• 건축역사연구
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• 제16권1호
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• pp.83-99
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• 2007

This study examines the joint and splice of wooden structure at Geunjeongjeon Hall of Gyengbok Palace, which was constructed in the late Joseon Dynasty. The scope of the study is on the part of columns, the bracket sets, and the frame structure. This research also deals with the relationship between vortical load and horizontal load. Firstly, the examination of the joint and splice methods between the pillar and penetrating ties is on the joint and splice methods of the outer and corner. Through the investigation, it is verified that the joint methods between pillar and penetrating tie on the outer and corner pillars is the method of Sagal joints(cross joints, 사개맞춤). Joints used between pillar and penetrating tie are dovetailed tenon joints, between columns and Anchogong(안초공), between columns and Choikgong(초익공) are tenon joint(장부맞춤). Secondly, the examination of the joint and splice methods of the bracket set is on that of Salmi and Cheomcha(첨차), and Salmi and Janghyeo(장혀). Joints used between Salmi and Cheomcha, Salmi and Janghyeo are halved joint, and between each Janghyeo are stepped dovetailed splice. It is Cheomcha that is used the Jujang-Cheomcha(주장첨차) on center line. Therefore it is connected with each bracket set, which gets to is the strong system, easy and convenient on the construction of that. Thirdly, the frame structure of wooden architecture in royal palace is consist of purlins and beams, Janghyeo(장혀, timber under purlin), tall columns, king posts, etc. Through the investigation, it is verified that the joint and splice methods between purlins and beams are used with the methods of Sungeoteok joint(숭어턱맞춤). It is verified that the joint and splice methods between beams and high columns are used with methods of mortise and tenon joint(장부맞춤), is highly related with tensile force. To reduce the separation of parts, sangi(산지) and tishoi(띠쇠) are used as a counterproposal, which were generally used for architecture in royal Palaces in the late Joseon Dynasty and continued to be used until these days common wooden architecture.

• 한국의상디자인학회지
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• 제16권1호
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• pp.139-151
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• 2014

Storytelling contributes to easy flowing of cultural contents, and cultural original materials offer the creative subjects of cultural content. Now, in Korea, thanks to the Korean wave and etc, new kinds of cultural contents are requested and the demand for the original materials of storytelling has been increasing.A 5,000-year-old history, Korean traditional culture is the storage of the original materials of storytelling that can offer the creativity and the competitiveness, which are able to secure the national competitiveness. Particularly, there are different kinds of cultural archetype materials in the wedding ceremony and wedding costumes. This research, thus, is aimed at providing the subject materials for the cultural content development which are various and interesting by developing the original materials of storytelling on the wedding ceremony and wedding costumes during the Joseon dynasty. In the study for the wedding procedures in the late of Joseon Dynasty, the original sources within wedding ceremony created in the process where wedding customs in Joseon Dynasty and China were compromised are suggested. Further, in the research for the original sources on the wedding costumes associated the wedding ceremony, the original source of storytelling which are showed in a nation and an individual in the process where the wedding ceremony symbolizes the most important marriage one of the fomalities performed in one's life is suggested.

• 복식
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• 제58권5호
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• pp.51-70
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• 2008

The purpose of this study is not to look at the history of traditional accessories or the characteristics of their shapes but to discern imitations ￡Tom authentic items by exploring imitations of traditional accessories-- many of which were made in the late 20th century -- from private museums and university museums in order to help scholars assess relics. Among many kinds of accessories in the Joseon dynasty, only norigae, one of the representative accessories, and women hair ornaments are selected for this study since many of the relics have been recovered to date. Given this, this study will consider firstly the general history of norigae and women's hair ornaments, and secondly, prove several examples as relics from the late 20th century while they are marked as relics from the Joseon dynasty by comparing authentic items. Thirdly, among the imitations of the late 20th century, this study will find those so-called "original" imitations whose production origins are unidentified Fourthly, this study will explore the imitations, which were influenced by the influx of items and materials from China. It is important to discern low-quality relics as well as to correct the production time. Some producers exercised their creativity and made relics non-native to Korea. These relics shouldn't be presented at international exhibitions. Restored relics should be noted so and their quality should be equal to the authentic items. It is suggested that relics without the identity and quality of native Korean relics not baffle cultural interchanges and enhance national glory.

• 대한건축학회논문집:계획계
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• 제34권7호
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• pp.79-88
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• 2018

In the late Koryo Dynasty~early Joseon Dynasty, nationwide distribution of Ondol prompted the formation of ㄱ-shaped corner space. From this background, the spatial form changed according to the space function. In the case where the ondol is located in the bent portion, it would have formed a similar spatial form nationwide at the beginning of the 16th century. Until the middle of the 16th century the receptionists and the family rituals were carried out in the inner of the house, so ㄱ-shaped corner space gradually expanded. Also a special structure type using fultile rafters was used to cover the upper structure of the extended folded space. From the 17th century, ㄱ-shaped corner space was varied from wide and high to narrow and low. In addition to this, the space function of ㄱ-shaped corner is a small hall, a wooden floored room, and the kitchen. And Their spatial form also changes over time.

• 복식
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• 제59권3호
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• pp.96-108
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• 2009

This study is made on the royal lady's dress In late Joseon dynasty according to the King Heon-jong and Lady Kyung-bin's Wedding Diary in the year of Jung-mi(1847) and summarised as follows: Girls' full dress was a set of a red skirt, a violet undo. jacket, and a light yellow jacket and a green Gyeon-ma-gi(a kind of top jacket) with he. hair Saeng-meo-ri hanging Do-tu-rak-daeng-gi(a kind of hair ribbon). At the big ceremony, girls wore a green Dang-ui instead of Gyeon-ma-gi. A girl picked up as a royal concubine wore a green Won-sam, which was decorated with gilt letters meaning longevity, patched emblems of gilt letter meaning longevity on the breast and on the back, belted with Bong-dae(a red sash with gilt phoenexes), like a princess's full dress. At the Kyung-bin's installation of Crown Princess and her first greeting ceremony with royal elders, she wore a green Won-sam as a formal dress, which had an embroidered emblem of phoenix, the belt with crystal ornaments, Pae-ok(佩玉), Kyu(圭) of blue jade, Shou(綬) with an phoenix. At a Dong-wrae-yun(drinking ceremony after bride and bridegroom's bowing to each other), she wore the embroidered red Jang-sam as a formal dress. Kyung-bin wore a purple Won-sam with Bong-dae as a full dress for a royal feast. According to the occasions, the same dress was differentiated with ornaments and rotors. Ji-keum-bal was an attire for ordinary ceremony. The attire was equipped with a woven gold green Dang-ui with an emblem of phoenix, a blue gilt underskirt and a red gilt overskirt. No-ui was worn as outdoor clothes. Jang-sam was worn by various classes, so it was differentiated with materials and names according to her class.

• 한국의사학회지
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• 제34권1호
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• pp.23-29
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• 2021

Takji-oryego (A Review of the Five manners related to the Ministry of Finance) is a book organized by Hojo (Joseon's Ministry of Finance) and the cost and details of royal events held according to five manners. This book contained a lot of information on medicine-related rituals in the late Joseon Dynasty. Thus, it was found that the royal rituals related to medicine include not only childbirth and fertility, but also Heuljeon and Sangjeon. Through this study, the following facts were newly discovered: 1) The time of transcription was between October 1840 and October 1841. 2) Huljeon (Privilege given to save) is also related to the rise of the status of medical officials after King Sukjong. 3) According to Heuljeon, medical bureaucrats in the late Joseon Dynasty had a higher position than other technical officials. 4) The contents of reward were complementary to the existing literature. The date of death of a medical official, which was unknown in previous studies, is documented. In a case like Sansilcheong, there are contents that are unknown through other sources.

• Acta Via Serica
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• 제2권1호
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• pp.85-108
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• 2017

This paper details the advance of the "Hui" (回) people to Korea and their socioeconomic activities in forming their own community during the late Goryeo and early Joseon period. Hui (回) or Hui Hui (回回) is generally recognized as representative of Muslim culture in Chinese and Korean sources. From the $8^{th}$ century, Korean-Muslim cultural relations accelerated as an outcome of ancient Chinese-West Asian commercial transactions along the Silk Road. These contacts between Muslims and Koreans on the Korean peninsula are borne out by references to Korea found in 23 Islamic sources written between the $9^{th}$ and $16^{th}$ centuries by 18 Muslim scholars, including Ibn Khurdadbih, Sulaiman al-Tajir, and Mas'ud1 i. Ibn Khurdadbih was the first Arab who wrote of Muslims' residence in the Unified Silla Kingdom (661-935CE). However, in the period of Silla, we could not find any reliable written documents in Korea to show encounters between Korea and the Muslim world. In the Goryeosa (GS) chronicle, Muslim merchants who came to Korea were described as "Daesik" (大食: Tashi). Daesik (Tashi) is most probably derived from "Tajir", which means "trader" in Muslim language. Muslims' mass influx and their wide ranging influence on Korean society manifested from the late $13^{th}$ century when the Goryeo Dynasty first came under Mongol control and afterward in the early $15^{th}$ century with the new dynasty of Joseon in Korea.

• 한국지역지리학회지
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• 제21권2호
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• pp.319-341
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• 2015

조선시대의 읍성 취락은 중앙 정부가 지방의 각 고을에 계획적으로 건설한 행정 타운으로서 우리나라의 전통 도시를 대변한다. 읍성에는 객사, 동헌과 내아, 질청을 비롯한 다양한 행정 및 통치 시설들이 들어서 있었고 일반 백성들의 민가가 들어서 있는 경우도 많았다. 본 연구는 조선후기 읍성 취락의 주요 경관 요소와 경관 구성의 특성을 고찰하고 그 결과를 지적원도(1913)에 재현하는 데에 목적이 있다. 이를 위해 연구자는 현재적 재현을 위한 복원 대상 시기를 설정하는 일이 우선되어야 한다고 보았다. 연구자는 조선 읍성 경관의 완성기를 19세기 전반기로 규정하고, 이 시기 전국의 읍성 분포 및 주요 읍성 경관 요소의 전국적 보편성과 지역적 특수성을 파악하였다. 이 작업을 토대로, 태안읍성, 서산읍성, 해미읍성을 사례로 읍성 경관 완성기의 읍성 내 주요 경관 요소와 그들의 위치, 전체적 공간 구성을 1910년대의 지적원도 위에 나타내 보았다.

• 한국산학기술학회논문지
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• 제12권1호
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• pp.80-90
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• 2011

본 논문은 영조와 정조가 통치한 시기에 해당하는 시기인 조선후기 풍속화에 표현된 여성머리양식을 고찰하여 조선후기 성인여성머리양식의 특성을 분석한 논문으로서 연구의 목적은 조선후기 여성머리양식의 특성과 당시 여성들의 미의식을 규명하여 최근 유행하고 있는 사극드라마나 영화 등의 영상예술분야에서 활용될 수 있도록 하는데 있다. 조선시대 성인여성의 대표적인 머리는 얹은머리와 쪽머리로 그 중 얹은머리가 더욱 유행하였다. 신분에 관계없이 많은 여성들은 얹은머리의 규모를 크게하기 위해 가체를 사용하였으며 개인의 개성에 따라 머리양식을 다르게 하여 각기 다른 조형미를 연출했다. 조선시대는 신분에 따른 복색제도가 엄격하였으나 기녀들은 제약을 받지 않았으므로 복색에 자유로워 유행을 선도하였으며, 조선후기에는 실학의 영향으로 이미 신분이나 사상등의 제약으로부터 자유로워진 반가나 민서계급의 모든 여성들이 기녀들의 차림을 모방하여 유행과 동조하는 현상을 보였다. 조선후기 여성들은 자신의 개성을 표출하기 위해 머리양식을 유행의 도구로 사용하였으며 많은 여성들이 현대와 같이 유행을 추구하였다. 또한 당시 여성들도 얼굴과 가장 가까운 머리를 아름답게 꾸며 자신의 미를 강조할 정도로 미의식의 수준이 상당히 높았다.

• 헤리티지:역사와 과학
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• 제50권2호
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• pp.4-25
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• 2017

양주 회암사는 고려말기부터 조선초기까지 왕실과 밀접한 관계를 맺으면서 크게 중창되어 대찰의 면모를 갖추었다. 특히 당대의 고승이었던 지공선사, 선각왕사 혜근, 무학대사 등과 인연을 맺으면서 여러 번 지속적으로 중창되었다. 이러한 요인들로 인해 회암사는 조선전기 불교계의 중심으로서 불교문화를 선도하는 사찰이 되었다. 이러한 회암사는 조선후기에 소실된 이후 1997년부터 여러 차례 발굴조사가 진행되었다. 회암사지에서는 막새기와, 평기와, 특수기와 등 다양한 유형의 기와들이 출토되었는데, 이중에서 막새기와는 시대적인 특징을 가장 잘 보여주는 유물이다. 그리고 다양한 범자 진언명 기와들이 출토되었다. 양주 회암사지에서는 다양한 유형의 수막새와 암막새가 출토되었는데, 이 중에서 우수한 제작기법으로 범자 진언이 새겨진 막새가 상당량 출토되었다. 범자 진언은 1자에서 9자까지 다양한 유형의 범자 진언이 새겨졌는데, 그중에서 정법계진언과 육자진언이 새겨진 기와가 가장 많이 출토되었다. 이 진언은 도량을 청정케 함과 동시에 조선시대 들어와 육자진언 신앙이 본격화되었음을 알 수 있게 한다. 그리고 회암사지에서는 편년을 분명하게 알 수 있는 범자 기와가 출토되어 다른 사찰 범자 기와의 편년 설정의 기준이 되고 있다. 이것은 회암사의 범자 기와를 제작한 와공들이 범자 진언에 대한 신앙과 이해가 높았음을 알 수 있게 한다. 그리고 조선시대 회암사 이후 대부분의 사찰에서 범자 진언명 기와가 사용된 것으로 보아 회암사가 우리나라 범자 진언명 기와의 제작과 활용에 있어서 새로운 전기를 마련해준 사찰이었다고 할 수 있다. 앞으로 다양한 방면에서 회암사지 출토 범자 진언명 기와에 대한 연구가 이루어지길 기대한다.