• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2008년도 춘계학술발표대회 논문집
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• pp.32-35
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• 2008

If human beings could make friends with nature, it would be a truly wellbeing. This project has selected the design concept under the supposition that human beings and the nature become friends. This residential house, which is consisted of one ground floor and two underground floors, is confronting the mountains that surround the residential complex. Residents can enjoy viewing the mountains from the living room. The garden is created by using this given environment in maximum. The walls are made up with rocks, and a small pond is formed with water from the mountain, presenting another attractive sight. Through the connection rather than the break between mountain and garden, living room and garden, and again garden and mountain, the dialogue with nature was attempted. The water of the pond in the garden flows down along the walls and creates another water space at the gate area of the house. Passing through the entrance, there are a living room, a kitchen, a bedroom for spouses, a common bathroom, and a library on the ground floor. On the second floor, there are two rooms, a bathroom, and a mini living room. The platform of living room on the 1st floor is lowered to produce the comfortable living room with the hearth. From the view of living room, the garden with full feeling of nature can give a good emotional rest for modem people who want the mental relaxation. The marble stones are used as its material to present rich texture and sophisticated image presentation. The hearth in the living room is harmonized with high-tech electronic home appliances and surrounding accessories. On the kitchen, the high-glossy materials are used to express the external appearance neatly and the depository function is more improved for housewives.

• 대한간호학회지
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• 제24권2호
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• pp.251-263
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• 1994

This paper reviewed the concept of the environ ment in Korean traditional thought according to Shamamism, Buddhism, Confucianism, and Taoism. The differences in the views of the environment between Korean traditional thought and Western thought were compared according to the ontological point of view. This study attempted to investigate the concept of environment, one of the four metaparadigm(human, environment, health, nursing)as it is experssed in Korean traditional thought. However, it was difficult to find the concept of environment separated out in the traditional thought pattern. Instead, environment concepts are represented in the natural views and universal views. Even though the four traditional thought patterns (Shamaism, Buddhism, Confucianism and Taoism) represent some difference in their view of nature, the combination of natural and human harmony, anti-dichotomy and so forth are emphasized in common in four thought patterns. Korean traditional thought includes a more comprehensive meaning than the unitary-transformative perspective discussed in modern Westen thought patterns. Environment has been dealt with in narrow view until now. Now we avoid this narrow view and must regard environment as an integrated concept with person. Through this research, it is hoped that a contribution will be made to the development of nursing knowledge suitable to Korean culture.

• 한국정보과학회논문지:컴퓨팅의 실제 및 레터
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• 제6권1호
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• pp.1-10
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• 2000

Spatial analysis in GIS provides an important way that helps the end-users decision-making. For such a reason, query model for analysis should be able to support the users view conceptually in constructing query statements. The traditional approaches in design of query model used to extend the functionality of model that basically designed for manipulation of attribute-operations by appending operators for spatial operations to the query statements of model. However, by the reason of spatial operation's characteristics that are different from those of attribute operations In nature, the structures of query statements in previous approaches are unnatural, inconsistent, and therefore those query models in previous approaches are not able to support the users view in retrieving analysis. In this paper, we proposed the methodology for constructing of user query and internal processing this query based on object-oriented paradigm, in the view of spatial operations by using the basic concept that spatial query is a methodology for spatial analysis. In addition, we presented a strong possibility of designing spatial query model that might actively have interaction with its user by implementing CIW(Class-Information Window) query interface corresponded with the methodology proposed in this paper.

• 한국심리학회지 : 문화 및 사회문제
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• 제9권spc호
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• pp.123-147
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• 2003

이 연구에서는 토착 문화심리학을 토대로 사고와 안전에 대한 확률론적인 시각과 결정론적인 시각을 비교 분석하였다. 한국뿐만 아니라 대부분의 선진국이나 개발도상국에서 사고로 인한 사망과 재해는 예방이 가능하다. 이 연구의 첫 번째 부분에서는 사회과학과 응용과학에서 채택되어온 선형의 결정론적인 모형의 한계에 대해 설명하였다. 가정 직장과 사회에서 발생하는 사고와 안전의 확률론적인 속성에 대한 이해를 위해, 토착 문화심리학에서 주장되어온 상호작용 모형이 제안되었다. 두 번째로는 사고와 안전에 관련된 요소들을 검토하였다. 세 번째로는 한국사회에서 사고를 예방하고 안전을 증진하기 위해 확률론적 모형의 활용에 대해 설명하였다.

• 한국의류산업학회지
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• 제9권5호
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• pp.538-544
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• 2007

We usually try to accomodate ourselves to our nature surroundings interacting with nature. There fore I've decided to apply nature materials, esp. the pine to Hair Art as a way of expressing our feelings from Nature. 'Hair Art' is a follow-up study based on the various artistic point of view. There has been various works of 'Hair Art' with nature materials. However, it is rare to see a work of 'Hair Art' with the pine. That's why I've decided to study more about this. This study is a new experiment in 'Hair Art' against a conventional idea "Hair Art values practicability." Therefore, the primary goal of this study is to do much for the cause of learning in 'Hair Art' and encourages some development of 'Hair Art' industry. I've researched an image of a pine tree in art of Joseon Dynasty and contemporary art. Then I've tried to apply the image to a work of 'Hair Art'. First of all, in a view of expression technique for the symbolism of the pine, the artists in Joseon Dynasty drew pictures of a pine tree with a paintbrush but the modern artists make a new attempt from the thought of Modernism. We can find it in some photos. Next, to express traditional oriental idea such as 'unconventional and elegance', comtemporary artists chose the symbolism of the pine tree as an object of their works like pen and ink sketches from the thought of Modernism. Third, in a fusion style picture which contains features of both oriental paintings and western paintings and in a sexualism style picture that depicts a harmony of a male and a female as a shape of a pine, we can find colorful images of a pine tree and Their figurative beauty in art. Those are another symbols of the pine. In conclusion, the implication of the pine tree still hasn't changed even there are differences of drawings of pine tree in the past and the present. I've tried to combine these symbolic ideas of the pine with 'Hair Art' and made 5 hair styles. Throughout the process of researching this topic which is 'The Study of Hair Art Using The Symbolism of The Pine', I've realized that pine trees make it possible to express intrinsic tough spirit of human being and abundance in color and figurative beauty in art. I hope this can contribute to the field of 'Hair Art' and would become an important educational resource for further study.

• 대한화학회지
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• 제44권6호
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• pp.600-610
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• 2000

본 연구에서는 전통적인 입자모델 교수 전략의 문제점을 분석하여, 잘 변화하지 않는 학습자의 신념체계인 연속적인 물질관을 입자적인 물질관으로 변화시킬 수 있는 새로운 입자모델 교수 전략으로 반성적 사고를 촉진시키는 입자모델 교수 전략을 고안하였다. 고안된 반성적 사고를 촉진시키는 입자모델 교수 전략을 초등학교 예비교사를 대상으로 처치한 후, 반성적 사고를 촉진시키는 입자모델 교수 전략의 효과를 전통적인 입자모델 교수전략과 비교 분석하였다. 전통적인 입자모델 교수전략의 문제점으로는 1) 입자모델을 실제물과 연결시켜 생각하지 못하는 문제점, 2) 입자모델을 학습할 때 무조건 암기하는 학습전략을 사용하는 경향이 높은점, 3) 입자모델을 수없이 학습한 후에도 연속적 물질관을 입자적 물질관으로 변화시키지 못하는 학생의 비율이 매우 놓은점, 4) 물질을 학습할 때 과학적 상황으로 학습하므로 물질에 대한 사고가 과학적 상황에 제한되어 있어 일상적 상황으로 연관시키지 못하는 문제점 등이 있다. 전통적인 과학적 상황의 입자모델 교수전략과 반성적 사고를 촉진시키는 일상적 상황의 입자모델 교수전략의 효과를 비교한 결과 일상적 상황의 입자모델 교수전략이 개념이해측면, 흥미측면, 입자적 물질관 형성정도, 기억측면에서 더 효과적인 것으로 나타났다. 본 연구결과로부터 얻을 수 있는 과학교육에의 중요한 시사점은 일상적 상황의 입자모델 교수전략 방법이 과학을 과학적 상황(실험실 상황)에서만 국한되어 사고하는 것이 아니라, 학교 과학 수업시간에 학습한 과학을 일상 상황과 연관시켜 사고할 수 있도록 해 준다는 것이다.

• 철학연구
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• 제116권
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• pp.351-370
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• 2010

화이트헤드의 실재론은 형이상학과 이후의 수리철학적 전통 뿐만이 아니라 20세기의 언어이론과 분석철학에 있어서도 다양한 기여를 하였다. 화이트헤드의 명제 개념 또한 인식과 언어와 상징을 포괄적으로 다루는 형이상학적인 성찰에 있어서도 매우 중요한 기여를 하였다. 화이트헤드에 의하면 명제의 일차적인 기능은 느낌을 위한 유혹으로 정의된다. 또한 명제에 대한 경험은 가능성과 현실성의 결합의 경험을 뜻한다. 이러한 점에서 명제의 실현은 각각의 현실성들이 새로운 방식으로 주체의 명제경험을 통하여 구현되고 탄생되어짐을 함축한다. 화이트헤드의 명제 개념의 구상에는 세계 경험들의 다차원적인 구현을 논리적으로 범주화 하려는 목적이 함축되어 있다. 이는 우주의 생생한 발현의 국면들을 논리적으로 해명하려는 화이트헤드 형이상학의 전체적인 성격와 연관된 지점이기도 하다. 그에 의하면 명제는 주체에게 언어를 수행하도록 하는 전언어적인 근본 범주이다. 화이트헤드의 이러한 명제-시스템은 주체의 다차원적인 현실의 해석가능성과 언어의 구체적 수행을 가능하게 논리적 토대가 된다. 명제에 관한 화이트헤드 사유의 점진적인 흐름과 발전의 시선에서 보면, 화이트헤드의 명제론은 명제가 특정한 개별적 주체의 세계와 언어수행에 어떻게 개입되고 발현되는지를 현실의 창조적 전진의 맥락에서 효과적으로 설명하려는 시도로 이해될 수 있다. 이러한 화이트헤드의 명제론에 대한 독특한 구상을 주목하는 이 연구는 화이트헤드의 형이상학적 체계에서 그의 명제론의 의미와 가치에 대한 근본적인 성찰을 시도하고자 하였다. 특히 화이트헤드의 명제론이 현실을 새로움과 창조성의 구현의 무대로 진술하는 그의 약동의 세계관에 어떠한 방식으로 긴밀하게 기여하고 있는지를 검토하였다.

• 만화애니메이션 연구
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• 통권44호
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• pp.183-209
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• 2016

1997년 일본에서 개봉한 애니메이션 영화 <원령공주>는 일본 영화사상 최고의 관객동원 이라는 수치상의 기록 이외에도 미야자키 하야오 감독의 "작품의 집대성" 이라고 말한다. 그것은 미야자키 하야오의 분신이라 할 수 있는 스튜디오 지브리에 인적자원력, 기술력, 자금력 등의 외적인 조건들이라 생각되지만 내적으론 '사상적 이유'도 크다고 볼 수 있다. 그 '사상적 결산'이 무엇인지 미야자키 하야오 작품 중 극장용 애니메이션 <미래소년 코난> <루팡 3세 칼리오스트로의 성> <바람계곡의 나우시카> <천공의 성 라퓨타> <이웃의 토토로> <원령공주>를 중심으로 그의 작품 세계에 사상과 이념이 어떻게 생태주의(ecologism)와 환경주의 (environmentalism)적 관점들과 만났으며 어떤 방식으로 작품 속에 배열되었으며 어떤 연관성을 지니고 있는지를 분석함이 본 논문의 연구목적이다. 본 연구를 통하여 미야자키 하야오의 작품들은 확실한 테마를 가지고 있다는데 그의 작가적 면모가 있으며 그동안 다루어 왔던 주제를 요약하면 '생명의 존엄' '자연에 대한 사랑' '자연으로의 회귀' '자연과 인간의 공존' 등이며, 이 주제는 우리가 직면해 있는 문제들 가운데 중요순위에서 앞서는 것들이며 인간이 본질적으로 갈망하는 것들이기도 하다. 우리 사회의 다양한 경제적, 도덕적, 가치체계와 욕구를 조절하는 사회체계의 균형이 맞춰진다면 우리 사회는 자연생태에 조금 더 가까워 질 수 있다는 것을 유추할 수 있다.

• 조형예술학연구
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• 제6권
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• pp.119-139
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• 2004

The intention of the research is to look into the form reflecting the spiritual image due to Oriental aesthetic from a realistic point of view. In this regard, I will pay attention to examining the process from figurative perspectives, in which painting image by subject acquires the beauty of form. Of the main subjection this paper, figure is an image itself appearing in painting. At this point, I will attempt to show how the meaning and value of image have been interpreted and judged on the aesthetic standard in Oriental painting in particular. For this process, I generalize the conception of the image as 'figure' and through this I will reconsider the standard of understanding and the value of perception regarding painting images on the method which are more applicable to the expressions of Oriental painting. The reason why I try to find out the true nature of images in Oriental painting from a figurative viewpoint is to convert a conventional sense of value which recognizes the images of Oriental painting only as results of idealism, into more practical field. If the true nature of Oriental painting is fixed and restricted to natures of idealism, any productive development and any changes in form for future couldn't be expected at all. In fact, what the ideological and aesthetic values of art suggest is clearly a proof of real art form. However, it is not a hard thing to prospect that only a superficial idealism will be ceaselessly produced, while the practical study about aesthetic values, meaningful results of painting expressions, is totally ignored, if ideology itself is used as criteria to judge the identity of it or if only the idealistic aesthetic values are emphasized while any clue to show a real existence of oriental paintings is not certain. Actually, nobody can deny the fact that interests about real natures regarding art expressions have been relatively ignored while armed with mental ideology for esthetic view of oriental painting in traditionalism Therefore, it is clear that 'spiritual status' itself can generate any form. Traditionally, in the Orient, the standard of judging a real value of things, which put a focus on a spiritual view of value rather than on a materialistic view of it, has been vaguely positioned the identity of images in painting As a result, the aesthetic convention has finally committed to an error that for images of oriental painting, ideological criteria like so called spiritualism are applied as a judging way, and esthetic meanings and values of real painting are considered as strategic results and spiritual intentions.

• 한국치위생학회지
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• 제2권1호
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• pp.97-113
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• 2002

This research is an attempt to establish a basic material in discovering the subjective types of the dental coordinators occupational consciousness, utilizing the Q-Method Theory, which is capable of measuring the subjective nature of human being by scientific and systematic method. The characteristics of each type were analyzed so as to have the dental coordinator to possess the desirable understanding of the occupational view together for them to have self-confidence as a lifetime specialty occupation. Upon completion of the study, it was found that there are three types of subjective views pertaining to the occupational consciousness on the dental coordinator. The result on the analysis of the characteristics is as follows : Type 1 is the Taking Serious View on the Patient Service, which priority is placed on kindness and looking after any difficulties of the patient, namely, it is the type that puts the importance on the high level medical examination and treatment based on good service. Because of the kind service to the patient, those under this category considered their job satisfaction have been improved. It goes without saying that they were developing the services, which satisfy themselves, and it was confirmed that they thought that they should make things smooth for any development of problems that may arise between the patient and the dentist. Type 2 is the Taking Serious View on Career and Organizational Strength. This is a type that aims on the systematic nature of the internal job, namely, organizational strength itself viewed from the stand point thai either self-confident or work merit is proportional to experience. This type is to actively treat the problem and endeavor to solve the issue when dissatisfaction is held by the dental hospital system, which is either followed according to the work responsibility or by an organization having an appropriate system on remuneration, Type 3 is the Placing of Importance on the Overall Circumstances. This is the type that places importance on the overall now of the dental hospital, and it is the type, that most greatly recognizes the importance of the role of the dental coordinator. The dental coordinator should provide the sense of reliability to both the dentist and to the staff of the medical examination and treatment and should be able to adjust smoothly the overall now of the medical treatment. The dental coordinator is expected to be a medical service specialist, who is capable to solve the problems of the staff of the medical treatment intuitively and to adjust the relation between the employees. With the above result, it was found that although there was no mutual exclusiveness between the respective types, there are particular characteristics among each type. Therefore, this research has discovered and analyzed the subjective view types relative to the occupational consciousness of the dental coordinator for the proper understanding on the characteristics of each type to enable the dental sanitary students and the graduates of the Dental Sanitary Department, who are aspiring to become dental coordinator, as the basic guide material to be actively utilized.