• 품질경영학회지
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• 제20권1호
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• pp.147-157
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• 1992

This article describes a prototype expert system for yarn spinning process planning in textile industry. This expert system is intended as a consultant to give the technicians interactive assistance for the appropriate process planning in accordance with used materials, required count, and other factors affected yarn spinning by means of many types of machine. Also, this system has the other function that can be compared the standard values with the measured ones for quality characteristics control. VP-EXPERT-a rule-based microcomputer expert system development tool-provides the expert system components for this development. The details of knowledge organization, rule representation, inference reasoning process, and performance of this expert system are demonstrated with the practical yarn spinning operations.

• 제어로봇시스템학회:학술대회논문집
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• 제어로봇시스템학회 2002년도 ICCAS
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• pp.56.2-56
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• 2002

A dye process of textile industry is important part that finally gives required quality to the textile material. To produce a proper dye for the customers, color management that precise color measurement from original color sample and rapid estimation of corresponding color recipe is most essential. In the practical dye manufacturing process, color management falls into two categories. First one is color management with an expert knowledge of colorist, the other one is computer aided way. In the former management way, color management fully depends on colorists' expert without support of the measurement and computational devices. Objective color management is impossible in this way. The...

• 한국의류산업학회지
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• 제1권4호
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• pp.393-396
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• 1999

The purpose of this study was to suggest the knowledge and scientific information of the damage and improvement according to hair coloring manipulation. The study investigated variations of mechanical, nourishment(amino acid cystine) shape of cuticle characteristics according to hair coloring during 40, 50 minute. The results were as follows; Tensile strength was decreased variations of 6.62%, 13.68%, extension rate was increased variations of 10.58%, 12.28%, thickness was increased variations of 9.15%, 15.64% in 40 min. and 50 min. hair coloring. Content of amino acid cystine was lowered variations of 23.00%, 30.49% according to time of manipulation. A shape of cuticles was disfigured and brocken by reason of hair coloring manipulation.

• 한국의류산업학회지
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• 제10권4호
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• pp.499-505
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• 2008

The Purpose of this study is to research the relations between brand attachment and brand loyalty depending on symbolic consumption propensity toward fashion goods. Subjects were 391 women in their twenties to fifties who live in Gyungsang Province and have purchased the fashion goods. Frequency analysis, reliability analysis, factor analysis, multiple regression analysis, and one-way layout variance analysis were conducted using SPSS 13.0 as data analysis. The findings from the analysis are described in the following: Uniqueness and materialism out of the symbolic consumption propensity toward fashion goods had positive effects on the elements of brand attachment such as love, care, and knowledge. Brand loyalty was influenced positively by social face sensitivity and materialism among symbolic consumption toward fashion goods.

• 한국의류산업학회지
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• 제4권6호
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• pp.544-549
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• 2002

By the movable thermal manikin developed by China Dong Hua university, the laws of clothing thermal insulation influenced by dressing poses are studied. It is found that $I_a$ on nude thermal manikin has no relation to testing pose as a whole (notable level is 5%), while the change of testing pose influences $I_a$ value on parts of body obviously. The testing result $I_{cle}$ on clothed thermal manikin has relation to testing pose. The $I_{cle}$ value of the whole body in seated pose decreases 20 percent compared with that in standing pose (notable level is 1%). In view of heat transmission theory, the reasons are pointed out based on the knowledge of heat transmission.

• 한국의상디자인학회지
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• 제7권3호
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• pp.39-52
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• 2005

This paper is to study about paisley shawl and paisley motif to focus on Kashmir shawl. Kashmir shawl and paisley shawl of Europe can be identified by the use of 'pine cone' motif. Early 19th Europe textile manufactures began imitating the Kashmir shawl, the motif began to be called 'paisley', after Paisley, Scotland, one of the largest producers of imitation Karshmir shawls. This study is to analyze on origin of shawl and paisley motif at the theoretical background. And main issues are to study on organization of the Kashmir shawl indusry, weaving technic and producing process, development of motif, change of size and border design of shawl, difference of Woven Kashmir shawl, Patchwork shawl and hml shawl, causes of decline to shawl industry, differences of between Kashmir and European shawl etc. The result of this study can help to understand correct and accurate information, knowledge of paisley motif and paisley shawl.

• Fashion, Industry and Education
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• 제16권1호
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• pp.56-69
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• 2018

Tuban area in East Java, Indonesia, has a role as one of international ancient trading ports since 11th century. For that role, Tuban has accepted many foreign cultures that are brought by other nations, such as Tionghoa and Gujarat. The improvement of Tuban that involves international relationship clearly influences the forms of tradition and culture that is shown in Tuban nowadays. It is believed that from those tradition and cultures owned by people of Tuban, producing cloth is one of the oldest tradition maintained by the people. Those clothes, as one of traditional products, have unique identity that differ them to other regions. It is because the uniqueness of people's knowledge about cosmology concept, and skill owned by the people that passes through generations. This research explains the condition of traditional cloth tradition of Tuban society with fundamental ground data and explains elements that intervenes the tradition, and forms resulted from it.

• 청정기술
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• 제18권1호
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• pp.1-13
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• 2012

2000년 중반기 이후, 산업 경쟁력에서 환경 규제, 특히 제품 함유 유해물질 규제가 EU를 중심으로 점차 강화되어 큰 영향을 미쳐왔고, 이는 1990년 초 섬유산업에서 시작하여 전기전자산업을 거쳐 전 산업으로 확장되고 있다. 본 총설에서는 EU의 제품 함유 유해물질 규제 흐름을 알아보고, EU에서 규제하고 있는 유해물질의 종류, 규제 사유, 관련 근거 및 법령을 주요 섬유제품 에코라벨인 Oeko-Tex Standard, 전기전자 제품의 RoHS (Restriction of the use of certain hazardous substances in electrical and electronic equipment) 및 REACH (Registration, Evaluation and Authorization of CHemicals)의 SVHC (Substances of Very High Concern, 고위험성 물질)를 중심으로 고찰해 보면서 NGO (Non-Governmental Organization) 단체들의 활동으로 도출되고 있는 ChemSec (the International Chemical Secretariat)의 SIN (Substitute It Now) list와 그 의미를 조사해보았다. 또한, 국내 수출기업이 국제시장에서 받고 있는 클레임 사례를 통해 규제 유해물질이 시장에 주는 영향을 살펴보고, 유해물질로 인한 국제환경규제의 단기 및 중장기 대응 방안을 고찰해 보기로 한다.

• 한국의상디자인학회지
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• 제8권3호
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• pp.129-143
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• 2006

This study is to review the printed cotton textile industry of Europe in 17th-l8th century, and specially investigate the development of the Toile do Jouy, printed French fabrics around the 18th century. Generally, the Toile de Jouy has two different meanings. The first meaning is the popular printed cotton textiles producted by wood block printing, copper plate printing and roller printing techniques at Jouy on Joas factory in France, around 18th century. The second meaning is the monochromatic upholstery fabrics printed by copper plate. Actually, this monochromatic printed textiles were the most popular printed cotton fabrics with large scale scenic designs with people, trees, birds, buildings, mythical heroes, protagonists of novel and country scenes of shepherds, sheep and other animals manufactured by Jouy on Joas factory. Main issue of this paper is to propose features of pattern, color and classify types of patterns expressed on the Toile de Jouy fabrics according to printing techniques such as wood block printing, copper plate printing and copper roller printing. And this study is also to analyze on origins of the variety of names called the printed cotton textiles in those days. The results of this study can help to understand the knowledge of printed cotton textiles in Europe and be effectively applied to develop printed fabric design in the textile industry.

• 한국의상디자인학회지
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• 제10권1호
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• pp.45-53
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• 2008

Different method of textile fabrication had existed since the ancient times, but the most dominant form was the 'weaving' method which embodies the cross fabrication of vertical and horizontal threads using special weaving machines (looms). In addition, fabrication methods like knitting, felt, and lace were commonly practiced while intertwinement methods like twisting, braiding, and knotting techniques were frequently used for weaving strings and braid type textiles. In the past, people did not pay attention to strings and braids because they were classified as non-textiles, but, in this paper, we have expanded the scope of definition of textile to include strings and braids, and seek to conduct in-depth research on various different intertwinement of textiles. The adaptation of intertwinement method in arts and crafts enables limitless creative works reflecting the ever-changing taste and style of the creator. This creativity is further broadened by the fact that intertwinement methods encompass no set patterns and the subject and shape of its creation is as broad as its artistic pursuits. We can infer the knowledge of our ancestors, their aesthetic taste, and the pattern of life from these creations. In addition, these creations can provide comfort and improve the quality of life of modem people who are deeply deprived of sentimental and emotional solitude in the technological civilization of the 21stcentury. The main purpose of this paper is to examine traditional Korean arts and crafts made using the intertwinement methodology through the context of strings, braids, straw crafts and knotting method. Then it will conduct through research on the different materials, forms, characteristics, usage and other key notions based on the currently preserved records and relics to contribute to the research on traditional textiles and provide the foundations to the development of the Korean culture and cultural products, reflecting the true sole and aesthetics of traditional Korean textile crafts.