• 한국의류산업학회지
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• 제11권1호
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• pp.6-13
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• 2009

The purpose of this study is to analyze the sensibility of the compound fashion image of contemporary fashion. The specific objectives were to analyze 1)the structure of meaning about fashion sensibility on 2)the difference of fashion sensibility by categories on 3)the difference of fashion sensibility by demographical aspects on 4)the consumer sensibility on the compound fashion image. For collecting data 55 stimulus and questionnaire which consisted of bi-polar 21 pairs adjective scale were contributed 675. The results were summarized as following : 1. Factors of fashion sensibility consist of estheticism, activeness, personality and feminity. And the meaning of fashion sensibility is young and personalty. 2. The man/woman and the past/present are highly estimated personality, the main/subcultural is activeness and the local/global is feminity of fashion sensibilities. 3. gender and age have high difference of the compound fashion image so they are important variance for fashion sensibilities. 4. Preference, purchase and quality are highly influenced by estheticism, pleasure is influenced by personality. The results of this study will be utilized in the clothing design for accepting customers' specific fashion sensibility about compound fashion image.

• 감성과학
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• 제9권spc3호
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• pp.251-263
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• 2006

본 연구의 목적은 시각을 통하여 채색 플라스틱의 거칠기에 따른 감성의 평가구조를 밝혀내는데 있다. 각각의 색채 샘플에 거칠기를 적용한 샘플을 피험자에게 제시하여 설문하고 분석하였으며 감성과 물리적 특성과의 관계를 파악한 결과 채색 플라스틱에서 거칠기에 의한 감성평가요인은 3개의 축으로 나타났다. 또한 5가지의 제시된 색채 샘플에서 거칠기에 의한 유의미한 감성평가의 차이가 있음을 밝혀내었다. 본 연구의 결과는 앞으로 플라스틱이나 기타 소재의 표면 가공에 있어 색채와 거칠기에 의한 표면 디자인의 감성평가를 위한 기초적인 연구 자료로서 활용될 것을 제안한다.

• 한국의류학회지
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• 제27권3_4호
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• pp.418-428
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• 2003

The purpose of this study was to provide the guidance in more objective and proper clothing design reflecting today's consumers' modes in value consumption by identifying the meaning structure and relationship between fashion sensibility and emotion. The stimulus was 54 photos of contemporary costume which represented the Izard' DES. The questionnaire consisted of hi-polar 25 pairs adjective scale of fashion sensibility and the 18 noun scale of emotion was distributed to 970 male and female living in Pusan area. The data were analyzed by Factor analysis, Correlation analysis and Regression analysis using the statistical SPSS package. The major finding of this research were as follows.1. Fashion sensibilities consist of estheticism, maturity, character and feminity to represent 57.17% total varlarlce. 2. Emotions consist of negative emotion, distress afraid, arousal, shame and enjoyment to represent 70.84% total variance. 3. For the relation between fashion sensibility and emotion, they showed significant relationship in most of factors.

• 인간식물환경학회지
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• 제22권2호
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• pp.209-217
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• 2019

Generally human sensibility is expressed in a certain language. To discover the sensibility of visitors in relation to the forest environment, it is first necessary to determine their exact meanings. Furthermore, it is necessary to sort these terms according to their meanings based on an appropriate classification system. This study attempted to develop a classification system for forest sensibility vocabulary by extracting Korean words used by forest visitors to express their sensibilities in relation to the forest environment, and established the structure of the system to classify the accumulated vocabulary. For this purpose, we extracted forest sensibility words based on literature review of experiences reported in the past as well as interviews of forest visitors, and categorized the words by meanings using the Standard Korean Language Dictionary maintained by the National Institute of the Korean Language. Next, the classification system for these words was established with reference to the classification system for vocabulary in the Korean language examined in previous studies of Korean language and literature. As a result, 137 forest sensibility words were collected using a documentary survey, and we categorized these words into four types: emotion, sense, evaluation, and existence. Categorizing the collected forest sensibility words based on this Korean language classification system resulted in the extraction of 40 representative sensibility words. This experiment enabled us to determine from where our sensibilities that find expressions in the forest are derived, that is, from sight, hearing, smell, taste, or touch, along with various other aspects of how our human sensibilities are expressed such as whether the subject of a word is person-centered or object-centered. We believe that the results of this study can serve as foundational data about forest sensibility.

• 한국감성과학회:학술대회논문집
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• 한국감성과학회 2002년도 춘계학술대회 논문집
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• pp.257-260
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• 2002

The impressions for odors are subjective and have individual differences. In this study, the Impressions of odors were investigated by covariance structure analysis. 46 subjects (men in their twenty) recorded their reactions to ten odorants by grading them on a seven-point scale in terms of twelve adjective pairs. Their reactions were quantified by using factor analysis and covariance structure analysis. The factors were extracted as "preference", "arousal" and "persistency". The subjects were classified into three groups according to the most suitable causal models (structural equation models). Each group had different causal relationship and different impression structure for odors. It was suggested that there is a possibility to evaluate the subjective impression of odor using covariance structure analysis.

• 한국멀티미디어학회논문지
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• 제12권3호
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• pp.460-471
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• 2009

본 연구는 웹이라는 환경에서의 감성에 대해 연구하고자 하였다. 즉, 이는 웹에서의 사용자 감성에 대한 객관적인 기준을 제시하고자 한 것이다. 본 연구는 크게 두 가지의 연구 주제를 가지며, 그 내용은 다음과 같다. 첫째, 웹에서 웹사이트가 가지고 있는 감성요인을 분석, 이를 바탕으로 한 감성구조모형을 개발하고자 하였다. 둘째, 위 연구를 바탕으로 웹 디자인에서의 감성요인과 조형요소간의 상관관계를 알아보고자 하였다. 감성요소와 조형요소간의 상관관계를 밝힘으로서, 웹 디자인에서의 성공적인 감성디자인을 구현하고자 하였다. 이는 감성을 위한 다양한 접근방식 중 하나를 제시하고자 한 것이며, 결국 이러한 연구는 감성적 디자인의 객관적 기준을 마련하는 과장이라 할 수 있다. 디자이너가 감성적 디자인을 함에 있어서 제작과 평가에 보다 이성적인 가이드라인을 제시, 성공적인 감성디자인 구현에 도움이 될 것으로 기대된다.

• 감성과학
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• 제10권2호
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• pp.199-208
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• 2007

대부분의 후각 감성평가 연구에 있어서는 모든 피험자에게 동일한 농도의 냄새 시료를 제시하고 있다. 하지만 피험자의 후각 기능은 노화 등을 비롯한 여러 가지 요인으로 다를 수 있고 이러한 차이는 후각 감성에 영향을 미칠 수 있다. 따라서 본 연구에서는 후각 감성평가 시 냄새 시료를 제공하는데 있어서, 모든 피험자에게 동일한 시료를 제공한 경우와 피험자 개개인의 후각 역치를 고려하여 냄새 시료의 농도를 조절한 후 제공한 경우에 있어서 후각 감성특성 및 감성구조에 차이를 보이는 지 알아보았다. 피험자는 만 19세 이상 대학생 남녀 30명(남자: 18명, 여자: 12명)이었고 사용된 냄새 시료는 T&T olfactometer의 다섯 가지 냄새 기준물질이었다. 동일한 피험자에게 두 가지(실험 1과 실험 2)의 실험을 수행하였는데, 실험 1에서는 피험자 개개인의 후각 역치를 기준으로 냄새 물질의 농도를 조절하여 제공함으로써 모든 피험자가 동일한 냄새 강도를 지각하도록 가였다. 실험2에서는 모든 피험자에게 동일한 농도(+1)의 냄새 시료를 제공하였다. 실험 수행 결과, 냄새 시료 제시 방법(후각 역치 고려 유무)에 따라 후각 감성특성에 있어서 유의적인 차이를 보였는데 냄새에 대한 선호도가 명확하지 않은 시료에 있어서 이러한 차이가 더 크게 나타났다. 이러한 차이는 후각 감성구조에도 영향을 미쳤는데, '심미성', '강도', 그리고 '활동성'은 공통요인이었고, '친화성'(실험 1)과 '중량감'(실험 2)은 후각 역치 고려 유무에 따라 다르게 나타났다. 이러한 결과들을 통해 볼 때, 피험자의 후각 역치 고려 유무에 따라 후각 감성특성 및 감성구조가 다르게 나타날 수 있다고 볼 수 있겠다. 따라서, 냄새 시료에 대한 후각 감성평가를 수행하고자 할 때, 피험자의 후각 역치 및 기능과 이에 따른 냄새 시료 제시법 또한 신중하게 고려해야 할 것으로 사료된다.

• 한국의류학회지
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• 제27권8호
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• pp.904-912
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• 2003

This study for‘Head Image’, which is affected by individual Image, is via fashion collection to analyze formative feature, fashion emotion and meaning structure of emotion and to inquire into correlation. I will offer fundamental data, which is can use Image making from the state of thing. First, to make charm and personal image, if we consider Head image well, it will very effective by the reason that personality and charm operate as important factors in fashion sensibility of Head Image. Second, we can know Head Image has more strong influence the part of emotion than fashion sensibility by showing that the sense of emotion is higher than this point of view of fashion sensibility in Head Image. Third, As a result of the correlation of fashion sensibility and emotion in Head Image, personal Head Image is effective to attract public gaze by causing negative emotion, and attractive Head Image is effective to give pleasant feeling by causing positive emotion. Forth, Avant-garde, Punk, Kitsch Image were estimated as the most personal things and Romantic, Ethnic Image were estimated as the most attractive things of the type of Head Image. Natural Image was estimated as the most feminine thing, and Elegant Image was estimated as the most mature thing. Fifth, when we look into the different appraisals between experts and amateurs about fashion sensibility and emotion of Head Image, a selection of experts are used to peculiar and strong Head Image, so amateurs respond it more sensitively and highly evaluate.

• 복식
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• 제62권6호
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• pp.38-52
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• 2012

The purpose of this study is to confirm the international unique color sensibility according to the ethnic color preferences. The existing studies about color sensibility were investigated to analyze the international color sensibility. The countries were chosen according to its, strong regional and racial color. Also, the documents and websites about environment color such as structure color, natural feature color, traditional folk costume color and customary color names were investigated, and then, the international color sensibility was analyzed by using the color image scale. As a result of the analysis about the differences of color sensibility, internationally distinguished color sensibility was discovered. There were differences not only for the preference trend of hue but also for the tone or contrast of color among the selected countries. Especially, Great Britain had a strong preference for G categories that they preferred the warm-grayish color image. Russia has a preference for R, G, and B categories with the preference for the warm-clear image. Netherlands had a preference for R, Y, and PB categories and it preferred the cool-hard-grayish, warm-soft-clear image. Italy had a preference for R and Y categories and it preferred the warm-clear image. Morocco had a preference for R and B categories and it preferred the warm and cool, clear image. Japan had a preference for R, G categories and it preferred the warm-grayish image. Korea had a preference for R and B categories and it preferred the warm-soft-clear, and cool-clear image. With these results, the researcher concludes that the integrated analysis of the environment color and the traditional racial color factors are very persuasive methods to comprehend the international color sensibility.

• 산업경영시스템학회지
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• 제23권58호
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• pp.71-79
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• 2000

In this study, through the roadside interview, drivers'feeling about fatigue has been evaluated synthetically and systematically when they drive a vehicle according to their sex, vehicle type, driving career, etc. Also, with the human sensibility evaluation technique, we grasped the human sensibility structure for the fatigue in a vehicle and as an objective evaluation index for comfort and fatigue in a vehicle, we developed a sensibility database. Through the survey and research, extracting and understanding the importance of factors which have influence on the fatigue in driving can be used as basic data that can suggest more comfort and pleasant driving environment to drivers. Also, human sensibility database regarding to the comfort and fatigue in a vehicle can be used as basic data in ergonomic vehicle design, evaluation for seat , comfort seat development, development of vibration reduction method and so on.