• 건축역사연구
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• 제10권4호
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• pp.7-21
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• 2001

This study is to analyze site layout traditional government office building focused on Chonui-hyon(全義縣) in Chungchong province with Chungchong-do regional maps(忠淸道地方地圖) and Eupjis(邑誌, topography) being compiled in the late Chosun dynasty. The conclusion of analysis can be summarized as follows; 1. Chonui-hyon(全義縣) in Chosun dynasty is gone with a planning principle of the capital city(Han-Seong, 漢城) with disposing Sa-Ji-Dan(社稷壇) and Gaek-Sa(客舍), which are placed to the left and right of Eupchi(邑治), and it is followed in the wake of the spatial structure of Chosun dynasty palace with disposing Dong-Heon(東軒) in front, Nae-A(內衙) at the back of it, or from side to side, also by the Dong-Heon of the center, with organizing each facility around it. 2. Dong-Heon and Gaek-Sa of Chonui-hyon is passed through three step gate, Mun-Ru(門樓), Woi-Sammun(外三門), Nae-Sammun(內三門), from Hong-Salmon(紅門), and are shown hierarchy by haying been placed at the end of approach axis. 3. Dong-Heon can be disposed by Feng-Shui(風水) which have influence on the southeast direction with Jin-San(鎭山) and An-Dae(案對), on the other hand, Gaek-Sa can be disposed by symbolic of the authority of a king. 4. Site layout by function of provincial government office is provided into four ferrite, Dong-Heon, Gaek-Sa, Nae-A, practical business territory, and eve territory is organized by official institution on a social position to radiation, by the compositive axis to be made Woi-Sammun Nae-Sammun Dong-Heon Nae-A 5. Approach process of Chnui-hyon government office is three door system similar to Kam-Young(監營) in a different way two door system in most provincial government office, also approach axis is formed by bending.

• 디자인학연구
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• 제18권4호
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• pp.257-266
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• 2005

본 연구는 기독교 예배공간 강단부 이미지를 대상으로 피험자를 통해 나타나는 감성반응을 연구하고, 감성 자극 요소가 감성반응에 미치는 기여도를 정량화하여 향후 예배공간 강단부 계획에 있어 감성의 공간을 구현하기 위한 기초자료를 제시하는데 그 목적이 있다. 연구 방법으로는 예배공간을 대상으로 추출한 감성 표현어휘 23개와 선정한 예배공간 강단부 이미지 32개와의 상관관계를 분석하기 위해 기독교인 143명을 대상으로 설문조사를 시행 하였다. 통합된 데이터를 수량화이론 III류 분석법을 이용해 2차원분산 분포도로 나타내었으며, 분석 결과, 이미지의 '단순복잡성'을 나타내는 가로(x)축과 이미지의 '독창성'을 나타내는 세로(y)축으로 성립됨을 밝혀내었다. 더불어 분석 결과에 따른 감성 반응치(反應値)와 감성 자극요소와의 인과관계를 수량적으로 추출하기 위해 클러스터 분석에 의한 유사도를 기준으로 가로축의 대표 감성어 소박한, 장엄한 과 세로축의 전형적인 독창적인 을 4개의 감성 어휘 그룹으로 선정하였으며, 해당하는 감성어휘 평가치의 총계를 기준변수로 하고, 예배공간 강단부의 감성 자극 요소를 독립변수로 하는 수량화 이론 I류 분석법을 이용해 분석하였다. 강단부의 감성 자극 요소의 구체적 부분은 벽의 색상, 형태, 마감과 바닥의 형태와 마감, 천장의 형태, 색채, 창의 형태, 상징적 요소의 유(有) 무(無) 9가지로 선정하였으며, 그에 따른 하부 카테고리 31개를 선정하여 감성 자극 요소가 감성반응에 미치는 기여도를 분석하였다. 그 결과 벽면의 색상과 마감이 피험자의 감성반응에 가장 많은 영향을 미치는 것으로 나타났으며, 상징적 요소의 유(有) 무(無)와 천장의 색상은 크게 영향을 미치지 않은 요소임을 밝혀내었다. 본 연구는 예배공간의 종교적 숭고미와 관련되는 감성적 요구를 표현하는데 있어 디자이너의 주관적인 해석을 객관화, 정량화시켜 사용자의 감성적 만족을 높이고 공간의 유형과 목적을 만족시킬 수 있는 공간 디자인 접근에 도움이 되리라 본다.

• 한국농촌건축학회논문집
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• 제1권2호
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• pp.133-144
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• 1999

This paper is a study of rural settlement and housing planning in North-Korea. All the housing facilities belong to the government in North-Korea. which leads to the system in which the North-Korea government controls all the housing problems. The North-Korea government actively engages in the settlement of housing problems have close relations with and effects on the urban housing ones. The government has designed to make the rural areas self-sufficient in matters of the rural housing arrangement. They try to make an axis in the middle of each village uniformly and heighten its symbolism of the rural. They place all the symbolic structures in the center to express the ideas of the ruler's. thus making the whole village a study hall where the villagers are forced to learn the ruler's ideas as a way of brainwashing the people.

• 한국환경과학회지
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• 제13권2호
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• pp.109-116
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• 2004

Nagan walled town is located on an axis connecting symbolic places, which is a lucky place from the Fengshui point of view because a mountain sits to the rear and a body of water sits to the front. It represents the environmental development of cultural space by blending folk belief, religion, social systems, adminstration facilities and living culture buildings. Therefore, it has a sustainable cultural view connected with a formed or formless religious view and an artificial view (walls, government buildings, living houses, cultivated lands, etc.) in a natural landscape. Environmental design techniques, enlarging the meaning and value of living on a mental level, can be found in the arrangement of space composition and settlement of Nagan walled town. The organised spaces of government and residential areas were constructed within the wall with the view of searching for lucky places (from best, better and good places) in order to construct ecological networks according to the outlooks of space and settlement.

• Computers and Concrete
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• 제6권6호
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• pp.505-521
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• 2009

The analysis of prismatic members made of reinforced concrete under inclined bending, especially the computation of ultimate loads, is a pronounced non-linear problem which is frequently solved by discretizing the stress distribution in the cross-section using interpolation functions. In the approach described in the present contribution the exact analytical stress distribution is used instead. The obtained expressions are integrated by means of a symbolic manipulation package and automatically converted to optimized Fortran code. The direct problem-computation of ultimate internal forces given the position of the neutral axis-is first described. Subsequently, two kinds of inverse problem are treated: the computation of rupture envelops and the dimensioning of reinforcement, given design internal forces. An iterative Newton-Raphson procedure is used. Examples are presented.

• 한국환경과학회:학술대회논문집
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• 한국환경과학회 2003년도 International Symposium on Clean Environment
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• pp.185-191
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• 2003

Walled town was located on the axis connecting symbolic places, which was a feng-shui lucky place of a mountain sits to the rear and a body of water sits to the front. It represents environmental development of cultural space by blend of folk belief, religion, social system, administration facilities and living culture buildings. Therefore it is sustainable cultural view connected of formed or formless religious view and artificial view(wall, government buildings, living houses, and cultivated land so on) in a nature landscape. Environmental design technique, enlarging its meaning and value of living to mental level was founded from space composition and settlement, which was constructed organized space of government and residence area of walled town within the wall for looking for lucky place(from best, better, and good places) in order to construct ecological network (天+地+人, 山＋水＋方位＋人, 地理＋生利＋山水＋人心) by outlook of space and settlement.

• 인문언어
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• 제1권2호
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• pp.67-90
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• 2001

In the past few years, a trend has emerged emphasizing the interdisciplinary relationship between cultural and literary studies, and "memory" has been suggested as the central theme in this trend. According to Aleida and Jan Assmann, "memory" as collective memory (not individual recollection) has various functions and forms, of which communicative memory and cultural memory occupy opposite poles of a central axis. Whereas communicative memory relates to the living past shared among contemporaries, cultural memory relates to "recollected history" rather than factual history. Cultural memory finds transmission through symbolic media such as myths, festivities, and literary works. Literary works preserve critical and living memories as opposed to forgotten memories. In other words, literature should be better read as "criticism and memory" than "imitation and preservation." Works of literature are characterized by a turning away from repetition toward representation-the process of "making present" of what is past.

• 한국지역지리학회지
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• 제11권3호
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• pp.351-366
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• 2005

조선시대의 관도(官道)는 당시 지리지들의 기술방식으로도 짐작할 수 있듯이, 수도 한양과 지방의 각 고을 및 군사요충지를 직결하는 것을 제일의 목적으로 하고 있었다. 바꾸어 말하면 지방행정도시인 읍치와 수도는 관도를 통해 가장 가깝게 연결되어 있었던 것이다. 관도는 공무여행자의 정식통로이자 관리의 파견 및 귀경통로였다. 따라서 이 관도가 읍치로 접어드는 지점이 보통 그 해당 읍치의 현관문이 되는 것이었다. 한편 지형적 제약 등이 없는 한 대부분의 읍치에서는 관아의 좌향이 남향이었기 때문에, 이를 마주보는 남쪽 출구가, 읍성이 있으면 남문이 으레 읍치의 현관문이 되었다. 따라서 판도는 읍치 주변을 우회해서라도 남문으로 돌아서 읍치에 들어가도록 고지도 등에는 그려지고 있는데, 이는 실제적인 교통로의 체계와 차이가 날 수 있는 '상징적 교통로'였다. 관아와 현관문 사이, 때로는 주산, 내삼문, 외삼문, 비보 등의 요소까지 추가되어서 해당 읍치의 상징축이 형성되었다. 다만 역시 지형이나 교통로의 방향 때문에 실제 공간상에서는 상징축의 방향과 교통로의 방향, 심지어 현관문의 위치까지도 실제와 어긋나는 경우도 많았다.

• 한국조경학회지
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• 제29권4호
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• pp.67-74
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• 2001

This paper presents a landscape design for the citizen plaza around the ˝Woojeongchongkuk˝(the 1st Korean postal building) where the ˝Gapsinjeongbyeon˝(1844 coup d´etat) occurred and which was once used as the ˝Jeoneoigam˝(a palace hospital). The site is located in 39 Kyeonji-dong, Jongno-gu, Seoul, and of which area is about 2,013$m^2$. The landscape design goals are to build traditional spaces which fit the traditional buildings and where people feel the old atmosphere; to build interesting spaces where people can learn the post and telegraphic history; and to build nature-friendly green rest spaces in the city. To achieve these goals, symbolic, traditional, educational, historical, and environmentally-friendly concepts are developed. With this concept the space is divided into two axis of the pst and telegraph of Korea. Along the two axis the Postage Stamp ˝Madang˝(yard), the Letter Garden, the Telegraphic ˝Ddeul˝(garden), the Communication Plaza, and the ˝Jeoneoigam˝(old palace hospital) and the ˝Gapsinjeongbyeon˝(1884 coup d´etat) Memorial Place are arranged. The Postal Stamp Madang which symbolizes the first Korean postage stamp is a space for studying history and evolution of stamps in Korea. The Letter Garden which symbolizes and formalizes a letter paper is composed with white bamboo trees which are planted linearly and long granite benches on which famous letters are carved. In the Telegraphic Ddeul which symbolizes the telegraph, the history of the telegraphic instrument and the telephone is exhibited. In the Communication Plaze which symbolizes future post and telegraph service extending to the world, the images of satellite communication, internet, webmail etc. are exhibited. The Jeoneoigan, and the Gapsinjeongbyeon Memorial Place is for memorializing the historic place and events. Throughout the whole place, various models and ceramic picture tiles about the post and telegraph and exhibited for effective education. In conclusion, sustainable management schemes for the site are suggested.

• 한국실내디자인학회논문집
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• 제15권4호
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• pp.97-105
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• 2006

Richard Meier has earned his recognition by developing his unique design approach and keeping consistency in design concept in museum architecture over the years of his practice. The purpose of this study is finding common characteristics of the exhibition space spatial organization based on actual site visit analysis. This study will mainly focus on the museums Richard Meier designed between 1979, which is the year he started, until 1997 which is the year Getty Museum opened. For the purpose of this study, Museum of Applied Art, Frankfurt(1979-85), High Museum of Art, Atlanta(1980-83), Museum of Contemporary Art, Barcelona(1987-95), and The J.Paul Getty Museum(1984-1997) have been selected for analysis. This study will reveal fundamental characteristics of Richard Meier's architectural philosophy through his early residential projects and give background information of the 'white architecture' Close analysis will continue by reviewing four museums selected specifically for this study and focus more from the point of issues such as; 1)applying various axis in space programming, 2)symbolic significance of exhibition space, 3)hierarchy of each space, 4)design elements and characteristics of the exhibition space. Furthermore, quantitative research on exhibition space organization will be done by Space Syntax theory method. The result of the study will be a significant data in designing a modern museum.