• The Journal of Korean Institute of Communications and Information Sciences
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• v.13 no.2
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• pp.127-137
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• 1988

In this paper, the extracting method for the control subcode in digital audio systems is pressented. And also the subcode format to display on the screen and a extracting method of the control signals within the DAS information are described. The extracted control signal from DAS is analyzed in the microprocessor systems and the microprocessor systems generate the screen information and then transmit to the CRT controller by the proposed protool.

• KSII Transactions on Internet and Information Systems (TIIS)
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• v.5 no.2
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• pp.374-388
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• 2011

Biometric discretization is a process of transforming continuous biometric features of an identity into a binary bit string. This paper mainly focuses on improving the global discretization method - a discretization method that does not base on information specific to each user in bitstring extraction, which appears to be important in applications that prioritize strong security provision and strong privacy protection. In particular, we demonstrate how the actual performance of a global discretization could further be improved by embedding a global discriminative feature selection method and a Linearly Separable Subcode-based encoding technique. In addition, we examine a number of discriminative feature selection measures that can reliably be used for such discretization. Lastly, encouraging empirical results vindicate the feasibility of our approach.

• ETRI Journal
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• v.28 no.2
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• pp.227-230
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• 2006

There has been a growing need for increased capacity in cellular systems. This has resulted in the adoption of the code division multiple access (CDMA) system as a multiple channel access method. Thus, it is important to obtain the phase offsets of binary codes in the CDMA system because distinct phase offsets of the same code are used to distinguish signals received at the mobile station from different base stations. This letter proposes an efficient algorithm to compute the phase offset of a binary code in the CDMA system through the use of the basic facts of number theory and a new notion of the subcodes of a given code. We also formulate the algorithm in a compact form.

• Bulletin of the Korean Mathematical Society
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• v.56 no.1
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• pp.111-130
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• 2019

The concepts of pseudocodeword and pseudoweight play a fundamental role in the finite-length analysis of LDPC codes. The pseudoredundancy of a binary linear code is defined as the minimum number of rows in a parity-check matrix such that the corresponding minimum pseudoweight equals its minimum Hamming distance. By using the value assignment of Chen and Kløve we present new results on the pseudocodeword redundancy of binary linear codes. In particular, we give several upper bounds on the pseudoredundancies of certain codes with repeated and added coordinates and of certain shortened subcodes. We also investigate several kinds of k-dimensional binary codes and compute their exact pseudocodeword redundancy.

• Broadcasting and Media Magazine
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• v.10 no.1
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• pp.99-112
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• 2005

Christian Metz, the precursor of cine-semiology, considered cinema as a language in the sense that it is a set of messages grounded in a given matter of expression, and a signifying practice characterized by specific codifications. According to Metz, film forms a structured network produced by the interweaving of cinematic codes, within which cinematic subcodes represent specific usages of the particular code. For Metz, cinematic language is a totality of cinematic codes and subcodes, and history of the cinema is the trace of the competition, incorporations and exclusions of the subcodes. He also suggested a filmic text is not just a list of codes in effect, but a process of constant displacement and deformation of codes. Following Metz' textual analysis methodology, I investigated the formal configuration of Hayao Miyazaki‘s animation, Spirited Away. It is interesting to trace the interweaving of cinematic codes in Spirited Away, i.e. codes of lighting, color, movement, and auteurism, across the animation. I focused on the first scene at the bridge to Yubaba's bathhouse, analyzing each cinematic code and its subcode applied. The first bridge scene is carefully constructed to stand out the confrontation of Chihiro (with Haku) and the bathhouse. The bathhouse is not just a building, it represents the powerful witch, Yubaba, yet to appear on the scene, and functions as an antipode to Chihiro. In each shot, every subcode within the codes of framing, direction, angle, color, lighting and movement is used to maximize the contrast between the dominant bathhouse and the feeble 10-year-old girl. In Spirited Away, the subcodes within each cinematic ode are constantly competing and displacing each other to augment the antithesis between the characters and develop the narrative. As Metz's argument that film constitutes a quasi-linguistic practice as a pluricodic medium, Spirited Away communicates with the spectators with the combination and displacement of these cinematic codes and subcodes.

• Proceedings of the IEEK Conference
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• 2002.07b
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• pp.1296-1299
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• 2002

We implemented a CD signal processor operated on a CAV 48-speed CD-ROM drive into a VLSI. The CD signal processor is a mixed mode monolithic IC including servo-processor, data recovery, data-processor, and I-bit DAC. For servo signal processing, we included a DSP core, while, for CAV mode playback, we adopted a PLL with a wide recovery range. Data processor (DP) was designed to meet the yellow book specification.［2］So, the DP block consists of EFM demodulator, C1/C2 ECC block, audio processor and a block transferring data to an ATAPI chip. A modified Euclid's algorithm was used as a key equation solver for the ECC block To achieve the high-speed decoding, the RS decoder is operated by a pipelined method. Audio playability is increased by playing a CD-DA disc at the speed of 12X or 16X. For this, subcode sync and data are processed in the same way as main data processing. The overall performance of IC is verified by measuring a transfer rate from the innermost area of disc to the outermost area. At 48-speed, the operating frequency is 210 ㎒, and this chip is fabricated by 0.35 um STD90 cell library of Samsung Electronics.

• Journal of Trauma and Injury
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• v.22 no.1
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• pp.108-115
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• 2009

Purpose: We designed a retrospective study to measure the accuracy of the ICD-10 (International Classification of Disease-10) code for trauma patients. We also analyzed the error of the ICISS (International Classification of Disease based Injury Severity Score) due to a missing or an incorrect ICD-10 code. Methods: For the measuring the accuracy of the ICD-10 code for trauma patients in a tertiary teaching hospital's emergency department, two board certified emergency physician performed a retrospective chart review. The ICD-10 code was classified as a main code or a sub-code. The main code was defined as the code of the main department of treatment, and the sub-code was defined as a code other than the main code. We calculated and compared two ICISS for each patient one by using both the existing code and the other by using a corrected code. We compared the proportions of severe trauma (defined as an ICISS less than 0.9) between when the existing code and the corrected code was used respectively. Results: We reviewed the records of 4287 trauma patients who had been treated from July 2008 to November 2008. The accuracy of the main code, the sub-code of emergency department, main-code, the sub-code of hospitalized patients were 97.1%, 59.8%, 98.2% and 57.0%, respectively. Total accuracy of the main and sub-code of emergency department and of hospitalized patients were 91.4% and 58.6%. The number of severe trauma patients increased from 33 to 49 when the corrected code was used in emergency department and increased from 35 to 60 in hospitalized patients. Conclusion: The accuracy of the sub-code was lower than that of the main code. A missing or incorrect subcode could cause an error in the ICISS and in the number of patients with severe trauma.