician in 1950s. The study of this book is the data that can be used to see how the acupuncture of Huh-Im is inherited and performed in the local small towns right after the Korean War. Methods : Through the investigation of various literature data and interviews with the author's descendants, Jukheon-Silheombang's related figures, citation documents, book formation and content characteristics were descriptively analyzed. Results and Conclusions : Jukheon-Silheombang can be used to study characteristics of acupuncture treatments given in a small town in the late 1950s. It has the significance of preserving traditional acupuncture such as the Sakwan point method and inheriting the clinical utility of Chimgu-Kyungheombang(Acupucture & Moxibustion Skills Guide) of Huh-Im.

• 건축역사연구
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• 제30권6호
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• pp.45-58
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• 2021

This study aims to examine the changes in Pyongyang-bu during the late Joseon period and Pyeong-an Gamyeong through gazetteer, pictiroal maps and various literature. The results are as follows. To begin with, unlike other gamyeong, Pyongyang-bu had an exclusive government office facility from the beginning and had a different status because of the route for envoys from Ming. Therefore historical sites related to Gija were important. Second, the importance of Pyongyang city-wall increased even more through the Japanese Hideyoshi invasions in 1592 and the Manchu Invasion in 1636. However, since the post-war restoration was insufficient they focused on defense reducing the size of Pyongyang city wall. Third, as society stabilized, Pyongyangbu's finances were greatly secured. King Sukjong systematically reorganized Pyongyang city wall and facility of Pyongy-an gamyeong. The nothern wall in located high place, Gamyeong and storage in middle height and military force and guesthouse in the center of Pyongyang-bu. I-a and warehouse facilities in the far south were placed around the Daedonggwan. The urban structure that runs from Daedonggwan to Daedongmun was the same as other city. Another pertinent point is Pyeong-an gamyeong had more military facilities and rear garden and pavilion than before. In clunclusion, Pyeong-an gamyeong did not pass through three gates, but only through two gates. And it was characterized by more various space and having more pavilions than other gamyeong.

• 비교문화연구
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• 제21권
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• pp.7-29
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• 2010

Young Tolstoy, when he was an already well-known writer, accomplished his first overseas travel in 1857, which gave him imaginable opportunities to compare his country's social strata with others such as serfdom, monarchical Russia and industrial and capital Europe. The present story is, indeed, the work which is influenced by those experiences by young Tolstoy during his first journey into Europe. Written in the form of booklet-like-small-piece, rather than an artistic work, the text presents the writer's severe criticism on the world of nature and civilization. Close to the nature itself, narod are those common people for Tolstoy, and they represent love, while the nature creates a necessity to love, hope and bottomless happiness of life. On the contrary, the civilized or civilization itself is considered artificial, willy, reasonal, and erotic congruity among people. For the writer, the most unsafe and ugly, seamy side of the westernized society is a lack of necessity to unify people to people. Though in its early embryonic stage, young Tolstoy's worldview is reflected in this work, especially his sharp tongue on the western people and their society is also detected when the write imposes his message under the mask of a gypsy singer. In addition, the narrator who seems an obvious Tolstoy's mouthpiece delivers his own ideas and impression on the western world, history, art, and literature. For this very reason, the present work contains numerous signs from which the reader is able to interpret, understand, and figure out what young Tolstoy imposes for his work.

• 비교문화연구
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• 제41권
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• pp.7-32
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• 2015

이 글은 오키나와와 제주가 갖는 특수한 역사와 문학에 대한 관심에서 출발하였다. 그 가운데에서도 아시아 태평양 전쟁말기에 벌어진 오키나와 전투와 1948년 전쟁에 준하는 무차별적 폭력사태가 있었던 제주 4.3사건은 국가권력의 변방에 위치한 두 섬의 비극을 단적으로 보여주는 매우 상징적인 사례에 해당한다. 본 논문에서는 두 사태의 비극을 정면에서 다룬 기념비적인 작품 오시로 다쓰히로의 "신의 섬"과 현기영의 "순이 삼촌"을 비교 분석하여 오키나와 전투와 4.3을 둘러싼 기억투쟁의 차이와 그것이 내포하는 의미를 문제 삼고자 하였다. 이를 통해 두 소설이 '집단자결'과 '집단학살'이라는 금기의 기억에 주목하고 폭로한 점에서 매우 유사한 양상을 보이지만, 기억투쟁의 향방(비전)을 제시하는 방식은 각각 다르게 나타나고 있음을 지적하였다. 이후의 작품에서 현기영은 국가폭력 사태에 분노하고 고발하는 데에서 한 발 더 나아가 용서와 화해라는 예정된 수순을 밟아간 반면, 오시로의 경우 본토에 반응하는 형태로 변화해 가는 모습을 보이게 되는 것은 그러한 예증이다.

• 한국농촌건축학회논문집
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• 제25권1호
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• pp.9-16
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• 2023

This study is on the formation and the development process of urban space by referring to the literature in Yeosu where is the important location in logistics & transportation and maritime since the Japanese colonial period. There are many factors and results of the development process in Yeosu by the opening port, railroads, loads and industries. The purpose of this study is to understand the characteristics of the formation process of urban space and the characteristics of physical space in Yeosu. The results are as follow; The urban formation and development process in Yeosu where was a small fishing village in the 1910s is largely divided into four processes. Formation: the population increased due to constructions such as of a railroad, a port, and roads and there were many reclamations around the center of the old city center in the Japanese colonial period. Stagnation: There was no urban development due to stagnation, war, and the Yeo-sun Incident. Expand: the industrialization of the Yeocheon Industrial Complex and Gwangyang Steel and other areas around Yeosu led to a surge in Yeosu's population. To cope with this, the city was expanded through three land readjustment projects and the development of large-scale residential complexes. Decline and Remodeling: Yeosu's urban space declined due to the decline of fisheries and the decrease in marine and railway logistics. And the expansion and improvement of the transportation network for hosting the Yeosu World Expo increased the accessibility of the old city center, transforming it into a tourist city using cultural heritage and nature.

• 문화기술의 융합
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• 제9권5호
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• pp.105-110
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• 2023

본 연구는 존 그린리프 위티어의 반노예제 시를 분석하려는 시도이다. 독실한 퀘이커 교도인 위티어는 19세기에 만연한 노예제를 비판했다. 그의 활동은 종교적 신념에 기반한 것이었다. 노예폐지운동에 언론인 등으로 참여했던 위티어는 1830년대부터 1860년대 중반까지 집중적으로 반노예제시를 썼다. 「버지니아 노예 어머니의 이별」은 남부로 팔려간 딸에게 느끼는 노예 어머니의 비통한 심정을 묘사하며 독자의 공감을 유도한다. 「매사추세츠에서 버지니아로」에서 화자는 버지니아의 도덕적 타락에 비통해 하면서 노예를 노예주로 되돌려보내는 것을 거부한다. 「마침내 오르다」는 떠오르는 달을 정치적, 사회적 상징으로 사용하면서, 도주 노예법의 통과를 찬양한다. 남북 전쟁 이후에 작시된 「평화의 가을」은 노예 해방이 선포된 후 평화로운 상황을 묘사한다. 위티어의 노력은 노예해방 운동과 문학에 기여한 바가 크다.

• 동양고전연구
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• 제33호
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• pp.193-230
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• 2008

서양의 편리한 과학적 지식과 사고를 응용한 발전의 바탕위에 포용적이고 상호보완적인 동양의 지혜를 화합시키고 재구성하여 시대적 변화의 당면과제로 떠오르는 여러 문제 해결의 임무를 수용하는 차원에서 고전의 번역을 응용한다. 이러한 맥락에 맞추어 본 연구 방향은 고전 중에서 "손자병법(孫子兵法)"을 활용한 고금(古今)의 지도자들을 통하여 고전의 지혜 응용과 그 가용성에 대하여 알아보고자 한다. 그리하여 앞으로 우리의 동양적 사상과 가치관이 세계의 흐름 속에서 어떠한 방향으로 나아가야 하는가하는 본보기에 힘을 실어 발전 문을 활짝 여는 작업의 한 보탬 역할을 하는 것으로 번역의 사명이 이루어지는 것이다. 이러한 의도에서 많은 고전(古典)들이 해박한 선배 학자들에 의하여 재음미 되고 해석되어서 소개되었고 또한 많은 출판물이 쏟아진 것을 익히 알고 있다. 본고에서는 고전(古典)중에서도 대중에게 친숙하게 알려진 "손자병법(孫子兵法)"을 선택하였다. 그 이유는 이 고전이 가지고 있는 사상이 동서고금(東西古今)의 지도자들에 의하여 어떻게 활용되어 왔는지를 살펴보고자 하는 것이다. 관찰하려는 지도자들은 고대(古代)는 "삼국지(三國志)"속에 등장하며 잘 알려진 조조(曹操), 제갈공명(諸葛孔明), 사마중달(司馬仲達), 이 세 지도자들과 현대(現代)에서는 축구 감독으로 "손자병법(孫子兵法)"을 애독한 2006년 독일 월드컵 당시 포르투칼의 감독이었던 스콜라리와 현대 군사 이론가인 영국의 리델하트(Liddell Hart)를 선택하였다. 여기 소개된 지도자들이 "손자병법(孫子兵法)"을 활용한 사례들을 통하여 고전(古典)이 처해진 입장에 따라 어떻게 해석되고 활용되었는가를 살펴본다. 그리하여 앞으로는 고전이 어떻게 가용되어야 하는지를 알아보는 기회를 만들어보는 뜻이 본고 기술(記述) 의도이다.