• 건축역사연구
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• 제15권3호
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• pp.43-57
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• 2006

The Villa Mairea (1937-39) designed by Alvar Aalto (1898-1976) has been studied by many researchers from various viewpoints. However, few studies have devoted their attention to the major issue raised by Aalto at the Yale University lecture and "Mairea" article in arkitekten in 1939. The issue is to fuse art with life in the living room with mobile partition walls that can function both as art exhibition walls and as art storage cabinets at the same time. Through this device, he maintained, the client can change displayed pictures easily according to the situation and so "painting and everyday life can evolve in a more direct manner." This paper argues that Aalto's concept originated from Japanese 'tokonoma' in Tetsuro Yoshida's Das japanische Wohnhaus (1935), which he referred to during the project. Differently from other Japanese features in the house, this tokonoma idea is more than formal, but more decisive than passing in driving the plan. And, whether coincidently or not, his idea exactly corresponds to Japanese aesthetes' and critics' own interpretation of the tononoma as the symbolic centre of Japanese people's everyday life. More importantly, however, this art display concept discloses secret strata of modern architecture during the time when the petrified rationalism was still at its power Even through the tokonoma motif alone, we see diverse trails in modern architecture: fusion of the East and the West, fusion of the traditional and the modern, to say nothing of fusion of art with life.

• 한국실내디자인학회논문집
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• 제21호
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• pp.139-146
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• 1999

Small art museums are important objects in the point of view that they are museums to speak for the general architectural culture of current Korea and immediate factors to have an effect on urban street view and urban people's life. In small art museums, form has had plural transfigurational process when we analyze the external component elements or form types, we will find various aspects. In past, composition of form was expressed by simple partition of surface and columv. Now a days, it is expressed with unnumerable formal vocabularies. Although these forms being looked plural, form principle of composition that prescribe it can be rather simple. This study aims to grasp the characteristics and the composition technique of form in small art museums by analyzing compositional elements of it.

• 한국컴퓨터정보학회논문지
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• 제21권8호
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• pp.85-94
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• 2016

The purpose of this research is to clarify the effect that group art therapy with ceramics affects aggression and impulse for juvenile delinquent. The experimental domain of this study was implemented with 24 juvenile delinquent suspended from protective dispositions for them who were in long-term juvenile sheltered housing about for 12 years. These subjects were selected from among juvenile delinquent between 14 to 20 years age who were entrusted from court to the Juvenile Protection Education Institute located in G area. 12 people were randomly assigned each experimental domain and control domain; experimental group was implemented group art therapy with ceramics whereas there was anything to control group. The program was designed once a week and 90minutes each 12 sessions. The result of this study show that control group at variable related aggression was not significantly changed at posttest. In case of experimental group, here was significantly changed as a whole, also sub factor such as physical aggression showed considerable change so that the first hypothesis was supported In addition, experimental group showed the considerable change at sub factor of motor impulsiveness so that the second hypothesis was supported whereas control group at impulse variable was not significantly changed during pretest and posttest. This study results conclude that the juvenile delinquent participating group art therapy with ceramics represents the effect on reduction of aggression and motor impulsiveness. We expect this result will be used as further base line data for juvenile delinquent.

• 한국과학예술포럼
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• 제21권
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• pp.427-436
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• 2015

Ethnic tourism is utilized by many countries to improve the economic status. Ethnic tourism in Xishuangbanna started from the 1980s and grew rapidly during the past 2 decades. Although many researchers had stressed economic and socio-cultural impacts of ethnic tourism on ethnic minority people, little was done to identify their subjectivities. This research revealed the social and economic benefits from ethnic tourism, representing the identity of ethnic minority people. This research investigated the ethnic groups' subjectivities toward ethnic tourism and identity in Xishuangbanna, Yunnan, China, using the Q-methodology. It was found that the community residents did not get much benefits regardless of the social welfare that ethnic tourism had brought about. Finally, this research also made several implications with regard to tourism management.

• 한국엔터테인먼트산업학회논문지
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• 제13권1호
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• pp.69-79
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• 2019

본 연구의 목적은 경상북도 유일의 예술영화관인 안동중앙극장이 지역문화자원으로써 지역민들에게 어떻게 인식되고 있는지를 분석한 것이다. 이를 위하여 지역문화자원 관련 선행연구 조사와 안동중앙극장 및 예술영화관 관련 자료를 토대로 지역문화자원과 안동중앙극장의 기능을 분석하고 상관성을 검토하여 지역문화자원으로써 안동중앙극장의 인식을 위한 분석틀을 설정하였다. 제안된 분석틀을 토대로 지역문화자원으로서 안동중앙극장에 대한 인식을 문화·예술향유로서의 인식, 역사성으로서의 인식, 관광지로서의 인식, 커뮤니티형성으로서의 인식이라는 네 가지로 구분하였다. 연구 결과 안동중앙극장은 지역문화자원의 세 가지 기능인 정체성, 전통성, 공동체성을 갖고 있다고 판단되며, 이에 따라 안동중앙극장은 지역의 문화자원으로써 기능을 하고 있음을 알 수 있다. 따라서 지역의 문화자원들은 단독으로 존재하기보다는 그 지역의 역사와 주변 환경의 흐름 속에서 기능을 수행하고 있었다. 안동중앙극장 역시 지역문화자원으로써 지역의 역사성을 지키며 문화예술의 향유공간이자 관광지로서, 대중과 소통하는 문화 공간으로써 그 기능을 하고 있다. 추후 안동중앙극장이 지역문화자원으로서 지속적으로 역할을 할 수 있는 구체적 방안에 대한 연구가 이어지길 기대한다.

• 복식문화연구
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• 제7권5호
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• pp.122-139
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• 1999

Paco Rabanne, who has created experimental and prophetic avant-garde fashion by cutting edge techniques and revolutionary new materials, is known as one of the most influential fashion designer of modern times. The purpose of this study is to analyze the various factors, including some major artistic movements, which influenced on the formative characteristics of Paco Rabanne\`s fashion design. First, Paco Rabanne\`s fantastic new materials is also influenced by his study in architecture and his own fantasies -which other people can hardly imagine- during his early childhood. Second, light one of the most important element in Paco Ranbanne\`s fashion design, shows some influence of medieval symbols of love and salvation. Third, the artistic trends which influenced on Paco Rabanne\`s fashion include surrealism, opart, and kinetic art. His use of new materials and avant -garde style represents the influence of surrealism. his experimental use of waving plastics and glittering metal during his early period is especially related with opart and kinetic art in the early 1960s which emphasize the artistic effect of light and movement. Fourth, the geometrical figures like triangles, rectangles, and circles represent the influence of Egyptian architecture like pyramids and the geometrical characteristics of Eguptian art. Fifth, Paco Rabanne\`s distinctive use of metal chains in his fashion shows the influence of the chain mail hauberk, the medieval knightly armour. By using the medieval material Paco Rabanne properly expressed the modern person\`s pain and suffering. Sixth, the ethnic elements of Egypt, Africa, Spain, and Japan reflect the experience in his former lives he insists he lived. The ethnic elements of his dresses emphasize the natural vitality and inheritance from the past.

• 한국콘텐츠학회논문지
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• 제16권5호
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• pp.335-350
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• 2016

시지각 원리의 교육은 심리학에만 국한되지 않고 미술 감상 교육에도 필요한 학습 과정이다. 하지만 아직까지도 미술 수업을 표현 활동으로 인식하기 때문에 국내 미술 교육에서 감상 활동은 축소되거나 원활히 이루어지고 있지 않다. 따라서 감상에 동기 부여를 제공하고 정규 미술 교육을 받지 않은 학습자들에게도 감상에 대한 부담을 줄여주는 미술 감상 교육 프로그램이 필요하다. 이러한 필요성에 의해 본 논문에서는 미술 작품의 이해를 위해 시지각 원리를 학습하여 새로운 작품을 구상하고 표현하는 활동과 다양한 미술 작품에 대입시켜 감상하는 활동을 제안한다. 먼저 미술 표현에서의 시선운동의 개념과 시선 추적 실험 결과를 통해 얻은 시지각 원리의 특징을 서술하였다. 그리고 시지각 원리와 시선운동과의 연관성을 찾기 위해 이를 기반으로 회화 작품 해석에 사용되는 시선운동을 분석하였다. 최종적으로 펠드먼 비평 양식을 도입하여 시지각 원리를 학습할 수 있는 미술 감상 프로그램을 제안한다. 그리고 3장에서 분석한 두 개의 회화작품을 제안한 미술 감상 프로그램에 적용한 예시를 제시한다.

• 문화기술의 융합
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• 제9권6호
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• pp.443-451
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• 2023

사운드아트(Sound Art 또는 Sonic Art)는 20세기 중반부터 주로 유럽과 미대륙을 중심으로 실천되어 온 현대예술의 한 지류로 우리나라에서는 일반적으로 다원예술 분야로 간주하거나 현대음악이나 미디어아트의 하위장르(subgenre)로 인식되는 경향이 있다. 2000년대 이후 지금까지 북미와 유럽의 일부 유수 대학에서 전공으로 개설되어 이 분야를 전문적으로 연구하거나 실천적인 작가로 활동을 하는 인재들을 사회로 배출하고 있기는 하지만 아직은 비주류적 예술 분야로 간주되는 것이 실상이고, 국내의 대학에서는 아직 사운드아트를 주전공으로 개설한 학교를 찾아 보기는 어려운 것이 현실이다. 본 논문에서는 창의적 융복합 교양교과로서 실제로 국내 4년제 종합대학에서 운영하는 <현대사회의 사운드아트>라는 교양교과목 수업모형과 교수법의 소개와 함께 고등교육의 교양학습으로서 사운드아트 활용의 가능성을 논의한다.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2009년도 춘계 종합학술대회 논문집
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• pp.1020-1025
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• 2009

오행이론은 사람들이 객관세계에 대해 장기간 관찰하여 얻어낸 이론이다. 그 핵심적인 내용은 세상만물을 목' 화' 토' 금' 수 등 다섯 가지 물질형태로 귀납하여 상생상극(相生相克)인 상호작용을 부여한 것이다. 오행이론에는 인물의 외모 특징을 귀납한 면상학내용이 있다. 그리고 인물의 외모특징과 인물의 성격특징이 상호 대응되어 추상적인 성격을 구상화한 방법을 형성하였다. 본문은 세계적으로 유명한 애니메이션 몇 부에 대한 분석을 통하여 이러한 캐릭터의 성격특징과 조형특점을 정리한 뒤 오행이론중의 인물성격' 인물 외모와 비교하여 캐릭터디자인과 오행이론사이의 대응성을 연구하였다.

• 패션비즈니스
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• 제1권4호
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• pp.55-66
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• 1997

This study is an indepth analysis of the environment surrounding the evolvement of western make-up culture, its transition during the twentieth century and its cultural characteristics with an aim to analyze people's aesthetic sense during the twentieth century and the western make-up culture which stands as the foremost important measure of its reflection. In order to accomplish this task, I have centered my studies on previous records, documents, articles, magazines, and pictorial data on art and motion pictures all of which involve the art of clothing and make-up. First, 'total fashion' make-up which seeks general harmony of color and figure in order to achieve unified beauty with other elements of beauty such as clothing is emphasized. Second, twentieth century make-up has expressed women's social status and value of each different time culture. Third, make-up has transformed its role from that of expressing only women's beauty to that of expressing resistance and opinion. Fourth, in the midst of material-centered societies spread due to high level of industrialization, development of highly functional make-up(biocosmetics) emerged as people became more conscious of nature and started to aggressively pursue protection.