• 패션비즈니스
• /
• 제4권2호
• /
• pp.95-111
• /
• 2000

The purpose of this research is to investigate the concept of the photomontage technique, one of the various photographic techniques, and to analyze the photomontage image through the patterns that appeared in 1990's fashions. Moreover, by making clothes using the photomontage image, the intention of this study to apply the technique in real life is achieved. The results of this thesis for making clothes utilizing image of the photomontage are as followings. First, the photomontage expands the variety of materials that can be used, because the clothes using the photomontage image are able to take any photo images. Second, two different eras can co-exist in a piece of work since a photomontage work can uses two images from different eras. Third, it allows greater adaptability by expressing variety and utility in the making of the casual styles using conventional photo materials. The conclusion of this study is that the clothes appearing in the late 20th century using the photomontage image have been developed corresponding to the accelerated development of photography, machinery, and technical skill in civilization. Trends break away from the conventional expressions of art. This is a new trend and direction in art that will effect culture in the 21st century. The photo montage image would show the possibility of a good unification between human being and machines.

• 한국의류학회지
• /
• 제44권4호
• /
• pp.776-787
• /
• 2020

This study investigated physiological and subjective responses to different types of firefighter station uniforms made with various designs and materials. Six healthy males participated in this study that consisted of 20 min of rest, 30 min of treadmill exercise, and 30 min of recovery in a hot and humid environment (34℃ and 65%RH). The experimental clothing conditions were as follows. 1) a fitted T-shirt and trouser made of 100% polyester (FC-Uniform), and 2) flame retardant T-shirts made of acrylic and cotton as well as trousers with aramid and polyester, designed for overfitting (Control). There were no significant differences in the body temperature, and sweat rate between the two conditions; however, the heart rate with the FC-Uniform was significantly lower than Control (p=.025). The clothing microclimate temperature at the chest of the FC-Uniform was significantly lower than the Control (p=.037), and a difference of 1℃ was maintained until the recovery was complete. There were no significant differences in the subjective responses; however, participants experienced a humidity sensation faster with FC-Uniform in the recovery phase. The results indicate that changes in the design and material of firefighter station uniforms may have a positive influence on reducing the thermal stress of firefighters.

• 한국의류학회지
• /
• 제32권2호
• /
• pp.340-347
• /
• 2008

A prototype of 3D clothing design system with a direct pattern development function was suggested, reflecting intuitive design functions and design modifications while considering the fit of clothing patterns with the 3D human body in the virtual 3D space. The research method was as follows. Clothing models were created using a 3D design tool, 3ds max on the surface of 3D human body model made by scanning an actual human body. 3D illustrations were completed by revising the fit and sizing of the human body and clothing models. 2D T-shirt pattern was produced 3D illustrations using from a 3D scanning data modeling solution RapidForm 2004, a 2D conversion program for 3D data called 2C-AN, and Yuka CAD. As a result, the following conclusions were made. The fit of the clothing and human body can be adjusted by reflecting individual body figure characteristics and 3D illustrations over the actual 3D body model. Furthermore, intuitive design support functions were intensified overcoming the weak point of existing 3D clothing design system by developing the direct clothing design in the virtual 3D space. 3D illustration design modifications can be directly reflected on clothing patterns from 3D illustrations by 3D clothing design system developed in this study.

• 한국융합학회논문지
• /
• 제8권12호
• /
• pp.243-248
• /
• 2017

본 연구는 국외 스포츠의류의 라벨 표준화를 목표로 설정하였다. 라벨의 이론적 고찰을 통해 스포츠의류브랜드의 국외 상의 티셔츠를 중심으로 라벨을 조사하였다. 이를 토대로 32개 라벨 시안을 디자인하여 32명의 남녀 20~30대를 설문 조사하였다. 그 결과 피실험자는 size, fit, washing symbol mark, function의 정보표기를 선호하였다. 이와 같은 결과를 토대로 균형성, 간결성, 위계성, 인지성, 조화성을 고려한 보완된 라벨을 디자인하였다. 연구대상은 20~30대 남녀 12명을 심층 인터뷰하였다. 그 결과 피실험자는 자간과 공간, 정보표기 강조의 최대, 최소화로 인하여 라벨의 인지 선호도를 선정한다는 것을 알 수 있었다. 본 연구의 결과를 토대로 라벨 표준화를 활용하면 의류의 필수 정보를 쉽고 빠르게 인지할 수 있고, 소비자와 브랜드의 원활한 소통이 이루어질 것으로 판단한다. 또한, 언어의 통일화와 표준화된 라벨을 통해 소비자들은 얻고자 하는 정보를 쉽게 식별할 것으로 기대한다.

• Journal of Information Processing Systems
• /
• 제15권6호
• /
• pp.1277-1295
• /
• 2019

With its technical development, digital printing is being universally introduced to the mass production of clothing factories. At the same time, many fashion platforms have been made for customers' participation using digital printing, and a tool is provided in platforms for customers to make designs. However, there is no sufficient solution in the production stage for automatically converting a customer's design into a file before printing other than designating a square area for the pattern designed by the customer. That is, if 30 different designs come in from customers for one shirt, designers have to do the work of reproducing the design on the clothing pattern in the same location and in the same angle, and this work requires a great deal of manpower. Therefore, it is necessary to develop a technology which can let the customer make the design and, at the same time, reflect it in the clothing pattern. This is defined in relation to the existing clothing pattern with digital printing. This study yields a clothing pattern for digital printing which reflects a customer's design in real time by matching the diagram area where a customer designs on a given clothing model and the area where a standard pattern reflects the customer's actual design information. Designers can substitute the complex mapping operation of programmers with a simple area-matching operation. As there is no limit to clothing designs, the variousfashion design creations of designers and the diverse customizing demands of customers can be satisfied at low cost with high efficiency. This is not restricted to T-shirts or eco-bags but can be applied to all woven wear, including men's, women's, and children's clothing, except knitwear.

• 한국의상디자인학회지
• /
• 제26권1호
• /
• pp.45-60
• /
• 2024

This study analyzes the athleisure wear purchase status, wearing conditions, and design preferences of men in their 20s and 30s and provides basic data for the development of men's athleisure wear that reflects consumer preferences. An online survey was conducted on 200 men from August 23 to August 27, 2023. The questionnaire consisted of a total of 48 questions, including 8 questions about the respondent's general information, 19 questions about the purchase status of athleisure wear, 6 questions about the status of wearing athleisure wear, and 15 questions about athleisure wear design preferences. The survey results are as follows. The most common motive for exercise participation was 'maintaining health.' 'Nike' was the most preferred and purchased brand among athleisure wear brands, and the main place of purchase of athleisure wear was 'Internet and mobile shopping malls', reflecting the recent purchasing trend of the MZ generation. When purchasing athleisure wear, the most common selection criterion was 'design', followed by 'fitting comfort', 'possibility to use as daily wear', and 'price'. The most common route to obtain purchase information was 'Internet search', and the 'overall satisfaction' with athleisure wear was found to be satisfactory with an average of 3.83. The most common reason for wearing athleisure wear was 'because it is comfortable to do activities', followed by 'because it can be used as everyday wear'. Lastly, 'black', 'short-sleeved t-shirt', 'short length' sleeve, 'round neckline', 'waist length', and 'relaxed loose fit' were preferred for the top design, and 'black', 'shorts', 'full elastic type' waistband, 'regular fit that fits the body well' were preferred for the bottom design.

• 패션비즈니스
• /
• 제25권5호
• /
• pp.1-24
• /
• 2021

This study aimed to explore the fashion design and style features, and differences in BLACKPINK, TWICE, and Red Velvet girl groups. A total of 469 fashion photos (132 BLACKPINK, 217 TWICE, 120 Red Velvet) focusing on 23 title songs (7 BLACKPINK, 9 TWICE, 7 Red Velvet) were collected. Photo classification work was carried out in accordance with the design analysis criteria and the results were derived by combining statistical analysis and content analysis. BLACKPINK's fashion design characteristics showed a lot of complex colors, shade tone, pure tone, contrast color coordination, stylistic pattern, slit, patchwork, checklist method, sexy and avant-garde images. TWICE's fashion design characteristics included warm color, complex color, tint tone, monotone, contrast color coordination, tone-on-tone, geometric & stylistic patterns, cotton, silk, a combination of the same material, frill, beads, ribbon decoration, blouse, skirt, and many romantic and ethnic images. Red Velvet's fashion design characteristics were a cold color, moderate tone, monotone, cotton, velvet, geometric pattern, zipper, sequins, T-shirt, pants, tie, belt, and many retro and active images. The fashion styles of BLACKPINK, TWICE, and Red Velvet were as follows. BLACKPINK was divided into sexy avant-garde, sexy active, sexy romantic styles. TWICE was divided into romantic active, romantic classical, and romantic ethnic styles. Red Velvet was divided into retro active, retro sexy, and retro avant-garde styles.

• 한국의류학회지
• /
• 제25권1호
• /
• pp.71-82
• /
• 2001

In this study, Internet users were separated into 3 groups(clothing shoppers, clothing non-shoppers, non-shoppers). Shopping behavior of clothing shoppers(those who used the internet channel for clothing shopping) and the attitude to internet clothing shopping were examined. And characteristics of clothing shoppers were compared with characteristics of clothing non-shoppers(those who purchased goods except clothing on internet) and non-shoppers(those who purchased nothing on internet). The reason why clothing non-shoppers and non-shoppers didnt purchase clothing on internet was also investigated. Questionaire was used as method of gathering data. Mean, ANOVA, Duncan-test, t-test and $\chi$$^2$-test were used for data analysis. 1. Clothing shoppers considered carefully design, exchange & refund, quality and price and purchased generally T-shirt, underwear, jeans and sports wear. 2. Clothing shoppers thought clothing in internet shopping malls was not various in item, design, color, size and price. But they were satisfied with shopping convenience. 3. Clothing shoppers were more conscious of the shopping cost compared with clothing non-shoppers and non-shoppers Recreational shopping orientations and fashion leader orientations were low in both groups. Self-confidence in connection with clothing purchase were high in each groups, but that of clothing shoppers were relatively higher than clothing non-shoppers and non-shoppers. 4. The reason why clothing non-shoppers and non-shoppers didnt purchase clothing in internet shopping malls was that they wanted to buy after trying on clothing in a store, didnt believe the quality of clothing, didnt need to purchase clothing in internet shopping malls, and worried about exchange & refund.

• 자연과학논문집
• /
• 제8권2호
• /
• pp.225-236
• /
• 1996

본 연구는 텍스타일 디자인의 세 가지 분야인, 직조 디자인, 날염 디자인, 그리고 니트 디자인에 대해 살펴보았고, CAD 시스템을 이용하여 이들 텍스타일 디자인을 도식화 및 패션 디자인에 입혀봄으로써 텍스타일 디자인에 어울리는 패션 디자인을 선택할 수 있는 텍스타일 디자인과 패션 디자인을 연결시키는 작업 과정에 대해서 살펴보았다. 그 결과는 다음과 같다. 1. CAD 시스템의 프로그램을 이용하여 직조 디자인, 날염 디자인, 그리고 니트디자인 등을 디자이너가 머릿속에 그리는 이미지를 몇 번이고 쉽고 빠르게 구체화시켜 창작할 수 있었다.2. T셔츠 도식화에 이들 CAD 시스템의 프로그램을 이용하여 창작한 텍스타일 디자인을 입혀보았다.3. 창작한 직조 디자인은 여성 의류에, 날염 디자인은 아동복에 그리고 니트 디자인은 남성 복의 스웨터에 각각 입혀 보았다.이들 작업 과정을 통하여 CAD 시스템이 실무 디자이너들에게 얼마나 효율적인지에 대해 살펴보면 다음과 같다.1. 패션 디자인에 날염, 직조, 그리고 니트 디자인 등이 어울리는지를 모니터 상에서 알아봄으로써 실제 쌤플 제작에 드는 시간과 비용을 절감할 수 있다.2. 모니터 상에서 다양한 other color작업과 소재, 패턴 개발이 가능하고 제품 방향에 대한 신속한 의사결정을 할 수 있으므로 다품종 소량 체제를 갖출 수 있다.3. 제품이나 쌤플 제작 이전에 바이어들의 의사결정을 유도할 수 있으며, 바이어의 의향을 최대로 반영한 디자인을 즉석에서 구현시킬 수 있으므로 짧은 시간 내에 많은 제품의 주문을 받을 수 있다.4. 디자인 정보를 매년마다 체계적으로 관리할 수 있으며, 다시 활용할 수도 있음으로 정보를 얻기 위한 시간과 경비를 절감할 수 있다.5. 디자이너와 하청 업체간의 업무 간소화로 디자이너들이 독창적인 디자인 개발을 하는데 효과적일 뿐 아니라, 외주 용역비, 교통비등의 비용 또한 절감할 수 있다.

• 복식문화연구
• /
• 제22권4호
• /
• pp.565-578
• /
• 2014

This study is about the cases in fashion figure appearing the contemporary fashion and their characteristics. The work aims at providing a further active research opportunity for fashion figure in the modern fashion field and finding several possible utilizations to help the overall fashion industry through examination. Research methodology was followed up with the related literature review and empirical work through the case study of multiple fashion figures denoted in the contemporary fashion. The results showed in the following way for types of fashion figure in the modern fashion. The first type is that its figure was used for stage apparatus in fashion collection, various properties, or garment tool as doll shifted to a certain object. The second type is that art toy or fashion doll was used as specially added product via way of cooperation with fashion brand to be applied as fashion figure alone or other properties for T-shirt or something like that. The third type is the case that multifariously sized figures were applied to show window or shop display. This type of fashion figure is basically an imbedded fashionistic feature, reflecting the rarity, publicity, playfulness, and artistic value.