• 한국의류산업학회지
• /
• 제13권6호
• /
• pp.838-847
• /
• 2011

The object of this study is as follows. First, according to the silhouette of clothes, I will search the relationship with the embroidery design. Second, I will investigate the relation of coloration about the clothes color and embroidery color. Third, I will search the relation with the image in clothes and embroidery design characteristic. The data acquisition is selected to the total 447 pictures of embroidery clothing design from the www.style.com, www.samsungdesign.net which are the related information site. The data are limited from S/S season in 2004 till F/W season in 2008 in the Paris, Milano, and New York collection. The analytical method was made through the analyze method and statistical method. First, on the relation with the clothes silhouette and embroidery design, if the satin stitch technique is utilized as the X-shaped or A-line silhouette in the one-piece and dress, the image which is elegant and feminine can be expressed. if the satin stitch technique is utilized as the H-line silhouette in jacket and court, the mannish image can be expressed. Second, the embroidery color showed up as the contrast combination of the monotone when the clothes color was the monochrome. And the embroidery color showed up as the tone in which is bright and sober when clothes color had 2 or 3 or 4. So, if the embroidery color is utilized as the similar color scheme, it will be effective. Third, if the embroidery technique of the one-piece and dress is utilized as the the satin stitch technique and the bloom and leaf motive being stylized pattern is used in the all-over and border pattern, It will be effective to express the romantic/feminine, ethnic/folklore, active, and classic image.

• Clinics in Shoulder and Elbow
• /
• 제9권2호
• /
• pp.181-188
• /
• 2006

Purpose: To evaluate the integrity of repair & technical tip in use of Massive Cuff Stitch at arthroscopic repair of rotator cuff tear. Materials and Methods: Twenthy-nine cases of arthroscopically repaired full thickness tear of rotator cuffs which are medium sized were evaluated. Between December 2004 to September 2005 we have studied, the average age 53($42{\sim}69$) years old, mean follow-up was 15($12{\sim}21$) months. We analyzed the results statistically by paired t-test. The integrity of repair were verified by follow up MRI which were checked 11 cases and ultrasound which were checked 10 cases. Results: VAS of pain improved preoperative average 7.1 to postoperative 0.9, ADL improved 11.2 to 25.6 respectively, UCLA improved 13.7 to 32.9(all, P<0.05). 89.7% showed excellent & good results at the final follow-up. The satisfied rate was 93.1%(27 cases). There was re-rupture of the repaired rotator cuff in one case out of 11 cases which were checked by MRI, and in one case out of 10 cases which were checked by ultrasound, and there was one case of thinning of cuff which were checked by ultrasound. Conclusion: The use of Massive Cuff Stitch in arthroscopic repair of rotator cuff tear have been reduced technical failure. It will be good surgical technique which maintain the integrity of repairs.

• 한국의상디자인학회지
• /
• 제5권3호
• /
• pp.25-36
• /
• 2003

The purpose of this study is to analyze the expressive technique of grunge look in knitwear fashion. For this study, I have investigated theories of retro and decontructionism trends, and have examined pictures from professional fashion magazines. The results of study on the expressive technique of grunge look reflected on the knitwear fashion were as follows; (1) patchwork technique, which is an outstanding method of recycling, (2) handknitting technique, which came from retro trend of hippism, (3) unfinished edge, which emphasized the image of poverty and incompleteness, (4) irregular lace knitting and slash technique, which is the typical details of grunge look and denies the traditional fashion order, (5) hand stitch technique using various materials, which gives second-hand mood of hippie look, and (6) fringe details, which originated from the unfinished edge technique.

• 복식
• /
• 제66권7호
• /
• pp.89-108
• /
• 2016

The purpose of this study is not only to trace the examples of 'Chesanja' from the texts and artifacts, but also to restore the terminology of the lost traditional Joseon embroidery technique. 'Chesanja' came on Mongolia and Yuan period affected embroidery techniques of the neighboring countries. Therefore, this study will focus on investigate the process of changing 'Chesanja' into Guya(Goya) through ${\ll}Barktonsa{\gg}$ the foreign language transcriptions of the Chosun dynasty, and examine the generation, fashion, and destruction of this technique with the social technical usage. Around the 16th century of the Joseon Dynasty, 'Chesanja' had been actively used as a decorative techniques to dairy products as well as a Buddhist memorial goods embroidered. Accor- dingly, in the "Beonnyeok-Baktongsa"(1515) appeared together written records with 'Chesanja' 'Gwiyeo[귀여]' the Eonhae(Korean annotation) only had emerged in the Joseon Dynasty. It was still a technique to decorate the edges of royal pillow in the mid-17th century. And we have checked from the text "Baktongsaeonhae"(1677) also. Despite this by the mid-18th century, the term in "Baktongsa-sinseok"(1765) and "Baktongsa-sinseok-eonhae"(1765) had disappeared. This phenomenon suggests the possibility that the production and utilization of 'Chesanja' required the sophisticated process for the ruling class had been declined with the custom of embroidery based on the gradation by colorful threads as the preferred technique. Therefore, 'Chesanja' and 'Gwiyeo'[귀여] disappeared from the records but they can be found in the artifacts of the royal family of 19th century. So Chesanja is calls Guya(Goya) and exists as unique technic only in the royal family.

• 복식
• /
• 제57권2호
• /
• pp.1-10
• /
• 2007

This study aims at the improvement of sewing function through understandings of dynamic property about the sewing methods and the thread material selection in knitwear. The tensile strength and shear of KES-FB and the Instron were measured for the analysis of the mechanical properties. The knit cloth was structured In the plain stitch, $1\times1$ rib stitch and $2\times1$ rib stitch with the combination of wool and cotton. With regard to the sewing method, intralooping and interlacing were applied. For thread materials, polyester, cotton, wool and silk were used. Since silk has the lowest extension and similar values regardless of its construction in intralooping, it is available knit apparel with uniform elastic recoverv. It also has small shearing resistance. It can be used in apparel which needs big mobility, but it causes rutting problem. Therefore, it is suitable to use intralooping. When the same sewing yarn and textile are use, it can lower shearing resistance and extension in intralooping, Since wool needs a lot of extension energy and it can be cut, intralooping is more suitable than interlacing in sewing of wool. In interlacing using polyester, extension and shearing resistance are high. Therefore, it is suitable for knit sewing with high massing. Silk is not suitable for interlacing since it can be rut. Even though knit materials are different, the RT values of polyester and cotton are similar in same construction. Therefore, they can be substituted each other considering resilience after sewing.

• 헤리티지:역사와 과학
• /
• 제46권3호
• /
• pp.230-250
• /
• 2013

동아대학교박물관에 소장된 <초충도수병(草蟲圖繡屛)>(이하 <수병>)은 보물 제595호로 지정되어 있으며 초충도 회화작품보다 더 정교하고 섬세한 사실적 표현과 다채한 입체적 구성으로 미술사 분야에서 그 가치가 높이 평가되어 왔다. 그러나 <수병>이 자수 작품임에도 불구하고 현재까지 섬유공예적 측면에서의 분석과 연구는 이루어지지 않았다. 본고에서는 <수병>의 바탕직물, 자수색사, 자수기법 등을 과학적 기기를 사용하여 조사 분석함으로써 <수병>의 문양소재와 섬유공예적 특징 및 <수병>이 섬유공예사에서 갖는 가치를 규명하였다. 연구 결과, <수병>은 8폭 병풍으로 이루어져 있으며 소재와 구도는 일반적인 초충도 회화작품과 유사하다. 각 폭의 주제문양은 제1폭에서부터 순서대로 오이, 맨드라미, 원추리, 여주, 패랭이, 수박, 가지, 들국화로 이루어져 있다. <수병>의 문양 중 여주는 현전하는 초충도 회화작품에서는 볼 수 없는 특별한 소재이다. 제8폭은 곤충, 파충류 등의 문양이 없이 들국화만 단독으로 시문하여 초충도의 전형적인 형식과 차별이 있다. <수병>의 직물은 지금까지 장식용 자수에서는 볼 수 없었던 검은색을 사용하여 다채한 색사를 강조하여 극대로 표현하고자 했음을 알 수 있다. 바탕직물은 5매 공단[무문단(無紋緞)]을 사용하였다. 자수사는 극히 미약하게 꼬임을 준 반푼사를 사용하였으며 꼬임의 방향은 우연이다. 한 가지 색의 단사를 사용하기도 하고 때로는 두 가지 색을 병사로 사용하거나 합연사한 혼합색을 사용하여 입체적으로 표현하였다. 색상은 열화되고 퇴색이 심하여 원래의 색은 알 수 없지만 가장 많이 사용된 색은 황색계열에서 녹색계열의 색이며 청색, 갈색, 자색 등이 비교적 잘 남아있다. 원추리, 패랭이, 딸기 등의 색은 현재 적황색으로 남아 있는데 초충도와 비교해 볼 때 원래는 주황색 또는 홍색이었을 것으로 추정된다. 자수의 기법은 대부분 표면평수를 사용하여 면을 채우고 있다. 이를 통해 색사의 낭비를 줄이고자 했던 옛 여인들의 알뜰한 지혜가 엿보인다. 평수는 면을 장식하는 비교적 간단한 자수법이지만 색사를 다양화하고 면을 분할하여, 수직, 수평, 사선평수를 배합하고 때로는 자릿수와 같이 서로 맞물리게 자수하여 다양한 질감과 양감을 표현하였다. 곤충의 몸통은 가장자리수와 이음수, 평수를 혼합하여 입체적으로 표현하고 있으며, 특히 가장자리수의 활용이 주목된다. 그 외 이음수로 잎맥 등을 입체감 있게 나타내고, 제7폭의 쇠뜨기는 표면솔잎수를 층층이 자수하여 사실적으로 표현하였다. 패랭이, 딸기, 오이 등에는 평수 위에 장식수를 더하여 세세한 묘사를 더했다. <수병>은 회화사, 문화사적으로도 가치가 크지만 한국 자수공예사에 있어서도 우수한 한국적 자수기법과 색채를 사용하여 신사임당 초충도의 모습을 가장 잘 표현하고 있는 점에서 큰 중요성을 지닌다고 할 수 있다.

• Current Optics and Photonics
• /
• 제5권6호
• /
• pp.680-685
• /
• 2021

We propose a technique that reconstructs a hologram whose pixel number is greater than the pixel numbers of a conventional image sensor. The pixel numbers of the hologram recorded by optical scanning holography (OSH) increases as the scan area becomes larger. The reconstruction time also increases drastically as the size of the hologram increases. The holographic information of a three-dimensional (3D) scene is distributed throughout the recorded hologram; this makes the simple divide-and-stitch approach fail. We propose a technique that reconstructs the hologram without loss of holographic information. First, we record the hologram of a 3D scene using OSH. Second, we segment the hologram into sub-holograms that contain complete holographic information. Third, we reconstruct the sub-holograms simultaneously. Finally, we rearrange the reconstructions of the sub-holograms.

• Archives of Reconstructive Microsurgery
• /
• 제8권1호
• /
• pp.22-27
• /
• 1999

While the conventional end-to-end anastomotic technique is accepted as 'the golden standard' for microvascular anastomosis, it is time-consuming and tedious. In an effort to offer faster and safer ways of performing microvascular anastomoses, numerous anastomotic techniques have been proposed, but further refinements in microvascular techniques are still necessary. A 'continuous suture with interrupted knot' technique was devised for faster and safer anastomosis. It has been successfully used in microanastomoses of both artery and vein for free tissue transfer. It is a combination of the interrupted suturing technique and the continuous suturing technique. First, a continuous suture is made with the size of loop decreasing in order, and then the sutures are tied individually from the first loop to the last one as in the conventional interrupted suturing technique. It was applied clinically to fourteen patients over the past ten months and found to be a highly efficient technique that satisfied our needs. This 'continuous suture with interrupted knot' technique has several advantages over other techniques : The operative time is reduced comparing conventional interrupted suture technique. By delaying the tie and with the vessel walls kept separated, the risk of through-stitch can be reduced. Tying all the sutures at one time not only speed up the procedures, but also reduced the surgeon's fatigue. In addition, it has no problem of anastomotic stenosis which is a disadvantage of continuous suture technique. This technique proved to be faster and safer, and has patency equal to that of the conventional end-to-end anastomosis. It is of great help to the surgeon in reducing operative time, especially in clinical situations when many anastomoses are required, or lengthy grafting procedures are undertaken.

• Archives of Plastic Surgery
• /
• 제41권1호
• /
• pp.71-76
• /
• 2014

Background Numerous methods exist for simultaneous correction of mild blepharoptosis during double eyelid surgery. These methods are generally categorized into either incisional (open) or non-incisional (suture) methods. The incisional method is commonly used for the creation of the double eyelid crease in patients with excessive or thick skin. However, concurrent open ptosis correction is often marred by the lengthy period of intraoperative adjustment, causing more swelling, a longer recovery time, and an increased risk of postoperative complications. Methods The authors have devised a new, minimally invasive technique to alleviate mild ptosis during incisional double eyelid surgery. The anterior lamella is approached through the incisional technique for the creation of a double eyelid while the posterior lamella, including Muller's and levator muscles, is approached with the suture method for Muller's plication and ptosis correction. Results The procedure described was utilized in 28 patients from June 2012 to August 2012. Postoperative asymmetry was noted in one patient who had severe preoperative conjunctival scarring. Otherwise, ptosis was corrected as planned in the rest of the cases and all of the patients were satisfied with their postoperative appearance and experienced no complications. Conclusions Our hybrid technique combines the benefits of both the incisional and suture methods, allowing for a predictable and easily reproducible correction of blepharoptosis with an aesthetically pleasing double eyelid.

• 복식문화연구
• /
• 제12권5호
• /
• pp.880-896
• /
• 2004

Trompe l'Oeil technique strategically conceived with a view to effectively realize creative ideas among the expression techniques of fine arts style has provided the driving force in development of fine arts and has continuously influenced development of the modem fashion pursuing unique individuality. The study is focused first on finding out how Trompe l'Oeil technique originated in connection with researching the fashion of Trompe l'Oeil and on analysing the technique of expression. The author referred to fashion magazines for designing ideas of Trompe l'Oeil represented in modem fashion in practical applications used by designers in Paris, Italy, London and New York during the 10 year period(1990-1999). The collections of data were analyzed as following: Effectiveness depending on the method of Trompe l'Oeil I. Effectiveness of Layering: when two clothing are over lapped or coordinated with one another in color or style. 2. Effectiveness of Detailing: when pictures, stitch, tape, cutting, quilting and etc are used to create collar, pocket, yoke, zipper, string, shadow and etc. 3. Effectiveness of Accessories: when the image of necklace, belt, tie, tassel, badges and stars are represented by illustration or embroidery on clothing to substitute the actual existence. 4. Effectiveness of Nudity: when human body is realistically drawn and printed on clothing.