• 한국수학사학회지
• /
• 제19권1호
• /
• pp.55-64
• /
• 2006

본 논문에서는 고대 Greece, 고대 Babylonia 등에서 시작한 수학의 발전 과정과 19세기 이후 집합론을 바탕으로 공리주의적 방법으로 현대수학이 발전하였음을 알아보고 특히 위상수학의 발전과정을 요약해 보았다.

• Asian Pacific Journal of Cancer Prevention
• /
• 제16권4호
• /
• pp.1529-1534
• /
• 2015

Introduction: Overexposure to sun radiation and particularly its accumulation during childhood and adolescence is a significant risk factor for skin cancer development. The sun burn is particularly important. Aim: To estimate sun burn incidence in young pupils in a coastal area of Greece. Materials and Methods: Two surveys were conducted in a school population in the same district in Greece, over different periods of time, in young people 9 to 18 years old (n=2 977). Anonymous questionnaires were completed. Levels of significance were two-tailed and statistical significance was set at p=0.05. SPSS 17.0 software was used for statistical analysis. Results: From the individual characteristics of the participants it was shown that the majority of them had dark hair and fair skin, whereas a significant percentage reported the existence of moles on face and their body (83.4% vs 68.1%). The sun burn incidence was high in adolescents and the younger pupils (41.9% vs 55.6%). The younger aged children who were living in an urban area had significantly higher rates of sun burn than those living in semi-urban areas (33.8% vs 24.8%, p=0.020). As far as the knowledge of pupils about the risks of sun radiation it was shown that the elementary school pupils had better knowledge than those at high school. Finally, those with better knowledge had the fewer sun burns (Mean 2.83 SD 0.87, p<0.001). Conclusions: The contribution of knowledge to the decrease of sun burn incidence is important as long as this is continuous. Therefore, the education should concern not only children but also teachers and parents in the context of continuous and systematic programs of health education.

• 한국도서관정보학회지
• /
• 제52권4호
• /
• pp.1-21
• /
• 2021

본 연구는 고대 근동 및 그리스·로마의 기록관과 연계한 도서관 명칭의 기원과 변용을 추적하였다. 첫째, 도서관이란 말의 기원은 두 갈래다. 하나는 고대 그리스어 βιβλιοθήκη에서 라틴어 bibliothēkē가 파생되었고 최초 흔적은 2세기 후반 폴룩스의 「Onomasticon」이고, 문헌 텍스트 집합으로 간주하면 1602년 립시우스의 「De Bibliothecis Syntagma」다. 다른 하나는 라틴어 libraria가 고대 프랑스어 librairie로 변용된 후 14세기 초 library로 정착되었다. 영어 library는 1374년 초서가 조어하였다. 둘째, 고대 근동의 점토판 보존소는 기록관에 가깝지만 공식 명칭은 알 수 없다. 그러나 아슈르바니팔 점토판 보존소는 기록학계의 원질서 존중 및 출처주의 원칙과 거리가 멀기 때문에 왕실기록관이 아닌 왕립도서관의 원형이다. 알렉산드리아도서관의 공식 명칭은 'Βιβλιοθήκη της Αλεξάνδρειας'이었고 'ALEXANDRINA BYBLIOTHECE'로 변용되었다. 셋째, 고대 그리스·로마에서는 기록관과 도서관이 분리되었다. 그리스 도서관은 체육관 부설 도서실 수준이었고, 독립된 명칭은 거의 없었다. 목욕탕에 많이 부설된 로마 도서관의 명칭은 βιβλιοθήκη과 Bibliotheca이 혼용되었다. 마지막으로 고대 도서관은 중세 수도원 도서관으로 계승되었고, 이슬람제국에서는 '바이트 알-히크마'로 변용되었다. 한중일에서는 19세기말 화제한어 도서관이 수용되었으나 쟁점이 많아 후속연구가 필요하다.

• 한국실내디자인학회논문집
• /
• 제16권1호
• /
• pp.108-118
• /
• 2007

The tabernacle architecture is the paradigm of the new testaments and the modern church, and has been from the temples to synagogues, the Old Testaments to the New Testaments, and from present to future. Nevertheless, research on the Tabernacles has never been studied architecturally but has only been researched Biblically or partially. This would be because people interested in the tabernacle lack in architectural knowledge, and architects would be limited theologically. Furthermore, the start of church architecture until now was the architecture of the Roman-court style and the Greece Temple as the exterior, such as the Basilica, a non-Christian, strangely styled piece of architecture, which was seen as the basis of the church architectural style, which is a great mistake, due to the effect of modern architectural educational system with the central figure of humanism and western styled architecture. The measurement and the pattern of the Tabernacle architecture were not recorded in the Bible in order to produce the shape of the Tabernacle. The 'Architecture of God' was designed for the very first time on Earth so that He could dwell among His people.

• Journal of Yeungnam Medical Science
• /
• 제18권1호
• /
• pp.138-143
• /
• 2001

저자들은 52세 남자환자로 약 1년 6개월간 베트남에서 파병생활을 하였고, 당시 소, 돼지, 닭 등을 생식한 과거력이 있는 자에서 우연히 복부 초음파 검사에서 4 cm 가량의 낭종이 발견되어 천자로 위립조충의 충란이 발견됨으로써 확진된, 간의 포충낭 1예를 경험하였기에 문헌고찰과 함께 보고하는 바이다.

• Earthquakes and Structures
• /
• 제10권3호
• /
• pp.645-667
• /
• 2016

The 750 m long "De Bosset" bridge in the Cephalonia Island of Western Greece, being the area with the highest seismicity in Europe, was constructed in 1830 by successive stone arches and stiff block-type piers. The bridge suffered extensive damages during past earthquakes, such as the strong M7.2 earthquake of 1953, followed by poorly-designed reconstruction schemes with reinforced concrete. In 2005, a multidisciplinary project for the seismic assessment and restoration of the "De Bosset" bridge was undertaken under the auspices of the Greek Ministry of Culture. The proposed retrofitting scheme combining soil improvement, structural strengthening and reconstruction of the deteriorated masonry sections was recently applied on site. Design of the rehabilitation measures and assessment of the pre- and post-interventions seismic response of the bridge were based on detailed in-situ and laboratory tests, providing foundation soil and structural material properties. In-situ inspection of the rehabilitated bridge following the strong M6.1 and M6.0 Cephalonia earthquakes of January 26th and February 3rd 2014, respectively, revealed no damages or visible defects. The efficiency of the bridge retrofitting is also proved by a preliminary performance analysis of the bridge under the recorded ground motion induced by the above earthquakes.

• 비교문화연구
• /
• 제26권
• /
• pp.43-71
• /
• 2012

In this article, we recognize the cross-cultural communication between Greece and Spain through El Greco's pictures. The Greeks of Crete kept to their culture and continued to look to the declining Byzantine Empire for spiritual and political guidance. For two centuries after the conquest, the strength of the Byzantine tradition had become the moral and spiritual sustenance of the conquered in Crete. The basic contribution of Cretan intellectuals or artists such as El Greco of the fifteenth and sixteenth centuries was the forging of connecting links between the Hellenism of the old Byzantine East and the rising, youthful Hellenism of the Renaissance West. In this way, Crete served as an important halfway point between East and West. The saint Mary Magdalene was symbol of Christian penitence, which represents the penitential life personified and became widespread during the Counter Reformation, when new emphasis was put on the value of prayer and repentance in the forgiveness of sin. In Spain, the Penitent Magdalene was popular and El Greco painted many versions, which at the first time, were reflected by Tiziano, on the contrary, at the time of Toledo, were recreated by his own style. Although El Greco was converted to Catholic in Spain, his faith in Greek Orthodox Church influenced on his original painting world. El Greco had never painted a picture whose subject treat with the emphasis of identification between Mary Magdalene and Mary, younger sister of Martha.

• 한국수학교육학회지시리즈E:수학교육논문집
• /
• 제36권1호
• /
• pp.171-199
• /
• 2022

본 연구에서는 2015 초등 수학 교과서 및 지도서에서 보완이 필요한 수학사 기술내용을 파악하고 이에 대한 보완방안을 제안하고자 한다. 이를 위해 2015 초등 수학 교과서 및 지도서 24종에 대한 문헌연구를 진행하였다. 연구의 결과는 다음과 같다. 2015 초등 수학 교과서 및 지도서에서 보완이 필요한 주제는 총 10가지 주제로 '고대 이집트인의 산술', '고대 이집트 수학 교과서 A'h-mosè 파피루스', '메소포타미아 고아카디안 사각띠', '메소포타미아 고바빌로니아인과 각도', '고대 이집트인과 고바빌로니아인의 원주율', '고대 이집트인과 고바빌로니아인의 $\sqrt{2}$', '이슬람인과 소수', '황금비의 뿌리에 대한 두 가지 주장', 'Archimedes와 실진법', '평면 디자인'이었으며, 이에 대한 구체적인 보완방안을 제안하였다. 이를 통해 기축시대 역사관점을 극복하고 고대 이집트, 고바빌로니아, 고대 그리스와 헬레니즘, 중앙아시아(이슬람 1000년), 유럽으로의 수학문화 전이를 인정하고 수용하게 되기를 기대한다.

• 미술이론과 현장
• /
• 제14호
• /
• pp.7-32
• /
• 2012

The exhibition was started in 2010 in the New Acropolis Museum of Athens and embarked a journey since 2011 as a travelling exhibition inside Greece and abroad. The main purpose of the exhibition was to draw attention of the general public to the value of the 'rescue excavation' and of cultural heritage of Greece, by presenting the reconstruction bust of a girl whose skull was found in Kerameikos cemetery of ancient Athens. The new Kerameikos excavation was initiated by the construction of Metropolitan Railway lines in the center of Athens between 1992 to 1998. It revealed a pit of a mass burial where about 150 people were inhumed in a very hasty way without proper funeral rites or offerings. These bodies are identified as the victims of the infamous plague of Athens in the first years of the Peloponnesian War(430-426 BC). The epidemic disease killed almost one third of the city population including Pericles, and brought extreme fear and panic to the Athens society. The traditional funerary rites were totally disrupted, and the social decorum and the morality among the citizens became enfeebled. The plague and the civil war were the decisive factors to end the Golden Age of Democratic Athens. However, the exhibition organizers did not focus on the tragic aspect of this disaster and its casualties. Their main concern was to simplify the scholarly works of archaeological excavation and microchemistry analysis so that the exhibition viewers will easily understand and empathize the living value of the scholarly works of ancient Greek civilization. The centripetal element of the exhibition was the vivid face of an 11 years old ancient girl 'Myrtis', which was carefully reconstructed based on both the scientific data and artistic imagination. Also the set up of the exhibition was structured in order to stimuli cognitive and emotional experience of the visitors who witnessed the rebirth of a vibrant human being from an ancient debris. The museologists' continuous efforts to promote projects of contemporary artists, publications, and school programs related to the exhibition indicate that the ulterior motive of this exhibition is the cultural education of the present and future generation through the intimate experiences of ancient Greek life. Also this is the reason why the various museums that held the travelling exhibition try to make the presentation as a gesture of memorial service for an anonymous Athenian girl who deceased circa 2400 years ago. The pragmatic efforts of Greek scholars and museologists through exhibition show us a way to find a solution to the continuous threat of cultural resources by massive construction projects and land development, and to overcome public indifference to the history and cultural heritage.

• 한국의상디자인학회지
• /
• 제11권1호
• /
• pp.53-62
• /
• 2009

Through the result of the investigation on costumes in Bulgarian regions, the main factors for the formation of Bulgarian folk costume and its kinds and history have been found out so far as follows. Alhtough varying according to the district and climate, Bulgarian folk costumes have some general features determined by the material, the pattern, the application. For women, Bulgarian costume consists of a white shirt, a single or double apron unique depending on each region(Bruchnick), a basic dress called a tunic (Soukman), and an open-tunic typed coat (saya). The main factors for the formation of Bulgarian folk costume have been under the influence of natural and environmental features and historical streams resulting from its geographical location. Bulgaria is agriculture-oriented society based on a continental climate. Accordingly, as for the classification of costumes, body-fit clothes, such as shirts and jackets which developed in Europe and fit the body shape, have featured in Bulgaria. Besides, Bulgaria was under the rule of Turk for a long time at the end of the Middle Age. Having been influenced a lot those days, its folk costume shows Turkish elements now. With geographical features, it was found that the southern area was influenced most by Turkey and Greece, and the types of folk costumes in Europe developed mainly from the northern area. The adaptation of traditional costume forms to the new cultural and progressive principles of appeal nowadays needs knowledge, as well as feeling. Finding the right measure and proportions of using old ethnic elemints in contemporary clothing is the prerequisite of successful design.