• 응용통계연구
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• 제25권3호
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• pp.485-501
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• 2012

This research is to find a design D that minimizes forecast variance in d dimensions over the candidate space ${\chi}$. We want a robust design since we may not know the specific covariance structure. We seek a design that minimizes a coverage criterion and hope that this design will provide a small forecast variance even if the covariance structure is unobservable. The details of an exchange or swapping algorithm and several properties of the parameters of coverage criterion with the unknown correlation structures are discussed.

• 대한수학회지
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• 제40권3호
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• pp.503-516
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• 2003

We show in this paper that every domain in a separable Hilbert space, say H, which has a $C^2$ smooth strongly pseudoconvex boundary point at which an automorphism orbit accumulates is biholomorphic to the unit ball of H. This is the complete generalization of the Wong-Rosay theorem to a separable Hilbert space of infinite dimension. Our work here is an improvement from the preceding work of Kim/Krantz [10] and subsequent improvement of Byun/Gaussier/Kim [3] in the infinite dimensions.

• 음성과학
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• 제3권
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• pp.148-155
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• 1998

As an application of dimensional analysis in the theory of chaos and fractals, we studied and estimated the information dimension for various phonemes. By constructing phase-space vectors from the time-series speech signals, we calculated the natural measure and the Shannon's information from the trajectories. The information dimension was finally obtained as the slope of the plot of the information versus space division order. The information dimension showed that it is so sensitive to the waveform and time delay. By averaging over frames for various phonemes, we found the information dimension ranges from 1.2 to 1.4.

• 한국실내디자인학회논문집
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• 제23권5호
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• pp.112-121
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• 2014

The purpose of this study is to develop the user-oriented housing interior space sensibility evaluation tools: The user-oriented housing interior space sensibility evaluation tools shall be developed through the systematic selection process of the extracted housing interior space images, which were linked with the adjectives of sensibility evaluation selected for the housing interior space preferred by the user from the specific words of the sensibility extracted to identify the characteristics of the user's sensibility which is recently being changed. In the results of analyzing the words of sensibility for the residential space preferred by the users with 48 pairs of adjectives. The user-oriented sensibility assessment tool was built by extracting 8 sensibility factors of 'cozy', 'practical' 'cheerful', 'traditional', 'unique', 'congenial', 'sensuous', and 'gorgeous' in the exploratory factor analysis. The image scale was constructed in two-dimensions of the sense of space and the type of space for the residential interior space images. The dimension of the 'sense of space' is explained by the axis of open-closed and the dimension of 'type of space, is explained by the axis of 'natural-artificial'. Such a structural model of the residential interior design attributes were divided into 8 groups. And the 42 images representing each group were selected and the user-oriented residential interior space image tool was built by adding user's selective elements.

• 한국영어학회지:영어학
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• 제3권4호
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• pp.589-609
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• 2003

The purpose of this paper is to show that lexical equivalency in translation can be achieved when it is based on semantic prosodies of lexical items. This paper examines the semantic prosodies of two seemingly synonymous English adjectives ‘empty’ and ‘blank’ on the basis of the corpus given in Cobuild English Collocations on CD-ROM and proposes that they are different in terms of spatial dimensions. Thus when a Korean equivalent pin derived from the verb pita is translated into English, syntagmatic phraseological environments of the Korean adjective must be taken into account to attain the equivalency of the source and target languages. Relevant Korean corpus was taken from the 21st Century Sejong Plan (2002). Out of 12 examples of pin konggan, five appear to be equivalent to ‘blank’ and seven to ‘empty.’ The five to seven ratio in different usage indicates that the equivalency problem concerning the lexical item pin is not a trivial matter in translation.

• 한국의류산업학회지
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• 제2권3호
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• pp.246-252
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• 2000

The purpose of this study was to analyze the characteristics of the factor structure in Clothing Silhouette Image and the differences of Image Evaluation related to Grouping of Line and Grouping of Body Emphasis using Silhouette Image Factor and Life Space as variables. Clothing Silhouette Image was estimated by the photographs of 9 Life Spaces ${\times}$ 23 Clothing Silhouettes with 15 semantic differentiated by-polar scales. The major finding were : The factor structure of Clothing Silhouette Image were found to include 4 factor dimensions-Capability Evaluation, Function, Activity. It was clear that Silhouette Image were affected by Life Spaces. There were the differences of Image Evaluation related to Grouping of Line and Grouping of Body Emphasis. There were the differences of Life Space Evaluation related to Grouping of Line and Grouping of Body Emphasis. Therefore it is important to considerate Life Space for selecting Clothing Silhouette.

• 디자인학연구
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• 제13권2호
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• pp.25-32
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• 2000

승용차의 차체 비례는 시간의 경과와 시장에서의 승용차 특성 변화에 따라 변화되어 왔다. 일반적으로 세단형 승용차에서 캐빈의 비례는 승객을 위한 공간이라는 의미에서 더욱 중요성을 가진다. 그러나 이러한 캐빈의 비례도 각각의 모델의 컨셉트에 따라 변화되어 왔다. 국내 승용차의 캐빈 비례는 초기모델에서 통일된 전략이나 방향성을 보이지 않으나, 후기 모델에 가서는 특정한 비례로의 통일성을 보이고 있다. 이들 비례는 3박스 구조로 나뉘어 있는 차체의 소형과 준중형의 세단형 승용차에서는 축간 거리와 그린하우스의 비례가 각각 58%와 57%이며, 중형 승용차에서는 두 비례 모두 56% 정도로 계산되는데, 이것은 실내 공간 비례가 중형승용차보다 소형과 준중형이 더 높은 것을 알 수 있다. 소형 승용차와 세단형 승용차의 실내공간 비례는 향후에도 증가하여 60%의 비율에 근접할 것으로 예측되며, 이 경향은 중형 세단형 승용차에서도 나타날 것으로 보인다.

• 한국실내디자인학회논문집
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• 제27호
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• pp.35-42
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• 2001

The main scope of this study is to define such system of space composition factor to diversify the interior space of the apartment housing. Staring from the space analysis, identification of the design factors, characters of the anthropometry for the dwelling behavior, and analyzed dimensions of the interior furniture from the market data have uniformly integrated to engage with such system for innovation and diversification of the space design method. The elements of the composition factors are as follows: 1. Structural elements - $\circled1$Bearing wall $\circled2$Ceiling $\circled3$Floor $\circled4$Structural column 2. furniture elements - $\circled1$Fixed furniture $\circled2$Movable furniture $\circled3$Non-bearing wall $\circled4$F1exible wall $\circled5$Void & Solid 3. Finished material elements - $\circled1$Structural material $\circled2$Doub1e shell $\circled3$Color & Tone $\circled4$Lighting system For the design system selected space in restricted in 3way directional axis X,Y,Z to form its volume and direction of the space composition factors. X-axis is stands for horizontal length of the factor, Y-axis is for the space depth, and lastly, Z-axis is for the hieghts of the space based on anthropometris.

• 한국실내디자인학회논문집
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• 제15권6호
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• pp.247-254
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• 2006

Apparently light does exist even if it does not have certain form that an object might have. The history of architecture can be told as the history of light. As various master architects as well as scholars mentioned, light has been recognized as one of the most important aspects in perceiving space. Although there are complex multi dimensions in body sense and perception, experiencing space through light is preliminary formed by the outline to the degree of brightness. Light gives space specific and unique character by limiting or enlarging the space by wrapping an object or by reflection of material surfaces or by the intensity of light itself. It is fundamentally important to recognize the essential relationship between light and perception of space through various medias such as material, form, movement and so on. Three types of space perception and cognition by light that have been categorized after studying the most significant writings on light become the core method to further analyze the selected case projects. In this research, we will study how interior space is expressed through different light conditions with above mentioned characteristics and how such expressions can be applicable to the design of interior space.

• 지식경영연구
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• 제15권4호
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• pp.15-34
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• 2014

Creative problem solving has become an important issue in many fields. Among problems, dilemma need creative solutions. New creative and innovative problem solving strategies are required to handle the contradiction relations of the dilemma problems because most creative and innovative cases solved contradictions inherent in the dilemmas. Among various kinds of problem solving theories, TRIZ provides the concept of physical contradiction as a common problem solving principle in inventions and patents. In TRIZ, 4 separation principles solve the physical contradictions of given problems. The 4 separation principles are separation in time, separation in space, separation within a whole and its parts, and separation upon conditions. Despite this attention, an accurate definitions of the separation principles of TRIZ is missing from the literature. Thus, there have been several different interpretations about the separation principles of TRIZ. The different interpretations make problems more ambiguous to solve when the problem solvers apply the 4 separation principles. This research aims to fill the gap in several ways. First, this paper classify the types of contradiction relations and the contradiction solving dimensions based on the Butterfly model for contradiction solving. Second, this paper compares and analyzes each contradiction relation type with the Butterfly diagram. The contributions of this paper lies in reducing the problem space by recognizing the structures and the types of contradiction problems exactly.