• 패션비즈니스
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• 제18권4호
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• pp.66-79
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• 2014

Unlike other body arts, body painting illuminates the value of art using eco-friendly formative activity and natural environment and highlights the need of eco-friendly activity. However, although body painting has focused on forming right relationship between human beings and nature, there are few researches which are linked with nature art. Therefore, the purpose of this study is to argue the need to study body painting as nature art in connection with natural environment and analyze body painting according to nature art types. The study methods included both theoretical review and empirical review. The theoretical review examined the concept and characteristics of nature art through previous researches and literature and the empirical review looked into the types and works of nature art and applied them to body painting works. The results were as follows. First, an installation type was possible by arranging and attaching certain materials to the body. Second, a physical type was possible by representing body itself as the part of nature. Third, a symbolic type was possible by making body appearance as a some symbol based on artist's idea. Fourth, a sound type was possible by stimulating auditory hallucination using the nature of objects and sensing a sound. Fifth, an ecological type was possible by conveying the message of living things in nature to the body. Sixth, an interior type was possible by inducing indoor installation of works. Seventh, a poetic type was possible by making one feel a poetic inspiration expressed in nature using the mystery of the sea and a simple sequential pattern of floral leaves. Eighth, a drawing type was possible by adding artist's intentional hand with a pictorical technique. Ninth, a indigenous type was possible by reproducing South American indian's primitive style. The review of this study suggests that body painting works have been expressed in experimental and temporary arrangement like nature art in nature and can be applied according to nine types of nature art.

• 한국콘텐츠학회논문지
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• 제18권9호
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• pp.81-90
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• 2018

SBS <그것이 알고 싶다>는 시사 고발 프로그램들이 위축되는 2010년대에 공론 장을 지키는 역할을 수행했다. 이러한 성취에는 <그것이 알고 싶다>의 수사학적 특성이 자리하고 있을 것이라는 가정을 바탕으로 분석을 실시했다. 수사학이라는 특성을 바탕으로 <그것이 알고 싶다>를 일반적인 시사고발 프로그램으로 보기보다는 '미스터리성 고발 다큐멘터리'로 인식할 때 프로그램의 본질에 더 다가갈 수 있다고 보았다. 프로그램의 수사학적 성격과 제목, 부제목, 대본에 나타난 수사학적 특성을 분석한 결과 프로그램의 제목에는 철저하게 시청자가 보고 싶어 하는 욕망을 충족시키려는 관점이 반영되어 있었으며, 부제목들에는 미스터리라는 단어의 활용, 지명의 빈번한 사용, 의문문 형식의 문장 등의 특성을 발견할 수 있었다. 또한 대본에서는 반전의 수사학, 심층의 수사학, 감탄의 수사학을 사용하고 있다는 것을 발견했으며, 이와 같은 수사학적 특성으로 인해 시청자의 관심을 끌어 모으며 시청자와 왕성한 상호작용을 수행할 수 있다고 결론내릴 수 있다.

• 한국정보통신학회:학술대회논문집
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• 한국해양정보통신학회 2011년도 춘계학술대회
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• pp.358-361
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• 2011

영상에서 보여지는 이미지는 정보제공과 커뮤니케이션을 목적으로 한다. 원활한 커뮤니케이션을 위해 수용자의 입장에서 제작자는 다양한 해석을 유도할 수 있도록 흥미와 신비감을 가진 캐릭터를 차용하게 되었고 이러한 캐릭터는 수용자의 입장에서 자유롭고 다의적인 해석을 가능하게 한다. 현재 Fantasy 영상에서 차용된 신화적 마법적 세계가 급변하는 사회 속에서 불안정함과 합리적인 것만을 추구하는 대중에게 오락과 시각적 유희의 만족감을 주면서 다양한 캐릭터 개발이 이루어지고 있다. 과거의 지시적이고 구체적인 이미지가 아닌 편재하고 상징적이고 추상적인 형태로 나타나게 되면서 숭고의 미가 아닌 추악함의 미까지 미학의 범주 안에서 발전하고 변화되고 있다. 이러한 양상으로 과거의 전설적인 캐릭터가 현재적인 시대상을 반영하여 본연의 의미에서 해체되고 변질되는 개념적 형태적 특성을 보인다. 따라서 그 변화의 중심이 되는 신화차용 캐릭터에 관한 연구를 통해 영상 커뮤니케이션에 대한 인식 범위의 확대를 기대할 수 있다.

• 한국초등과학교육학회지:초등과학교육
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• 제29권4호
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• pp.484-495
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• 2010

The purpose of this study was to investigate changes in geological contents knowledge and self-confidence before and after the geological field trips. Fifty seven undergraduate students at a national university of education participated in this study. The questionnaires were developed by the researcher to serve the purpose. Findings were as follows. First, before and after the geological field trip, there was no significant difference in changes of geological content knowledge (p<.05). However, participants' self-confidence about the geological field trip changed significantly (p<.01). Second, there were no significant differences in changes of both variables in terms of gender (p<.05). And in this study, participants were grouped into two: science track that selected science areas and non-science track with social study selected in the college scholastic ability test. There were also no significant differences in changes of geological contents knowledge and self-confidence in terms of science or non-science track (p<.05). Third, in terms of the geological content knowledge, 24 pre-service teachers showed an increase, 12 students unchanged, and the 21 participants decreased. In contrast, per participants' self-confidence about the geological field trip, fifty three students indicated an increase with only one participant unchanged, and three preservice teachers decreased on the score. Finally, after the geological field trip, participants' comments indicated that they could feel the mystery of nature with the mind of a great experience. As a result, data showed that pre-service teachers became interested in geology, and motivated more in learning geological area than ever.

• 복식
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• 제53권1호
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• pp.49-66
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• 2003

In the relationship between post-modern feminism and the body. the body of women, which has been taken as 'other' by dominant arguments, has escaped from the fixed idea at post-modern times and the post-modern feminists tried to escape from the taste of the times about body image that was prevalent in the former times.'The taste of the times' here means the fixed physical form of ideal women's body by the educational custom, and it includes the educational prescription which establishes the docile body of women. This kind of educational custom aims at the perfect and permanent restriction on size, shape, desire, attitude and movement as well as on the overall demeanor and each part of the body. And the custom produces 'dependent and trained'. that is, inferiorized women's body. Hence, this paper points out that the feminity as a fixed Physical form should be overcome in order to move forward, and as one part of the effort, it attempts to analyze the designs which deformed and distorted women's body in 1990s. This research indicates that the work, which tries to deviate the fantasized and casted women's mystery, has been closely connected with the expression of 'non-separate bodies' and 'irregular body shapes' in 1990s, which aims at escaping from the fixation of women's body Image. Therefore, it is concluded that the target design trend of this research, which expressed the deformation and perversion of the body, provides the anti-these against the ideal body image of women and the these of feminity. which have been reproduced in various methods and patterns throughout the public and the culture on the whole by expressing the refusal and deviation of the existing women's body image through the post-fixation of the body pattern.

• 복식
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• 제50권2호
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• pp.125-140
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• 2000

The major findings of basic women wear in genre painting were ; 1. Due to the influence of Shill-Hak (practical science) philosophy, Jeogori became shorter and a tighter fit came to be the norm. 2,. The shortening of the Jeogori influenced a longer Chima with a wider span providing comfort in movement or at work. The end of the skirt was often held by one hand to the waist adding to comfort. This was called the Go-dul-chima(Lifted Chima). 3. Because the Geo-dul-chima exposed a portion of one underwear at the bottom of the dress this influenced the "irnamentation' of underpants and underskits. 4. Collars or lapels came in the form of Dang-ko, Kal, Mok-pan and Ban-Mokpan. Among there Dang-ko style collars were the most common which allows us to conclude that this was the most popular. 5. The most commonly used colors for Jeogori were white (39.8%) and jade(18.3%) . The most commonly used colors for CHima were deep blue(34.4%) and jade(20.4%) . The lower Chima used the darkercolors to give stability to the overall costume. 6. Clothing had the function of differentiating the classes. Only the Yang-ban were allowed to wear the Samhijang Jeogori and the Gob-Chima(double layered Chima) and the knotting of the Chima to the left. But the painting show that these rules were not adhered to in the strictest manner. With the bases of these types of chima and Jeogori can look at the characteristical beauty of the ordinary women during the late Cho-sun dynasty. First is the beauty which comes from mystery of those parts of body which can not be seen. A sense of subtle and sensual beauty as well as that coming from the enlargement of reduction of the upper body, narrow waist and abundant lower body parts creating an ideal silhouette of sexual charm. An expression of emotion through clothing by those who lived during those times.

• 한국지구물리탐사학회:학술대회논문집
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• 한국지구물리탐사학회 2004년도 정기총회 및 제6최 특별 심포지움
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• pp.180-189
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• 2004

(반)월성은 세계문화유산으로 등록된 '경주역사유적지구'에 위치한 왕성으로 특유한 반달모양을 하고 있어 유래된 이름이다. 우리의 신라 천년왕조의 역사를 가진 자랑스러운 월성은 오랜 역사만큼이나 그 신비함이 아직까지 간직되어 오고 있다. 따라서 월성의 신비를 그대로 보존하면서 고고학적인 호기심을 충족시킬 수 있도록 GPR(Ground Penetrating Radar)탐사 조사법을 적용하여, 향후 발굴계획이나 고고학적 연구에 과학적이고 체계적인 접근과 현대고고학과 지구물리학의 접목의 전기를 마련하고자 조사를 실시하였다. 탐사면적은 월성 전체면적의 $10\%$에 해당하는 $12,000m^2$로 석빙고 앞 및 그 주변을 탐사하였으며, 그 결과, $8{\times}8m^2$ 크기의 건물 7채와 담장 및 성의 출입시설, 수많은 초석들, 도로(추정), 그리고 직경 35m크기의 연못으로 추정되는 반응들이 확인되었다.

• Asian Pacific Journal of Cancer Prevention
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• 제17권sup3호
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• pp.245-252
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• 2016

Due to increasing incidence of breast cancer, recognition of risk factors has become increasingly important. Over the past few decades, among risk factors of this disease, stressful life events have attracted particular attention, but their relationship with breast cancer incidence and survival remains a mystery. This study aimed to examine the relationship between severe stressful life events and incidence and survival of women with breast cancer. In this case-control study, using a structured telephone interview with 355 women with breast cancer and also with 516 women with benign breast diseases who were matched in demographic characteristics, necessary information about the experience of major stressful events in the years before the diagnosis were collected. Data were analyzed using statistical methods of ${\chi}^2$, t, and Kaplan-Meier with a significance level of <0.05. Generally, in the case and control groups, there were no significant association between experience of stressful life events and incidence of breast cancer. Regarding associations between each of the events and incidence of breast cancer only "severe interpersonal problems with spouse" was significant. In the breast cancer group, even after controlling confounding variables, there was no significant association between major stressful events and disease-free survival, or overall 5-and 10-year survival. In this study, only "severe interpersonal problems with spouse" was confirmed as a risk factor. This result can be useful in developing preventive policies. More research regarding the interactive effects of psycho-social factors in the incidence and survival of breast cancer with stressful life events is recommended.

• 한국의류산업학회지
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• 제17권1호
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• pp.11-21
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• 2015

This study analyzed the expressive phenomenon of a blurred boundary in fashion jewelry focused on the relationship between fashion jewelry and costume or fashion jewelry and body. The method of this study was to analyze recent documentaries about jewelry theories in regards to 607 cases of fashion jewelry design in fashion books, fashion magazines, fashion internet sites from 2000 to 2014. The results were: First, phenomenon of blurred boundary between fashion jewelry and costume was expressed in a see-through wear form made of luxury material (gold and diamond) or paste material, a similar form (like fashion accessories made of crystal, bids, and gold chain), an integration of fashion accessories and jewelry, and an attached jewelry on fashion accessories. It reflected a rearrangement of conventional relationships, a blurred relation of function and meaning, dissolution of jewelry form stereotypes, jewelry styling, a harmony of function and decoration, and an alteration to the central role of a fashion image. Second, the phenomenon of a blurred boundary between fashion jewelry and body was expressed in a body organ wrapping, body surface adhesion and sculptural jewelry based on body pose. It reflected a separation from conventional space of jewelry expression, a realization of mystery and fantastic, an expression of new body surface and a blurred boundaries of fashion jewelry and body art. Aesthetic characteristics were analyzed into metaphor and integration by separation from the conventional relationship of fashion jewelry and costume or fashion jewelry and body.

• 한국콘텐츠학회논문지
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• 제10권3호
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• pp.166-174
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• 2010

사회변화의 속도만큼 소비자들의 구매패턴이 변화함에 따라 효과적이고 경쟁력을 지닌 커뮤니케이션 수단을 찾고자 광고계는 노력하고 있다. 글자가 갖고 있는 고유한 이미지를 극대화 하고, 그 글자가 쓰이는 상황에 꼭 맞는 글꼴을 표현해 내는 캘리그래피는 조형적 차별화 방안의 하나로 여겨지고 있다. 사람의 손으로 직접 씀으로써 규격화 된 활자에서 느낄 수 없는 강한 기호와 상징성, 그리고 호소력과 아름다움, 역동적 운동감, 신비감 등을 표출 할 수 있다. 디자인분야 전 영역에 걸친 캘리그래피의 폭넓은 적용은, 디지털의 딱딱함과 차가움에 대비되는 부드러움과 따뜻한 아날로그적 서정성을 요구하는 시대적 욕구에 부응하는 것이다. 매체광고에서 캘리그래피의 활용을 강조하는 감성적 표현이 광고내용의 인지적 기능을 높이고 호감도, 주목도, 회상도 등에 긍정적 영향을 주며, 따라서 문자위주 표현이 감성적 커뮤니케이션으로서 예술적 표현기능을 가진 하나의 미디어로 문화의 중심에 자리하고 있다.