• 비교문화연구
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• 제33권
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• pp.359-384
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• 2013

There is linguistic phenomenon that Korean syllable, morpheme and word are substituted with Chinese Character. These phenomenon is called Chinese Character Borrowing, the Chinese character used here is called Borrowed Chinese Character. Whereas borrowing Chinese character in Chinese is used for borrowing only sound for different word, borrowing Chinese character in Korean is used for assigning new meaning. Hence, by borrowing Chinese character in Korean, a syllable which had no meaning originally get new meaning, morpheme and word meaning has changed. At advertisement and campaign, Chinese Character Borrowing has lots of linguistical advantage such as visual immediacy, effectiveness of meaning expression. However, there are number of cases found that violate grammar rule and word constitution practice by Chinese Character Borrowing. For this reason, Chinese Character Borrowing has the problem polluting Korean along with another foreign words. Thus, this paper focus on study Chinese Character Borrowing phenomenon in Korean, and analysis its effectiveness and impact in Korean. In addition, analysis the problem of Borrowed chinese Character, and suggestion several alternative for right use of Korean is followed.

• 한국실내디자인학회논문집
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• 제16권2호
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• pp.115-122
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• 2007

The purpose of this study is to extract design concepts, especially in relation to light, as a part of extracting design concepts in architectural interior design. This study consists of two steps. Firstly, appropriate design concepts are extracted from various design characteristics. Secondly, these concepts are classified in the frame of other components of architectural space, as well as in the frame of the plastic characteristics of light. Various design characteristics were analyzed, those of which relating to the plastic character of space, namely, visual phenomenon. As a result of the analysis, 32 concepts were extracted. These concepts, in the frame of other components of architectural space (space, form, structure, opening of space, material, color, inside & outside relationship), were classified, as well as In the frame of the plastic character of Light (transparency, perception, direction, ornament). As the results of this research, the suggested design concepts will be a study material, available to the interior designers as well as students who want to utilize the organized study concepts.

• 복식
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• 제59권1호
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• pp.1-13
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• 2009

The villains in recent films are given interesting roles not only through the actual contents of the story but also by attractive personal characteristics including internal and psychological aspects. The purpose of this paper is to take a deeper look into the image styling process of villain characters. The cases will focus on seven representative Korean films that have attracted over one million audiences as of the year 2000, and the leading and supporting actors within those films. Analysis will be made mainly on the visual image creations of those villains. The visual images are categorized by the make-up, hair-do, clothing and accessories relevant to the psychological personality type of each actor's role and their background based on the given scenarios. The results are as follows: First, villain characters are portrayed as an individual with multiple personalities with regards to psychological, economical, and vocational aspects. Second, fashion trends of the character is an important element to keep pace with the times or to visualize the sense of the times in which the villain exists. Third, a specific point that characterizes the villain's character are expressed through various touches using noticeable accessories, specific colors in make up, hair style, and a certain fashion.

• 한국게임학회 논문지
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• 제9권6호
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• pp.21-30
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• 2009

본 논문에서는 MMORPG에서의 플레이어 캐릭터 스테이터스의 변화를 캐릭터 그래픽에 시각적으로 드러낼 것을 제안하였다. 힘, 체력, 의지, 지능, 민첩 등의 기본적인 캐릭터 스테이터스 중 캐릭터 그래픽에 영향을 끼칠 수 있는 요소인 힘과 민첩을 활용하면 캐릭터 스테이터스 변화의 시각적으로 구현할 수 있다. 민첩의 수치를 캐릭터의 각 뼈대의 길이에 관여하게 하고, 힘의 수치는 주로 캐릭터의 각 뼈대의 두께에 영향을 주도록 함으로써 캐릭터 스테이터스의 변화를 플레이어가 처음에 생성한 캐릭터 그래픽에 나타내는 것이다. 이와 같은 캐릭터 스테이터스의 수치변화에 대한 시각적 표현은 플레이어 캐릭터 아이덴티티를 드러낼 수 있도록 하는 효과가 있다. 또한 플레이어의 캐릭터 육성 방향과 캐릭터의 경험의 시각적 표현이 가능하다는 점에서 다양한 엔터테인먼트로의 응용이 가능하다.

• Journal of Information Technology Applications and Management
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• 제28권6호
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• pp.69-85
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• 2021

In the era of the 4th Industrial Revolution, not only artificial intelligence, big data, robots, and biotechnology, but also cultural industries that require human creativity will lead. Among the cultural industries, the animation industry has high industrial utilization value due to its high connection with other industries. Among them, animation characters play the most important role as the subject leading the story of animation. In particular, the villain character not only serves as a medium for the main character to lead the story, but also captivates the audience with a different presence from the main character, adding to the fun and completeness of the animation. These characters consist of visual elements such as form and color, of which color is a tool that effectively conveys the character's personality and role to the audience, and is the first visual element to be considered in delicately describing the character's emotions and the relationship between characters. Therefore, this study attempts to analyze the color of the villain character. To this end, we will select eight Disney animations to derive the characteristics of the villain character's color by analyzing the color, value, chroma, and color association of the colors used in the Disney villain character. As a result of the analysis, the colors mainly used by Disney to convey the villain's image were red (R) and Orange (YR), and there was no difference depending on the times or animation production methods. Second, the brightness of Disney villain characters appeared to be the same medium/famous regardless of the times and production methods, and the frequency of use of high brightness was very low. In terms of saturation, the frequency of use of high and low saturation was high. Third, blackish (Bk), Strong (S), dull (Dl), and deep (Dp) tones were mainly used for tones. In particular, in recent 3D animations than previously produced 2D animations, the use of low chroma and the high black mixing rate increased. Fourth, it can be seen that Disney uses color as a visual method to more clearly express the psychology of the villain character using color association. In conclusion, the color selection of animation characters should be carefully considered as a tool to convey the character's personality, role, and emotion beyond simply using color, and the color selection of characters using color associations and symbols strengthens the narrative structure. It is hoped that this study will help analyze and select the character color of animation.

• 한국주거학회논문집
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• 제18권3호
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• pp.81-89
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• 2007

This study is aimed at understanding objectively on the visual perception of atypical space and form in contemporary architecture. It is accomplished to compose the various form and the atypical space in contemporary architecture, which by means of applying digital technology to architecture is able to materialize complicated form and space. Therefore this the sis is needed to understand user's senses and affects in atypical space and form. Atypical space is able to interpret geometrically and analyze quantitatively into visual perception. This analysis is applied to Isovist used as quantitative analysis recently, and physical analysis of space used as quantitative analysis defined to vertical elements, which is analysed comparatively to visual perception in observer's point and characteristics in spatial elements. Examples are selected to four examples represented to typical and atypical space in contemporary houses. As examples are analysed to visual perception of spatial character, this study is intended to understand to spatial character in aspects of spatial composition and observer's visual perception. In results of perceptive analysis on four spatial examples, Atypical spaces are composed of changeable spatiality, which are composed changeably of the relational method with adjacent spaces. Also, typical spaces are composed monotonously of spatiality and relational method on control of the length in boundary plane and openness.

• 한국콘텐츠학회논문지
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• 제7권11호
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• pp.150-157
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• 2007

영상은 어린이들의 호기심을 불러일으키고 많은 것을 접하게 하여 자연스러운 학습을 유도한다. 특히 애니메이션은 어린이들을 사회화시킴은 물론, 자아 정체성을 형성하는데 중요한 역할을 한다. 따라서 애니메이션 캐릭터의 젠더 정체성 재현은 중요하다. 애니메이션 캐릭터의 젠더 정체성의 재현 방식은 시각정보를 통한 재현방식과 내러티브를 통한 재현방식으로 나누어 볼 수 있으며, 내러티브를 통한 재현방식이 시각정보의 재현방식을 더욱 확고히 해줌을 알 수 있다. 또한 애니메이션 캐릭터의 젠더 정체성의 양상을 살펴보면, 보수적이고 상업적인 이데올로기를 투영하는 젠더 고정관념과 일치하는 캐릭터와 젠더 고정관념에서 탈피하고자하는 캐릭터로 구분되어 진다. 그러나 젠더 고정관념을 탈피하고자하는 캐릭터의 재현 역시 젠더 역할의 과장이나 희화를 통한 비판에 그치고 있다. 따라서 애니메이션 캐릭터들은, 여성이나 남성으로 구분되는 스테레오타입으로 재현되는 것이 아닌, 하나의 인간으로서의 가치를 주체적으로 형성해 가는, 미래지향적인 젠더 정체성을 가진 캐릭터들로 재현되어야 한다. 미래지향적인 젠더 정체성을 재현하는 애니메이션은 어린이들에게 올바른 자아 개념과 젠더 역할을 심어주며, 이미 획득된 전통적인 젠더 정체성을 완화시키는 역할을 수행한다.

• 한국환경과학회지
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• 제13권6호
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• pp.497-503
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• 2004

In this research, we have performed a T-test to see how the relationship between dependent variable or visual point level and independent variable or visual quantity is in order to clear up the correlation between pattern of visual point and visual quantity by the constituents of a view from a different visual point level and the results are as follows: 1) In case of the character of Mt. Uam landscape of the city, Uamsan is set as a fixed point and about a direction of view(D), the north is a datum point from which the range of direction is distributed within 1800 westwardly and the visual range(R) is also within 2000m. An elevation is an average of 7.40 and the average story of the buildings is 3.85. Here the height of a story is about 4m so the average of the visual point difference is estimated at 15.4m. 2) The type of visual point is divided into the intersection group and the front of the highly used public buildings group. Double intersection types account for about 78.80%(52 spots) which forms a majority part of LCP. 3) The analysis of the difference of visual point level divided by eye level and that of the top of the buildings has been proved that there's a sharp difference resulted from t-test at 1 % significant level. The significant difference of elevation from height difference(l5.93m), however, has not been shown. 4) From the result of T-test about visual quantity by the elements of a view from a different visual point level, the visual quantity of mountain(VQM), sky(VQS), ground(VQG) is significant at about 1% each and that of building(VQB) is at about 5%. The difference in visual quantity of a mountain by the visual point level is at about 4% which can meet a marginal level of LCP necessary for evaluation of mountainscape.

• 복식문화연구
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• 제29권4호
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• pp.603-615
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• 2021

The aim of this study was to analyze the semantic network structure of keywords and the visual composition of images extracted from Instagram in relation to the multi-persona phenomenon with in fashion imagery, which has recently been attracting attention. To this end, the concept of a 'secondary character', which forms a separate identity from a 'main character' on various social media platforms as well as on the airwaves, was considered as the spread of multi-persona and #SecondaryCharacter on Instagram was investigated. 3,801 keywords were collected after crawling the data using Python and morphological analysis was undertaken using KoNLP. The semantic network structure was then examined by conducting a CONCOR analysis using UCINET and Netdraw to determine the top 50 keywords. The results were then classified into a total of 6 clusters. In accordance with the meaning and context of the keywords included in each cluster, group names were assigned : virtual characters, relationship with the main character, hobbies, daily record, N-job person, media and marketing. Image analysis considered the technical, compositional, and social styles of the media based on Gillian Rose's visual analysis method. The results determined that Instagram uses fashion images that virtualize one's face to produce multi-persona representation s that show various occupations, describe different types of hobbies, and depict situations pertaining to various social roles.

• 디지털융복합연구
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• 제13권4호
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• pp.319-328
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• 2015

지상파TV를 중심으로 꾸준히 제작, 성장해온 국내 유아동 애니메이션은 오락적 가치에 교육적 가치를 더함으로서, 국내 애니메이션 산업의 핵심 콘텐츠로서 자리를 잡았다고 할 수 있으며, 특히 캐릭터는 유아동 애니메이션의 핵심적 시각요소로서 다양한 역할을 담당하고 있다고 할 수 있다. 본 연구는 이처럼 중요한 역할을 하는 캐릭터의 표현소재에 대한 분석연구이다. 이를 위해 캐릭터에 적용된 표현소재의 세부유형을 분류할 수 있는 기준툴을 확립하여, 현재 EBS에서 방영되고 있는 애니메이션 작품들의 캐릭터들을 선정, 이를 기준툴에 적용하고 그 결과를 분석하는 일련의 과정을 통하여, 표현소재에 따른 캐릭터 융합유형의 현황 파악과 함께, 유아동을 대상으로 하는 캐릭터 제작 시, 활용할 수 있는 또 다른 디자인 창작지표를 제시하는 것에 연구의 목적과 의의가 있다.