• 제목/요약/키워드: princess

검색결과 218건 처리시간 0.032초

무속신화 <바리공주> 서사의 다층적 이해 - 이야기·생성·소통의 세 층위를 대상으로 (The multi-level understanding of Shamanistic myth Princess Bari as a narrative: focusing on levels of story, composition, and communication)

  • 오세정
    • 기호학연구
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    • 제54호
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    • pp.119-145
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    • 2018
  • 본 논의는 서사로서 <바리공주>를 이해하기 위해 대상에 대한 층위를 나누고 이에 대한 접근 방법을 재검토하고자 한다. 서사의 층위 구분과 각 층위별 분석, 그리고 그것들에 대한 통합적 접근이 이루어진다면, 이는 <바리공주>를 이해하고 연구하는 새로운 방향과 방안을 제시하는 데 기여할 수 있을 것이다. <바리공주>의 이야기 차원, 즉 표층 구조는 주인공 인물의 탄생에서부터 시작된 삶의 과제를 공간 이동과 연대기적 순차 구조로 형상화하고 있다. 이 이야기는 태어나면서 정체성을 부정당한 한 여성이 어떤 과정을 통해 존재론적 변신을 이루고 정체성을 찾아가는지를 보여준다. 특히 정체성 찾기의 여정이 주로 가족 구성원과의 관계를 통해 발생하는 사건들을 통해 형성되어 있다. 이야기 차원에서 찾을 수 있는 이 같은 구조는 가족 구성원의 갈등과 화해, 삶과 죽음이라는 대립적 패러다임으로 심층 구조를 형성하고 있다. 이 이야기를 통해 드러나는 사유 구조는 삶의 문제가 가족 구성하기의 문제이며, 동시에 죽음의 문제 역시 마찬가지라는 점이다. 삶과 죽음이라는 대립되는 것들이 공존하는 이 세계를 어떻게 통합시켜 바라 볼 것인가에 대한 답으로 이 신화의 전승집단은 인간과 신을 관계 맺게 하고 있다. 이 이야기는 망자를 천도하는 굿에서 주요하게 소통된다. 무당이 발신자이고 제의 참여자가 수신자이지만, 실제 이 이야기는 특정한 상황에서 반복되는 전혀 새로운 정보가 없는 메시지이다. 굿에서 단골과 참여자들은 <바리공주> 서사를 단순히 메시지로 수용하는 것이 아니라 자가 커뮤니케이션을 통해 자신을 삶과 행위를 재구성하는 코드로 수용한다. <바리공주>의 인물과 사건을 자신의 삶과 상동적 관계로 받아들임으로써 주어진 일상의 삶을 삶과 죽음, 단절과 소통, 갈등과 화해의 통합적 시각으로 그리고 현재적 관점으로 수용하게 된다. 이는 세상과 현실을 바꿀 수 없지만 그것에 대한 '나'의 삶의 태도를 바꾸는 것으로, 결국 이것이 신화에서 바리공주가 신으로 변신하는 것처럼, 개인이 제의 커뮤니케이션을 통해 이룰 수 있는 변화 변신인 것이다. 이처럼 <바리공주>는 이야기의 층위, 이야기 생성의 층위, 이야기 소통의 층위에서 각각의 의미나 기능이 상호 관련을 맺고 있음을 알 수 있다. 또한 세 층위에서 신화서사가 드러내는 구조는 신화 전승집단의 의식 세계와 문화체계를 드러내는 데에도 효과적이다.

「갑오 재동 제물정례책(甲午 齋洞 祭物定例冊)」에 기록된 복온공주의 다례를 통해 살펴본 궁중음식 고찰 (Analytical Review of Korean Royal Cuisine as Viewed through the Darye for Princess Bokon and Recorded in Gabo Jaedong Jemuljeongnyechaek)

  • 이소영;한복려
    • 한국식생활문화학회지
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    • 제34권5호
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    • pp.495-507
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    • 2019
  • This study investigates the Gabo Jaedong Jemuljeongnyechaek, which is the recording of the darye executed over a period of a year in 1834 ($34^{th}$ year of reign by King Sunjo) in the latter part of the Joseon Dynasty, two years after the death of Princess Bokon, the $2^{nd}$ daughter of King Sunjo. Accordingly, we examined the types of darye (tea ceremonies) and the characteristics of the composition of foods at ancestral rites of the royal families of Joseon. Moreover, we also analyzed the cooking methods and characteristics of food terminologies used in the darye. This includes 39 categories of food and ingredients used for tea ceremonies held for one year, on behalf of the deceased Princess Bokon in 1834. The darye for the monthly national holiday was held along with the darye on the $1^{st}$ and the $15^{th}$ day of every month. The darye for rising up and the birthday darye were held on May $12^{th}$ and October $26^{th}$ of the lunar calendar, being the anniversaries of the death and the birth of Princess Bokon, respectively. The birthday darye and the darye for New Year's Day, Hansik ($105^{th}$ day after winter solstice), Dano ($5^{th}$ day of the $5^{th}$ month of the lunar calendar), and Thanksgiving "Chuseok" were held in the palace and at the burial site of the Princess. During the darye for rising up in May and the Thanksgiving darye at the burial site in August, rituals offering meals to the deceased were also performed. The birthday darye at the burial site of Princess Bokon featured the most extensive range of foods offered, with a total of 33 dishes. Foods ranging 13~25 dishes were offered at the national holiday darye, while the darye on the $1^{st}$ and the $15^{th}$ of the month included 9~11 food preparations, making them more simplified with respect to the composition of foods offered at the ceremony, in comparison to the national holiday darye. The dishes were composed of ddeok, jogwa, silgea, hwachae, foods such as tang, jeok, jjim, hoe, and sikhae, and grain-based foods such as myeon, mandu, and juk. Foods offered at the burial site darye included 12~13 dishes comprising ban, tang, jochi, namul, chimchae, and jang. Meals offered at the darye had a composition similar to that of the daily royal table (sura). Darye recorded in the Jemuljeongnyechaek displayed characteristics of the seasonal foods of Korea. Jemuljeongnyechaek has detailed recordings of the materials, quantities, and prices of the materials required for preparations of the darye. It is quite certain that Jemuljeongnyechaek would have functioned as an essential reference in the process of purchasing and preparing the food materials for the darye, that were repeated quite frequently at the time.

17세기 왕자녀 가례 절차 및 복식 연구 (A Study on Procedure and Costume for a Royal Wedding Ceremony of Princes and Princesses in the 17th Century)

  • 김지연
    • 복식
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    • 제66권3호
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    • pp.162-179
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    • 2016
  • This study examined the 17th century wedding ceremonies of princes and princesses recorded in the "Garyedeungrok(嘉禮謄錄)". The Joseon dynasty royal weddings were held outside the palace, so it could have influenced wedding ceremonies of commoners. Royal weddings for princes and princesses were considered to be on a level between that of a king and commoners. Wedding procedure of princes and princesses was carried out under the leadership of the royal family who officiated at a marriage with the king's approval. In addition, kindred of the king and high-ranking officials participated as the maid of honor in the wedding parade. This was completely different between the royal wedding and the scholar-gentry ones. A difference between the prince and the princess was that the princess paid her respect to the shrine of the house of her groom after the wedding ceremony. However, there was no process for the prince's bride. There also existed a wide disparity in the wedding goods of princes and princesses. The prince and the king's son-in-law both held a wedding ceremony to wear Chopo, but there was a difference in decoration or quantity of Danlyeong(團領) Cheollik(帖裏) Hoseul(護膝) belts. Only princes were allowed to use the ornamental knife and the embroidered pouch. While both the princess and prince's wife wore No-ui(露衣) and Jangsam(長衫) as the wedding clothes, there was discrimination of position in terms of hair decoration, Hwalhansam(闊汗衫), skirt, Hosu(胡袖) and Ni-ui(裏衣). There was also a difference of quantity of Jeogori and skirts, as well as various styles of gold decorations in order to distinguish the Gongju(daughter of the king) and the Gunju (daughter of the crown prince)'s position.

정단배양에 의한 Delphinium cv. Princess Caroline의 대량번식 (Micropropagation of Delphinium cv. Princess Caroline through Shoot Tip Culture)

  • 한봉희;정향영;고재영
    • 식물조직배양학회지
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    • 제24권1호
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    • pp.53-55
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    • 1997
  • Delphinium cv. Princess Caroline을 대량번식하기 위하여 신초를 MS 배지에 사이토킨닌과 오옥신이 단용 또는 혼용으로 첨가된 배지에서 배양하였다. 사이토킨닌 단용처리에서 kinetin이나 2iP 첨가배지보다는 BA 첨가배지에서 신초 증식율이 높았다. 농도는 BA 1.0-5.0 mg/L가 첨가된 배지에서 신초수가 5개 이상으로 증식이 양호하였다. BA와 IAA를 혼용처리한 배지에서는 BA 1.0-3.0 mg/L와 IAA 0.1-0.5 mg/L 첨가배지에서 신초수가 5개 이상으로 높은 신초증식을 보여주었다. 그러나 BA와 IAA를 혼용첨가 하였을 때, 생체중은 약간 증가하였으나 저농도의 오옥신 첨가에 의한 신초증식 효과는 나타나지 않았다. IBA 또는 NAA가 농도별로 첨가된 배지에서 신초는 거의 발근되지 않았으며, 활성탄소가 첨가된 배지에서도 전혀 발근이 되지 않았다. 기내에서 생산된 신초의 기부에 Rootone을 뭍혀 기외발근을 한 결과, 펄라이트 1과 버미큘라이트 1의 배합토에서는 발근율이 68%, 뿌리수 약 4개, 뿌리길이 2.2cm로 발근이 양호하였다.

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3D 가상 착의 시스템을 활용한 원피스 드레스의 원형 개발 및 시각적 이미지 연구 (Development of a Pattern and Visual Image for a One-Piece Dress using a 3D Virtual Clothing System)

  • 어미경
    • 복식문화연구
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    • 제19권3호
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    • pp.597-611
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    • 2011
  • The purpose of this study is to propose a design method for one-piece dress patterns with high body fitness through an appearance evaluation of one-piece dress patterns with the application of the 3D Virtual Clothing System known as i-designer. Measures consisted of an optical illusion effect in visual imagery and mutual influence according to a change in the length and princess line, in a silhouette of a one-piece dress. The data was assessed by a t-test and a multi-way ANOVA and factor analysis using SPSS 17.0. The results were as follows; The design of the study pattern was done by modifying the ease of the bust circumference, ease of the abdominal circumference, ease of the hip circumference, the position of the side seam line, and the appearance of horizontality in the hem line, which received a low evaluation in appearance evaluations of a one-piece dress pattern. As a result of analyzing the visual image according to a change in the length and princess line, in the form of a silhouette of a one-piece dress, four factors were selected; the whole-body optical illusion factor, the upper-body optical illusion factor, the bust optical illusion factor, and the lower-body optical illusion factor. As a result of analyzing the effect of the interaction in the visual image according to the design variables, the influence of the main effect was found to be great in each factor. In the upper-body optical illusion factor, a significant difference was not noted in the two-way interaction between the length and the princess line. However, the influence on three-way interaction among the length, princess line, and silhouette was significant.

원(元)의 진주(眞珠) 장식방법 및 고려(高麗) 후기 제국대장공주의 진주의(眞珠衣) 형태 고증 연구 (Historical Study on Pearl Ornaments of the Yuan and Pearl Gowns of Princess Jegukdaejang in the Late Goryeo)

  • 최정
    • 복식
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    • 제60권6호
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    • pp.48-61
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    • 2010
  • Pearl gowns(Jeanju-eui)' of Princess Jekukdaejang which were imported from Yuan to Goryeo in 13'th century, but correct shape and detail were unkown. Princess Jekukdaejang was a queen of Goryeo and a daughter of Kublai Khan of early Yuan period, and pearls were the most precious jewel in Mongolia of medieval time. It is possible that the shapes of Jeanju-eui were nomadic mogolian women's costume or very new style yet in early Yuan just like sleeveless long vest. In the period of Yuan, pearls were beaded on the stiff thin fabric for summer or ornaments of ladies. Big pearls were made use of point spot of pattern or line of pattern, and small pearls were usually used to fill up devided parts or to bind outline. The shapes of deducted pearl gown are five kinds of women's deel and four kinds of long vest, and deducted parts for pearl decoration are golden band from shoulder to wrist and on the knees of gown, cloud shape collar, patches on the breast and on the back, slant collar, and patterns of fabric. Red color(the favorite color of Yuan ladies), artifical pearls, ramie, and golden brocade with the gloss of satin are selected as stuffs for sample of pearl gown, but 'reproducting old fabrics' was the most important problem in making correct pearl gowns. Suggested is a cooperation with fabric makers to develop alternate fabircs with patterns just like Yuan's.

중년여성의 체형별 프린세스라인 토르소 원형 개발 (Development of Torso Pattern with Princess-line for Each body Type of Middle Aged Women)

  • 장문희;양정은
    • 한국의류산업학회지
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    • 제16권2호
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    • pp.255-265
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    • 2014
  • This study developed and proposed a pattern that can fit the body and compensate for the defects of the body type by applying shoulder princess line to the torso pattern and including formative characteristics of each object on the study of body shape's change in 40-59 year old middle aged women. The results of this study are as follows; First, according to the analysis of 'Size Korea 2010' such as average, standard deviation, minimum value, and maximum value of 48 items, women showed increase in most of the items except height as they became aged. Second, factor analysis was made to understand the shape component factors of middle aged women and to use them for the body type classification. Third, cluster analysis was made according to the shape of front and sides which should be considered in pattern production based on the factor analysis results, and the body type with the measurement values most similar to the average of direct measurement of 'Size Korea 2010' was set as standard. Fourth, in designing torso patterns through the $1^{st}$ and the $2^{nd}$ wearing experiments according to the body type, body shapes such as Chest Circumference, Waist Circumference, Hip Circumference, and Waist Back Length were considered in pattern design, goodness-of-fit was enhanced with difference in margin according to body type and different margins in front and back, and fitting satisfaction was improved by applying princess line.

국립 고궁박물관 활옷 수본에 관한 연구 (A Study on Embroidery Design Patterns of Hwal-ot at the National Palace Museum of Korea)

  • 권혜진;홍나영
    • 한국의류학회지
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    • 제32권8호
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    • pp.1255-1263
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    • 2008
  • Study on Hwal-ot, woman's wedding robe of the Joseon Dynasty, has been limited to the Princess Bock-on's Hwal-ot and some folk remains. In this study, I tried to identify formative characteristics of Hwal-ot by studying embroidery design patterns in the royal Hwal-ot. On Mar 26, 2007, I inspected total of 15 pieces of embroidery design patterns for Hwal-ot held at the National Palace Museum of Korea. I classified them into three types of Hwal-ot by considering characteristics in embroidery design patterns as well as composition of embroidery design patterns held by the private. For the Hwal-ot embroidery design pattern type I, there is a calligraphy called "Embroidery Design Pattern of Red Long Robe for leo-dong Palace", which is presumed to be the embroidery design pattern of Princess Deok-on, the third daughter of King Sunjo and a little sister to Princess Bock-on. Its patterns are very similar to that of Princess Bock-on's, with similar flower patterns and treasure patterns, as well as overall stripy structure. The Hwal-ot embroidery design pattern type II maintains the same flower patterns and butterfly patterns as in the type I, but does not have the striped decorative. The Hwal-ot embroidery design pattern type III has illustrative design with waves and mountain at the background and a pair of water birds flying around lotus. In particular, the type III design has a nine phoenix pattern at the front part of the robe, illustrating nine baby phoenixes (four in the left, five in the right) under a mother phoenix, which is closer to characteristics found in the Hwal-ot embroidery design patterns at the end of the Joseon dynasty.

한국 · 일본 저승신화의 문화콘텐츠 활용 사례 연구 : <바리공주의 전설>과 <페르소나4>게임을 중심으로 (A Case Study of Afterlife Myths in Korean and Japanese Cultural Contents Industry : Focusing on the Game of Baridegi and Persona4)

  • 최수영;이남희
    • 한국게임학회 논문지
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    • 제16권4호
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    • pp.45-56
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    • 2016
  • 한국의 <바리공주의 전설>은 스토리와 캐릭터 창작에서 "바리데기" 저승신화를 대부분 수용하면서 레이스형 시나리오 구조를 지니고 있다. <바리공주의 전설1: 지옥의 탄생수>에 이어, <바리공주의 전설2: 왕의 부활>을 출시했다. 일본에서 <페르소나4>는 현대사회를 무대로 하여 "이자나기 이자나미" 저승신화를 변용하고 있다. 기존의 페르소나 시리즈의 스토리와 요소들을 포함시켜 '이식작(移植作)'과 '외전(外典)' 방법을 통해 여러 장르의 게임을 개발했다. 이는 연속적인 부가 트랜스미디어 콘텐츠를 개발하는데 성공한 사례라고 하겠다. 게임 콘텐츠를 더 풍부하게 개발하여 부가가치를 높일 수 있는 방안을 다양하게 모색해가야 할 것이다.

The Clinical Implications of Poly Implant Proth$\grave{e}$se Breast Implants: An Overview

  • Wazir, Umar;Kasem, Abdul;Mokbel, Kefah
    • Archives of Plastic Surgery
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    • 제42권1호
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    • pp.4-10
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    • 2015
  • Mammary implants marketed by Poly Implant Proth$\grave{e}$se (PIP) were found to contain industrial grade silicone and this caused heightened anxiety and extensive publicity regarding their safety in humans. These implants were used in a large number of patients worldwide for augmentation or breast reconstruction. We reviewed articles identified by searches of Medline, PubMed, Embase, and Google Scholar databases up to May 2014 using the terms: "PIP", "Poly Implant Proth$\grave{e}$se", "breast implants" and "augmentation mammoplasty" "siloxanes" or "silicone". In addition the websites of regulating bodies in Europe, USA, and Australia were searched for reports related to PIP mammary implants. PIP mammary implants are more likely to rupture than other implants and can cause adverse effects in the short to the medium term related to the symptoms of rupture such as pain, lumps in the breast and axilla and anxiety. Based on peer-reviewed published studies we have calculated an overall rupture rate of 14.5% (383/2,635) for PIP implants. However, there is no evidence that PIP implant rupture causes long-term adverse health effects in humans so far. Silicone lymphadenopathy represents a foreign body reaction and should be treated conservatively. The long-term adverse effects usually arise from inappropriate extensive surgery, such as axillary lymph node dissection or extensive resection of breast tissue due to silicone leakage.