• Proceedings of the Korea Contents Association Conference
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• 2006.11a
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• pp.801-805
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• 2006

In this paper, we describe a system of controlling the pictorial puzzle program using information of hand shape. We extract hand region using skin color information and then principal component analysis uses centroidal profile information which comes blob of 2D appearance for hand shape recognition. This method suit hand shape recognition in real time because it extracts hand region accurately, has little computation quantity, and is less sensitive to lighting change using skin color information in complicated background. Finally, we controlled a pictorial puzzle with using recognized hand shape information. This method has good result when we make an experiment on application of pictorial puzzle. Besides, it can use so many HCI field.

• Journal of the Korean Home Economics Association
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• v.40 no.8
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• pp.37-48
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• 2002

The purpose of this study was to survey Navajo's textiles of the transitional period(1868-1890) and to examine appearance background of those textiles. The two study questions were central to the project. 1) What were characteristics of eye-dazzler and pictorial in the transitional period? 2) How developed was the American trader's role? To perform the purpose, literatures on this subject were surveyed, investigation of textiles in Arizona State Museum and Historical Museum of Arizona were accomplished. The results of this study were as follows: 1. Eye-dazzler is called because of their small, serrate triangle and diamond patterns in intense, contrasting colors. Eye-dazzler mostly used Germantown yam and wedge-weave technique. Germantown was a plied yam colored with synthetic dyes. Wedge-weave technique used optical illusions and an undulating technique to create an effect of motion and rhythmic symmetry. 2. The Americans began to intern Navajos at Bosque Redondo, New Mexico in 1863. During their stay at Bosque Redondo, the Navajo came into greater contact with Rio Grande blankets. The influence of designs of these becomes increasingly important in the eye-dazzler. 3. Pictorial materials included rich new sources the railroad provided and living environment of animals, plants, hogans, neighbors, deities that interested the Navajo. Also, sandpainting textiles were a pictorial. Three types of textiles utilized: yei, yeibichai, and sandpainting tapestry. 4. The arrival of the railroad caused many changes for the lives and textiles of the Navajos. The railroad brought a new client into the Navajo, and the Navajos attempted new textiles with design-inspiring fresh materials to adjust taste of the eastern purchasers.

• Journal of architectural history
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• v.3 no.2 s.6
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• pp.67-90
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• 1994

Soshaewon(瀟灑園) is the historical relic No. 34, and located in the upper part of Kwangju-dam in Damyang. It is a Byulseo-garden(別墅庭園), a retreated garden near residence, that is constructed by Yang San-Bo(梁山甫, 1503-1557) in 1530's. That is to say, Soshaewon is a space of life that is situated near the village called Changam-chon(蒼岩村), and a place to study, lecture and importune among literary men. Therefore, we can see that it is of great significance in the architectural, landscape architectural, and literary aspects. This paper is based on the 'Pictorial Map of Soshaewon(瀟灑園圖, 1775)' and 'Forty- eight Poems(四十八詠)' composed by Kim In-Who(金麟厚) in 1548. The 'Pictorial Map of Soshaewon' which describes a vestige of Soshaewon makes it easy to understand the composition of space, by offering the important clues to the prototype of Soshaewon. Moreover, 'Forty-eight Poems' are very valuable references from which we can consider an ideal and internal meaning of Soshaewon. In this paper, the central objective is to observe the consitituents of architectural space of Soshaewon; architectural, stone-built, water-spacial, landscape architectural, external- garden and behavioral elements. The research on Soshaewon is to be processed gradually in the future, but this paper is limited only to the areas presented in the 'Pictorial Map of Soshaewon' and "Forty-eight Poems."

• Journal of The Korean Association For Science Education
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• v.20 no.3
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• pp.411-420
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• 2000

The purpose of this study was to investigate how many students understood the analogies for physics concepts used in middle school science textbooks, and which types of analogies they understood better than others. We classified the analogies into the following 4 types: verbal and simple analogy, verbal and enriched analogy, pictorial and simple analogy, and pictorial and enriched analogy. For the study, 46 students were sampled from a middle school in Ulsan city in Korea, and a tool for testing their understanding of analogies were developed. The tool is composed of 8 items, and its face validity about contents and difficulty was verified by 5 experts. It was found that in average only about 50% of the students understood the analogies in the middle school science textbooks averagely, and that the students understood pictorial and simple analogies better than the other types of analogies.

• Journal of the Korea Convergence Society
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• v.10 no.11
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• pp.263-273
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• 2019

Pictorial typography is a fusion of image and type, which makes it possible to easily and quickly recognize information by complementing the boredom of characters and ambiguity of images. In this study, 6 classes were assigned to the 30 students in A specialization design class and applied artistic propel method to the pictorial typography design class, followed by the process of perception, reflection and creation, We analyze the two evaluation factors, functional and aesthetic changes, and verify the validity of the artpropel course. In the pre-post survey conducted in this study, the self - evaluation and the peer evaluation were improved. Functionality increased by 5.34 points in self evaluation, 5.4 points in peer evaluation, and 2.1 points in self evaluation and 1.8 points in peer evaluation. As a result, it can be seen that the pictorial typography class through the artpropel process helped to improve the functionality and aesthetic, and the effect of functionality was more significant than the aesthetic.

• Proceedings of the Korea Information Processing Society Conference
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• 2008.05a
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• pp.186-189
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• 2008

데스크탑 기반의 컴퓨팅 환경에서 모바일 기반 컴퓨팅 환경으로의 전환은 인터페이스의 변화를 필연적으로 요구한다. 이에 현재 모바일 기기들은 작은 사이즈의 기계에 많은 버튼을 부착하고 다양한 기능의 GUI를 제공하여 모바일 환경에서 데스크탑 수준의 인터페이스를 제공하려 하고 있다. 하지만 그 결과 버튼의 사이즈는 작아지고 GUI는 복잡해져 오히려 사용자의 불편함을 가중시키고 있다. 또한 제공되는 GUI는 공통적인 형식이 없고 사용자의 기호를 반영하지 못하며 부가적인 학습이 필요한 문제점이 있다. 본 논문에서는 이러한 문제를 해결하기 위한 방안으로 Solid Object 인터페이스 모델을 제안한다. 본 모델은 사용자가 직접 제작 가능하며 TUI(Tangible User Interface)의 특성을 활용하여 조작의 편의를 추구 하였으며, 증강현실(Augmented Reality) 기술을 이용하여 즉각적인 정보 피드백을 제공한다. 그리고 Pictorial Image Code로 증강현실과 TUI를 연결하고 사용자에게 직관적인 정보를 제공해준다.

• the Consultant
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• s.22
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• pp.8-14
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• 2005

• the Consultant
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• s.20
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• pp.8-14
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• 2004

• the Consultant
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• s.21
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• pp.8-14
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• 2004

• Korean Architects
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• s.499
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• pp.14-16
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• 2010