• 건축역사연구
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• 제14권4호
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• pp.7-28
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• 2005

We are so used to the concept of the term 'space' that we do not question its conceptual validity. However, this paper argues that the notion of space prevailing all over the world, is not a universal concept that can be applicable to all architectures of the world, but is a particular concept that is generated from the Western way of thinking. This paper alms to identify the conceptual structure of the idea of space as it is originated in the tradition of the West, and, as an alternative view of space, tries to identify the nature of the view of space perceived in the tradition of the Eastern architecture. Comparison of the two views, that of the East and the West, and their meaning in the future of architecture, is another task to discuss in this paper. To be able to clarify the meaning of space in East Asian tradition, a set of new perspective of understanding of space was invited. They are ; 1. sky-earth(天地); insisting that the notion of space should be replaced within the context of sky, which is one half of sky-earth totality 2. energy of the air (空氣), space is not empty part inside of a building, but is a dynamic condition of air that is a part of the sky which always exist in form of energy 3. place(자리): instead of space, which, basically. is a man-made concept, idea of place is necessary, which include not only space but also earth Such concept of space which is different from the notion of space of the West, is meaningful not only to identify the idea of space in the East, but also to be able to contribute for more dynamic, varied, and balanced understanding of space.

• 대한인간공학회지
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• 제31권1호
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• pp.49-61
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• 2012

Objective: The aim of this study is to offer a holism based Service Experience Analysis System(HSEAS) for service design. Background: Customer experience has been focused in a lot of service area. But it is difficult to understand the customer's needs and their experiences because it's so complex and uncertain. Thus it needs holistic approach that means it's difficult to explain general character merely through the understanding of small parts that composes an object and it must be analyzed within the overall context. Method: Accordingly, the thesis paper proposes the Service Experience Analysis System that satisfies the four following needs. (1) Need of solid Experience Framework in which the special quality of the service experience is considered, (2) need of support for the semantic cohesion between different kinds of data, (3) need of support for the management and search of vast data, and (4) need of building the knowledge base system for collaborative research. Results: HSEAS combines the short information in the customers' words and behaviors or situations and circumstances and provides a place of analysis where the context of the general experience can be read and allows concrete understanding of the actual state and factor of the problem as a Combined Data Analysis Tool. Conclusion: HSEAS becomes the center of information management, analysis and connection and it provides a free collaboration place where physical condition has no relations to as a knowledge base system based on network. Application: It is expected that length and width will be added to the analysis and assistance for effectively accumulating information will be provided in the area of diverse service.

• 한국실내디자인학회논문집
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• 제21권1호
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• pp.68-77
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• 2012

Appreciating the aspect of modem architecture requires not only the comprehension of the nature of design and architects' ways of thinking and expression but also observers' views on buildings and their perceptive/cognitive stages. This calls for an in-depth study on the "system of phenomenological perceptions" that works as a new architectural experience system. The system of phenomenological perceptions makes it possible to specify the individual process of understanding architecture, that is, hands-on experiences, participations, feelings, perceptions, and cognition. The value of user experience and cognition has been emphasized by philosophical and aesthetical concepts as well. Therefore, in order to better appreciate the modern architecture, this study suggests theoretical consideration to "orientation and event" that are crucial elements in understanding a phenomenological view and materializing actual space formation. This offers the cognitive system with which we analyze modem architecture and comprehensive expressional methods. In other words, this study contemplates the system of phenomenological perceptions from an existential spatial perspective by structurizing the system of the orientation and the event in order to segmentalize users' current locations, potential directions, the relations with spaces, continual vie'wpoints as well as buildings' functions and interior and exterior division. The system of phenomenological perceptions helps understand and systemize modern architecture through a system based on relations between sensation, perception, cognition, sensitivity, and rationality. This creates a new cognitive system employing the concept of the orientation and the event, which is different from a normal cognitive system basing on the sense of vision. When observers appreciate space, they tend to relate the space to a certain event and to remember their experiences in it. During the process, they draw borders of the space in which the event takes place and give shape to their experiences including actions, movements, cognition and sensation. The process leads to the formation of "placeness," and here, the concept of the orientation comes in as the location and the center of the placeness. This study proves that a determined orientation coupled with individual experience and events settles the place ness; detailed elements in the cognitive system have close relations with one another; the orientation, actions, events, and places are the factors that materialize observers' architectural experience.

• 대한지리학회지
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• 제50권2호
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• pp.239-254
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• 2015

본 연구의 목적은 학생들의 일상적 소비의 맥락 속에서 인간-비인간, 장소에 대한 이해의 관계적 전환에 기반하여 윤리적 지리교육의 가능성을 모색해보는 데에 있다. 이를 위해 먼저 학생들이 소비하는 상품 네트워크가 탈 국지화되면서 타자에 대한 책임과 배려의 윤리가 축소되는 상황에 대하여 살펴보았다. 이어서 학생들이 소비와 윤리의 문제를 책임과 배려의 관계적 윤리라는 관점을 통하여 바라볼 수 있는 안목의 토대로서 장소와 인간-비인간의 관계적 이해라는 관점을 제시한다. 마지막으로 휴대폰 커넥션을 사례로 소비, 관계적 지리, 책임과 배려의 윤리의 관계를 살펴보았다. 윤리적 지리교육의 역할은 학생들이 자신들의 삶 속에서 부재하는 현존으로서 다양한 인간 및 비인간들과 연계감을 가지고 이들에 대하여 더 많은 책임과 배려를 제공할 수 있는 인식적, 실천적 능력을 가지도록 하는데 있다는 점을 주장한다.

• 한국조경학회지
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• 제47권3호
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• pp.60-70
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• 2019

오늘날 서울에서 대중적 인지도가 높은 덕수궁 돌담길은 역사유산으로서의 장소 인식과 공원으로서의 장소 인식 등 혼재된 장소성을 지닌 곳이다. 그러나 덕수궁 돌담길과 관련한 기존 연구는 장소성에 중요한 변수인 이용자를 배제한 채 장소성을 논하였다는 아쉬움이 있었다. 이에 본 연구는 이러한 점에 착안하여 덕수궁 돌담길 장소 인식과 이에 미치는 요인을 방문객을 대상으로 분석 해석하여 장소성을 더욱 풍부하게 해석하고자 한다. 연구결과로 덕수궁 돌담길의 대표 이미지는 '걷고 싶은 거리'로 차량 통제 및 보행환경 개선이라는 제도적 요인이 작용된 것으로 해석된다. 장소성을 형성하는 변수들을 물리적 환경, 활동, 의미로 분류해 분석을 실시한 결과, 물리적 환경에 대한 인식이 높았으며, 그 중에서도 '푸른 녹음의 가로수(3.95)', '곡선의 돌담길(3.88)'이 높게 나타났다. 활동의 범주에서는 '도심 속 산책 활동(4.01)'이, 의미에서는 '사랑과 낭만(3.57)'이 높게 나타났다. 이는 가로공간이라는 장소적 특성과 기존에 친숙하게 받아들여지던 장소이미지가 반영되었기 때문인 것으로 보인다. 요인분석을 통해 5개의 요인을 추출하여 장소인식을 보다 구체적으로 이해할 수 있는 단초를 제공했으며, 각 요인들과 덕수궁 돌담길의 장소적 분위기와의 상관관계 분석을 통해 '녹지 가로경관'과 '역사성'에 대한 높은 상관성을 확인했다. 이는 녹음으로 위요된 공간, 시지각적 체험, 자유로운 보행 여건 등이 반영되어 도심 속 공원의 역할을 수행하고 있기 때문이며, 또한 덕수궁이라는 역사문화유산에 영역이 포함되기에 오랜 시간 누적된 장소적 이미지와 행태가 반영된 결과이다. 덕수궁 돌담길 장소 인식 요인 및 장소적 분위기 형성에는 녹지와 관련된 것들이 강하게 인식되고 있음을 확인하였으며, 이는 향후 역사문화가로 또는 유산과 관련된 보존 및 관리활용에 있어 녹지에 대한 가치 및 중요도를 반영할 필요성이 있음을 밝혀냈다. 본 연구는 이용자의 장소 인식 관점에서 주목해야 할 방향을 제시하였으나, 장소 인식에 미치는 요인을 도출하는데 있어 다차원적 장소성의 일부분만을 고려했기에 추후 이러한 한계점을 보완한 지속적인 연구가 필요하다.

• 한국수학교육학회지시리즈E:수학교육논문집
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• 제29권2호
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• pp.215-239
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• 2015

본 연구는 다양한 표상활동을 중심으로 한 분수학습이 분수의 이해 및 수학적 태도에 미치는 영향을 알아보기 위한 것으로서 서울 소재 B초등학교 4학년 33명 전체학생을 대상으로 실시하였다. 활동적, 영상적, 상징적 표상활동으로 이루어진 분수학습을 6주간 15차시에 걸쳐 진행한 결과 관계적 이해에 도달한 학생들의 비율이 증가하였으며, 분수 학업성취도 검사 I, II, III에서 평균 90점 가까이 또는 그 이상의 높은 성취도를 보였다. 수학적 태도 변화를 알아보기 위해서 두 종속표본 t검정을 실시한 결과, 유의수준 .01에서 통계적으로 유의미한 차이가 있는 것으로 나타났다. 결론적으로 다양한 표상활동 중심의 분수학습은 학생들의 관계적 이해도와 분수 이해력을 향상시키고, 학생들의 학습지향성, 자기통제, 흥미, 가치인식, 자신감을 높이며, 불안감을 감소시키는 등의 수학적 태도면에서도 긍정적 영향을 미쳤다고 할 수 있다.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 춘계학술대회 논문집
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• pp.255-259
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• 2007

Contemporary society is a digital and information-oriented society and a change by digital and information-oriented has made a new society principle and creature. The principle and creature has made society changed having influence on office space. The 21st century business space attachs great importance to the public space as the value of work place, namely, the place of gathering and client meeting which is society space and a thing which grants it with the biggest investment worth is a new order. This kind of society change has been making an appearance in contemporary office space as features of Narrative, Nodal, Neighbourly, Nomadic. These kinds of trends which are not exclusive mutually are stipulated as new trials to business space holding a lot of overriding features in common. These kinds of features brought into relief according to society change can be seen as key words speaking for contemporary office space and have a significance to contemplate and study for the office space of a new concept made an appearance together with society change. It is expected to contribute to revitalization programs with the far-reaching effect of understanding about ideal office work circumstances and work shape which the 21st century wants standing on the features of these new concepts.

• 한국실내디자인학회논문집
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• 제13권5호
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• pp.154-161
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• 2004

When people visit other countries, the first place to go would be either a museum or an art gallery because it might be the most effective way that people could understand culture and history of the place in a short time. It can be alleged that a museum must be an important cultural space because people can experience their life, history and art there. According to these cultural importance, the purpose of this study is to suggest the environmental design of $\boxDr$Design Museum$\boxUl$ through the Transparency of the Cubism. The Transparency means a capability of transmitting light so that objects on the other side can be seen clearly. The Concept of the Transparency could be taken effects in architecture by overlapping facets or space. By understanding formative properties of the Cubism, which especially focused on Transparency, 1 would like to propose the environment as an art and the exhibition-environment as a way of communication. As it were, the study can be valued as a new approach on condition that formative feature is interpreted with modern terms and the ‘Digital technology’ is not used a tool of representation but a tool of thought in terms of design. Moreover, it has a great significance that formative language of the Cubism will be able to be applied to the environmental design through the experimental and creative design process.

• 한국환경교육학회지:환경교육
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• 제12권1호
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• pp.225-241
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• 1999

The art subject deals with aesthetic experience within natural environment around and artificial environment, and it represents the experience through formative arts. And it also extends the aesthetic experience by making students appreciation of the works of art. In the main text of this study was studied with the connection with environmental education on the basis of the characteristics of art subject. That is, in the art education there can be an understanding of the harmony between natural environment and artificial one and their relationship and, furthermore, more positive environmental education can be possible by environmental murals, environmental sculpture, environmental design, packing design, poster design, elf through systematic formative arts. In addition, the art education can make students keep sensitivity to the natural and artificial environment through the appreciation of a variety of art works made with a theme of environment or through the appreciation of the works in the environment around our lives. Also, it can lead to acquire the desirable values and attitudes toward the environment by discussing the harmony of environmental development and environmental preservation visually. In the second place, this relation described in detail by each grade according to the contents of the 7th curriculum for the art subject. In the third place, the following were suggested: the goals for the environmental education in the art subject, the direction of environmental education, the organization of contents related to environment and their emphases, and the main teaching and learning methods for environmental education.

• 수산경영론집
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• 제34권1호
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• pp.115-136
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• 2003

As of late, people who enjoy fishing as a pastime in Korea has dramatically increased on the back of the increased national income and 5-day working system being in place. In the past, people used to fish in inland waters, but fishing on the sea has also shown a steady increase. The expanded fishing community along with increasing types of fishing, however, led to destruction of ecosystem by littering the waters of both inland and sea with wastes and reckless exploitation of fish resources. Fishing activities are usually taking place in inland waters, or on the sea, which is, by definition, a common property, and side effects such as free riding and diseconomy are frequently observed occurring. In other words, everyone can use the property free of charge(except paying fishing lot), and littering the waters with pollutants and wastes stemming from fishing activities is currently rampant. In this context, this paper studies the necessity of introducing fishing license system and its feasibility in Korea from a perspective to improve the national welfare through policy measures based on 'polluter pays principle' to prevent further environmental pollution in the fishing lot and preserve fishery resources. Study shows that introduction of Recreational fishing license system is urgently needed, but it is concluded that it should take more time to implement the system so as to accomodate the differing interests of all parties involved including recreational fishing industry, while strengthening public relation activities to solicit for the people's understanding of the system to be introduced.