• 디지털융복합연구
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• 제17권11호
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• pp.427-434
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• 2019

이 연구의 목적은 간호대학생의 생명존중의지에 영향을 미치는 요인을 조사하고 간호대학생을 위한 효과적인 생명윤리 교육프로그램을 개발하는 데 도움이 되는 기초 자료로 활용하고자 하는 것이다. 442 명의 간호대학생을 대상으로 조사연구를 시행하였으며, 분석방법은 t-test, ANOVA, Pearson correlation coefficients, and Multiple regression을 이용하였다. 결과는 생명존중의지에 영향을 미치는 요소들이 죽음의 의미, 죽음의 불안, 죽음의 관여도라는 것을 보여 주었고, 이 세 요인의 생명존중의지에 대한 설명은 43.6%였다. 따라서 간호대학생들은 죽음의 의미에 대한 이해를 향상시켜 죽음의 의미를 이해하고, 죽음의 불안을 줄여야한다. 또한 긍정적 죽음의미 형성을 통해 간호학생의 생명존중의지 향상을 기대할 수 있을 것이며, 궁극적으로 죽음을 맞이하는 환자에게 진정한 도움을 줄 수 있는 간호사로 성장할 것이라고 사료된다.

• 한국주거학회:학술대회논문집
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• 한국주거학회 2006년도 추계학술발표대회 논문집
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• pp.337-340
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• 2006

Dwelling refers to a way of being that has to do with a cautious and guarded attitude. What has to be nurtured and preserved is the dweller's relationship with the fourfold of heaven and earth, divinities and mortals. This leads to the fourfold definition that mortals dwell insofar as they save the earth, receive heaven as heaven, await the divinities as divinities, and are capable of death as death. Heidegger sees the thing as the concrescence of what he calls the fourfold of earth, sky, mortals, and divinities. For Heidegger, true being means to be open to the fourfold, to tend the fourfold in its essence. C. Norberg-Schulz takes as his starting point Heidegger's notion of the thing as that in which the fourfold is assembled. The built space must be organized in a way that concrete places are created, places that are characterized by a specific genius loci. This idea refers to life in the warm seclusion of a traditional community, but is much less applicable to the functional networks and relationships that determine life in a modem society. Cacciari thinks that what is worth questioning is in particular the condition of homelessness perceived by Heidegger, and the possible consequences of this situation for architecture. The aim of this paper is to study the meaning of dwelling through Heidegger's concept of dwelling and the interpretations of C. Norberg-Schulz and M. Cacciari about it.

• 대한간호학회지
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• 제45권1호
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• pp.139-146
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• 2015

Purpose: This study aimed to develop a "Palliative Care Professional" education program and evaluate its effects on the recognition of good death, palliative care, and the meaning of life for nurses. Methods: It was developed based on the hospice care program for volunteers being used in the Hospice Palliative Care Research Center of S University in Seoul. It was also based on the studies which investigated the educational needs of nurses in palliative care. This program consisted of 5 sessions and 16 content items for 2 weeks. A non-equivalent control group non-synchronized design was utilized and participants were assigned to the experimental group (n=42) or the control group (n=44). Results: The recognition of a good death (F=11.44, p=.001), palliative care (F=4.15, p=.045), and the meaning of life (F=5.12, p=.026) increased more significantly for participants in the experimental group than in the control group. Participants felt that they gained further knowledge in palliative patient management and refined their clinical practice. Conclusion: The results of the study indicate that this program could serve as a practical program for palliative care nursing in the nursing field and suggests that more attention should be directed to the diverse educational needs of nurses.

• 복식
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• 제65권6호
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• pp.99-111
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• 2015

The purpose of this study is to identify the expression methods of uncanny images shown in contemporary fashion through the visual expression methods of plastic arts. The study results are as following. First, there is a concept-forming element of 'The return of Repressed', which is a psychological mechanism for generating uncanny sets to the component of 'repression' and 'return'. 'Repression' herein consisted of 'unconsciousness', 'the other', and 'anxiety', while the return was composed of 'trauma' and 'repetition compulsion'. Second, there are visual expression methods of the uncanny in contemporary art. The subject of 'repressed things' was expressed as grotesque and having a terrible look. 'Fragmented body' was analyzed as 'dismantling' by mutilation, 'combination' placing cut body parts in other places, and 'damage' suffering from an illness or accident. 'Fear of death' was shown as 'anatomy' reminiscent of death and 'iconography of death' meaning return of the dead. 'Post-human' was a surrealistic being such as a monster and mechanized human, and was analyzed as 'gene variation' and 'cyborg'. Third, the methods of visual expression of the uncanny reflected on contemporary fashion was analyzed as 'fragmented body', 'fear of death', and 'post-human'. 'Fragmented body' appeared as the object reminiscent of the fragmented body, 'dismantling and combination of the body', and 'damage of the body' through the distortion of the clothing construction principle. 'Fear of death' visualized the characteristic elements of the subject reminiscent of death as 'iconography of death' and 'symbolic object of death' through the motif. 'Post-human' was the description of the subject beyond the body's function and form, and was shown as 'gene variation' and 'cyborg'.

• 문화기술의 융합
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• 제8권4호
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• pp.193-198
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• 2022

아서 밀러의 희곡 『세일즈맨의 죽음』은 오랫동안 다양한 매체를 통해 재생산되었으며, 여러 차례 영화로 만들어졌다. 아쉬가르 파라디 감독은 21세기 이란을 배경으로, 원작 제목에서 '죽음'을 뺀 <세일즈맨>(2017)이라는 영화를 선보였다. <세일즈맨>은 『세일즈맨의 죽음』을 단순히 영화로 옮긴 작품이 아니다. <세일즈맨>에서 희곡 『세일즈맨의 죽음』은 연극을 공연하는 형식으로 소환되고 있다. 이런 형식의 영화는 많지만 <세일즈맨>은 연극 밖 현실과 연극 안의 내용이 서로 조응되도록 절묘하게 직조한 수작이다. 아메리칸 드림의 끝자락에서 몰락하는 가장의 비극을 그린 희곡 『세일즈맨의 죽음』을 21세기 이란에 거주하는 젊은 부부의 갈등으로 변환한 영화 <세일즈맨>은 원작의 공간, 인물을 재배치하고, 죽음의 의미를 재해석함으로써 연극과 영화라는 매체 변환의 효과를 십분 창출한 독립된 작품으로 완성되었다.

• 한국콘텐츠학회논문지
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• 제16권7호
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• pp.492-503
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• 2016

본 연구는 노년기 영적안녕감과 죽음 준비도 그리고 내세관이 죽음에 대한 태도에 미치는 영향을 알아보고자 하였다. 또한 죽음에 대한 올바른 인식과 태도를 형성하여 죽음불안을 경감시키고, 만족스러운 노년의 삶을 살아갈 수 있도록 실천적 개입기술을 개발하고자 하는데 목적이 있다. 연구방법은 원주시에 거주하는 65세 이상의 노인들에게 설문지법으로 조사하여 SPSS 통계프로그램으로 결과를 도출하였다. 주요결과는 다음과 같다. 첫째, 영적안녕감과 죽음준비도 그리고 내세관이 죽음에 대한 태도에 미치는 영향을 분석한 결과 유의미한 (p<.001) 차이가 나타나 영향이 있는 것으로 나타났다. 둘째는 내세관, 죽음준비도, 영적 안녕감이 죽음에 대한 태도에 미치는 영향의 상대적 중요도 차이를 분석한 결과는 (P<.001)로 99.9% 신뢰수준 이상에서 통계적으로 유의한 영향관계가 있는 것으로 나타났다. 즉 죽음준비도, 영적 안녕감 순으로 죽음에 대한 태도에 영향을 미치며, 내세관은 다른 두변수가 영향을 미칠 경우 유의한 영향을 미치지 않는 변수로 나타났다. 셋째는 인구사회학적 변인 포함 후 죽음준비도, 내세관, 영적 안녕감이 죽음에 대한 태도에 미치는 영향을 분석한 결과 경제수준차이에서만 (p<.05) 통계적으로 유의한 음의 영향을 미치고 있는 것으로 나타났다. 따라서 죽음 준비도, 영적 안녕감은 노인의 삶의 질을 좌우하는 부분으로서 죽음불안을 해소하는 데 큰 영향이 있음을 본 연구를 통해 확인하였다. 따라서 본 연구의 의미는 죽음에 대한 불안을 긍정적으로 해소할 수 있다는 점을 검증할 수 있었다는데 의미가 있다.

• 기본간호학회지
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• 제3권2호
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• pp.153-169
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• 1996

This study was designed to identify, describe and classify orientations of cancer patient's family members to death and to identify factors related to their attitudes on death. Death to the male is understood as a comprehensive system and believed to be highly subjective experience. Therefore attitude on death is affected by personalities. As an attempt to measure the subjective meaning toward death, the unstructured Q-methodology was used. Korean Death Orientation Questonaire prepared by Kim was used. Item-reliability and Sorting-reliability were tested. Forty five cancer patients' family members hospitalized in one university medical center in Seoul were sampled. Sorting the 65 Q-itmes according to the level of personal agreement ; A forced normal distribution into the 11 levels, were carried out by the 45 P-samples. The demographic data and information related to death orientation of the P-sample was collected through face to face in depth interviews. Data was gathered from August 30 till September 22, 1995. The Z-scores of the Q-items were computed and principal component factor analysis was carried out by PC-QUANL Program. Three unique types of the death orientation were identified and labeled. Type I consists of twenty P-samples. Life and death was accepted as people's destiny, They firmly believed the existence of life after life. They kept aloof from death and their concern was facing the and of the life with dignity, They were in favor of organ donation. Type II consists of Nine P-Samples. They considered that death was the end of everything and did not believed the life after life. They were very concerned about the present life. Type III consists of Sixteen P-samples. They regarded the death as a natural phenomena. And they considered that the man is just a traveller and is bound to head for the next life which is believed to be free of agony, pain or darkness. They neither feared death nor its process. Their conserns were on the activities to prepare themselves for the eternal-life after death. Thus, it was concluded that there were three distinctiven type of attitudes on death among cancer patient family members, and their death attitudes were affected by demographic and socio-cultural factors such as sex, education, and religion.

• 대한간호학회지
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• 제10권2호
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• pp.21-40
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• 1980

In order to take cue of the dying persons and their survivors in a more positive and affirmative atti-tube. and to understand the valuable meaning of and dying. a survey was performed to 550 cases of health care personnels including 116 nursing students. 238 medical students. 137 nurses. and 59 doctors. Samplings were made through census Procedure from the entire group of medical and nursing students in College of Medicine. Chung-Ang University. and of licenced nurses and doctors in Chung-Ang University Hospital. and in Han-Gang Sacred Heart Hospital from the first to the end of march. 1980. These collected data were computerized at KIST by SPSS programming and were statistically analyzed by chi-square test. Through content analysis of the word associated with death and descriptive analysis of the death-re-lated variables. the following conclusion in is reached. First. Total numbers of death-word percieved by health care personnels were 198 kinds. Among them, 40 kinds of words associated with death were responded from than 1% of the total. As to the 10 death related word responded by free word association method. it was revealed that individual average number of death related word was 7.70 word. which came from higher number of words in the senior students (8.96 word) or the graduates (8.10 word) compared with the freshman (6.84 word). Second. In Content specific analysis of the death related word. more frequently perceived types summarized as the following order; the affective context of death. the diseases. the disasters. the religion, the funeral ceremonies. the separation, the drakness. and the life. Third. The most prevalent 10 words associated with death which the the respondents gave response to the the first recalling word. were as following o order； the dieases. the sadness, the vanity. the darkness, the frustration. the suicide. the incurable dieases, the graves. the dead. and the catastrophes. By sex, the diease is outstanding in females, but the vanity is in males. By occupation. the vanity and the dead was frequently observed in student group including senior students. while the incurable dieases presented by doctors. Fourth. In health care personnels. the first perceived ages of death were 11.47 $\pm$3.33 years (8.14- 15.80 years). Among them. senior students were inclined to percept death at the earliest age of life (11.28years). while doctors and nurses perceived death later in their life (12.98 years). Fifth, It is revealed in this survey that the most frequently responded death perceiving motives by health care personnels ar“psychological conflict”and“death of those around them”. Death perceiving motives can be classified in two factors; personality and life circumstances. Sixth It is of interest that only 11.3% health care personnels was found to feel death as inevitable or acceptable event. whereas 58.3% deny or reject it.

• 영어영문학
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• 제64권4호
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• pp.651-672
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• 2018

Death of a Salesman is centered on Willy Loman trying to achieve the American dream and taking his family along for the ride. This paper explores the meaning of his suicide in the work through the Adorno's theory on the individual's reification and commodity by an exchange value in the capitalism and argues that Bourdieu's capital classification shows the cause of his tragic decision. Reification refers to "the structural process whereby the commodity form permeates life in capitalist society." and Adorno called the reification of consciousness an epiphenomenon. The social-psychological level in Adorno's diagnosis serves to demonstrate the effectiveness and pervasiveness of late capitalist exploitation. According to Bourdieu, cultural capital can exist three forms: in the embodied state, in the objectifed state and in the instituionalized state. He states embodied capital is argued to be the most significant influence; however unlike other forms of capital (social, economic, etc.) obtaining embodied capital is largely out of the individuals' control as it is developed from birth. In conclusion, I suggest Death of a Salesman can be interpreted as a text criticizing the internalization of the subject, which is the result of the self-destructive mechanism of the subject in the logic of modern subject formation.

• 한국의류학회지
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• 제29권7호
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• pp.926-937
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• 2005

The analysis category of Art to Wear was text analyzed from the research material of 100 projects put together by fashion specialist. The conclusion of Art to Wear was comprehended the general features of it were compared and analyzed from a semiotics context. According to this analysis, the formative features of modern Art to Wear is categorized into three different dimensions from a semiotics light. The formative features of modem Art to Wear in the light of syntactic dimension was divided as an open constructed shape of Space Extension, non-typical Deformation, Geometrical Plasticity. The formative features of modem Art to Wear in the light of semantic dimension express symbolic meaning through metaphorical sign. These sign reflect the body image of the life and death and its objective of Abjection, Hybrid of discultural appearance and the image of Hyper-reality, which are features used to comprehend the inner meaning. The formative features of modem Art to Wear in the light of pragmatic dimension divided the artist emotion and meaning system delivered by Emotive Image, the Phatic Image that arouse inner signification and the Poetic Image which contain artistic and aesthetic meaning within it.