• Title/Summary/Keyword: perceptual coding

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Analysis of the JND-Suppression Effect in Quantization Perspective for HEVC-based Perceptual Video Coding

  • Kim, Jaeil;Kim, Munchurl
    • IEIE Transactions on Smart Processing and Computing
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    • v.4 no.1
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    • pp.22-27
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    • 2015
  • Transform-domain JND (Just Noticeable Difference)-based for PVC (Perceptual Video Coding) is often performed in quantization processes to effectively remove perceptual redundancy. This study examined the JND-suppression effects on quantized coefficients of transform in HEVC (High Efficiency Video Coding). To reveal the JND-suppression effect in quantization, the properties of the floor functions were used for modeling the quantized coefficients, and a JND-adjustment process in an HEVC-compliant PVC scheme was used to tune the JND values by analyzing the JND suppression effect. In the experimental results, the bitrate reduction decreases slightly, but the PSNR and perceptual quality are improved significantly when the proposed JND adjustment process is applied.

Coding Unit-level Multi-loop Encoding Method based on JND for Perceptual Coding (JND 모델을 사용한 코딩 유닛 레벨 멀티-루프 인코딩 기반의 비디오 압축 방법)

  • Lim, Woong;Sim, Donggyu
    • Journal of the Institute of Electronics and Information Engineers
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    • v.52 no.5
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    • pp.147-154
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    • 2015
  • In this paper, we employed a model which defines the sensitivity according to the background luminance, so called JND (Just Noticeable Difference), and applied to the video coding. The proposed method finds out the maximum possible quantization parameter for the current unit based on the threshold of JND model and reduce the bitrate with similar perceptual quality. It selects the higher quantization parameter and reduce the bitrate when the reconstructed signal which is coded with higher quantization parameter is in a range of allowance based on the JND threshold, i.e. the signal has the similar perceptual quality compared to that is coded with the initial quantization parameter. The proposed algorithm was implemented on HM16.0, which is a reference software of the latest video coding standard HEVC (High Efficiency Video Coding) and the coding performance was evaluated. Compared to HM16.0, the proposed algorithm achieved maximum 20.21% and 6.18% of average bitrate reduction with the similar perceptual quality.

Perceptual Quality-based Video Coding with Foveated Contrast Sensitivity (Foveated Contrast Sensitivity를 이용한 인지품질 기반 비디오 코딩)

  • Ryu, Jiwoo;Sim, Donggyu
    • Journal of Broadcast Engineering
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    • v.19 no.4
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    • pp.468-477
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    • 2014
  • This paper proposes a novel perceptual quality-based (PQ-based) video coding method with foveated contrast sensitivity (FCS). Conventional methods on PQ-based video coding with FCS achieve minimum loss on perceptual quality of compressed video by exploiting the property of human visual system (HVS), that is, its sensitivity differs by the spatial frequency of visual stimuli. On the other hand, PQ-based video coding with foveated masking (FM) exploits the difference of the sensitivity of the HVS between the central vision and the peripheral vision. In this study, a novel FCS model is proposed which considers both the conventional DCT-based JND model and the FM model. Psychological study is conducted to construct the proposed FCS model, and the proposed model is applied to PQ-based video coding algorithm implemented on HM10.0 reference software. Experimental results show that the proposed method decreases bitrate by the average of 10% without loss on the perceptual quality.

Linear Sub-band Decomposition-based Pre-processing for Perceptual Video Coding

  • Choi, Kwang Yeon;Song, Byung Cheol
    • IEIE Transactions on Smart Processing and Computing
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    • v.5 no.5
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    • pp.366-373
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    • 2016
  • This paper proposes a pre-processing algorithm to improve the coding efficiency of perceptual video coding. First, an input image is decomposed into multiple sub-bands through linear sub-band decomposition. Then, the sub-bands that have low visual sensitivity are suppressed by assigning small gains to them. Experimental results show that if the proposed algorithm is adopted for pre-processing in a High Efficiency Video Coding (HEVC) encoder, it can provide significant bit-saving effects of approximately 12% in low delay mode and 9.4% in random access mode.

Enhanced Adjustment Strategy of Masking Threshold for Speech Signals in Low Bit-Rate Audio Coding (저전송률 오디오 부호화에서 음성 신호의 성능 개선을 위한 마스킹 임계값 적응기법 향상)

  • Lee, Chang-Heon;Kang, Hong-Goo
    • The Journal of the Acoustical Society of Korea
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    • v.29 no.1
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    • pp.62-68
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    • 2010
  • This paper proposes a new masking threshold adjustment strategy to improve the performance for speech signals in low bit-rate audio coding. After determining formant regions, the masking threshold is adjusted by using the energy ratio of each sub-band to the average energy of each formant. More quantization noises are added to the bands that have relatively large energy, but less distortion is allowed in spectral valley regions by allocating more bits, which reflects the concept of perceptual weighting widely used in speech coding. From the results of objective speech quality measure, we verified that the proposed method improves quality for the speech input signals compared to the conventional one.

Low-Complexity Motion Estimation for H.264/AVC Through Perceptual Video Coding

  • An, Byoung-Man;Kim, Young-Seop;Kwon, Oh-Jin
    • KSII Transactions on Internet and Information Systems (TIIS)
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    • v.5 no.8
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    • pp.1444-1456
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    • 2011
  • This paper presents a low-complexity algorithm for an H.264/AVC encoder. The proposed motion estimation scheme determines the best coding mode for a given macroblock (MB) by finding motion-blurred MBs; identifying, before motion estimation, an early selection of MBs; and hence saving processing time for these MBs. It has been observed that human vision is more sensitive to the movement of well-structured objects than to the movement of randomly structured objects. This study analyzed permissible perceptual distortions and assigned a larger inter-mode value to the regions that are perceptually less sensitive to human vision. Simulation results illustrate that the algorithm can reduce the computational complexity of motion estimation by up to 47.16% while maintaining high compression efficiency.

SPIHT Video Coder Using Perceptual Weight in Wavelet transform (웨이브릿 변환에서 인지적 가중치를 이용한 SPIHT 비디오 부호기)

  • 정용재;강경원;문광석
    • Journal of the Institute of Convergence Signal Processing
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    • v.3 no.1
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    • pp.15-20
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    • 2002
  • The frame coding inside the screen for a video coder has a big influence on the quality of the whole frame. The standardized video coder uses DCT, however it can give rise to a low image quality due to the blocking effect at low bit rate. This paper proposes a video coding method for an image quality improvement in human visual aspects. With the proposed method, the perceptual weight is coded with SPIHT and VLC by applying it into the frame and the visual noises are eliminated.

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The Design of Vector Processor for MDCT/IMDCT of MPEG-II AAC (MPEG-II AAC의 MDCT/IMDCT를 위한 벡터 프로세서 설계)

  • 이강현
    • Proceedings of the IEEK Conference
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    • 1999.06a
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    • pp.329-332
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    • 1999
  • Currently, the most important technology is compression methods in the multimedia society. In audio compression, the method using human auditory nervous property is used. This method using psychoacoustical model is applied to perceptual audio coding, because human's audibility is limited. MPEG-II AAC(Advanced Audio Coding) is the most advanced coding scheme that is of benefit to high quality audio coding. The compression ratio is 1.4 times compared with MPEG-I layer-III. In this paper, the vector processor for MDCT/IMDCT(Modified Discrete Cosine Transform /Inverse Modified Discrete Cosine Transform) of MPEG-II AAC is designed.

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HDTV Image Compression Algorithm Using Leak Factor and Human Visual System (누설요소와 인간 시각 시스템을 이용한 HDTV 영상 압축 알고리듬)

  • 김용하;최진수;이광천;하영호
    • The Journal of Korean Institute of Communications and Information Sciences
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    • v.19 no.5
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    • pp.822-832
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    • 1994
  • DSC-HDTV image compression algorithm removes spatial, temporal, and amplitude redundancies of an image by using transform coding, motion-compensated predictive coding, and adaptive quantization, respectively. In this paper, leak processing method which is used to recover image quality quickly from scene change and transmission error and adaptive quantization using perceptual weighting factor obtained by HVS are proposed. Perceptual weighting factor is calculated by contrast sensitivity, spatio-temporal masking and frequency sensitivity. Adaptive quantization uses the perceptual weighting factor and global distortion level from buffer history state. Redundant bits according to adaptation of HVS are used for the next image coding. In the case of scene change, DFD using motion compensated predictive coding has high value, large bit rate and unstabilized buffer states since reconstructed image has large quantization noise. Thus, leak factor is set to 0 for scene change frame and leak factor to 15/16 for next frame, and global distortion level is calculated by using standard deviation. Experimental results show that image quality of the proposed method is recovered after several frames and then buffer status is stabilized.

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Implementation and evaluation of stereo audio codec using perceptual coding (지각 부호화를 이용한 스테레요 오디오 코덱의 구현 및 음질 평가)

  • 차경환;장대영;홍진우;김천덕
    • Journal of the Korean Institute of Telematics and Electronics B
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    • v.33B no.4
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    • pp.156-163
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    • 1996
  • In this paper, we described the implementation and the sound quality assessment of a real-time stereo audio codec using TMS320C40 DSP (digital signal processing) chip for low bitrte and high quality audio. We implemented hardware and software in order to overcome a real-time processing problem of audio compression algorithm that can be produced by largely recursive computing and complexity of the process. We have studied five types of distortion that can be produced by perceptual coding and the codec was evaluated by eight test musics that are selected in SQAM (sound quality assessment material) 422-2-4-2 produced by EBU (european broadcast union). The subjective listening tests were carried out on the codec quality and preformance by double blind method in a listening room with eleven listeners. As a result, 5 grade-impairment scale was scored under minus one and the codec quality was evaluated to be perceptible, but not annoying.

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