• 한국콘텐츠학회논문지
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• 제15권12호
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• pp.185-192
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• 2015

이 연구는 생활임금제가 정책수단으로 어떠한 가치를 가지며, 왜 필요한지를 이해하기 위해 시스템사고 이론을 바탕으로 생활임금제와 경제변수들이 어떠한 상호연계성을 가지고 작동하는가를 분석하였다. 연구를 통해 얻어진 결과는 다음과 같다. 첫째, 생활임금제와 경제변수들의 관계는 상당한 수준에서 밀접한 상호작용을 보이고 있다는 점을 알 수 있었다. 특히, 노동자의 생활수준, 소비, 경기, 경제로 이어지는 상호피드백 작용이 긴밀하게 작동하고 있었다. 둘째, 생활임금제와 경제변수들의 피드백 구조는 크게 세 개의 양(+)의 피드백 루프가 작동하고 있었다. 이것은 생활임금제와 관련된 긍정적 경제변수가 성장할 수 있는 가능성을 가진 것으로 해석될 수 있다. 또한 최저임금제가 제 역할을 하지 못했다는 것으로도 이해할 수 있다. 이러한 연구결과를 통해 생활임금제는 정책수단으로 충분한 가치를 가지며, 생활임금제가 단순히 공공부문의 적용수준을 넘어 민간부문으로 확대되는 것이 바람직하며, 경제시스템에도 긍정적 변화를 이끌어 낼 수 있다는 교훈을 얻을 수 있었다.

• 한국실내디자인학회논문집
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• 제24권2호
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• pp.58-66
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• 2015

This study was conducted to determine a 'platform' as a mean of interactions between users in contemporary spatial design and network(web) and to verify the similarity between the platform and space of Rem Koolhaas, one of the leading contemporary architects of our time. A platform, referring to tangible or intangible structures designed for common use in a variety of ways, is activated by the networking effect of participants. Aided by the recent development of the IT industry encompassing computers and smart phones, the concept of platforms is extending to all areas of modern life, in general. In this study, the similarity between architectural space and platforms after reviewing the computer-related platforms, ecological features that refer to virtuous circulation, and various cases applied with platform thinking. Through this process, the platform feature of architectural platforms is defined as the 'open spatial system combined with control and freedom that acts more than one function and facilitates direct/indirect exchanges between users regardless of its type or size'. Establishing the criteria for spatial analysis based on this definition, analysis was conducted on interior design projects that were planned and conducted by Rem Koolhaas after 2000. As a result of this analysis, it was learned that Rem Koolhaas designs space using dual space structures where the extension and mixture of the user group, mixture of various functions defined by users, loose control that induces voluntary participation, community reinforcement, and inducement of accidental events, and opening and closing coexist. In addition, this design approach was found to be a design strategy similar to the concept of platforms that began to be developed in the IT field.

• 한국초등수학교육학회지
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• 제17권2호
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• pp.351-370
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• 2013

본 연구는 초등학교 6학년 영재학급 학생들이 정다면체 및 삼각다면체의 쌍대 관계를 탐구하면서 입체도형의 구성 요소를 통해 쌍대 관계를 어떻게 인식하고 이미지화하여, 결과적으로는 어떤 시각화 방법을 사용하는지 분석하는데 목적이 있다. 이를 위해 인천과 서울지역에 거주하는 총 4개 학급 60명의 학생들이 대상으로 학습지를 분석하였으며, 이들 중 소속 학급 내 성취 수준이 중상 이상인 12명의 학생들을 대상으로 관찰 및 면담을 통해 사고 과정을 보다 상세히 분석하였다. 다면체의 쌍대 관계를 탐구하는 과정에 필요한 구성요소에는 면, 꼭짓점, 모서리의 개수라는 일차적인 요소가 존재하고 한 면에 모인 꼭짓점의 수, 한 꼭짓점에 모인 면의 수라는 이차적인 요소가 존재한다. 일반적인 학생들은 구성 요소들의 개수에 집중하여 유사점 구별이라는 방법을 주로 사용하는데, 이 경우 정다면체의 쌍대관계는 쉽게 인식하였다. 하지만 삼각다면체의 쌍대관계까지 인식해 낸 학생들의 경우는 한 단계 더 나아가서 입체의 이미지를 떠올리며 유사점이 과연 공간에서 어떤 형태로 나타나는지를 확인해 본 결과 공간으로 전환되는 사고는 (대상 회전), (보조선 그리기), (입체도형 일부 만들기), (입체도형 안에 입체도형 만들기)의 형태로 나타나서 시각화하게 됨을 확인하였다.

• 한국실내디자인학회논문집
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• 제23권2호
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• pp.80-89
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• 2014

0 and 1, two digits are principle and formality of digital media. Those principle and formality dwell in new media paradigm. They are founded on emergence of new types of space. As describing the relationship originating from the concepts of digital media paradigm and space and discussing their characteristics, this paper presents the grounds for a theoretical argument for formation of new space. The concept of virtuality which mimics and represents the real, non-linearity which resembles human system of thinking and sensing, and interactivity connecting the communication theory of human and machine, their properties form the important basis for emergence of a new aspect of space. The concepts of digital media paradigm divide a type of space into two properties. The first is a inner modality. The second is outer modality. Dynamic space implicates inner modality that humans internally recognize the sense of space through their body and sensing organs. Space is not sensed but sensing. Space has an organic nature through object's interaction. Space has an outer nature that is physically variable. Finally, space has properties of modularity that changes structure of space. For empirical basis of an argument, new media art that has architectural form and those spatial characteristics were compared and analyzed. This conceptual discussion for space which the formality of digital media is applied will be an important foundation for create space design.

• 한국실내디자인학회논문집
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• 제25권5호
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• pp.3-15
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• 2016

Between various ideological experiences, such as spatial, artistic and religious experiences, a consistent and transcendental sense exists, which is difficult to systemize or establish, in all the senses human beings experience. It shows that the depth of essence may be much deeper than that of religion or science in limits of humans' thinking and experiences. On the premise that we need to rationally understand and systemize such a sublime experience, it is thought that we will be able to expand the system of our senses through a new approach breaking away from the previous concepts used to interpret a spatial experience. Rudolf Otto, a German philosopher and comparative religion scholar, explains such an essential sense through Numinose Theory. As his theoretical analysis and approach are used to explore the mechanism of such a transcendental emotion, which is impossible to express with such words as 'sanctity', 'sublimity' and 'reverence', from various perspectives, but intend to exclude dogmatic logic. Therefore, they seem to become new and useful tools in aesthetically understanding space design and objects of arts. Thus, this study aims to examine what value Numinose Theory has in the aspect of understanding space design, based on which this study intends to use the Numinose concept as a concept of interpreting 'Jongmyo Jeongjeon'.

• 한국실내디자인학회논문집
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• 제19권3호
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• pp.67-76
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• 2010

Recently the trend that human emotions become central is strongly on the rise beyond functions in the area of space. In the present situation, the current study is to examine the characteristics of experiential space of emotions through an approach to space appearing in kinetic art paying attention to the fact that the new spatial expressions and forms of Kineticism lie in introduction of 'movement' as a phenomenon that humans who are main agents of experiences can perceive. For research methods, spatial expressions were proposed according to each characteristic extracting characteristics to create space through 'movement' of Kineticism, and the features of experiential space of emotion were elicited by analyzing sensible elements and perceptual characteristics which stimulate human sensitivity through expressive aspects of 'movement' appearing in the case. As a result, it was found that characteristics appeared including immersion through non-daily stimulation, empathy through visual·perceptual stimulation, syn-aesthetic experiences through stimulation of thinking senses, and perceptual activation through physical movement etc. Namely, the present study has its meanings in seeking another directions and possibilities as emotional space to activate experiencers' diverse perceptions and senses by analyzing the characteristics of experiential emotional space through 'movement' of Kineticism which is one of modern plastic arts.

• 한국콘텐츠학회논문지
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• 제16권9호
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• pp.779-790
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• 2016

본 연구는 중국 고대예술의 이미지 서사와 시각문화에 관한 연구로, 문학과 회화형식이 결합된 복합적인 텍스트와 시각성을 연구대상으로 하였다. 특히 고대예술의 시각적 사유방식과 이시동도(異時同圖)적 표현, 고대의 도상 서사방식과 만화예술의 칸의 상호 해석을 통한 매체적 합일성 그리고 도상서사의 만화적 연원과 현대적 수용방식이다. 중국 고대의 시각에 대한 인식은 전통적인 양식적 형상과 의미적 상징을 포괄한다. 예술의 서사적 이미지로서 도상의 형상적 사유와 시각적 표상은 예술 창작활동 가운데 중요한 의의를 가지며, 예술적 사유 또한 시각적 표상과 분리되어 질 수 없다. 시각적 이미지를 매개로 하는 도상적 서사방식은 일종의 이성적 사고를 지닌 창의적 언어표현이다. 고대예술의 이미지 사유방식과 이시동도적 시공간표현 특징은 일종의 예술적 공간의 시간화로 현대 만화예술의 사유공간으로서 또 다른 조형적 수용방식이다. 이러한 이미지의 서사방식은 새로운 조형미와 매체형식 그리고 문화가치가 결합된 현대인의 대중적 미적욕구와 소통을 필요로 한다.

• 한국과학교육학회지
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• 제34권4호
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• pp.393-406
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• 2014

PCK는 본질적으로 영역-특이적이며 주제-특이적인 교사 전문성 지식이라는 전제 하에, 이 연구에서는 현직 중학교 과학 교사들을 대상으로 교사 지식 및 실행 측면에서 천문 내용에 대한 주제-특이적 PCK를 분석하였다. 이를 위해 4명의 중학교 과학 교사를 대상으로 8학년 '별과 우주' 단원의 3개 주제(별자리와 별의 위치, 연주시차와 별의 거리, 우주의 팽창)에 대한 수업을 관찰하고 녹화하였으며, 녹화 후 참여교사의 교수학적 생각을 심층적으로 분석하기 위해 비디오 자극 회상면담을 실시하였다. 수업 녹화 및 교사 면담 자료는 모두 전사하여 분석에 활용하였다. 양적 및 질적으로 통합된 수업 분석을 위한 PCK분석 프로토콜을 개발하였으며, 이를 적용하여 PCK 수준과 구성요소별 특징을 분석하였다. 연구 결과, 참여교사들은 주제에 따라 구성요소에 따라 다양한 PCK 수준을 나타내었으며, 과학 교수 지향이 참여교사 PCK의 특징을 형성하는데 중추적인 역할을 한다는 것을 알 수 있었다. 또한, 천문 영역에 특이적인 실행인 천문학적 사고(공간적 및 시스템 사고)가 가르치는 핵심 개념에 적절하게 조합되지 못하는 것으로 분석되었다. 이러한 연구 결과를 토대로 과학 교사 전문성 계발을 위한 PCK 발달과정 연구의 함의를 논의하였다.

• 한국실내디자인학회논문집
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• 제40호
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• pp.34-41
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• 2003

A purpose of this study is to comprehend a concept of 'Open Space', realization of a deconstruction, presented in his works, based on a deconstruction and surrealism Coop Himmelblau's philosophical contemplation and to look into how this concept is interpreted in spaces. A concept of 'Open Space' is functioned as not a singular meaning but a multiple meaning accompanied with other formative ingredient and contemplation, scientific paradigm and a realation with a surroundings. The concept of 'Open Space' in their architentural space is applied. First, the space openness that represents to the extreme a concept 'Open Space', as a 3D designing ways that demolishes a structure and outgrows an ex siting thinking pattern, represents multiple grade spaces and an anti-gravity space. In a material, using glass and iron provides a spacial transparency and through this, visibly liberal sense that an interior and exterior is felt as an unification. Second, an non-expressive box pattern repulses to a spatial rank nature, outgrowing an uniform geometrical system, through demolishing a geometrical system, an edge and fold pattern. This is, as an anti-gravity, dynamic a typical structure, outgrowing an orthogonal system, interpreted as a composite meaning without division in spatial area. Third, the collage is used to represent a complexity and pluralism in representing 'Open space'. The collage that forms a image through combining a fragmentary elements into being a space change, composite constitution and spatial amusement. Thus, It is worthwhile to study how the collage that forms a diverse shape will be developed making what impact as an age and surroundings changed. As we contemplate in former part, Coop Himmelblou has deployed 'deconstruction beyond deconstruction' realm as just their midterm concept in their works like the words 'The architecture must climb', the deconstructive architect. A studying for their works reflecting the 'Open Space' concept based on deconstruction must be lasted and this enables us to comprehend space concept containing an architecture and interior design.

• 건축역사연구
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• 제7권4호
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• pp.29-47
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• 1998

The aim of this study is to understand the original methods of architectural composition in F. L. Wright's works, For this purpose, the principal thoughts based on his organic architecture was examined over all others, and the results of this study are as follows. 1. F. L. Wright knew Taoist Philosophy, especially Lao-tzu's thought about space based on traditional oriental arts included traditional japanese arts by his superior intuition. this is similar to Froebel Thought in the principal theory, that is, his own unique field of abstract architectural education with three-dimensional geometry learned through Froebel Gifts. 2. Space is reality ; such Lao-tzu's thought, reversed the sense of values, influenced F. L. Wright's way to accomplish his own continuous space. that is to say, he attempted taking precedence of spatial organization by the unit of three-dimensional module made the substance, Froebel Blocks (3, 4, 5, 6 Gifts) into non-substance, and trying to do the methods of continuous liberal composition in architecture. which is his original accomplishment, namely his mentioned 'democratic' because of judging the space and the mold of architecture as individualities. 3. F. L. Wright treated the space as a positive entity, so that he created his own architecture organically combined with spaces and forms. : This was the result that he comprehended both formative, physical worth in West and spatial, non-physical worth in East as equivalence. It is understood that F. L. Wright's works combined with East and West are the significance of his architecture and the progress of true internationalities and modernization in modern architecture. 4. From the analyses of his works, we knew the fact that F. L. Wright's architecture, especially in the spatial organization were performed by the reasonable methods with geometric system of Froebel Gifts. In the observation of our fundamental way of thinking on his architecture, this study shows the necessity to let us get out of preconceptions and conclusions that the organic architecture is mysterious and difficult, but to systematize and put his organic methods to practical use.