• Title/Summary/Keyword: the origin and history

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Semantic Analysis of Indian Original Stupa - A Comparative Study on the Transmission and Style of the Buddhist Pagoda I - (인도시원불탑(印度始原佛塔)의 의미론적(意味論的) 해석(解析) - 불탑건축의 전래와 양식에 관한 비교론적 고찰 I -)

  • Cheon, Deuk-Youm
    • Journal of architectural history
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    • v.2 no.2 s.4
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    • pp.89-106
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    • 1993
  • Wherever Buddhism has flourished, there were stupas in the form of monuments which have their origin in the tumulm of prehistoric times. After the death of Buddha, his body was cremated following the Indian funeral custom. His ashes, which long reserved for the remains of nobles and holymen, were enshrined under such artificial hills of earth and brick. The Stupa was in origin a simple burial-mound. The form of the burial-mound was a symbolical or magic reconstruction of the imagined shape of the sky, like a dome covering the earth. The domical form of the earliest tumuli may have been concious replicas of the shape of the Vedic hut. There are relationships which may have originally existed between the stupa and West Asiatic monuments. Buddhist Stupa originally cosisted of an almost hemispherical tumulus(anda) and an altar-like structure (harmika) on its top, surmounted by one or several superimposed honorific umbrellas (hti, catta). This hemispherical form is associated with centralisation, lunar worship, mother earth, and Siva. Anda means a symbol of latent creative power, the harmika symbolizes the sanctuary enthroned aboved the world. The honorific umbrella, as an abstract imitation of the shade-giving tree is one of the chief solar symbols and that of enlightenment.

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The Origin of Shanghanlun Six Meridians - The Theory of Meridians is at the core - (상한육경(傷寒六經)의 기원(起源)에 대(對)한 연구(硏究) - 경맥학설(經脈學說)과의 비교(比較)를 중심(中心)으로 -)

  • Park, Yung-Hwan
    • The Journal of Korean Medical History
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    • v.26 no.1
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    • pp.27-39
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    • 2013
  • The Theory of Meridian can be classified into early form of pre- and present form of after-. The representative early form of meridian is Eleven Meridians in Mawangdui scrolls(馬王堆帛書) which use Six Qi Diagnosis(六氣辨證). because it did not adopt Visceral Pattern Identification(臟腑辨證). The present form of meridian is Twelve Meridians of . It has developed to investigate relations between Visceral and disease with Five Phase Theory. Analyzing the name of the Six Meridians in the Shanghanlun(傷寒論)On Cold Damage, there are no hands, feet and visceral signs. and it is almost identical to Eleven Meridians in Mawangdui scrolls. According to , Eleven Meridians use only Six Foot Meridians(足六經) to classify diseases. This fact was applied identically to the Six Meridians in the Shanghanlun. Therefore many doctors, especially Hanzhihe(韓祗和) and Zhangzhicong(張志聰) mentioned that "I have never seen a book on Shanghanlun discuss about Hand Meridians(手經)."

The Origin of Combinatorics (조합수학의 유래)

  • Ree, Sang-Wook;Koh, Young-Mee
    • Journal for History of Mathematics
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    • v.20 no.4
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    • pp.61-70
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    • 2007
  • Combinatorics, often called the 21 st century mathematics, has turned out a very important subject for the present information era. Modern combinatorics has started from some mathematical works, for example, Pascal's triangle and the binomial coefficients, and Euler's problems on the partitions of integers and Konigsberg's bridge problem, and so on. In this paper, we investigate the origin of combinatorics by looking over some interesting ancient combinatorial problems and some important problems which have started various subfields of combinatorics. We also discuss a little on the role of combinatorics in mathematics and mathematics education.

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A Study on the Origin of Clothing (의복(衣服)의 기원(起源)에 대한 연구(硏究) - 선사(先史) 시대(時代)를 중심(中心)으로 -)

  • Lee, Ran-Hee
    • Journal of the Korean Society of Costume
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    • v.6
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    • pp.145-160
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    • 1982
  • Wearing a clothes in human living is very rightful and reasonable things. And it's also the necessaries of living. So now, I want look around about origin of clothes from the prehistorical age, how they start and why they need to wear a clothes. As human culture is unknown origin, human clothes origin is also unknown origin, too. So many different people made unlike story about that, and it is very difficult to say correct birth of clothes. It must be reflection by a time, by a place, by a mankind, until this days, the history of human progress is $2,000,000{\sim}3,000,000$ years. And from after the "Old Adam" man understand what is shame and disgrace, so that made them cover of their private parts, also it is a motive of human clothes. Since after pass a long time, the earth has many changes as it were weather, and for take care of human body from cold, people start make clothes and it's a second object of wearing a clothes. And third object of wearing clothes is after opportunity of development human culture, people desire for an aesthetic sence and for full-fill that feeling they start make a beautiful clothes with accessories and it is motive and a purpose of a human start wear a clothes. So I can say, for origin birth of clothes is 1. Protect of human body. 1) be adapted for different weather and different circumstance. 2) take care self from outside injurg. 2. Decorate for aesthetic sence. 1) Theory of Amulets. 2) Theory of symbolism. 3) Theory of Sex attraction. 4) Aesthetic Theory. 5) Theory of chastity. 6) Multi-theory And material for clothes they made from natural wilds like leaves, fur, skin of wood. skin of fishes and feather etc. But after develop of human knowledge people invent fiber, and use a knitted goods and woven stuff also first of all. They start use those kind that they just cover of their private parts as a belt and astring with leaves and a beast skins. But until this days it's taken big development with human knowledge and most important influence of develop was weather. So modern clothes for present days, must care with. physicology, preservation of health, living activity, dressing, morals, and etiquette etc.

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A Study on the origin and the literature of eyelid-acupuncture therapy as a folk remedy in Korea and its clinical Usage (한국 눈침요법의 문헌 근거와 전승 현황 연구)

  • Jeon, Jong-Wook;Ha, Seung-Rok;Lee, Jeong-Hwa;Lim, Bo-Kyung;Choi, Sun-Mi
    • The Journal of Korean Medical History
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    • v.24 no.2
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    • pp.69-76
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    • 2011
  • This study focuses on the origin and the literature of eyelid-acupuncture, nunchim therapy in Korea and its present clinical usage in modern Korea. The therapy is called nunchim at local area of Korea and has been transmitted as folk remedy because its real practice has been fallen into oblivion in the regular medical institution in modern Korea. On the contrast, some old women called nunchim-halmae, still know its practice and give medical therapy in a certain irregular way. While many kinds of eye clinics are prevalent in Korea, some patients with chronic eye diseases still go to get the nunchim therapy from nunchim-halmae. Moreover some oriental medical doctors have learned the therapy from nunchim-halmae and performed that medical service in their clinics in spite of absence of medical insurance coverage. Nunchim has unique historic origin and transmission linage in Korea, which was shed light on by this research. We present concise structure of the essence of nunchim therapy and 80 year old woman case of dramatic eye curing with the therapy.

Origin and Development of the Buddhist Rock Cave Temples of India - in Relation with Hinduism, Jainism, Ajivika - (인도 불교석굴사원의 사원과 전개 - 힌두교, 자이나교, 아지빅파의 관련과 함께 -)

  • Lee, Hee-Bong
    • Journal of architectural history
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    • v.17 no.4
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    • pp.129-152
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    • 2008
  • Early Buddhist rock cave temples of India, in spite of being an origin of Buddhist temples, has little been studied in Korea. After field studies and an interpretation of their forms in conjunction with religious life, precedent theories are supplemented and refuted as follows. Starting from the 2nd century B,C., Buddhist ascetic disciples digged residential rock caves, called vihara, for protection from monsoon rain and hot weather, A typical arrangement was settled -a courtyard type, with 3 side rows of tiny one-person bedroom and a front veranda with columns. Also digged were Chaitya caves, in line with viharas, to worship, which is the tumulus of Buddha's relics. I suggest that the original type of chaitya a simple circle cave with a stupa, suitable for circumambulating ceremonies. I refute the existing theory presenting Barabar caves of Ajivika as a chaitya origin, featuring empty circular room without a stupa. I also interpret a typical apsidal plan as being a simple result of adding a place of worshipping rites in front of the stupa. Enclosing columns around a cylindrical stupa is a result of reinforcing both the divine space and circumambulating ceremonies, with elongation toward hall. Finally the chaitya came to have a grandeur apsidal plan with high vault ceiling nave and a side aisle as in Western cathedrals with large frontal horseshoe arch windows. The Buddha image, which had become a new worshipping object, was integrated into the stupa and interior surface. First the stupa and then the statue was introduced to residential Viharas. Therefore, I suggest that the vihara should be renamed as 'chaitya' as a worshipping place, by establishing statue rooms without bedrooms at all. The functionally changed vihara is similar in form to a 'rectangular type of chaitya', little known and developed in different routes. A columned inner courtyard gradually becama an offering place, like Hindu mandapa, Buddhist caves ware changed to a kind of Tantric and Hindu temple by means of statue worshipping offering rituals.

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The Interpreggtation of the Indian Stupa as Origin of Korean Pagoda (탑의 원조 인도 스투파의 형태 해석 - 인도 전역의 현장 답사를 바탕으로 -)

  • Lee, Hee-Bong
    • Journal of architectural history
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    • v.18 no.6
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    • pp.103-126
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    • 2009
  • This study aims to discover historical trends and change of form of all stupas in India with observation of field study that is as direct as possible, by classifying, analyzing, and synthesizing the stupas. Study of Indian stupa in Korea has a number of shortcomings since only introductory partial approach has been made in order to seek the origin of Korean pagoda. This study also aims to correct errors of stupa terminology in Chinese character committed by misinterpretation of Hindi language which was established by precedent Japanese scholars several decades ago. Piled-up stupas were totally destroyed by pagans, therefore their remains tell us only of structure, material, sizeand disposition. However remains of carved stone at torana and drum give us clues as to the original form of stupa and worshipping activity, as well as change to a more luxurious form. Many rock cave stupas of India show us both simple forms matching the ascetic age of early Buddhism and luxurious changes in Mahayanan era introducing us to statues of Buddha. Indians recovered the spheric form of 'anda,' a Hindi term meaning cosmic egg, from the hemispheric form of the piled-up stupa. Therefore we might discard the erratic term of 'bokbal', which means an upset vessel. Railings and parasols became main factors of stupa design. Carved railings around stupa became a sign of divinity. Serious worshipping activity made drums long or high and created multi-embossed stripes. Bases of circular drums of some cave stupas changed their shapes to rectangular or octagonal. Single parasols became multiparasols of affluent flowerlike curved stems on carved stupa. Multistoried, elongated and high parasols of Gandhara stupas are closely related to such factors as diverse changes of form in Indian subcontinent. Four-sided torana gate and ayaka column of the circular form of original stupas suggest the rectangular form of subsequent East Asian pagoda, and higher and wider base of Indian stupas became the origin of East Asian rectangular pagoda.

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A Study of Green and Its Imagery in Western Costume

  • Park, Mi-Yeon;Cho, Kyu-Hwa
    • Journal of Fashion Business
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    • v.7 no.6
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    • pp.67-75
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    • 2003
  • In fashion history, the color "green" has been used from ancient to modern times constantly. Especially nowadays, the worth of green in fashion is becoming bigger than ever before to express the longing for pure nature. The purpose of this study is to define green's imageries in western costume history. For the basic about green, first of all, this study researched green of origin, effect and costumes in western history, then classified green's imageries. Green's imageries expressed in western costumes can be divided mainly into a 'nature imagery' and a 'religious divinity imagery'. Nature imagery was extended again into 'youth, devil, citizen and ecology image'. Youth image came from the luxurious feature of nature and it was extended again into 'innocent love, virgin and immaturity'. Religious divinity imagery has been represented in the ancient Egypt, Islam and Christian religion. In those cultures, green was considered as a sacred color of Osiris, Mahomet and Holy spirit.

A Study of Heo Jun's 『Eonhaetaesanjipyo』 (허준(許浚)의 『언해태산집요(諺解胎産集要)』에 대(對)한 연구(硏究))

  • Jeong, Eun-ah;Kim, Nam-Il
    • The Journal of Korean Medical History
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    • v.15 no.2
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    • pp.83-100
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    • 2002
  • The Oriental Obstetrics and Gynecology is a branch of the Oriental Medicine that treat of physiological and pathological diseases of the female. The origin of the Oriental Obstetrics and Gynecology begins at the pregnancy and delivery of the women. Therefore it has significant meanings about the birth of human beings. The field of this study has been very important to the Oriental Medicine. Accordingly the present writer is planning to study of the level of the Oriental Obstetrics and Gynecology and its effects in those days, through Heo Jun(許浚)'s "Eonhaetaesanjipyo" ("諺解胎産集要") that is a work of the Oriental Obstetrics and Gynecology books in the history of Korean Oriental Medicine.

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A Study on the Architectural Process and the Characteristic of Municipal Building in Busan (부산부청(釜山府廳)의 건축과정과 변용특성)

  • Song, Hye-Young
    • Journal of architectural history
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    • v.29 no.5
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    • pp.7-16
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    • 2020
  • The Municipal Building of Busan was the first western-style building of Korea in 1879. It was also the predecessor of Busan Metropolitan City Hall. On the other hand, the Municipal Building of Busan was a symbolic structure that shows the history of Busan. The Municipal Building of Busan has inherited the construction location and site, including the speciality of Choryangwaegwan, and is a good example of the process of inheriting the authority of the former space through the appropriation of the building. The Municipal Building of Busan was relocated to the edge of the coast in 1934 because a small and dilapidated building failed to function properly. The relocation of the Municipal Building of Busan in 1934 was the origin of changing the coastal space in downtown. As a result, landfill sites along the coast were in the limelight and developed into the downtown area of Busan after Korea's liberation.