• 대한치과보철학회지
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• 제39권1호
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• pp.96-104
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• 2001

This study was performed to compare the abrasiveness and wear resistance of several restorative materials occluding enamel and gold alloy. Intact labial surface of bovine incisor and the plain portion of type III gold alloy were used as plate specimens, and pin specimens were fabricated using $Artglass^{(R)},\;Targis^{(R)},\;Sculpture^{(R)}$. After two-body wear test using pin and plate model, amount of vertical height loss of plate and pin specimens were measured and statically analyzed. The amount of vertical height loss of plate specimens against pin specimens were measured by a roughness measurement instrument. The amount of vertical height loss of pin specimens against plate specimens were measured by an image analyzing program after taking scanning electron micrographs of pin specimens. The results were as following. 1. As fir the amount of enamel wear. gold group showed least amount of wear. There was no significant difference among Sculpture, Targis and Artglass groups(p<0.05). 2. As for the amount of gold wear Sculpture group standed first and Targis and Artglass group followed respectively, and there was significant difference between Sculpture and Artglass groups(p<0.05). 3. As for the amount of restorative materials against enamel, Artglass group showed greatest, and there was no significant difference among gold. Sculpture, Targis groups(p<0.05). 4. As for the amount of restorative materials against gold, Artglass group standed first and Targis and Sculpture group followed respectively, and there was significant difference among each groups(p<0.05).

• 한국의류학회지
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• 제42권2호
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• pp.251-268
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• 2018

This study suggests a fashion design using aesthetic characteristics of works by Kate MccGwire, a modern sculptor paying attention to soft sculpture materials such as feathers. In this research on MccGwire works, their internal meanings may be derived as the dualism of familiarity, movement and consciousness. Works also have aesthetic characteristics of overlapping, fluidity and twist. Using such characteristics, 4 one piece dresses and 2 vest dresses were made. Research findings are as follows. First, aesthetic characteristics of MccGwire works could be expanded into expressive areas of silhouettes and details in fashion. Second, visual flow and concentration could be expressed by gradual coloration of feather colors. Third, dart manipulation could be applied naturally by details and curve silhouettes of fashion design. Fourth, touch of feather material could be expressed fully by leaving the edge of garments raw. Fifth, spatiality of fashion could be implemented partially by applying decorative saddle stitching to costume design details. This study explored a potential of soft sculpture occurred during a transitional process of objet pursued by 20th century's avant-garde artists applicable to fashion design ideas that suggested methods for contemporary creative design.

• 대한치과보철학회지
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• 제38권6호
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• pp.806-813
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• 2000

Statement of problems. There are only a few studies available that deal with the clinical behavior of ceromer systems as potential substitutes for metal-ceramic crowns. Purpose. This prospective study was initiated to evaluate the clinical performance of 35 Sculpture crowns after 2 years in service. Material and methods. Thirty five Sculpture crowns were placed for 20 patients (7 men and 13 women). All patients were treated by the same dentist, and all restorations were fabricated by the same dental laboratory. Crown placement involved both the anterior and posterior regions of the dental arches. Patients were evaluated by two examiner at baseline, 12, and 24 months using the CDA quality assessment system in addition to periodontal criteria. Results. Of 34 crowns remaining in the study after 2 years, only one crown had experienced a marginal fracture. The crown was replaced as a result of recurrent caries. All remaining crowns were ranked as either excellent or acceptable for surface and color, anatomic form, and marginal integrity. Conclusion. The 2-year clinical observations and ranking with the CDA quality assessment criteria supported the conclusion that Sculpture crowns may be used in substitutes for metal-ceramic crowns.

• 한국의상디자인학회지
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• 제21권2호
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• pp.109-122
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• 2019

The purpose of this study is to examine the clothing component information and attributes as the control parameters for the 3D modeling process of the biomorphic clothing sculpture using a parametric methodology. The 3D modeling parameters of biomorphic clothing sculpture were identified as exaggerated silhouette, surface texture, and digital color. The types of exaggerated silhouettes were shoulder and hip exaggeration, shoulder exaggeration, hip exaggeration, vertical exaggeration, and horizontal exaggeration. The types of surface texture were embossed, lacy, furry, and complex textures. The types of digital color were chrome, blur, blend, and acid colors. The characteristics of morphological representation due to the attributes of these control variables were identified as morphological variation, organic morphology, organizational morphology, and realistic morphology. As a result, it was found that the parameter attributes were applied to the biomorphic clothing sculpture parametric design process and developed into various shapes.

• 한국공간정보시스템학회:학술대회논문집
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• 한국공간정보시스템학회 2004년도 춘계 학술발표회 논문집 제1권1호(통권1호)
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• pp.139-147
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• 2004

A bridge is not a sculpture but a object that Is satisfy with different function. The function of footbridge Is not only a connection between both areas, but also a roll as environmental sculpture. The present and future of footbridge design are presented on examples of recently built and designed bridges in the country. To realize a evironmental structure it need to cooperate with both engineers and architects.

• 복식
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• 제55권5호
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• pp.120-130
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• 2005

The main feature of Buddhist sculpture Is said to lay in how it can materialize the divineness. Therefore lots of people used to pay attention to whether its religious features draw people's reverence or not. However, the robe of Buddhist sculptures has not won its proper attention. The Buddhist robe Is usually considered as a mere measure to make Buddha's supernatural feature more vivid. However, contrary to our expectation, the robe is the very real one which can be found in people's lift. The Gandhara Buddhist sculpture robe does not have sleeves, but several sheet of clothes covered the sculpture. Moreover, we can find same features in monk's robe which appeared in the Gandhara art. I can therefore conclude that this robe is not confined to Buddha, but is very popular one in that time in Gandhara. This article would survey the main feature and its relevant things about Gandhara Buddhist sculpture's robe, especially its change process while it had been transmitted to China.

• 수완나부미
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• 제7권2호
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• pp.155-175
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• 2015

This paper will reveal the legacy of women in the Bagan Period (10th to 11th century A.D.) traced through the early evidences of female figures that could only found in the stones of KyaukkuUmin and in the terracotta of Shwesandaw and Phetleik temples. There have been some writings on the women of the Bagan Period from different perspectives. The role of women from the Bagan Period mentioned in different records and as empowerment of Myanmar Women in the past will be analyzed. Through these female images and other unearthed artifacts found in Bagan, portrayals of womanhood in Myanmar early sculpture will be studied. The role of women in the Bagan will be observed by looking closely at what remains of the sculptures, as well as the craftsmanship applied to the works, which are usually in terracotta, wood, or stone.

• 디지털융복합연구
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• 제11권1호
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• pp.447-457
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• 2013

노구치가 생각한 공간은 19세기와는 달리 고대 의식의 환경과 관련된 개념을 조각하고 이 개념을 조각적 공간에 포함시켰으며 또한 기술과 새로운 재료를 일상생활의 조각적 미학에 도입했다. 미술계뿐만 아니라 정원 조각, 무대 디자인 등에서도 공간에 대한 인식을 깨우쳐 주었다. 정원과 놀이터는 공간, 그 독특함을 보여주며, 그의 예술적 특성과 작품에 대한 연구의 결과로써 다음과 같은 결론을 얻을 수 있었다. 노구치의 작업은 동양의 미학을 서양의 모더니즘 양식에 결합함으로써 동 서양 예술의 합류점을 이루었으며, 예술의 사회적인 기능과 실용적인 미학 그리고 기능이 통합된 합리적 형태를 조형적 특성으로 하고있으며, 조각에 대한 그의 접근법은 공간이 최고라는 이해에 기반을 두고 있다는 것이다. 위의 연구 결과를 통해 알 수 있듯이 노구치의 공간적 조각은 상징적 표현과 재료에 대한 민감함, 예술가의 끊임없는 공간의 창출에 대한 노력으로 탄생된 것이며, 노구치에 대한 연구는 공간개념의 발전에도 도움이 될 뿐만 아니라 조형예술가에게도 기여할 수 있으리라 기대한다.

• 보존과학회지
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• 제33권3호
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• pp.155-165
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• 2017

공공 예술 조각품과 야외 조형물에 대한 관심과 함께 미술품 보존 관리의 중요성이 높아지고 있다. 야외 조각작품의 경우, 장기간 대기 중에 노출되어 대기오염물과 자연재해 등의 이유로 부식과 열화 등의 손상이 발생하게 되는데, 국립현대미술관 야외조각공원에 전시중인 김찬식의 '정' 역시 부식으로 인해 작품표면의 파티나층이 손상되었다. 따라서 상태조사, 표면연마, 재파티네이션, 왁스코팅 등의 보존처리를 진행하였으며, 그 결과 원형에 가까운 복원을 이룰 수 있었다. 작품의 재질특성에 대한 분석 결과, 구리, 주석, 아연, 납으로 주조된 미술 공예용 청동임을 확인하였다. 작품 표면연마 후 관찰되는 용접, 균열, 밝은 얼룩의 재질 특성 중, 용접부위는 바탕금속보다 구리를 제외한 나머지 주요원소의 함량이 비교적 적은 경향을 보였으며, 밝은 얼룩은 주석과 납의 함량이 13.0 wt%, 10.5 wt%로 바탕금속(주석: 7.0 wt%, 납: 4.4wt%)보다 높게 측정되었다. 또한 미세조직 관찰결과, 작품의 제작은 열처리를 비롯한 인위적인 가공이 가해지지 않은 주조기법이 사용된 것으로 추정되었다.

• 조형예술학연구
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• 제9권
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• pp.49-87
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• 2006

Narrative has broad domains. So it is related to the everything man faces in his daily life and also performed in various modes. Narrative is revealed through all media including a character, which is also applied to plastic art. And narrative objects formed beyond the differences in media aid forms of expression are commonly based on a language. The study on such objects which created a new conceit of narratology can be said to be a spiritual trend by which to understand the world and man from the viewpoint of a 'story'. Plastic art took high interest in narrative in the same period as the rise of postmodernist art in the latter half of the 20th century, which was also applied to sculpture. The researcher, therefore, investigated through the history of sculpture in the 20th century the process in which narrative was denied under the value system of modernism and reappeared with the quickening of postmodernism. And as a result this period could be briefly characterized by 'return to figure' and 'reappearance of narrative'. The is, such flow means that late sculpture converted its center of interest from simple geometric abstract forms to irregular, figurative images. The researcher chose as the subject of his study the work of Louise Bourgeois, who was judged to have performed narrative positively and successfully among a great number of performed narrative positively and successfully among a great number of postmodernist sculptors who adopted it as their own strategy of expression. As the central artist of postmodrnist sculpture, She expressed human desire and condition as sexuality through the introspection of her own personal experience in contrast to the character of pop art sensitive to external world. The researcher borrowed narrative semiotics as a method of analyzing more elaborately the problem about the generation of narrative shown in her works. For it, he selected as the sample work for analysis Bourgeois's , which were judged to contain narrative most abundantly and as the metaphor of a gaze and recollection presented a new woman self that sublimed love, hatred, and loneliness. The narrative in her works are characterized by introspection questioning one's own trauma. It has independent domain and characteristics and clearly reveals narrative and content-centered characteristics, which are commonly discovered in postmodernist sculpture. The researcher could more concretely and definitely understand the characteristics of narrative through figurative images by analyzing the sample work. The researcher wanted to call your attention to the fact that the sculpture in the late 20th century contained narrative commonly and uniformly despite being characterized by various expressions and modes. And the focused on highlighting the fact that the narrative was more effectively revealed through figurative images of human body and simultaneously analyzing the formalizing process and structure for narrative. Besides he wanted to argue that the position of narrative defining the characteristics of sculpture should be valued more justly. Also, such acceptance of narrative, which is discovered in the sculpture, will have to be understood as the characteristics of the period reflecting the cultural aspect of the present time.