• 복식문화연구
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• 제9권4호
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• pp.592-601
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• 2001

This study focuses on fashion adoption behavior of adolescents. The impact of their clothing involvement factors and socio-demographic factors on their fashion adoption behavior was examined. Three core issues were identified for empirical test: 1) Elements of clothing involvement for adolescents; 2) Fashion adoption behavior of adolescents; 3) Impact of clothing involvement elements on fashion adoption behavior. The Likert Type questionnaires were used to measure clothing involvement and fashion adoption behavior. The data of 472 samples drawn from middle and high school students in Taegu Metropolitan City were analyzed by factor analysis, ANOVA, Scheff test, t-test and regression analysis. Main results of the study are as follows. 1 . Concept of the clothing involvement is composed of five dimensions: importance, fashion, self-expression, pleasure, and buying risk. 2. Socio-demographic factors do influence fashion adoption behavior. Average monthly pocket money, expenditures on clothes and household income are found to have statistically significant impacts on the adoption behavior. Female students are more fashion-oriented than male students. 3. The clothing involvement elements are found to have significant influences on fashion adoption behavior: fashion, importance and self-expression elements on fashion innovation; fashion, importance and pleasure elements on fashion information search.

• 인지과학
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• 제14권1호
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• pp.41-50
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• 2003

내적상태 쾌 및 각성 차원에 근거한 표정 합성 시스템의 성능을 검증하고 이 시스템을 효과적으로 사용할 수 있는 인터페이스를 제안하였다. 우선 내적상태의 기저 구조에 대하여 차원모형을 가정한 것이 적절한가를 확인하고자 하였다. 이를 위해 평정자들로 하여금 차원 축 상의 17가지 표정들을 비교하도록 하였다. 참가자들의 비교 판단 결과로부터 시스템의 기본 가정에 대한 타당성이 확보되었다. 다음으로 시스템의 성능을 검증하기 위해 대표 표정 21가지를 선정하고 평정자들로 하여금 이들의 유사성을 판단하도록 하였다. 평균 유사성 평정값을 대상으로 다차원분석을 실시한 결과, 시스템의 성능이 신뢰로운 수준임을 확인하였다. 마지막으로 시스템 사용을 위한 최적의 조건을 찾기 위해 좌표평면 및 슬라이드바의 두 가지 방법으로 설계된 인터페이스들의 효율성을 비교하였다. 사용자들로 하여금 각각의 방식으로 25가지 특정 내적상태의 표정들을 직접 구현해보도록 하였다. 이들의 구현 결과들을 비교, 분석한 결과 내적상태 차원에 기반하여 표정을 합성하는 경우 좌표평면에서의 위치를 제시하는 입력 방법이 더 안정적인 것으로 확인되었다.

• 한국감성과학회:학술대회논문집
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• 한국감성과학회 2000년도 춘계 학술대회 및 국제 감성공학 심포지움 논문집 Proceeding of the 2000 Spring Conference of KOSES and International Sensibility Ergonomics Symposium
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• pp.126-132
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• 2000

This paper presents a facial expression recognition based on Gabor wavelets that uses a fuzzy C-means(FCM) clustering algorithm and neural network. Features of facial expressions are extracted to two steps. In the first step, Gabor wavelet representation can provide edges extraction of major face components using the average value of the image's 2-D Gabor wavelet coefficient histogram. In the next step, we extract sparse features of facial expressions from the extracted edge information using FCM clustering algorithm. The result of facial expression recognition is compared with dimensional values of internal stated derived from semantic ratings of words related to emotion. The dimensional model can recognize not only six facial expressions related to Ekman's basic emotions, but also expressions of various internal states.

• 인지과학
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• 제21권1호
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• pp.127-143
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• 2010

본 논문은 정서의 이차원 구조상에서 얼굴표정으로부터 아동의 정서변별에 대한 성별차이를 알아보고자 한다. 연구 그룹은 40개월, 52개월, 64개월의 92명의 아동들로 이루어졌으며, 남녀아동 비율은 남아 50%와 여아 50%였다. 92명의 아동들을 대상으로 12개의 정서 단어와 관계된 얼굴표정들을 선택하도록 하였다. 실험에 적용된 얼굴표정들은 54명의 대학생들로부터 9점 척도상에서 두 차원(쾌-불쾌차원과 각성-수면차원) 각각에서 표정의 강도가 평가된 사진들이 사용되었다. 실험결과에서 아동들은 쾌-불쾌차원 보다는 각성-수면차원에서 남녀간의 성별차이를 두드러지게 나타냈다. 각성-수면차원에서는 '졸리움, 화남, 편안함, 쓸쓸함' 정서들이 1보다 큰 성별차이를 보였다. 특히 남아들은 '졸리움, 화남, 쓸쓸함' 같은 정서들안에서 여아보다 높은 각성을 보인반면, 여아들은 '편안함' 정서에서 남아보다 높은 각성을 보였다.

• 복식문화연구
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• 제12권5호
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• pp.721-736
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• 2004

The aim of this study is to clarify aesthetic values and sociocultural meanings that reappears in contemporary fashion. In order to analyze aesthetic values and symbolic meanings of body decoration, I examined the concepts and expression methods of the body decoration. Also, analyzed external characteristics of expression and its internal meanings that applied in modern fashion. The expressions of body decoration represented in contemporary fashion are classified into direct and indirect methods. The direct method is expressed by tattoos, piercing, henna, make-up and body painting. And, indirect method is expressed by see-through look, body-conscious look and accessories that were utilized its patterns and the material adaptation methods. Such expression of body decoration in the modern fashion was represented into grotesque images and erotic images. The characteristics of grotesque images are abnormal state, hateful animal image and distorted or transformed body and the internal meanings are the pursuit of primitive, exoticism, the pursuit of playfulness, and resistance. The characteristics of erotic images are an exposure of body, see through, body-conscious and androgynous look and the internal meanings are the self-intoxication, naturalism and sexual pleasure.

• 인지과학
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• 제14권4호
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• pp.33-42
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• 2003

본 논문은 내적상태의 차원모형을 기반으로 한 얼굴 표정인식을 위한 새로운 시스템을 제시한다. 얼굴표정 정보는 3단계로 추출된다. 1단계에서는 Gabor 웨이브렛 표상이 얼굴 요소들의 경계선을 추출한다. 2단계에서는 중립얼굴상에서 얼굴표정의 성긴 특징들이 FCM 군집화 알고리즘을 사용하여 추출된다. 3단계에서는 표정영상에서 동적인 모델을 사용하여 성긴 특징들이 추출된다. 마지막으로 다층 퍼셉트론을 사용하여 내적상태의 차원모델에 기반한 얼굴표정 인식을 보인다. 정서의 이차원 구조는 기본 정서와 관련된 얼굴표정의 인식 뿐만 아니라 다양한 정서의 표정들로 인식할 수 있음을 제시한다.

• 스마트미디어저널
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• 제3권3호
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• pp.36-45
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• 2014

메를로 퐁티의 지각에 근거하여 본 연구자는 움직임을 제품에 구조화된 고유한 미적 성질과 표현 그리고 가치가 통합되어 의미, 즐거움을 체험하는 형식으로 규정했다. 본 연구의 목적은 웨어러블, 유비쿼터스, 인터랙션, 놀이, D.I.Y, 유니버셜, 에콜로지는 이 움직임이 다양하게 제품디자인에 주제화된 형식, 양상임을 주장하는 것이다. 이는 움직임과 모든 디자인형식들 사이의 다음과 같은 유비추론의 방법과 형식에 따라 판단된 결과이다. 첫 번째, 움직임은 미적 표현과 가치의 통합으로써 미적 판단의 근본적, 보편적 명제, 공리다. 두 번째, 모든 디자인형식들은 미적 표현체계에 근거한 가치가 주제화된 사례다. 세 번째, 따라서 모든 디자인형식들은 미적 가치에 의거한 표현의 양상이다. 이상과 같은 판단, 추론의 확실성은 미적 표현으로서 움직임과 디자인형식 사이의 일치가 사실이라는 증명이다. 즉, 미적 가치가 연구된 모든 디자인형식들에서 주제로 성립하여 사용자가 실제로 미적 의미, 즐거움을 체험하였음에 대한 증명이다. 이에 대한 보증은 사용자의 생활 속에서 개개인의 체험이 유일하다. 움직임은 제품의 존재, 사용자의 당위를 미적(실천적) 차원에서 통합함과 동시에 이에 근거해 성립한다. 본 연구의 모든 연구사례에서 강조되는 것은 제품이 아니라 움직임이다. 따라서 제품디자인은 이러한 움직임을 제품에 구조화하는 활동으로 전환된다.

• 대한가정학회지
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• 제41권8호
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• pp.33-53
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• 2003

A Study on the color comparison of Korean Saek-dong and Italian futurist fashion It is generally recognized that the color scheme and its characteristics as a product of living culture are strongly reflected in clothing. This study concentrates on the color comparison of Korean Saek-dong which has been used in traditional Korean clothing and Italian futurist fashion which showed dynamic characteristics and brilliant colors. The purpose of this study is to investigate the external format, emotions, functions and meanings of the colors in Korean Saek-dong and Futurist fashion, and to find similarities and differences between them. The results of the study are as follows. The similarities between them are harmony of vivid colors like a rainbow, no-use of black color and expression of rhythm through repeated geometrical shapes. They have been used as festive costumes and have implied meaning of happiness and pleasure. The differences, in the external formats, are as follows. Korean Saek-dong has striped patterns including the color white, and has regular distances among the stripes. But, Futurist fashion includes luminous or fluorescent colors and metallic colors. In addition, it has repeated motifs of geometrical shapes and geometrically divided areas. While Saek-dong expresses Sangsaeng through the conceptual use of color, Futurist fashion shows simultaneity, speed and dynamics through spiritual functions of crossing and inter-penetration. In emotional aspect, Saek-dong expresses pleasure of children's mind and Futurist fashion expresses pleasure of city. In functional aspect, Saek-dons expresses a concept of ceremonial beauty, which is spiritual and symbolizes good auspices, holiness and sorcery. So it is used for ceremonial costume. But, Futurist fashion reflects the harmony of colors created from modem and urban images and shows the willingness and emotion of solving futuristic avant-garde, modernity, dynamics, transformation and bellicosity. So it is used for daywear. While Saek-dong represents succession of tradition, Futurist fashion represents resistance of tradition in cultural aspects.

• 대한가정학회지
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• 제47권8호
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• pp.25-35
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• 2009

This study analyzed expression types and characteristics of modern fashion designs using body parts. The research was conducted based on a literature review and empirical research of fashion magazines published in Korea and other countries from 2001 to 2008. Four fashion statements predominated. Most frequently, body parts presented in modern fashion design, included realistic expressions, simplification, anatomic expression and a mixture with other patterns and logos. A body part, such as an eye, a lip, a hand or a chest was characteristically located in an unfamiliar position, as part of modern fashion design using body parts. Other parts and surrealistic images were shown with accessories utilizing body shapes. Second, amusing images were emphasized with humorous expressions, including simplification of body parts, childish decorations, fairy tale illusions and cartoon factors. Third, erotic images were presented with a more realistic expression of a partial image of a female body part, such as a lip or a tongue. Fourth, the use of facial images of celebrities in modern fashion design showed the phase of the times and the characteristic utilization of pop art as an image.

• 한국보육지원학회지
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• 제13권2호
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• pp.59-80
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• 2017

Objective: The purpose of the present study was to find out the development of 4-year-old children's emerging poetry composition process and features of poetic expression through their own forest experiences. This research also aims to explore the possibility of alternative poetry education for early childhood. Methods: This study collected data from one class of four-year olds through classroom observation, interviews with teachers, and the researcher's journal entries on events that occurred during forest walking activities. Results: Research findings showed that it was possible to encourage free expression of metaphors and imagination in children and they were able to share excitement about poetry with their classmates when provided with an alternative environment. One remarkable finding was that children's spontaneous writing and pleasure in poetry did not continue when given the new theme of 'Mom and Dad'. Conclusion/Implications: The results imply that to encourage the development of children's intuitive poetic words we need to be interested in how to organize and highlight the experiences of children. This study also suggests that positive methodological and teleological changes are needed for poetry education that is separate from language education.