• 복식
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• 제59권5호
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• pp.71-82
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• 2009

The purpose of this study is to help understanding of patterns and to play a guideline's role in the development of designs and the prediction of trends for present and future fashion designers and textile designers. The methods of this study are the study of academic literatures as well as practical study through the analysis about actual works. The results of study are like followings. An inquiry of Pattern history in 20c is divided into six periods by the classification of styles and the styles of fashion culture according to other artistic formative will. Main trends of Pattern's image in each period and characteristics in each dimensions of Pattern image positioning are like followings. Art Nouveau style period from 1900 to 1910 is , Art Deco style period from 1910 to 1920 is , Elegance style period of 1930s is , and New Romantic style period from 1945 to mid 1950s and Pop style period from late 1950s to mid 1970s does not show main Pattern image but they are shown in four Pattern image of , , , . Compromising style period from late 1980s to 1990s shows all of four Pattern image, at the same time shows intensive main Pattern's image, .

• 한국도서관정보학회지
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• 제39권1호
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• pp.377-407
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• 2008

이 연구는 1990년대 초기 독서운동과 독서교육의 양상을 고찰하는 데 목적을 두었다. 특히 본고는 근현대 독서 대중화 운동을 전반적으로 검토하기 위한 시론으로서 일제 강점기, 건국기, 1950년대, 1960년대, 1970년대, 1980년대 독서 대중화 운동 연구에 이은 후속 연구에 속한다. 이러한 일련의 연구 목적은 시기별 독서 현상의 변화상을 비교 분석하여, 오늘에 이르는 독서운동과 독서교육의 현주소를 찾아보려는 데 있다. 제반적인 독서 현상에 대한 분석은 그에 따른 향후 독서운동과 독서교육을 보다 효과적으로 전개시키는 토대를 마련할 것으로 보인다. 본론에서는 첫째, 1990년대 초기 독서 대중화 운동의 양상, 둘째, 1990년대 초기 독서경향 등으로 대별하여 고찰하였다. 특별히 독서경향에서는 사회 전반적인 독서운동의 양상과 공교육 내에서의 독서교육 현상을 비교하려는 목적에서, 일반독서와 학생독서를 구별하여 살폈다.

• 미술이론과 현장
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• 제7호
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• pp.7-36
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• 2009

This paper intends to examine the significance of the "Minjoong Misool(People's art)" of the 1980s emerged in Korea in its social, cultural, and art historical context. This paper also aims to provide an analysis of the meaning and form of the individual artist's works, which have been overlooked under the dominant discourse that has emphasized their political role as a collective group. In particular, this paper scrutinizes the work of "Critical Realists" by examining the way in which they perceived Korean society in the early 1980s and visualized their experiences of the period. The figurative art newly emerged in the early 1980s challenged the formalist Modernism, which was adopted into Korea and translated into monochrome paintings and the work of the conversative academicism of the 1970s. The figurative art encouraged a social communication and moreover it intended to criticize the conflicts in the political, economical, and social domains in Korea. The targets of its critique include the unavoidable results of the unprecedented development of economy, various social phenomena of the post-industrial society, and the growth of the commercialized kitsch culture. Along with Shin, Hak-chul's work that incorporates collage technique since the 1980s, the work of some members of "Reality and Utterance" and "Im- sul-nyun" exemplify their critical interests in disclosing the false dream of wealth and happiness by both referring to and drawing on the utopian fantasy manipulated and distributed by mass media and commercial advertisements. This paper pays particular attention to Nouvelle Figuration emerged in France and Europe during the 1960s, which is comparable to the new figurative art emerged in Korea during the 1980s. Nouvelle Figuration criticized the autonomy in art isolated itself from political and social reality after WWII, in particular the indifference of Informel and abstract art as well as American abstract art. Moreover it became rather politicized around May of 1968. Given that French Nouvelle Figuration was introduced in Korea in 1982 and made a significant contribution to the formation of figurative art in Korea, it should be noted that the new figurative art emerged in the 1980s in Korea cannot be categorized merely in relation to People's Art. This paper intends to critically redress the notion that People's art was formed in the particular political, economical, and cultural context of Korea independent of the contemporary artistic practices outside Korea. It will provide a critical examination and analysis of the content and form of the new figurative art, from which People's Art was germinated, in the global context.

• 복식문화연구
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• 제28권1호
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• pp.114-130
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• 2020

The purpose of this study is to reveal the cultural meaning behind modern experiences of diversity through the history of clothing in Korea. To this end, this study examines aspects that dictate clothing culture acceptance experienced and practiced by women by analyzing the case of the Naju rural area in Jeollanam-do from the 1950s to 1980s. Modern clothing was accepted later in the 20 century in this village, and the Satgolnai traditional textile tradition was an important factor after 1950s. In addition, the continuity of the rural five-day market is different from practices in the city. Limitations in access to media such as TV, films, and magazines, and the functional meaning of clothing in rural areas contributed to limitations for women to get the opportunity to access modern clothing items that were popular in the city. Unlike in the city, the event that inspired the transition to full-scale modern clothing in this village was the Saemaul Undong Movement of the 1970s. Additionally, Mombbe (labor cloth) worn during the Japanese colonial period was continuously worn as daily clothes for Naju women even after the 1950s. Therefore, colonial modernity continued through clothing.

• 디지털융복합연구
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• 제14권3호
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• pp.45-54
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• 2016

본 연구는 댄스스포츠의 성장과 발전사를 역사적인 관점에서 보는 것만이 아니라, 댄스스포츠가 한국사회에서 가지는 역할 및 가치를 파악하고 나아가 성장 및 발전가능성에 대해 조망해보는 데 목적이 있다. 본 본연구의 목적을 달성하기 위하여 한국댄스스포츠역사의 핵심적 맥락에 역점을 두고 4가지로 시기를 분류하였다: 1880년대 후반 - 1940년대 중반, 1940년대 후반 - 1980년대 후반, 1990년대, 2000년대. 첫째, 1880년대 후반 댄스스포츠는 한국사회의 일부계층(상류층)에 의해 사교댄스로 도입되었다. 둘째, 1940년을 중반 이후, 남녀가 유별난 유교문화를 가진 한국사회의 시대적 배경을 바탕으로 사회악으로 낙인찍힌 댄스는 당시 군부정권에 의해 무차별 탄압을 받게 되었다. 셋째, 1990년에 들어서 댄스스포츠는 관련 법 개정을 시작으로 사회 다방면에서 발전하기 시작하였다. 넷째, 2000년대를 지나며 댄스스포츠는 하나의 스포츠와 문화로써 인정받으며 우리 한국사회에 자리 잡게 되었다.

• 한국해양생명과학회지
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• 제4권1호
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• pp.14-21
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• 2019

본 리뷰는 한국의 중요한 수산자원인 살오징어(Todarodes pacificus)의 동해와 서해 어획량 변동 원인을 살오징어 난/자치어 수송부터 회유경로 및 어장 분포에 관점으로 논의하였다. 우리나라 살오징어 어획량은 1980년 이후 기후체제전환에 따라 변화가 있어 왔으며 이는 동해와 서해의 어획량 변동 경향이 달랐다. PDO (Pacific Decadal Oscillation)는 동해로 유입되는 난류 수송량과 음의 상관관계가 있는데 PDO가 양의 위상이었던 1980s에는 서해에서는 어획량이 많았고 동해에서는 어획량이 적었다. 반면, PDO가 음의 위상이었던 1990s년대에는 동해 어획량이 많고 서해에서는 적었다. 이는 살오징어가 난류를 따라 북상하거나 난류를 거슬러 남하회유를 하는 생활사에 기인된다. 동해의 경우, 난류가 강(약)할 때, 난류경로가 한국의 동해 연안 쪽(동해 중부 해역 및 일본 연안 쪽)으로 치우치게 되는데 이는 PDO가 양의 위상이었던 1980년대에 어장이 울릉도 동편에 위치하였던 반면 PDO가 음의 위상이었던 1990년대에 어장이 동해 연안에 위치한 것과 관련있다. 서해 살오징어 어획량이 증가한 1980년대에는 동해로 유입되는 난류수 수송량이 감소한 반면 서해로 유입되는 난류수는 증가하였으며 이는 서해로 수송되는 유생의 양을 증가시키는 주요 원인이 된다.

• 만화애니메이션 연구
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• 통권15호
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• pp.29-47
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• 2009

21세기 들어 애니메이션은 대중문화의 핵심 주자로서 그 발전 속도를 가속화하고 있다. 어린이들의 소일거리로 여겨졌던 애니메이션은 혁신적인 하이테크 미디어와의 결합을 통해 문화 산업 분야에서 그 위상을 더욱 공고히 다져가고 있다. 애니메이션은 전에 없던 사회적 관심 속에 성장하고 있으나 그 경제적, 오락적 가치에 비해 철학적 측면은 아직까지 합당한 주목을 받지 못하고 있다. 특히 개별 애니메이션 작품들이 사회 문화적 맥락과의 상호관계 속에서 어떻게 변화하고 또 어떻게 해석될 수 있는지를 고찰한 논문들은 많지 않은 실정이다. 이 논문은 1960-1980년대 초 러시아 애니메이션의 주요 작품들을 대상으로 과거 애니메이션과 다른 이 시대의 변화에 주목하고자 한다. 논문은 그 변화의 핵심을 애니메이션이 다루는 객관적 현실과 주관적 환상에서 살펴보고 이 주제들이 당대 사회, 문화적 상황과는 어떤 관계를 가지는지, 그리고 예술 체계 내에서 차지하는 애니메이션의 위상이 어떻게 달라졌는지 고찰하고자 한다.

• 한국의류학회지
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• 제18권5호
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• pp.716-726
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• 1994

The present study was conducted to analyze the type of appeal and constituent unit's expression of apparel advertising appeared in women's magazine through content analysis. The research questions raised for this study were: (1) Are there any differences in the type of appeal between outwear and uderwear, men's and women's outwear, and formal wear and casual wear advertising ? (2) Are there any differences in the type of appeal and constituent unit's expression of apparel advertising between the late of 1980's and the begining of 1990's ? "Women Sense", founded on August 1988, was used as research materials for the study. And the period of analysis was from September 1988 to March 1993. In order to reduce biases of monthly issues in magazine, the apparel advertisements for analysis were selected from March, June, September and December issues. A total of 348 apparel advertisements were analyzed. The data gethered were analyzed using the frequency table, percentage and chi-square test. The results were as follows: 1. The emotional appeal was used more often for apparel advertisements. 2. There was no difference in types of appeal between men's and women's outwear. Both of them frequently used emotional appeal type 3. Rational appeal and sex appeal type were used more frequently in underwear advertising than in outwear advertisements. 4. It was emotional appeal type that usually used in both formal and casual wear advertising, and sex appeal was employed more often in casual wear advertising than in formal wear advertising. 5. Romantic appeal was employed more aften in the late of 1980's than in the begining of 1990's. Sex appeal and rational appeal were used more often in the beginning of 1990's than in the late of 1980's. 6. Emotional (28.7%) and Assertion Propose Headlines (21.6%) were popular in the late of 1980's. 7. Brand Name Headline was shown most often in the begining of 1990's. 8. Emotional, Factual and Mixed Copies were generally used at all types of bodycopy. while there was no difference in types of bodycopy between the periods. 9. Direct Approach, that a model introduced advertising goods to consumer, was mainly used in illustration. There was no difference in different types of illustration between the periods.

• Asian Pacific Journal of Cancer Prevention
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• 제13권11호
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• pp.5857-5863
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• 2012

Introduction: Mobile phones are in extensive use worldwide and concerns regarding their role in tumor formation were raised. Over the years multiple studies were published in order to investigate this issue using several approaches. The current study looks at secular trends of brain gliomas (low and high grade) incidence and changes in tumor's laterality over 30 years in a population extensively using this technology with a possible correlation to the spread of use of mobile phones. Materials and Methods: All brain gliomas that were diagnosed from 1980-2009 were included and subdivided into two groups - low and high grade. Secular and periodic time trend analyses of incidence rates and changes in laterality were performed. Preferred side of head using mobile phones was assessed with a questionnaire in a sample of adult individuals. Results: A decrease in incidence of low grade giomas (LGG) that correlated with introduction of mobile technology was found from 2.57, 2.34 and 2.79 for every 100,000 in the period 1980 to the end of 1994 to 1.72, 1.82 and 1.57, respectively, over the last three 5-years periods (1995-2009). High-grade glioma incidences increased significantly from 1980-2009 but in the period after mobile phones were introduced (1994-2009) a lower, non significant, rate of increase was observed in males and a lower one (significant) in females. A shift towards left sided tumor location for all adult gliomas combined and separately for LGG and HGG was noted from 1995 onward. The shift was more marked for those who were diagnosed in ages 20-49 (p=0.03). Conclusions: We found a statistically significant decrease in LGG's over 30-years period that correlates with introducing of mobile phones technology and a shift in laterality towards left-sided tumors, the latter occurred in both low and high-grade gliomas.

• 한국응용곤충학회지
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• 제20권3호
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• pp.168-172
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• 1981

한국의 거세미류중에서 숯검은밤나방이 과연 우점종인가를 밝히고 그 가해기간 및 가해기의 유충령기를 조사하였다. $1979\~1980$년의 조사결과 숯검은밤나방유충이 봄철에 채집된 거세미류중 약 $80\%$ 이상을 차지하며 밭작물의 피해초기에는 대부분이 $5\~6$령충으로 가해기간은 약 $1\~l.5$개월이 됨을 알 수 있었다. 이 해충의 영명을 'dark grey cutworm'으로 명명하였다.