• 복식문화연구
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• 제14권1호
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• pp.64-78
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• 2006

The purpose of this study is to set a characteristic design by analyzing formative properties for the hat and fashion image shown in fashion collections from the S/S season of 1998 to the F/W season of 2004 in recent seven years. For the study, the 96 stimuli which found frequently in fashion collection were selected. The examines for the image evaluation were women college students majoring fashion design related fields and living in Seoul, Gyeonggi-do, and Gyeongsangnam-do. Data collection was performed in August 2004. As statistical methods for data analysis, internal consistency method, Factor Analysis, MANOVA were used. Based on the analysis of 31 pairs of adjectives for elucidating the total 96 stimuli which were devised by altering the types of garment, the relation between a garment and a color of hat, the types of hat, the length of hair, and the material and design of garment, five factors or attractiveness, gracefulness, concentration, cuteness, and hardness and softness were deduced. And it showed much difference in the types of garment, the relations between a garment and a color of hat, the types of hat, the length of hair, and the material and design of a garment.

• 한국의상디자인학회지
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• 제20권1호
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• pp.167-181
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• 2018

In modern society, men are selecting dress based on physical features as well as individual taste. Through this concern with appearance, new descriptive words have appeared from time to time. Therefore this study aimed to analyze the type of image style expressed in the Paris Men's Fashion Collection during the period of 2001 S/S collections~2010 F/W collections. This study used Frequency and Chi-square tests through SPSS 12.0 program for the analysis of a total of the 1,357 materials shown from nine designers. The results were as follows. As a result of examining the image style according to chronology and season by frequency and the tendency of design works by chi-square test, in the tendency of the image style by chronology, the style emphasizing a sexy and manly appearance is preferred through the tendency that Homme Fataleism has been continually released in foreign men's fashion collections for about ten years. In the tendency of the image style by season, the image style of the Homme Fataleism was highly published in SS and FW season except for SS in 2004 and 2008. In the tendency of design works by chronology and season, the H-silhouette was highly preferred for about a decade. In color, the light brown group was frequently used until 2008 while gray has mainly been of use since 2009.

• 복식문화연구
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• 제18권4호
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• pp.612-625
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• 2010

People have more expectations for arts and design and accordingly, various artworks were combined with fashion to meet the consumer needs. As people live a decent life, the development of leisure activities and industry has a much effect on apparel. With this phenomenon, a free and active casual look is making progress centering around the practical apparel, pursuing diversified efficiency irrespective of a season and considering sensibility not formality. In this study, paintings of Henri Matisse were analyzed in every respect and were applied in apparel design with diverse color arrangement and a motif originating in the phenomenon of modern fashion design which leads to the integration of arts and design. Painting image and color of Henri Matisse were used. Sportive casual and cultural casual was used in design as well. Originality of its color in the paintings which were used an a motif is coming from Gauguin and Gogh. Henri had influenced to the next generation with pursuit of violent color. The following conclusions were drawn from this study. First, the color of Henri Matisse's paintings has a strong contrast effect. It combines notable violent color with a simple yet decorative motif. Therefore color from Matisse's paintings suit for apparel of marked individuality with its free color arrangement. Second, free and active image in Henri Matisse's paintings is easy to express efficiency and popularity. It accords with the feature of casual wear. Third, through adding a flowing curved line in Henri Matisse's paintings to materials and applying various colors putting into a curved line image to a rib section, a decorative effect which goes with the whole shape is obtained. This study presents possibility of emergence of unique design using free color arrangement and motif from the image of paintings and aims development of modern fashion design in accordance with modern fashion giving importance to the difference and sensibility by integration of modern garments and artworks.

• 복식
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• 제64권3호
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• pp.108-125
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• 2014

The purpose of this study is to provide the basic information necessary to develop sports uniform design by comparing and analyzing the color features and images of professional football uniforms in Korea and foreign countries. The subjects of this study were limited to 5 top leagues in Europe (Premier League, Primera Liga, Bundesliga, Serie A, and Ligue 1) as well as J-League, and K-League. This study was done using the 2012/2013 season home and away uniforms for European leagues and 2013 season home and away uniforms for Korean and Japan leagues. Using the Adobe photoshop CS2 eyedropper tool, color chips and RGB values were extracted from digital images and converted into HV/C of Munsell Conversion. Finally, a total of 735 colors were used for the analysis. The color image scale by Shigenobu Kobayashi was used to position the color images. The results are as follows. First, the color analysis of professional football uniforms in leagues suggested that chromatic color (53.7%) was more prevalent than achromatic color (46.3%). The two most common colors of the ten chromatic colors were R(19.7%) and PB(18.0%), followed by Y(5.4%), RP(2.0%), G(1.9), GY(1.8%), B(1.6%), YR(1.5%), P(1.1%), and BG(0.7%). Second, for the color tone comparison and analysis of professional football uniforms in leagues, the most commonly used color tone was W(28.4%), followed by v(25.5%), Bk(16.3%), s(5.8%), dk(5.2%), b/lt(5.2%), dp(3.0%), sf(2.0%), ltGy(1.0%), p(0.5%), G/dkGy(0.4%), and ltg/mGy (0.1%). Third, for the comparison and analysis of color and color tone of professional football uniforms in leagues, W(28.4%), R(v)(17.7%), and Bk(16.3%) were commonly used. Finally, for the comparison and analysis of color images of professional football uniforms in leagues, the most commonly used color image was a casual image(31.8%), followed by modern image(26.5%), dynamic12.8%), cool casual(12.0%), gorgeous(9.3%), clear(6.6%), chic(3.5%), and elegant images. Dandy, classical, romantic and pretty images(0.4% respectively) were also used.

• 한국생활과학회지
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• 제19권1호
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• pp.149-156
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• 2010

TV news anchor woman's appearance, voice, expression, and clothing, etc., have an influence on the reliability of the article to be reported. Among these, clothing is the most crucial factor in forming an anchor woman's image, especially the clothing color factor. This study is aimed at providing the basic foundation for anchor woman when they select the clothing color by analyzing the clothing color image on the screen. For this purpose, the KBS and MBC 9 o'clock news desk and SBS 8 o'clock news of the local major news programs were selected. With the collection of 300 pieces of news clips related to anchor woman's clothing from January to December 2008, they were classified into F/W seasons and analyzed by the clothing color. The surveying method of clothing color was to capture the anchor woman's clothing among the news clips, then pick the representing color by applying Adobe Photoshop, and researching the formed $L^*a^*b^*$ value of color chips. The surveyed color was transformed into value of distant cell, H V/C, and the results were analyzed. As a result, it showed that the White system for anchor woman's clothing during the S/S seasons is most frequently picked, followed by the Red system. In F/W seasons, Gray system is the most favored, then White and Red, respectively. It was revealed that the most frequently selected colors for upper-wear by anchor women in the three broadcasting stations was an achromatic color, such as White or Gray, and then the chromatic color, Red. It shows that there is no big difference in season. The Inner-wear color matched the jackets which were also achromatic in color, white and black being the most favored in the S/S seasons, and in the case of chromatic colors, Red was the most favored. In addition to this, identical coloration with jacket, coloration with similar color, or single color as clothing color were no less frequently adopted. During the F/W seasons, identical coloration accounts for 26%, the most popular colored being White and Red. It was found that the coloration with achromatic colors are highly favored in the three major broadcasting stations alike.

• 한국생활과학회지
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• 제12권5호
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• pp.737-746
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• 2003

This research was designed to investigate the preference for underwear and textiles of college students according to season. One hundred and nine subjects majoring in fashion design were surveyed about the most favorite materials among underwear textiles according to each season. The extent of preference was compared by season. The results of this study were as follows: 1. The most important purpose of wearing underwear was the hygienic performance in summer and the insulation in winter. 2. The most favorite textile of underwear was cotton regardless of season and the most favorite type of underwear was fashionable underwear in summer and insulating underwear in winter. 3. The most preferred material underwear was white jacquard knitted with cotton 30's yarn for summer and white and gray melange plain knit made with cotton and polyester blended 38's syro-spunned yarn for winter. 4. From the results about the factors influencing on the preference for the textiles of underwear, color, touch and cool sensation were the positive factor in summer, while insulation and pattern were comparatively affirmative factor in winter. 5. From the results about the sensibility factors influencing on the preference for the textiles of underwear, 'comfort', 'refined', 'naive' were the positive factor in summer, while 'comfort', 'naive', 'refined' were comparatively affirmative factor in winter. From the above results, hygienic and fashionable underwear is required in summer and thin and insulating underwear in winter for young people. Additionally, in textiles, cotton and cotton blended, comparatively light and simple patterned material is recommended for underwear.

• 아시안잔디학회지
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• 제15권2호
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• pp.51-64
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• 2001

본 연구는 우리나라 여름철 고온다습 환경 하에서 축구장에 조성된 한지형 잔디의 하고현상을 줄이기 위해 차광이 한지형 잔디의 하고현상을 감소에 미치는 영향을 구명하고자 하였다. 1999년 5월부터 2001년 8원까지 35% tall fescue+50% kentucky bluegrass+15% perennial ryegrass의 한지형 잔디로 조성된 건국대 포장에서 실험되었다. 한지형 잔디의 여름철 하고현상 피해를 감소시키기 위해 차광률(0, 50%, 75%), 차광색(검정, 녹색), 차광 높이(잔디면 0cm 위, 잔디면 30cm위) 및 차광시간(오전 10시부터 5시가지 7시간만 차광, 24시간 차광)을 달리하여 처리하였다. 차광처리는 1999년 6월8일부터 매년 여름 기간 동안 차광하였고 실험구의 크기는 1.25m$\times$3m이며 3반복 완전임의 배치하였다. 대조구 온도가 30~35$^{\circ}C$일 때 처리구간의 잔디표면 온도 차이는 2~3$^{\circ}C$로 적었지만 4$0^{\circ}C$ 이상의 고온에서는 차광처리구가 대조구에 비해 6~13$^{\circ}C$ 정도 낮았으며, 검정차광이 녹색차광보다 온도를 더 낮추었다. 맑은 날 조도는 대조구가 66,700~95,200 Lux인 데 비해 50%와 75% 검정차광처리구는 대조구보다 40~94% 정도로 지나치게 차광되었다. 반면 50%와 75% 녹색차광처리구는 25~54%의 차광률을 보여 검정보다 녹색 차광막의 차광률이 낮게 나타나 한지형 잔디의 광합성 측면에서 볼 때 녹색이 더 효과적일 것으로 판단된다. 차광률 및 차광색은 50%와 75%의 녹색 차광처리구에서 엽색, 잔디면 품질, 예지물량과 지하부 건물중이 우수하였다. 반면 75% 검정색 차광처리구는 한지형 잔디를 심하게 도장시켰으려 그 후 고온과 과습은 한지형 잔디를 갈변 후 부패시켰다. 50% 검정 차광막으고 차광높이를 달리한 실험에서 잔디면 바로 위에 덮은 처리구는 장마 후 고온으로 한지형 잔디를 각변 후 부패시켰지만 30cm 높이로 띄운 처리구에서는 하고현상의 피해가 적었다. 타광시간에 있어 50% 검정 차광막으로 30cm 높이로 24시간 차광처리구와 0cm 높이로 오전 10시부터 5시까지 7시간 차광 처리구에서 한지형 잔디의 엽색, 잔디면 품질, 예지물 및 지하부 건물중의 차이가 적게 나타났다. 이상을 요약하면 50%와 75% 녹색착광막을 우리나라 여름철 장마기 중 강한 햇볕으로 잔디 표면 온도가 갑자기 상승하거나 경기장 이용 후 한지형 잔디를 회복시키고자 할 때 오전 10시부터 5시까지 차광을 지속하변 한지형 잔디 지상부 및 지하부의 생육을 유지 또는 촉진하며 하고현상감소를 위한 관리적 방법으로 사용될 수 있을 것으고 판단된다. 그러나 녹색타괌만은 검정차광막보다 온도를 낮추는 효과가 적어 온도를 6~13$^{\circ}C$로 낮추고 조도를 50,000~60,000만 Lux를 유지할 수 있는 녹색+검정색이 혼합된 차광막에 대한 연구가 지속되어야 할 것으로 판단된다.

• 한국의류학회지
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• 제28권2호
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• pp.280-291
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• 2004

Apparel goods are classified by many criteria for ease of merchandising implementation. Fashion and basic goods are also an oucome oi classification. Previous studies pnvide some criteria by which apparel products can be classified into fushion and basic goods. Among those ciiteria, seasonality, fashionability, clothing types, complexity in pnduction, simplicity of style, pioducuon volume, degree of style change by season, could be listed. This study, first explored how apparel merchandisers and designers define fashion and basic goods in relation with those criteria. Definitions of fashion and basic goods were explored in terms of design elements (i.e., style, color, material), production volume, sales ratio, proportion in product assortment, and contribution to profit. The study adopted a qualitative approach by use of eighteen infepth interviews with menhandisers and designers. Six were from women＇s wear brand, Seven from men＇s wear brand, and 5 from casual wear brand. All the interviewees agreed that they are using the classification of basic vs. fashion goods. However, they are using diverse terms to indicate the basic and fashion goods. The interviewees defined each group based on its contribution to total sales or profit complexity in design, production volume, and style change by season. Basic goods had a higher level of production quantity, contribute more to profit simpler design, and less style change by season than fashion goods.

• 복식문화연구
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• 제31권6호
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• pp.756-775
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• 2023

This study was aimed at examining the characteristics of women's blue denim on the basis of design elements to provide fundamental data for fashion majors and fashion designers. Seven design elements were selected from previous studies to compare them with the following characteristics of blue denim: color (washing, dyeing), ornamentation (trimming, detailing, painting, and printing), and form modification, tearing, and ripping). Data from 1,520 photographs of the 2019 S/S to the 2023-24 F/W collections were collected through overlapping checks. The data were then subjected to frequency analysis using the Statistical Package for the Social Sciences (version 26). The results are as follows: The most frequent design method used in producing the denim items in our sample was washing, followed by modification, tearing, and ripping and detailing. The greatest change in denim design occurred in 2023, and more design element changes were observed in the F/W season than in the S/S season. Washing was used four times or more frequently than dyeing, while detailing was employed approximately 2 times more often than trimming. With respect to form, the most common approach was modification, followed by tearing and ripping.

• 한국식품저장유통학회지
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• 제18권2호
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• pp.199-207
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• 2011

마늘의 산지별 품질특성 비교에 대한 기초자료를 확보하고자 국내의 한지형 및 난지형 마늘 주산지로부터 수집된 마늘 및 중국산 마늘의 물리적 특성, 향기성분과 항균활성을 비교 분석하였다. 마늘 구의 폭은 난지형 마늘이 50mm 이상으로 한지형 마늘에 비하여 넓었으며 평균 인편수도 난지형 마늘에서 6.38~9.31개로 더 많았다. 마늘의 표면색 중 L값은 80.73~87.40의 범위였으며, a값은 시료간의 유의적인 차이가 없었고, b값은 남해산과 무안산에서 가장 낮아 각각 $20.97{\pm}1.20$과 $20.91{\pm}1.62$였으며, 제주산이 $26.38{\pm}2.08$로 가장 높았다. 마늘의 향기성분을 분석한 결과 총 25~30개의 피크를 얻었으며, 이 중 GC-MS로 17종의 화합물을 동정할 수 있었고, 동정된 화합물 중 황화합물이 15종으로 대부분을 차지하였다. 마늘의 향기성분을 총 피크면적비로 계산한 결과 diallyl disulfide는 검출된 총 화합물 중 34.90~60.54%로써 타성분에 비해 월등히 높은 함량이었는데 중국산에서 가장 높게 검출되었으며 무안산에서 그 함량이 가장 낮았다. 다음으로 diallyl trisulfide가 17.55~38.72%였다. Strep. mutans, B. subtilis, E. coti, V. parahaemolyticus, Asp. flavus, C. albicans에 대해 항균활성을 실험한 결과 모든 마늘 시료에서 E. coli와 C. albicans에 대해 비교적 활성이 높았으며, 전체적으로 활성이 높았던 태안, 제주 및 남해마늘을 농도별로 가하여 항균활성을 실험한 결과 시료의 첨가량이 증가할수록 항균활성도 증가하였으며, 남해산 마늘에서 가장 항균활성이 높았다.